PODCAST · tv
Screams & Streams
by Chad, Mike, & Sam
What if you could get a front row seat on a journey through the best and worst horror movies of the past half-century, all rated on Rotten Tomatoes? Brace yourself for an eerie tour with your hosts, Chad Campbell, Mike Carron, and Sam Schreiner, as they dissect each film with a surgeon's precision and a fan's passion. Our story began on a mundane work day, when two colleagues, Chad and Mike, decided to start a podcast centered on their shared love for horror films. The search for a genre was a winding, convoluted exploration of possibilities, before we arrived at the chilling idea of horror films. Our journey didn’t stop there. We had to figure out where to begin, how to categorize each film, and the scale to use for our rating system. We landed on a year-by-year review of the best and the worst films, starting from 1970 - the dawn of modern horror. Our shows come packed with a variety of categories like First Impressions, Tropes Hall of Shame, One-liners, and more. We also r
Episodes
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Ep. 143: Kim Jee-Woon’s "A Tale of Two Sisters" (2003)
The twist in A Tale of Two Sisters does not just surprise you, it reorganizes your whole memory of the movie. We go full spoiler mode on Kim Jee-woon’s 2003 Korean horror hit (86% on Rotten Tomatoes), starting with the uneasy homecoming, the stepmother who turns every rule into a weapon, and a...
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Ep. 142: Geoffrey Sax’s “White Noise” (2005)
Static can be terrifying, but only if the movie knows what to do with it. We’re Chad, Mike, and Sam, and we put Jeffrey Sachs’s White Noise (2005) under the microscope after a listener recommendation and that brutal 7% Rotten Tomatoes score. The premise is pure late-night dread: electronic voice...
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Ep. 141: M. Night Shyamalan's "Signs" (2002)
The scariest part of Signs (2002) isn’t the aliens. It’s the waiting, the listening, and the feeling that something is standing just outside the frame. We head back to a Pennsylvania farmhouse to see why M. Night Shyamalan’s alien invasion thriller still works more than two decades later, even…
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Ep. 140: Cyrus Neshvad’s "Child" (2026)
A parent will do anything to save their child, until “anything” has a body count. We review Cyrus Nishvad’s 2026 film Child, a new release (UK cinemas October 2, with North America later) that doesn’t have a Rotten Tomatoes rating yet, and we go spoiler-heavy after a clear warning so we can talk...
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Ep 139: Kane Parson’s "Backrooms" (2026)
Imagine trying to describe a dog to someone who’s never seen one, then asking them to draw it. That’s the vibe we keep coming back to while we break down Kane Parsons’ Backrooms, a liminal space horror film that’s creepy in the details, frustrating in the questions, and weirdly effective when it...
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Ep. 138: Curry Barker's "Obsession" (2025)
Love stories usually start with a spark. This one starts with a curse, a coworker crush, and a wish that should never be granted. We’re Sam, Chad, and Mike, and we’re diving into Curry Barker’s Obsession (2025), a listener pick with a jaw-dropping 94% Rotten Tomatoes score. Bear is a socially...
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Ep. 137: Damian McCarthy's "Hokum" (2026)
A horror movie gets a 90% Rotten Tomatoes score, a listener tells us to watch it, and suddenly we’re debating witches, grief, and whether the entire plot is even real. Hokum drops us into an isolated Irish inn where a horror writer arrives to scatter his parents’ ashes and instead finds a missing...
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Ep. 136: Takashi Shimizu's "Ju-On: The Grudge" (2002)
That clicking noise isn’t just a jump scare. It’s a warning that once you step into Ju-on: The Grudge (2002), the movie’s curse logic has already decided your fate. We’re Mike, Chad, and Sam, and we put Takashi Shimizu’s J-horror classic back under the microscope to see what still creeps us out,...
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Ep. 135: Rick Bota's Hellraiser: Hellseeker (2002)
0% on Rotten Tomatoes is rare, but after watching Hellraiser: Hellseeker (2002), we get it. We go scene by scene through a sequel that drowns in non-linear edits, “gotcha” hallucinations, and a plot that keeps resetting right when it might finally build momentum. The result is less supernatural...
