Showtime with Andrew G | Arts and Entertainment

Andrew sits down with Isabelle Davis, a WAAPA graduate and singer-songwriter behind the debut album An Inconvenient Youth, ahead of the premiere of The Eternally Hopeful, her first show as writer, director and producer. Isabelle talks candidly about the quarter-life crisis that finally pushed her to write her own work, why she believes hope is innate to being human, and the pleasant surprise of finally discovering who she is, just last year.They also dig into growing up between Melbourne and Shanghai, why her deeply personal songs land differently once someone else performs them, and the most beautifully painful rejection email she's ever received, one that taught her more about resilience than any callback ever could.

Andrew sits down with comedian Nick White, the Brisbane-born, TikTok-famous impressionist with over 800,000 followers and more than 50 million views, ahead of his musical theatre debut as the Man of Many Characters in Monty Python's Spamalot. Nick talks candidly about leaving a stable career in architecture to chase comedy full-time, and about inventing entire families and backstories for imaginary characters since he was seven years old.They also dig into the years he spent holding in a secret before finally feeling free to be authentically himself, the nerves of singing and dancing live for the first time, and what it means to lose the safety net of editing once you step on a real stage in front of a real audience.

Andrew sits down with award-winning director and producer Sonya Suares, founder of Australia's only Sondheim repertory company Watch This, ahead of her bold new production of Shakespeare's Antony and Cleopatra for Melbourne Shakespeare Company, one that puts Cleopatra, not Antony, at the centre of the story. Sonya talks candidly about optimism's strange relationship with disappointment, why she started producing her own work at 16 rather than waiting for permission, and the repeated fights for representation she's had across two decades in Australian theatre.They also dig into how she's building an epic, two-civilisation world inside an intimate black box theatre on a shoestring budget, and why a 400-year-old play about a doomed empire feels less like history and more like this week's headlines.

Andrew sits down with Gareth Isaac, who originated the lead role of Buddy in the Australian premiere of Elf the Musical, ahead of the show's Melbourne season at the brand-new Crown Live theatre. Gareth speaks candidly about performing through depression and anxiety, why he's stopped reading his own reviews, and why he views imposter syndrome as an ongoing balancing act rather than something any performer ever truly resolves.They also dig into Gareth's roots in community theatre, the freedom of building Buddy as a completely original, non-replica Australian production, and the found-family message that runs through Elf. It's a warm, funny and surprisingly honest conversation about nerves, connection, and why he still gets butterflies before every single show.

Andrew sits down with Josh Helman — known for Mad Max: Fury Road and Furiosa, X-Men: Days of Future Past, and The Pacific — ahead of his return to the stage as Biff Loman in Death of a Salesman, opposite Anthony LaPaglia. Josh talks candidly about what draws him to playing morally complex characters, the surreal moment Tom Hanks addressed his cast deep in the jungle during boot camp for The Pacific, and the years of rejection, self-doubt and parking-lot tears that came with chasing work in Hollywood.They also dig into what it means to step onto an Australian stage for the first time in his career, why Arthur Miller's 75-year-old play still lands like a gut-punch in 2026, and the difference between being liked and being valued — both on stage and in an industry increasingly built around social media.

Kate Ceberano has spent more than four decades refusing to stay in one lane.From breaking through with I’m Talking in the 1980s, to chart success as a solo recording artist, jazz, television and her acclaimed performance as Mary Magdalene in Jesus Christ Superstar, Kate has built one of the most enduring and diverse careers in Australian entertainment.In this episode of SHOWTIME, Andrew G traces Kate Ceberano’s career, the choices and turning points that have kept her relevant across generations, and what her journey tells us about longevity, reinvention and making a life in the arts.What can emerging artists learn from a career like Kate’s? And how do you keep evolving without losing what made audiences connect with you in the first place?Subscribe to SHOWTIME for conversations, stories and commentary from the world of arts and entertainment.

Andrew sits down with actor, writer and producer Maddy Tyers — known for Lego Masters Australia, Neighbours and her early role alongside Margot Robbie and Liam Hemsworth in The Elephant Princess — ahead of her new comedy series The Sonny Disposition. Maddy talks candidly about a low point early in her career that led her to the Starlight Children's Foundation, where she met her husband and creative partner Jimmy, and the audition she turned down at 18 that might have sent her career down a very different path.They also dig into how she processes rejection (including a script-shredding ritual she swears by), why she and Jimmy stopped waiting for opportunities and started producing their own work through Win Win Productions, and what it was really like building The Sonny Disposition — a satirical comedy about podcasting, persona and the gap between who performers are on and off the mic.

