Scriptnotes Podcast

In today’s edition of “How Would This Be a Movie?” John and Craig convert felonies into films. Together, they take a few crime-related news stories and decide how they might be adapted for the screen. They also discuss paracosms and the importance of daydreaming for budding screenwriters. In our bonus segment for premium subscribers, John […] The post How Would This Be a Crime? first appeared on John August.

Buckle up! John and Craig discuss the elements that make up a classic road movie. They cover the quintessential scenes, common pitfalls, and the economic quandaries you’ll find in the genre. They also answer listener questions about editing novels (versus screenplays) and the aesthetics of outlines and breakdowns. In our bonus segment for premium subscribers, […] The post Road Trip first appeared on John August.

John and Craig invite over Rashida Jones and Will McCormack to chat about their new film The Invite, out in theaters now. Rashida and Will divulge the origin story and dynamics of their own writing partnership, as well as discuss the process of adapting an adaptation and writing to the truth of relationships. In our […] The post The Invite with Rashida Jones and Will McCormack first appeared on John August.

How do you keep doing creative work when the world is falling apart around you? To sift through the despair and doubt, John welcomes back legendary Scriptnotes guest, writer-turned-psychotherapist Dennis Palumbo. They discuss the many feelings that catastrophic events can bring up in artists, the personal narratives that often inform those feelings, and how to […] The post Writing while the World is on Fire (Encore) first appeared on John August.

John and Craig sit down with Ryan Condal, showrunner of House of the Dragon, just as its third season airs. They dive into Ryan’s late start in Hollywood, spec scripts, the anatomy of a writers room, and thinking as a product of movement. They also answer a listener question about the mechanics of writing a […] The post Thinking on Your Feet with Ryan Condal first appeared on John August.

John and Craig welcome Curry Barker, the writer-director behind this summer’s surprise blockbuster, Obsession. It’s a rom-com, a horror film and a great example of trusting your audience. We discuss Curry’s roots, his writing process, learning from YouTube, as well as the pressure to follow up a hit. In our bonus segment for premium subscribers, […] The post Obsession with Curry Barker first appeared on John August.

This week, Craig answers listener questions about rewriting on set, AI coverage, when and how to kill off characters, sizing up producers, and more. There’s also an extra-special guest appearance for this week’s One Cool Thing. In the bonus segment for premium subscribers, Craig discusses how to be wrong—something he feels he knows all too […] The post Craig Takes Questions first appeared on John August.

John welcomes writer and showrunner Courtney Kemp (Power, Nemesis) to ask, how do you find an audience and build momentum on television? They look at how writers can match their voice to an underserved audience, the pitfalls of being boxed in by a niche, and what new writers can do to get people excited about […] The post Building Your Audience with Courtney Kemp first appeared on John August.

John welcomes back Phil Hay (Destroyer, The Invitation) to ask, how do you get a movie made with independent financing? They look at how indie movies get made, where you get the money, deciding when to go indie, and whether streamers complicate the picture. We also follow up on testing movies with focus groups and […] The post Studio-Adjacent first appeared on John August.

John and Craig welcome back Aline Brosh McKenna (The Devil Wears Prada, Crazy Ex-Girlfriend) to explore the timely questions about art and human labor posed by her long-awaited sequel, The Devil Wears Prada 2. We’ll warn you now: Spoilers ahead! We also look at what AI knitting podcasts can tell us about the future of […] The post The Devil You Know first appeared on John August.

John and Craig welcome back Katie Dippold (Widow’s Bay, Ghostbusters) to ask, what advice would you give to your younger self? They revisit the writers they used to be, offer specific guidance to each one, and demystify everything from “Why isn’t a producer calling me back?” to “Should I join that sorority?” Most importantly, we […] The post A Box Full of Teeth first appeared on John August.

John welcomes writer/showrunner Haley Z. Boston for a post-mortem on her terrifying new series, Something Very Bad is Going to Happen. They look at how the series evolved from initial idea through production, her experience as a first-time showrunner, the special relationship between women and horror, and how she constructs terror on the page. We […] The post Something Very Bad is Going to Happen first appeared on John August.