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Ep. 134: Neil Marshall's "Dog Soldiers" (2002)
They kick off a training exercise and end up barricaded in a farmhouse with eight-foot problems outside the door. We’re talking Neil Marshall’s Dog Soldiers (2002), the British werewolf horror movie that somehow turns “soldiers vs lycanthropes in the Scottish wilderness” into a surprisingly fun,...
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Ep. 133: Alejandro Amenábar's "The Others" (2001)
A single slammed door shouldn’t feel like a jump scare you carry for hours, but that’s the magic trick The Others (2001) keeps pulling. We pour a brutally strong “Ghost Sip,” then head back into Alejandro Amenábar’s gothic haunted house classic with Nicole Kidman at full intensity and two child...
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Ep. 132: Victor Salva's "Jeepers Creepers" (2001)
A monster on an empty highway, a dirty secret in a church basement, and two siblings who cannot stop arguing long enough to make a smart decision. We go back to Victor Salva’s 2001 horror hit Jeepers Creepers and find out what happens when a movie you remember as “so creepy” meets a modern…
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Ep. 131: Guy Magar's "Children of the Corn: Revelation" (2001)
A horror sequel can be messy, cheap, and even ridiculous and still be a good time. Children of the Corn: Revelation somehow misses that entire lane, and we felt every minute of its 82-minute runtime. We’re Sam, Mike, and Chad, and we’re breaking down the seventh entry in the Children of the Corn...
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Ep. 130: Guillermo del Toro's "The Devil’s Backbone" (2001)
A ghost in a basement pool is scary, sure, but the real question we can’t stop asking is simpler: does The Devil’s Backbone even feel like a horror movie? We sit down with Guillermo del Toro’s 2001 Spanish Civil War haunted orphanage tale (93% on Rotten Tomatoes) and argue our way through the…
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Ep. 129: Walter Klenhard's "Disappearance" (2002)
A desert road trip takes one wrong turn and suddenly the town you’re looking for “doesn’t exist.” We’re reviewing Disappearance (2002), Walter Klenhard’s made-for-TV horror thriller that a listener sent our way, and we’ve got thoughts about why a killer setup can still leave you wanting more.…
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Ep. 128: Rob Spera's "Leprechaun in the Hood" (2000)
A listener suggested Leprechaun In The Hood, and we walked straight into the trap. What sounds like a goofy horror comedy premise turns into a movie we can barely sit through, and that tension becomes the story of our review: how do you fairly critique something that seems to fight basic…
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Ep. 127: Tom Gormican's "Anaconda" (2025)
Anaconda (2025) dares you to answer a simple question: if your childhood favorite movie was a giant snake thriller, would you really remake it in the Amazon with your friends? We take that absurd premise and pull it apart from every angle, because this one sits right on the fault line between...
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Ep. 126: Chuck Russell's "Bless the Child" (2000)
A horror movie with a 4% Rotten Tomatoes score always raises the same question: is it secretly underrated, or is it a cautionary tale? We hit play on Bless the Child (2000) and quickly find ourselves in a swirl of chosen one mythology, satanic cult plotting, and a very serious attempt at a…
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Ep. 125: John Fawcett's "Ginger Snaps" (2000)
A redheaded teen named Ginger gets her first period the same night something in the dark takes a bite out of her, and the movie never lets you pretend that’s just a coincidence. We’re Sam, Chad, and Mike, and we’re putting Ginger Snaps under the Screams and Streams microscope: the Rotten Tomatoes...
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Ep. 124: Nia DaCosta’s "28 Years Later: The Bone Temple" (2025)
They skinned the “t-shirt,” called it charity, and somehow still found time for a hypnotic dance montage. We’re Chad, Mike, and Sam, and we’re back on Screams and Streams with a full-spoiler horror movie review of 28 Years Later: The Bone Temple (2026), directed by Nia DaCosta and sitting at a...