Andrew sits down with Bobby Fox, the Irish-born Australian performer who originated the role of Frankie Valli in Jersey Boys and played it more than 850 times. A four-time World Irish Dance Champion who once toured the world with Riverdance, Bobby talks candidly about the reality behind a career built on rejection, why stage confidence is something he describes as "a trick," and the imposter syndrome that still shows up every single day.Together they explore his mother's relentless discipline growing up, the moment Frankie Valli personally selected him for the role, and how reframing performing as a business changed both his mindset and his craft. Ahead of Jersey Forever — a reunion of the original Jersey Boys cast — this is a rare, unfiltered look at what it actually takes to keep showing up.

Andrew sits down with four-time Gold Logie winner Lisa McCune, star of Blue Heelers, The Sound of Music and Dancing with the Stars, now leading the national tour of Steel Magnolias. Lisa reflects on the teenage moment that first pulled her toward performing, what fame gave her (and what it didn't take away), and why she's spent her career chasing longevity over stardom.Together they explore rejection and resilience in the industry, the responsibility of mentoring younger performers, and why nothing on screen replicates the feeling of a live theatre audience. At its heart, this episode is about staying curious, staying grounded, and finding joy in the craft three decades in.

Episode Summary(Spotify)Andrew sits down with David Hunt, one of Melbourne's most passionate arts advocates, to explore a career dedicated to supporting creatives and telling their stories. From working with major record labels to hosting Sunday Arts Magazine on JOY 94.9, David shares how genuine curiosity, meaningful conversations, and a lifelong love of the arts have shaped his journey.Together, they discuss the importance of community media, the impact of championing emerging artists, and why the best interviews come from listening, not just asking questions. At its heart, this episode is a celebration of storytelling, creativity, and the people who work tirelessly behind the scenes to keep the arts alive.

Andrew sits down with Emily McDougall to explore the journey from growing up in Tasmania with big dreams to building a career on the musical theatre stage. Emily reflects on discovering her love of storytelling through dance, music, and school productions, the leap of leaving home to pursue professional training, and why chasing a creative career requires resilience, patience, and an unwavering belief in yourself.She opens up about the realities of life as a performer, from navigating constant auditions and rejection to finding purpose in every opportunity, whether it leads to a "yes" or a "no." Emily also shares how roles like Elle Woods in Legally Blonde challenged her both physically and mentally, teaching her invaluable lessons about endurance, preparation, and confidence under pressure.The conversation also dives into her role as Campbell in Bring It On, where she discusses learning the demanding world of competitive cheer, working alongside elite athletes, and why the show's central message about friendship and community resonates far beyond the stage. Emily reveals what audiences don't see behind the curtain, from backstage rituals and lightning-fast costume changes to the supportive culture that makes theatre feel like home.At its heart, this episode is about embracing uncertainty, finding strength through community, and discovering that success isn't defined by every opportunity you win—but by having the courage to keep showing up for the stories you're meant to .

Andrew sits down with Abbey Duckworth to explore the journey from elite competitive cheerleading to making a musical theatre debut in Bring It On. Abbey reflects on discovering cheer as a young teenager, overcoming anxiety and self-doubt, and how the sport gave her confidence, lifelong friendships, and a sense of belonging that shaped who she is today.She shares what life as an elite cheerleader is really like, from years of intense training and international competitions in the UK and New Zealand to the physical and mental resilience required behind every performance. Abbey also challenges common misconceptions about cheerleading, revealing the technical skill, teamwork, and discipline that audiences often overlook.The conversation follows Abbey's transition into musical theatre, where she opens up about stepping into an unfamiliar world alongside experienced performers. She talks about embracing the discomfort of being a beginner again, the welcoming community she found within the theatre industry, and why learning new skills has reignited her passion for performing.At its heart, this episode is about having the courage to start something new, finding confidence through community, and discovering that it's never too late to pursue the creative path you've always imagined.

In this episode of Showtime, Andrew G sits down with actor Reuby Chip to explore the journey of finding authenticity through storytelling, theatre, and self-expression. Reuby reflects on growing up in Sydney, moving to Melbourne in search of a fresh start, and discovering a creative community that helped them embrace who they truly are.The conversation delves into the realities of life as a performer, the power of vulnerability, and the lessons learned from Melbourne's independent theatre scene. Andrew and Reuby also discuss Foreplay, the acclaimed queer comedy that explores love, desire, relationships, and the universal search for connection.Ultimately, this episode is about belonging, embracing change, and the courage to be fully seen.

In this episode of Showtime, Andrew G sits down with actor Tom Stokes, whose career has spanned theatre, film, and television, to explore the realities of pursuing a life in the arts. What begins as a conversation about performance quickly becomes an honest reflection on rejection, persistence, creativity, and the courage required to keep showing up when success is never guaranteed.Tom shares stories from his early years in Perth, the teachers and mentors who encouraged him to pursue acting, and the decision to commit fully to the craft without a backup plan. He opens up about the challenges of breaking into the industry, navigating periods of uncertainty, and learning how to separate personal worth from professional rejection. Along the way, he reveals how some of the opportunities that felt like devastating setbacks ultimately led to the most significant breakthroughs in his career.The conversation also dives into his latest production, Anna X, a provocative stage play inspired by the true story of Anna Delvey. Together, Andrew and Tom explore the themes of ambition, status, social media, deception, and the growing tension between who we are and who we present ourselves to be online.Ultimately, this episode is about resilience, embracing uncertainty, and trusting that persistence—not perfection—is often what shapes a meaningful creative life.