John and Craig flip the idea of motivation on its head and ask, what are your characters running from? Using examples across film and TV, they look at the psychological underpinnings of discomfort, and how to use avoidance as a driving force of character and story. We’ve also been away for a minute, so there’s […] The post Avoidance and Other Anti-Quests first appeared on John August.

John sits down with the Northwest Screenwriters Guild at an event to promote the Scriptnotes book, and ends up having a poignant conversation about how the career of screenwriting has changed, missteps John made throughout his career, and how his approach to screenwriting has evolved over time. He also answers questions on kicking bad writing […] The post A Frank Conversation About Screenwriting first appeared on John August.

John welcomes back Drew Goddard (Project Hail Mary, High Potential) to ask, how do you turn the beats of your story into full scenes? Using Drew’s script for The Martian, we look at how he translates moments in a book into scenes in a movie, the freedom Drew finds in a beat sheet, how beats […] The post Beats to Scenes with Drew Goddard first appeared on John August.

John and Craig revisit a favorite episode focused on a single topic: bad movies and how they happen. Using first-hand experience, they look at how bad ideas make it to the screen, how good ideas go wrong, and the range of patterns that end in terrible movies. We also make a list of our then-dream […] The post How do bad movies get made? (Encore) first appeared on John August.

John and Craig tackle the scourge of free work and offer strategies to avoid it. They look at established norms, potential remedies, the things that should work but often don’t, and how writers should think about the time and effort they’re putting in before getting paid. We also follow up on useful comps, AI coverage, what to do with our DVDs, and answer listener questions on pitching at an internship and a sensitive situation when naming an award. In our bonus segment for premium members, how do we write American law enforcement officers now that their jobs don’t function the way they used to? Links: Birdigo is now on iOS! Weekend Read 2 Zathura Scarecrow Video donations H.R. Pufnstuf Disney Axed ‘Star Wars’ Sequel ‘The Hunt for Ben Solo’ Without Ever Asking About the Budget or Other Details by Zack Sharf for Variety FlipBelt Classic Running Belt The Wedding Party by Secret City Vancouver Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Eric Pearson (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 3-16-26: The transcript for this episode can be found here.The post Free Work first appeared on John August.

John welcomes writer-directors Natalie Musteata and Alexandre Singh (Two People Exchanging Saliva) to ask, what happens when your short film is nominated for an Oscar? They look at each step from their initial idea to awards season to see how they positioned their short to be considered for an Academy Award. We also reflect on the lessons learned from short films, and answer listener questions on how to give actors your script and finding representation after your Oscar heat has cooled. In our bonus segment for premium members, we turn up the contrast on the many reasons for shooting in black and white. Links: Two People Exchanging Saliva Taika Waititi’s Two Cars One Night Andrea Arnold’s Wasp Martin McDonagh’s Six Shooter Damien Chazelle’s Whiplash short film Jim Cummings’ Thunder Road short film David F. Sandberg’s Lights Out short Troy by Mike Donahue The New York Public Library’s Picture Collection ReMarkable tablet Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Our Director of Photography is Jonathan Pope. Email us at [email protected] You can download the episode here. UPDATE 3-5-26: The transcript for this episode can be found here.The post So you’ve been nominated for an Oscar first appeared on John August.

John and Craig gather our listeners’ favorite news articles and ask, How Would This Be a Movie? Stories include an underground network delivering menstrual supplies in Minneapolis, a millennial travel group, how the US hacked ISIS, and a fake college squash team. But first we follow up on modern comps, email issues, teaching screenwriting, and what it means to be undeniable. We also answer listener questions on querying reps with a published book and whether writers really need to repeat the plot for a second-screen audience. In our bonus segment for premium members, what do we do with all our old CDs and DVDs? We weigh the pros and cons of physical media. Links: How an errand for a 12-year-old immigrant in Minneapolis became an underground operation by Jasmine Garsd and Sarah Ventre for NPR I Went on a Package Trip for Millennials Who Travel Alone. Help Me. by Caity Weaver for The New York Times How the US hacked ISIS by Dina Temple-Raston for NPR Whitman College: The Best College Squash Team in History by James Zug for Squash Magazine Shipping Out by David Foster Wallace Email deliverability tester Disempowerment patterns in real-world AI usage by Cornell University and Anthropic The world’s greatest song that simply shouldn’t exist Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Gloom Canyon (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 3-5-26: The transcript for this episode can be found here.The post Torn from the pages of Squash Magazine first appeared on John August.

