PODCAST · arts
San Francisco Theatre Scene (TM)
by Barbara A. Brewer
Interviews with San Francisco Bay Theatre Artists. sftheatrescene.blogspot.com
Episodes
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Norman Gee--Part 8 (4:12)
Advice to the Young Artist: Make the Most of Every Opportunity Part 8 - Very Close to CD-Quality MPEG-4 (Broadband) (5.6M) Part 8 - High Quality MPEG-4 (ISDN) (3M) Part 8 - Highest Quality MPEG-4 available for Dial_up (1.5M)
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Norman Gee--Part 7 (3:58)
Learning Directing Techniques Teaching Children Part 7 - Very Close to CD-Quality MPEG-4 (Broadband) (5.6M) Part 7 - High Quality MPEG-4 (ISDN) (2.8M) Part 7 - Highest Quality MPEG-4 available for Dial_up (1.8M)
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Norman Gee--Part 6 (3:26)
Central Works Theater Ensemble of Berkeley is referenced in this segment. San FranciscoBay Area Theatre: A Portrait of Myopia and Its Consequences Part 6 - Very Close to CD-Quality MPEG-4 (Broadband) (4.9M) Part 6 - High Quality MPEG-4 (ISDN) (2.5M) Part 6 - Highest Quality MPEG-4 available for...
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Norman Gee--Part 5 (6:28)
In this segment two performing arts companies are referenced; Word for Word and Thick Description, as is The Bay Area Playwrights' Festival. Also referenced is the children's book, The Wind in the Willows. The Future: Hosting and Regionalism Part 5 - Very Close to CD-Quality MPEG-4 (Broadband)...
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Norman Gee--Part 4 (7:05)
In this segment, Gee talks more about breaking out of stereotypes. He talks about producing Thorton Wilder's The Long Christmas Dinner. He also references August Strindberg, Henrik Ibsen, Noh Theatre and Suzan-Lori Parks 365 Days/365 Plays. Breaking Out Of Stereotypes Part 4 - Very Close to...
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Norman Gee--Part 3 (6:14)
In part three, Gee starts by explaining the impetus for starting the Oakland Public Theatre. Next he tackles the thorny issue of ethnicity in theatre in the Bay Area. He mentions Shotgun Players, California Shakespeare Company and African American Shakespeare Company. Part 3 Ethnicity and Theatre...
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Norman Gee--Part 2 (6:56)
Introducing other authors whose works will be read during the performances, Gee explains their relationship to Wright. Gee references Richard Wright's, Black Boy and Native Son, James Baldwin's Notes of a Native Son, Chester Himes an author, Ollie Harrington, a cartoonist, and Harrington's book…
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Norman Gee--Part 1 (6:39)
Norman Gee, is the originator, artistic director and producer of Oakland Public Theatre in Oakland, California. As an Oakland actor and director he saw a need for a theatre whose mission was to serve the people of Oakland. Hence he created Oakland Public Theatre many of whose productions are...
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O'Keefe Part 8
Part 8 - The Future (3:10) In this segment, O'Keefe discusses The Marsh as a venue for reaching varied audiences. Part 8 - Very Close to CD-Quality MPEG-4 (Broadband) (1.1M) Part 8 - High Quality MPEG-4 (ISDN) (2.2M) Part 8 - Highest Quality MPEG-4 available for Dial_up (4.4M)
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O'Keefe Part 7
Part 7 - Walt Whitman's "Song of Myself" as a Performance (11:33) In this segment of the interview, O'Keefe explicates Whitman's famous poem as he discusses the process of bringing "Song of Myself" to the stage. O'Keefe, like one of his mentors, John Cage, has found inspiration from America's...
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O'Keefe Part 6
Part 6 - Theatre as a Mind Altering Experience (6:35) In this section O'Keefe discusses the foundations of his body of work. In it, he references the Christo Running Fence, an art installation in Marin and Sonoma counties from 1972-1976. He also references the abstract expressionist painter Mark...
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OKeefe Part 5
Part 5 -The Politics of Theatre (6:35) In this section, O'Keefe describes how theatre in the Bay Area has become driven by market forces rather than creativity. Among other topics John Lion's contribution to San Francisco theatre is discussed in this section. Part 5 - Very Close to CD-Quality...