In this episode of Showtime, Andrew G sits down with director, choreographer, and producer Madi Lee, the creative force behind a bold new production of Sweet Charity. What begins as a conversation about theatre evolves into a deeper discussion about storytelling, identity, resilience, and the importance of belonging.Madi reflects on her journey from child performer to acclaimed creative, sharing how an unexpected opportunity led her from the stage into directing and choreography. She opens up about the realities of life in the arts, the challenges of burnout, and the lessons she learned from taking creative and financial risks in pursuit of meaningful work.The conversation also explores her reimagining of Sweet Charity through a queer and emotionally honest lens, uncovering themes of love, community, representation, and the universal desire to feel seen. Ultimately, this episode is about finding your place, creating spaces where people feel safe to be themselves, and using storytelling to build deeper human connection.

In this episode of Showtime, Andrew G sits down with Australian performer Rob Mills to reflect on a career spanning Australian Idol, major musical theatre productions like Wicked, Grease, and Waitress, and the personal evolution that came with life in the spotlight. What begins as a chat about performance quickly becomes a deeper conversation about identity, resilience, and what it takes to keep showing up in a demanding creative industry.Rob reflects on growing up in suburban Melbourne as a “footy-playing, pub-singing tradie,” and how that grounded upbringing shaped his confidence on stage, even without a clear path into the arts. He revisits his Idol breakthrough, describing it as a time of “ignorant bliss” that opened doors but also led to a period of identity loss and self-doubt once the fame settled.The conversation follows his rebuilding phase—therapy, reflection, and stepping into musical theatre after discovering West End productions—which helped him redefine his sense of self and purpose beyond pop fame. He now sees theatre as a team sport, where every role on and off stage matters equally, and no performer succeeds alone.Rob also explores masculinity and emotional intelligence, emphasising vulnerability, humour, and self-awareness as essential traits, especially for young men today. Ultimately, this episode is about reinvention, collaboration, and learning to find identity beyond public expectation.

Andrew G sits down with Monique DiMattina to unpack the journey of building a creative life across music, theatre, and storytelling—shaped not by a traditional pathway, but by persistence, curiosity, and a deep need to create. A highly versatile Australian musician and writer, Monique reflects on how her career evolved from performing and releasing albums to ultimately stepping into musical theatre as a space where all her artistic influences could finally coexist.They explore the making of her new Australian musical Stella, based on the life of literary icon Miles Franklin. Monique shares how the project began almost accidentally, sparked by a conversation with her niece and a desire to spotlight overlooked Australian cultural figures. What started as a few songs gradually grew into a full production through workshops, performances, and collaborative momentum, eventually becoming a large-scale stage work exploring ambition, sacrifice, and legacy.Monique opens up about the realities of becoming a professional artist, including years of feeling behind, struggling with technical confidence, and experiencing the deflating pressure of being surrounded by more advanced peers. She reflects on how her creative voice only began to fully emerge in her mid-thirties, after years of practice, experimentation, and slow development rather than overnight success.The conversation also dives into her wide-ranging musical influences, from classical composers like Bach and Beethoven to film score legends like Ennio Morricone and John Williams, as well as singer-songwriters across multiple genres. She explains how musical theatre became the perfect format to combine these influences, allowing her to move freely across genres in service of storytelling rather than commercial constraints.Andrew and Monique also discuss the challenges facing modern artists, particularly the pressure of social media, streaming culture, and constant online visibility. Monique reflects on how stepping back from digital noise has helped protect her creativity, and how live performance remains the most meaningful form of connection with audiences.At its core, this episode is about creative resilience, artistic identity, and the long, often uncertain process of finding your voice. Through Monique’s journey with Stella, the conversation reveals how meaningful work is often built slowly over time—through rejection, experimentation, collaboration, and the willingness to keep showing up even when the path forward is unclear.