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Ep. 123: Rob Reiner's "Misery" (1990)
The scariest villains do not need a mask, they just need the keys to the door. We’re closing out the 1990s run by circling back to Rob Reiner’s Misery (1990), the Stephen King adaptation that turns a snowy rescue into a slow, personal war over control. With Kathy Bates’ Oscar winning Annie Wilkes...
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Ep. 122: Wes Craven's "The People Under the Stairs" (1991)
A booby-trapped mansion, a feral basement, and “parents” who weaponize piety—Wes Craven’s The People Under The Stairs is weirder, funnier, and meaner than you remember. We pull the floorboards up on this 1991 cult favorite to see how its wild set pieces hide a sharper story about slumlords,...
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Ep. 121: Brian Yuzna's "Bride of Re-Animator" (1990)
A glowing syringe, a beating heart, and a basement full of bad ideas. We crack open Bride of Re-Animator and ask the question that haunts every cult sequel: does the shock-and-laugh formula still pump blood, or are we reviving a corpse that should stay buried? We picked this overlooked 90s horror...
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Ep. 120: '90-'99 A Decade of Horror
Think you remember 90s horror as wall-to-wall bangers? We put that memory on trial. After watching and rating 27 films from the decade, we map the real terrain: a handful of genre-defining masterpieces surrounded by bloated runtimes, limp sequels, and ideas stretched past their breaking point. We...
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Ep. 119: Peter Hyam's "End of Days" (1999)
Midnight is ticking down, Y2K is humming in the background, and a demon in a suit thinks New York owes him a date. We pour a Devil’s Margarita and dive headfirst into End of Days, the late-90s mashup of apocalyptic horror and action that pairs a haunted ex-cop with millennium panic. From the...
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Ep. 118: M. Night Shyamalan's "The Sixth Sense" (1999)
A whispered line changed movie history—but why does it still hit so hard? We dive back into The Sixth Sense and trace the artistry that keeps the fear alive: the red visual motif, breath in the cold, long takes that dare you to blink, and a score that hums beneath the skin instead of shouting…
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Ep. 117: Jan de Bont's "The Haunting" (1999)
Fear should crawl under your skin, not shout in your face—so why does a grand, gorgeous mansion feel so empty of real suspense? We dive into The Haunting (1999) with clear eyes and full receipts, unpacking how a stacked cast, a massive budget, and bold production design still end up smothered by...
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Ep. 116: William Malone's "House On Haunted Hill" (1999)
A millionaire promises $1 million to anyone who survives a night in a shuttered asylum, and our panel dives headfirst into whether House on Haunted Hill (1999) deserves its 31% reputation—or a little redemption. We start with a crisp plot recap, then break down what the movie does well: fast...
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Ep. 115: Peter Medak's "Species II" (1998)
A Mars mission comes home with more than a headline, and a franchise sequel tries to turn sex into the scariest transmission vector imaginable. We dive into Species 2 with a clear lens and a stiff drink, tracing how a promising body-horror premise gets buried under wobbly effects, cliché military...
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Ep. 114: Hideo Nakata’s “Ringu” (1998)
Seven days is plenty of time to argue about a classic. We throw open the case file on Hideo Nakata’s Ringu and ask the hard question: does that 98% score still fit, or did the remake sharpen the scares that the original merely hinted at? From the cursed videotape’s elegant simplicity to the...
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Ep. 113: Michael Haneke's "Funny Games" (1997)
A polite knock. A request for eggs. And then the floor drops out. Our latest dives into Michael Haneke’s Funny Games (1997), a home-invasion thriller that refuses to play by genre rules. We unpack why this film still needles under the skin: the calculated pace, the suffocating silence broken by...
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Ep. 112: Daniel Myrick & Eduardo Sanchez’s "The Blair Witch Project" (1999)
A map lost, a legend found, and a final image that still sets nerves on edge. We crack open The Blair Witch Project with a mix of reverence and skepticism, exploring why a film with no score, almost no gore, and a monster you never see became a horror milestone. Julie joins Chad, Mike, and Sam to...