John welcomes writer and director Joachim Trier (Sentimental Value, The Worst Person in the World) to ask, how do you introduce your characters and their world to the audience? Using the screenplay for Sentimental Value, Joachim lays out how he sets up his themes, characters, conflicts and narrative authority in the first few pages. We also look at Joachim’s process of developing stories with his co-writer Eskil Vogt, and answer listener questions on endings, casting, and work-life balance. In our bonus segment for premium members, Joachim and John flip through how we present screenplays on screen, why Joachim translates his scripts in pre-production, and the one little detail you might not have noticed in Sentimental Value. Links: Sentimental Value | Screenplay Joachim Trier Notorious (1946) The Lindy Effect Chris Ware Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Jeff Hoeppner & Richard Kraft (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 2-17-26: The transcript for this episode can be found here.The post Introductions with Joachim Trier first appeared on John August.

John and Craig ask, what makes a useful comp? Writers often use comparisons when pitching or discussing projects, but what separates good comps from bad comps, why do we use them, and when do comps hurt more than they help? Basically, it’s The Studio meets My Dinner with Andre. We also follow up on orality and “film by” credits, answer listener questions on getting AI feedback and attaching an actor to a microbudget feature, plus bring you another installment of John Recently Learned. In our bonus segment for premium members, John and Craig are having weird issues with their email servers and need your help! Links: The Sheep Detectives trailer The Great Gazoo Ben Turpin The Party (1968) Fulla Regrets on Instagram Kitty Carlisle Bobbie Wygant interviews Jodie Foster by Jack Plotnick on Instagram Catherine O’Hara dies via Variety Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Pete White (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 2-17-26: The transcript for this episode can be found here.The post Blank Meets Blank first appeared on John August.

John and Craig ask, are screenwriters just oral storytellers who happen to write things down? They compare the literate and oral markers of the medium, how it separates screenplays from other literary forms, and consider whether screenplays are just one long pitch. We also look at the upcoming WGA member meetings, follow up on having enough time in the edit bay, Steve Jobs, Eva Victor, justifiable Dad pride, and answer listener questions on deliverables and what makes a script “undeniable.” In our bonus segment for premium members, we look at the incredible slate of upcoming movies and make predictions for the 2026 box office. Links: Steve Jobs’ email to himself How Will the Miracle Happen Today? by Kevin Kelly Havelock’s orality tester Quantum computing for lawyers by JP Aumasson Swoop Inhibiting a master regulator of aging regenerates joint cartilage in mice by Krista Conger The Sheep Detectives trailer Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Jennifer Lucy Cook (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 2-17-26: The transcript for this episode can be found here.The post Orality, or Writing to be Spoken first appeared on John August.

John and Craig welcome the actor-writer-director of the acclaimed indie Sorry, Baby to discuss preparing to direct your first feature. Eva Victor’s year-long bootcamp included reverse-shotlisting movies, shadowing other directors, and lots of visual development. It earned them Best Directorial Debut by the National Board of Review. We also examine how Eva chose which scenes to cut, answer a listener question on how to talk to actors, and follow up on some excellent reviews of the Scriptnotes Book. In our bonus segment for premium members (like Eva!), Eva revisits their early career to think about how short-form video intersects with Hollywood. Links: Sorry, Baby Read the Sorry, Baby screenplay Eva vs. Anxiety Eva’s straight pride parade video on X Demetri Papadimitropoulos’s review of the Scriptnotes Book Certain Women I Saw the TV Glow Girl on Girl by Sophie Gilbert Vancouver SkyTrain Nutella mini jars rainymood.com Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 2-17-26: The transcript for this episode can be found here.The post Preparing to Direct (with Eva Victor) first appeared on John August.