Andrew G sits down with Penny Ashton to unpack the reality of building a global performance career from the ground up—without a manager, agent, or traditional pathway. A one-woman powerhouse with over a thousand shows under her belt, Penny shares how her love for live audiences, comedy, and storytelling shaped a career defined by independence, resilience, and relentless creativity. From performing as a child to touring internationally, she reflects on why the stage—not screen fame—became her true calling.They explore the deeper themes behind her hit show Promise and Promiscuity, a wildly funny, Austen-inspired performance that blends comedy, music, and sharp social commentary. Penny breaks down why Jane Austen’s stories still resonate today—highlighting how the pursuit of love is often intertwined with the need for financial security, stability, and agency. The conversation reveals how timeless human desires continue to shape modern audiences, no matter the setting or era.Penny opens up about the less glamorous side of the industry—touring challenges, financial instability, rejection, and the constant hustle of producing, marketing, and performing her own work. She shares how tenacity became her greatest asset, from applying multiple times to become a wedding celebrant to pushing forward despite funding rejections and career setbacks. Rather than waiting for opportunities, Penny explains how she created them—building her career through sheer persistence and adaptability.Andrew and Penny also dive into the unique energy of live performance—the unpredictability of audiences, the thrill of real-time connection, and why no two shows are ever the same. From awkward audience moments to unforgettable on-stage mishaps, they highlight how spontaneity and imperfection are part of what makes theatre so powerful and alive.Beyond the stage, the episode becomes a broader conversation about creative independence, the realities of sustaining a career in the arts, and the courage it takes to keep showing up. At its core, this episode is about tenacity, self-belief, and the pursuit of meaningful work—proving that success doesn’t always come from following the traditional path, but from carving your own

Andrew G sits down with James Liotta to explore what it really takes to build a long-lasting career in entertainment. With over 25 years across comedy, radio, theatre, and television, James reflects on how growing up in an Italian-Australian household shaped his humour, storytelling, and passion for live audiences. From community radio and early theatre roles to national tours and television appearances, he shares how persistence, adaptability, and creating his own opportunities became the foundation of his career.The conversation dives into the power of cultural comedy, the realities of rejection and unpaid gigs, and why James never chased fame—only the chance to keep performing. Andrew and James also unpack the unpredictability of live theatre, audience interactions, and the success of Nonno and Yaya with George Kapiniaris, a comedy show celebrating Italian and Greek family culture through sketches, music, and stand-up.At its core, this episode is about resilience, creative independence, and the joy of making people laugh—proving that success in entertainment comes from consistently showing up, evolving, and staying connected to your audience.

Andrew G sits down with Max Meaden to unpack the creative journey behind The Last Parma Night, a darkly funny and deeply Australian stage production inspired by the pub rituals, friendships, and growing pains that define so many young adults. From childhood obsessions with Doctor Who to writing and starring in his own original work, Max shares how storytelling became both a personal outlet and a way to explore identity, nostalgia, and human connection.They explore the emotional weight behind everyday rituals like “Parma Night” and why simple traditions between mates can hold far more meaning than they first appear. Max reflects on his early experiences performing, training at 16th Street Actors Studio, and the realities of navigating auditions, rejection, and the pressure of building a career in Australia’s arts industry. The conversation also dives into the decision to stop waiting for opportunities and instead create work from the ground up with the people and stories closest to him.Andrew and Max discuss the uniquely Melbourne identity woven throughout The Last Parma Night, from pub culture and tram rides to the anxieties of adulthood, changing friendships, and the fear of being left behind. They also unpack the show’s surreal and unexpected elements, how sci-fi influences shaped its darker undertones, and why the best theatre often disguises immense emotional and technical complexity beneath something that feels effortless and familiar.Beyond the play itself, the episode becomes a wider conversation about the value of Australian storytelling, the struggle for arts funding, and the challenge creatives face in balancing authentic artistic expression with the demands of social media and modern entertainment culture. At its core, this episode is about friendship, reinvention, creative risk-taking, and the importance of telling stories that reflect who we are, where we come from, and the moments that quietly shape our lives.

Andrew G sits down with Jarred Dewey to explore the journey of a world-class circus artist driven not by competition, but by creativity, connection, and the pursuit of meaningful performance. From his early days as a recreational gymnast who struggled in competitive environments to discovering his place in the world of circus, Jarred shares how finding an art form that valued expression over winning changed the course of his life.They unpack the reality of building a career in a niche and physically demanding industry, including the leap from a working-class upbringing in Adelaide to studying at the National Institute of Circus Arts and eventually touring the world with Circa. Jarred reflects on the intensity of performing across 40+ countries, the cultural nuances of live audiences, and how those experiences shaped his perspective—not just as an artist, but as a human deeply attuned to energy, emotion, and connection.The conversation dives into his current role in Club Cabaret, a bold and emotionally layered show that blends circus, drag, music, and storytelling. Jarred opens up about the vulnerability of performing in such an intimate format, the responsibility of guiding audiences through both spectacle and deeper themes like identity and inclusivity, and why the most powerful performances aren’t always about applause—but about tension, presence, and shared experience.At its core, this episode is about redefining success in the creative world, embracing risk without fear, and understanding that great performance isn’t just about skill—it’s about empathy, authenticity, and the ability to make people feel something real.