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Ep. 111: Anthony Waller's "An American Werewolf in Paris" (1997)
The howling you hear isn’t from the monster—it’s from fans watching a beloved classic get saddled with a clumsy sequel. We dive into An American Werewolf in Paris and sort the few effective frights from an avalanche of awkward humor, rubbery CGI, and logic that faceplants off the Eiffel Tower. We...
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Ep. 110: Wes Craven's "Scream 2" (1997)
A packed preview screening. A masked crowd turned frenzy. A sequel that dares to out-meta itself while sprinting toward the next kill. We dig into Scream 2 with clear eyes and a full notebook—what still chills, what creaks, and why the twist loses oxygen on rewatch. From the opening Stab chaos to...
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Ep. 109: Michael Cooney's "Jack Frost" (1997)
A serial killer collides with a chemical spill, reforms as a wisecracking snowman, and turns a quiet town into a slushy crime scene. That’s the outrageous hook behind Jack Frost (1997), a holiday horror curiosity that splits our panel right down the middle. We dig into what makes camp...
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Ep. 108: Holly Dale's "Blood & Donuts" (1995)
A moody vampire wakes up in a donut shop, the mob runs out of henchmen, and David Cronenberg delivers the most quotable line in the movie. We took the listener-suggested Blood and Donuts for a spin and found a late-night oddity that’s equal parts fog machine, love story, and lo-fi punchline—and...
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Ep. 107: Wes Craven's "Scream" (1996)
A quiet town, a ringing phone, and a voice that knows your name—Scream still hits like a cold draft under a locked door. We dive straight into that iconic opener and trace how Wes Craven flipped the slasher on its head without losing the thrill: self-aware teens who know the rules, killers who...
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Ep. 106: Gilbert Adler's "Bordello of Blood" (1996)
A vampire bordello hidden in a funeral home should be wicked fun. Instead, Bordello of Blood stumbles between snickering one-liners, rubbery effects, and a finale that finally shows the movie it could have been. We crack it open with a candid look at why the humor wears thin, how the horror gets...
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Ep. 105: Alejandro Amenábar’s “Thesis” (1996)
A film student chasing the anatomy of onscreen violence, a campus full of secrets, and a tape no one should ever see—Amenábar’s “Thesis” has the DNA of a great thriller. We pull the story apart scene by scene, from the cafeteria meet-cute that frames two opposing worldviews to the hidden tunnels...
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Ep. 104: Zach Cregger's "Weapons" (2025)
A classroom empties at 2:17 a.m., a town wakes into panic, and a smiling aunt named Gladys quietly takes control. We unpack Weapons with a focus on what makes its daylight horror so unnerving: ordinary streets, ring camera footage, and fights that look messy because real people don’t brawl like...
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Ep. 103: Zach Cregger's "Barbarian" (2022)
A double-booked Airbnb in a storm might be the most relatable horror premise of the decade—and Barbarian squeezes it for every ounce of dread. We open with the small stuff that sets your nerves on edge: an unlocked door, a too-polite stranger, a rope you should never pull. From there, we follow…
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Ep. 102: Robert Rodriguez's "The Faculty" (1998)
What if your teachers weren’t just strict—they weren’t even human? We revisit Robert Rodriguez’s 1998 cult favorite The Faculty and pull apart why a movie that isn’t all that scary can still be a blast. From a stacked cast and deliciously campy set pieces to a soundtrack that transports you...
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Ep. 101: Vincenzo Natali’s "Cube" (1997)
A single room, a tiny budget, and a terrifying idea. We take Cube (1997) apart panel by panel to see why this indie puzzle-box still grips, frustrates, and inspires. From the first “Wonder Bread” kill to that nerve-wracking silent room, the movie turns constraints into storytelling fuel—smart…
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Ep. 100: Wes Craven’s "Vampire in Brooklyn" (1995)
A vampire drifts into Brooklyn with destiny on his mind—and somehow leaves horror and comedy at the door. We pull apart Vampire in Brooklyn with a candid look at how a dream lineup of Eddie Murphy, Angela Bassett, and Wes Craven gets tripped up by clashing tones, studio pressures, and choices…
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Ep. 99: Lewis Gilbert’s "Haunted" (1995)
A skeptical professor, a brooding estate, and a family who won’t let go—Haunted (1995) promises classic chills but delivers something stranger: a Gothic romance in ghost story clothes. We unpack why the movie looks older than its year, how the narration flattens tension, and where the tone drifts...