John welcomes back Susanna Fogel and David Iserson (The Spy Who Dumped Me) to steal their secrets on creating an original tone in their new series PONIES. They look at how the writers room was built to match their sensibilities, using characters to anchor the audience, and what it takes to sell and produce an original period TV series in 2026. We also talk about the pros and cons of filming in Budapest, and answer listener questions on trusting your judgement, recognizing your talent, differentiating character voices, and whether spec pilots are out of fashion. In our bonus segment for premium members, Susanna and David look at how our taste develops, including what we can learn about taste from The Beatles. Links: PONIES Trailer | On Peacock January 15th Susanna Fogel and David Iserson The last time Susanna and David were on the show (Episode 361) The Work of Art by Adam Moss So You Want to De-Bog Yourself by Adam Mastroianni Procreate emulators True Grit and Retro Supply Co. International Society of Character Artists’ character resolution 2026 The Plague (2025) The Taste Gap by Ira Glass Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Matthew Chilelli (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 2-5-26: The transcript for this episode can be found here.The post Watch Your Tone first appeared on John August.

John and Craig consider all the words they have to write and ask, how do you know when something deserves your best effort? They offer a useful rubric for deciding when something is worth perfecting, and when over-optimization is a waste of time. We also follow up on compulsive writing habits, industry euphemisms, back issues, and the impact and legacy of the WGA’s 2019 agency negotiations. In our bonus segment for premium members, it’s a new year! John looks back at things he accomplished in 2025 and his goals for 2026, while Craig sighs and gestures in the direction of The Last of Us. Links: Jamie Lee Curtis says “Trauma” Concept Creep: Psychology’s Expanding Concepts of Harm and Pathology by Nick Haslam Young Connor Storrie on YouTube Steve Jobs introduces the iPhone Elon Musk announces the Cybertruck Valentina Vee on TikTok and Instagram Birth by Madison Karrh John’s What I Did in 2025 Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Eric Pearson (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 1-22-26: The transcript for this episode can be found here.The post When Good Enough Isn’t Enough first appeared on John August.

John and Craig circle back on all the euphemisms and stock phrases that float around Hollywood. Using some favorite examples, they attempt to define and demystify the current industry-speak so everyone is looped in when we come up for air after the holidays. We also wrap-up 2025 with a look at Scriptnotes by the numbers, check-in on Disney’s deal with OpenAI, follow up on that director who scammed Netflix out of $11 million, and answer listener questions on the guilds’ involvement in video podcasts and reps who won’t send out co-written scripts. In our bonus segment for premium members, John and Craig navigate how to deal with difficult collaborators. Links: How Disney’s OpenAI Deal Changes Everything by Steven Zeitchik and Julian Sancton for The Hollywood Reporter Guilty! Director Who Scammed Netflix Out Of Millions Faces Decades Behind Bars by Dominic Patten for Deadline Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too! by Robert Ben Garant & Thomas Lennon Down to Puck: Why Women Are Going Wild for ‘Heated Rivalry’ by Seth Abramovitch for The Hollywood Reporter Search Engine annual meeting Order a signed copy of the Scriptnotes Book! Charli XCX’s Substack Trailer for Divinity by Larian Studios Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription (now with fewer emails!) Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 1-21-26: The transcript for this episode can be found here.The post No Worries if Not first appeared on John August.

In a Christmas crossover event, John and Craig join Meg LeFauve (Inside Out) and Lorien McKenna (Tab Time) on their podcast, The Screenwriting Life. We talk about why rigid structure can miss the point, how theme emerges from character, what fear and denial really look like on the page, and how writers can survive rejection without letting it define them. In our bonus segment for premium members, John breaks Drew’s heart with his lovely memories of Rob & Michele Reiner. Links: The Screenwriting Life podcast Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription (now with fewer emails!) Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Mathew Chilelli (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. UPDATE 1-2-26: The transcript for this episode can be found here.The post The Screenwriting Life: The Craft Lessons That Matter Most first appeared on John August.