Andrew G sits down with Sian Fuller to explore the journey of a young artist navigating early success, self-doubt, and the evolving path back to what she truly loves. From growing up in a family of musicians to stepping onto the national stage at just 16, Sian reflects on how validation, pressure, and exposure shaped her identity—not just as a performer, but as a person figuring things out in real time.They unpack the reality of being thrust into the spotlight at a young age through The Voice, and how the experience challenged her confidence while also reinforcing the importance of self-belief. Sian shares the emotional complexity of performing under public scrutiny, the impact of social media, and why surrounding yourself with the right people can make all the difference in staying grounded and inspired.The conversation dives into her return to musical theatre with Once, a raw and intimate production that demands vulnerability, musicianship, and deep connection on stage. She opens up about why this role felt aligned with her current season in life, how imperfection adds authenticity to performance, and what makes the show resonate so strongly with audiences.At its core, this episode is about embracing uncertainty, finding confidence through experience, and learning that being a creative isn’t about perfection—it’s about connection, honesty, and having the courage to keep showing up.

Andrew G sits down with Mark Taylor to explore the journey of a creative returning to the stage after more than a decade away, and what it really means to reconnect with your artistic identity. From early childhood storytelling shaped by imagination and music, to navigating self-doubt and the pressure of perception, Mark shares how his relationship with performance has evolved over time.They unpack the reality of stepping back into acting after years of directing and producing, and why the absence of labels has allowed him to embrace a more fluid, honest approach to creativity. Mark reflects on the internal battles creatives face, the impact of self-consciousness, and how age and experience have helped him quiet the noise and focus on what truly matters—connection, presence, and truth in performance.The conversation dives into his return to the stage in Once, a deeply intimate and music-driven production that blurs the line between actor and musician. He shares why the story resonates so personally, how music becomes a vehicle for emotional expression, and what makes the show so uniquely powerful for both performers and audiences.At its core, this episode is about coming back to what you love, letting go of rigid identity, and finding freedom in simply being a creative—open, collaborative, and fully present in the moment.

Andrew G sits down with He Huang to explore the unconventional path behind one of comedy’s most original voices, built on curiosity, cultural contrast, and a relentless search for belonging. From a serious upbringing in China to discovering stand-up through a random library class, He shares how comedy became less of a dream and more of an unexpected obsession.They unpack the reality behind finding your voice as an outsider, the tension between different cultures, and how misunderstanding can become creative fuel. He reflects on going viral through Australia's Got Talent, why that moment wasn’t the finish line, and how it simply opened the door to years of hard work, experimentation, and growth.The conversation dives into her latest show, Timu Joke Factory, a more personal, narrative-driven performance that blends humour with deeper emotional storytelling. She opens up about the challenge of balancing laughs with meaning, and why not every joke is meant for everyone.At its core, this episode is about embracing discomfort, turning difference into strength, and building something authentic, even if it doesn’t fit the mould.

Andrew G sits down with Sammy J to explore the reality behind a career built on reinvention, resilience, and staying creative in a constantly changing industry. From classroom humour to national stages, Sammy shares how comedy became his identity—and how years of trial, failure, and small wins shaped his path.They unpack the myth of the “big break,” the pressure of creating for the algorithm, and why live performance still offers something digital never can. Sammy also reflects on shifting toward more personal storytelling through Hero Complex, and the challenge of turning real-life experiences into meaningful, engaging work.At its core, this episode is about playing the long game—staying true to your craft, embracing change, and building real connection with an audience.

In this episode, Andrew G sits down with FEZ FAANANA to explore his journey from navigating two cultures to building a globally recognised cabaret phenomenon.Fez shares how feeling different growing up became his creative advantage, shaping his confidence, resilience, and approach to performance.They unpack the philosophy behind Briefs—blending circus, drag, burlesque, and comedy—and how great shows are driven by instinct, energy, and audience connection rather than formula.At its core, this episode is about embracing your differences, taking creative risks, and creating work that truly connects.

In this episode, Andrew G sits down with Dilruk Jayasinha to explore the unexpected journey from corporate accounting to stand-up comedy, and what it really means to find fulfilment in your work.Dilruk shares how humour shaped his identity growing up, and how leaving a stable career forced him to confront the reality that success means little without joy in the process. He reflects on the early days of comedy, from bombing on stage to slowly improving through persistence rather than natural talent.They unpack the craft behind stand-up, the discipline of refining material, and the balance between hard work and enjoyment that keeps him going. Dilruk also opens up about his latest show, Gratitude Guy, and his shift from focusing on pain to rediscovering gratitude.At its core, this episode is about choosing fulfilment over expectation, embracing the long road to growth, and showing up until the work starts to make sense.

In this episode, Andrew G sits down with Daniel Muggleton to explore the unpredictable reality of stand up comedy and what it really takes to build a career on stage. From studying law to performing at open mics, Daniel shares how his path was shaped by risk, persistence and figuring things out as he went.They unpack the truth behind stand up, from years of bombing and refining material to the pressure of delivering for live audiences. Daniel explains why comedy is not about finding what is funny, but making the uncomfortable funny, and how some of the best moments come from uncertainty.At its core, this episode is about perspective, resilience and staying in the game long enough to turn real life into something people can connect with and laugh about.