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Ep. 98: Luis Llosa’s "Anaconda" (1997)
A film crew, a rogue hunter, and a snake that just won’t stop—we take on Anaconda (1997) with equal parts curiosity and side‑eye. We open with a quick plot setup and a themed “sinister sip” that goes spectacularly wrong (absinthe plus tequila, never again), then dive into why this movie feels...
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Ep. 97: Robert Rodriguez's "From Dusk Till Dawn" (1996)
The unexpected brilliance of From Dusk Till Dawn lies in its fearless genre-bending approach. Starting as a gritty crime thriller following the Gecko brothers on a violent spree across Texas, the film morphs into a blood-soaked vampire extravaganza without warning – leaving audiences either...
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Ep. 96: Rodman Flender’s “Leprechaun 2” (1994)
Ever wondered what happens when folklore meets filmmaking failure? Look no further than our deep dive into 1994's "Leprechaun 2," a horror sequel so bizarre it might just leave you questioning everything you thought you knew about Irish mythology. When we first pressed play on this Saint…
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Ep. 95: Wes Craven's "New Nightmare" (1994)
What happens when the monster from the movie screen steps into your real life? Wes Craven's "New Nightmare" takes us on a mind-bending journey that blurs the boundaries between fiction and reality in ways that kinda feel fresh nearly three decades later. When actress Heather Langenkamp (playing...
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Bonus Episode: Horror Hiatus Ends
Horror fans, your favorite nightmare-inducing podcast is back! After a refreshing summer break, we're ready to plunge back into the depths of horror cinema – both the critically acclaimed gems and the delightfully terrible misfires that make us question our life choices. Mark your calendars for...
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ABOUT THIS SHOW
What if you could get a front row seat on a journey through the best and worst horror movies of the past half-century, all rated on Rotten Tomatoes? Brace yourself for an eerie tour with your hosts, Chad Campbell, Mike Carron, and Sam Schreiner, as they dissect each film with a surgeon's precision and a fan's passion. Our story began on a mundane work day, when two colleagues, Chad and Mike, decided to start a podcast centered on their shared love for horror films. The search for a genre was a winding, convoluted exploration of possibilities, before we arrived at the chilling idea of horror films.
Our journey didn’t stop there. We had to figure out where to begin, how to categorize each film, and the scale to use for our rating system. We landed on a year-by-year review of the best and the worst films, starting from 1970 - the dawn of modern horror. Our shows come packed with a variety of categories like First Impressions, Tropes Hall of Shame, One-liners, and more. We also r
HOSTED BY
Chad, Mike, & Sam
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Frequently Asked Questions
How many episodes does Screams & Streams have?
Screams & Streams currently has 146 episodes available on PodParley. New episodes are automatically indexed when they're published to the podcast feed.
What is Screams & Streams about?
What if you could get a front row seat on a journey through the best and worst horror movies of the past half-century, all rated on Rotten Tomatoes? Brace yourself for an eerie tour with your hosts, Chad Campbell, Mike Carron, and Sam Schreiner, as they dissect each film with a surgeon's precision...
How often does Screams & Streams release new episodes?
Screams & Streams publishes regularly with 146 episodes available. Check the episode list for the typical release schedule.
Where can I listen to Screams & Streams?
You can listen to Screams & Streams on PodParley by clicking any episode. We provide an embedded audio player for direct listening, and you can also subscribe via your preferred podcast app using the RSS feed.
Who hosts Screams & Streams?
Screams & Streams is created and hosted by Chad, Mike, & Sam.
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