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OKeefe - Part 4
Part 4 Experimental Theatre vs. Straight Theatre- (6:08) In this section O'Keefe discusses experimental theatre's takeover and demise. The Kitchen as well as P.S. 122 is mentioned as are performance artists; Steve Reich, Philip Glass, Laurie Anderson, Karen Finley, and others. Part 4 - Very Close...
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O'Keefe Part 3
Part 3 - Music's Connection to Theatre--the language of poetry (4:09) In this section, O'Keefe makes references to Homer's ODYSSEY and ILIAD. Part 3 - Very Close to CD-Quality MPEG-4 (Broadband) (5.8M) Part 3 - High Quality MPEG-4 (ISDN) (2.9M) Part 3 - Highest Quality MPEG-4 available for…
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John O'Keefe Parts 1 & 2
John O'Keefe, playwright, director and solo performer, is one the originators of The Blake Street Hawkeyes in Berkeley, California. He was one of the leaders of experimental theatre in the Bay Area in the early 1970's and has continued leading ever since. He recently performed Walt Whitman's Song...
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Donna Davis - Part 6
Part 6 - Acting and Directing Applied to Interpersonal Communication (4:14) Part 6 - Very Close to CD-Quality MPEG-4 (Broadband) (3.9M) Part 6 - High Quality MPEG-4 (ISDN) (2.0M) Part 6 - Highest Quality MPEG-4 available for Dial_up (1.5M)
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Donna Davis Part 5
Part 5 - Directing (5:26) Part 5 - Very Close to CD-Quality MPEG-4 (Broadband) (5.0M) Part 5 - High Quality MPEG-4 (ISDN) (2.6M) Part 5 - Highest Quality MPEG-4 available for Dial_up (1.9M)
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Donna Davis - Part 4
Part 4 - Improvisation and Developing Acting Proficiency (4:11) Part 4 - Very Close to CD-Quality MPEG-4 (Broadband) (3.9M) Part 4 - High Quality MPEG-4 (ISDN) (2.0M) Part 4 - Highest Quality MPEG-4 available for Dial_up (1.5M)
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Donna Davis - Part 3
Part 3 - In this segment Donna Davis discusses the lineage of the acting that she teaches. Mentioned in this segment are Konstantin Stanislavski, originator of the Moscow Art Theater and the method, a synynom for the then revolutionary techniques used to teach realistic acting and Sanford…
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Donna Davis-Parts 1 & 2
Donna Davis, actor, director and acting instructor, working in Berkeley California, teaches Stanislavsky's acting method as interpreted by Maria Ouspenskaya and Richard Boleslavsky , both of whom started and ran The American Laboratory Theatre in the early 20th century. Ms. Davis talks about her...
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Bert van Aalsburg-Part 5
Part 5 - Stage Management: (7:36) Part 5 - Very Close to CD-Quality MPEG-4 (Broadband) (7M) Part 5 - High Quality MPEG-4 (ISDN) (3.5M) Part 5 - Highest Quality MPEG-4 available for Dial_up (2.6M)
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Bert van Aalsburg-Part 4
Part 4 - Pragmatic Set Construction(8:10) Part 4 - Very Close to CD-Quality MPEG-4 (Broadband) (7.5M) Part 4 - High Quality MPEG-4 (ISDN) (3.8M) Part 4 - Highest Quality MPEG-4 available for Dial_up (2.8M)
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Bert van Aalsburg-Parts 2 and 3
Part 2 - In this segment Bert talks about his favorite set design designing for QUASIMODO, THE HUNCHBACK, a play he directed with the Performing Artists Group. (4:29) Part 2 - Very Close to CD-Quality MPEG-4 (Broadband) (4.1M) Part 2 - High Quality MPEG-4 (ISDN) (2.1M) Part 2 - Highest Quality...
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ABOUT THIS SHOW
Interviews with San Francisco Bay Theatre Artists. sftheatrescene.blogspot.com
HOSTED BY
Barbara A. Brewer
CATEGORIES
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