In this episode, Andrew G sits down with Brett Blake to explore the unpredictable path of comedy and what really drives performers to keep going. From struggling in school with ADHD and dyslexia to finding his voice on stage, Brett shares how humour became both a coping mechanism and a calling.They unpack the reality of stand-up. The trial and error, the sting of bombing, and the persistence it takes to improve in front of a live audience. Brett also reflects on the importance of observation, turning real-life moments into relatable comedy.At its core, this episode is about resilience, connection, and showing up, even when it’s hard, until something finally clicks.

In this episode, Andrew G sits down with Alan Fletcher for an honest conversation about longevity in the arts and the creative drive that keeps performers coming back, year after year. From his early days in theatre to his decades-long run on Neighbours, Alan reflects on the unexpected path that shaped his career and the discipline it takes to keep evolving.They unpack the reality behind performing. the constant learning, the importance of collaboration, and why success often comes down to showing up and doing the work rather than following a perfect plan. Alan also shares his love for storytelling through music, and how writing and performing songs offers a different, more personal kind of connection with an audience.At its core, this episode is about creativity, connection, and the magic of live performance, the kind that can’t be edited or replayed, only experienced in the moment.

In this episode, Andrew G sits down with performer Ebony Tucker for an honest conversation about the realities of life on stage and the passion that keeps artists coming back — even when it’s tough. From growing up without an arts background to touring a beloved children’s production, Ebony reflects on how her love for storytelling began and the deep need for human connection that drives her work.They unpack the myth that acting is glamorous, revealing the unseen challenges — self-doubt, constant pressure, and the quiet work behind every performance. Ebony also shares her journey of finding her authentic voice, the lessons learned through training, and why being yourself is the most valuable thing you can bring as an artist.The conversation also explores the unique world of performing for children, where honesty is immediate and connection is everything. From unpredictable audience moments to the lasting impact of small, meaningful experiences, Ebony highlights why this work is both challenging and deeply rewarding.At its core, this episode is about storytelling, resilience, and connection — and the powerful magic of live performance that happens when people come together to share a moment in real time.

In this episode, Andrew G sits down with performer, writer and creator Olivia Mitchell for an honest conversation about the realities of life on stage and the passion that keeps artists returning to the theatre. As she prepares for an outdoor production of The Tempest, Olivia reflects on how her love for performing began and the strange mix of anxiety and excitement that comes with stepping in front of a live audience.They explore the myth that acting is simply memorising lines, and the deeper work involved in building a character — creating a full human life through voice, movement and relationships. Olivia also shares what it feels like to perform your own writing, why creating opportunities is often essential in the arts, and how everyday moments often become the seeds of future stories.At its core, this episode is about connection — between performers and audiences, between story and experience — and the unique magic of live theatre that can only happen when people gather together in the same space.

In this episode, Andrew G sits down with acclaimed director and arts leader Sam Strong for an insightful conversation on creativity, leadership and the future of live performance. From his early days as a theatre maker to leading a bold new vision at Gasworks Arts Park as it marks 40 years, Sam reflects on what continues to drive his work.They explore why theatre still matters in a streaming world, the importance of accessibility and authentic storytelling, and the courage required to back bold, sometimes divisive work. Sam shares why managing fear is central to creative leadership — and why the collective, in-room experience of live performance remains irreplaceable.At its core, this episode is a celebration of participation, risk, and the shared human connection that keeps theatre alive.

In this episode, Andrew G sits down with Mamma Mia leading lady Bek Chapman during rehearsals at the National Theatre ahead of the show’s February season. From the surprise birthday call that moved her from understudy to Donna Sheridan, Bek reflects on stepping into an iconic role at exactly the right moment in her life.The conversation explores the heart beneath the disco sparkle — the strength and vulnerability within Donna, the emotional impact of Slipping Through My Fingers, and why Mamma Mia continues to resonate across generations. Andrew and Bek also discuss the unique energy of live theatre and the powerful connection between performers and audiences.At its core, this episode is a celebration of joy, friendship, and the deeply human magic that makes theatre unforgettable.

In this episode, Andrew G sits down with acclaimed Australian director Pip Mushen during rehearsals for Mamma Mia, ahead of its upcoming season at the National Theatre this February. Pip reflects on his early perceptions of the show and how, through rehearsal and close attention to the script, he discovered a depth of heart and emotional storytelling beneath its joyful, familiar surface.The conversation offers a behind-the-scenes look at the director’s role in shaping live theatre — from the invisible work audiences never notice to the delicate balance between spectacle and sincerity. Pip shares insights from a career spanning theatre, film, and television, unpacking what it really takes to lead a cast under pressure, collaborate with creative teams, and keep a production aligned around a shared goal.Andrew and Pip also explore why Mamma Mia continues to resonate across generations. Beyond ABBA’s iconic music and infectious energy, the show endures because of its emotional accessibility, its focus on relationships, and its ability to move audiences without demanding analysis or explanation.At its heart, this episode is a celebration of live theatre as a shared, immediate experience — joyful, demanding, and deeply human — and a reminder that the most powerful moments on stage are often the ones audiences feel rather than consciously see.

In this episode, Andrew G sits down with Belle Parkinson, Ali Long, and Eleanor Atanofsky as they prepare to step into the world of Mamma Mia ahead of its National Theatre season this February. The cast reflect on the excitement, nerves, and privilege of working on a musical that holds such a special place in popular culture, and on the responsibility of bringing honesty and authenticity to a show so many audiences already love. They share what life is like inside the rehearsal room as opening night draws closer — from the fast pace and constant momentum to the sense of trust, play, and belonging that forms when a cast comes together. The conversation offers a behind-the-scenes look at Mamma Mia as a true ensemble piece, where every performer contributes to the energy of a show that never really stops moving. The discussion also explores why Mamma Mia continues to resonate decades after its debut. From the timeless appeal of ABBA’s music to the show’s balance of humour, heart, and emotional relatability, the cast unpack why it works best when played sincerely rather than as pure spectacle. Along the way, they reflect on their individual journeys into theatre — from early inspirations and training to uncertainty, growth, and learning to trust their instincts. At its heart, this episode is about joy, connection, and shared experience. It’s a reminder of why live theatre matters, how music can instantly lift a room, and why audiences keep returning to Mamma Mia — to laugh, to feel seen, and to leave the theatre smiling, humming ABBA, and feeling just a little lighter than when they arrived.

In this episode, we sit down with Sam Anderson, Shannon Foley, and Luke Stevens as they step into the world of Mamma Mia ahead of its National Theatre season in February 2026. The cast reflect on the excitement, pressure, and privilege of working on a show that continues to connect with audiences across generations, and on the responsibility of bringing truth and authenticity to such a beloved musical. They share what it’s like inside the rehearsal room as opening night approaches—from the fast pace and constant momentum to the trust, play, and collaboration that make the process so rewarding. The conversation offers a behind-the-scenes look at how Mamma Mia functions as a true ensemble piece, where every performer is part of a joyful, finely tuned machine. The discussion explores why Mamma Mia still resonates decades on. From the timeless pull of ABBA’s music to the balance of humour, heart, and emotional honesty, the cast unpack why the show works best when it’s played sincerely rather than as pure spectacle. They also reflect on the different paths that led them here—training, setbacks, resilience, and the lessons learned along the way. At its heart, this episode is about joy, connection, and shared experience. It’s a reminder of why live theatre matters, why music can lift people instantly, and why audiences keep coming back—to leave the theatre smiling, humming ABBA, and feeling just a little lighter than when they arrived.  

In this episode, we sit down with Stuart Maunder, Artistic Director of Victorian Opera, to explore the enduring magic of The Pirates of Penzance and the creative life that has grown alongside it. Stuart reflects on decades spent in rehearsal rooms and theatres, tracing how early encounters with pantomime and musical storytelling shaped his love of performance and his belief that theatre should be joyful, generous, and accessible to all.He shares what it’s like to return to Pirates time and again—as a director, a storyteller, and a lifelong fan—unpacking why this famously “silly” operetta continues to resonate across generations. From the terror and exhilaration of stepping into a rehearsal room, to the energy that emerges when seasoned performers and early-career artists collaborate, Stuart offers an inside look at building a production designed to give audiences a genuinely great night out.The conversation delves into why The Pirates of Penzance remains funny and moving more than a century after it was written. Stuart explores the balance between laughter and heartfelt emotion, the power of music to reach audiences beyond words, and the uniquely British humour that keeps the work fresh without losing its original spirit. He also challenges common misconceptions about opera, reframing it not as an elite art form, but as something driven by music, community, and shared human experience.At its heart, this episode is about joy—why laughter matters, why silliness can carry real emotional weight, and why theatre that welcomes people in continues to endure. Whether you’re an opera devotee or a first-timer who’s never thought it was “for you,” this conversation is an invitation to give it a go—and to walk out of the theatre thinking, my God, that was a great night.

In this episode, we sit down with Ashley Rogers-Bredin and Madidi McKenzie to explore the making of & Juliet in Warrnambool and the journeys that have shaped them as young theatre-makers within regional communities. Ashley reflects on growing up in local theatre, stepping into his first full-scale directing role at just 23, and what it means to lead a company he once performed alongside. Madidi shares her path as a performer and the challenge of inhabiting the role of Anne Hathaway—one that demands maturity, reflection, and a deep commitment to truth. They speak candidly about the rehearsal process behind a major musical, from casting and collaboration to the emotional impact of hearing the full band and cast come together for the first time. The conversation unpacks why & Juliet resonates so strongly with today’s audiences, blending pop music and humour with themes of female empowerment, identity, self-worth, and the importance of being heard. At its heart, this episode is about community, voice, and possibility. Ashley and Madidi reflect on the power of regional theatre to nurture talent, build confidence, and create meaningful stories that challenge expectations. Whether you’re a performer, director, educator, or theatre-lover, this episode is a reminder that powerful, relevant theatre can grow anywhere—and that chasing what makes you happy is always worth the risk.

In this episode, we sit down with Glenn Elston, Artistic Director of the Australian Shakespeare Company, to explore a life shaped by live performance and a lifelong relationship with Shakespeare. Glenn reflects on how returning to the plays again and again deepens his understanding of human nature, creativity, and why theatre remains a living art form. He speaks candidly about sustaining a large independent theatre company—from overlapping productions and touring to the physical and creative demands of back-to-back seasons. Glenn also shares the unique power of outdoor theatre, where shared space, weather, and audience connection break down barriers. He reflects on keeping Shakespeare accessible and funny through bold comedy, physical storytelling, and a strong sense of play for families and first-timers. At its heart, this conversation is about community and why theatre still matters. Glenn offers a thoughtful perspective on live performance as a tool for connection, wellbeing, and kindness in a digital world. Whether you’re a theatre-maker, educator, performer, or audience member, this episode is a reminder of theatre’s power to bring people together, night after night, under the open sky.

In this episode, we sit down with Ayril Borce, a rising performer in Melbourne’s musical theatre scene, to explore the deeply human journey behind his life in performance. Ayril opens up about where it all began, from street dancing and community celebrations to navigating family expectations, self-belief, and the winding path that led him onto the professional stage. He speaks candidly about the realities of choosing an artistic life, including changing careers later than most, stepping into formal training for the first time in his mid-twenties, and confronting the fear of not feeling “ready enough.” Ayril reflects on the discipline of dance, the vulnerability of learning to sing in front of others, and the resilience required to keep going through rejection, uncertainty, and constant growth. Along the way, he shares the moments that affirmed his choices, from getting into NIDA to making his professional debut and finding his place in large-scale musical theatre productions. At its heart, this conversation is about community, belonging, and the power of shared movement and storytelling. Ayril offers a heartfelt perspective on why disco, dance, and musical theatre still matter: they allow people to let go, feel seen, and connect with one another. Whether you are a performer, a creative considering a career shift, or someone searching for the courage to take a leap, this episode is an honest, encouraging reminder that there is no single path into the arts and that showing up, again and again, is where the real work begins.

In this episode, we sit down with Ella Caldwell, one of the driving creative forces at Red Stitch Actors’ Theatre, to explore the deeply human journey behind her life in the arts. Ella opens up about her beginnings, the moments that shaped her, and the unexpected turns that led her to become a core part of one of Australia’s most respected independent theatre companies.She talks candidly about the struggles that come with a life on stage, from self doubt to burnout to the emotional cost of throwing yourself fully into every role. Ella’s reflections are honest and vulnerable, sharing not just the highlights but the parts of the journey that often go unseen. She also tells the stories behind some of her biggest creative breakthroughs, those powerful moments in rehearsal or performance that reminded her why she chose this path in the first place.Ella offers a heartfelt look into what theatre really means to her the community, the connection, and the belief that stories have the power to shift people at their core. Whether you are an actor, director, theatre lover, or someone finding your way creatively, this conversation feels grounding, comforting, and deeply inspiring. It is a beautiful reminder of why the arts matter and why the people who make them matter just as much.

In this episode, we chat with Chris Mitchell, a kid who grew up obsessed with movies and somehow ended up building a theatre that’s changing the creative scene in his city. Chris gets real about the messy, confusing, and unexpected moments that shaped him, the times he didn’t know which path to take, the pull of creativity that wouldn’t let go, and the experiences that pushed him toward something he never saw coming. What starts as a personal journey of figuring things out turns into a story about creating something bigger than himself, a space for artists, storytellers, and audiences to come together.   Chris shares the highs, the funny missteps, and the lessons that only theatre life can teach,  all with honesty and heart. It’s the kind of conversation that will make anyone in the arts nod, laugh, and maybe even tear up a little, remembering why they fell in love with this crazy, creative world.   Whether you’re an actor, director, designer, writer, or just chasing your own creative dream, Chris’s story is a reminder that following your passion isn’t always easy, but it can lead to something truly extraordinary, a place, a purpose, and a community that makes it all worth it.  

Talking with Belinda Jenkin on Showtime was a reminder of how much passion and imagination sit behind great musical theatre. Belinda is an actor, singer, writer and composer who has spent more than a decade creating, performing and teaching across Australia and New York. Her path began in primary school when she choreographed routines for her friends, and grew through community theatre, visual arts studies, contemporary music training and ultimately NIDA and CAP21 in New York.   Belinda spoke about the feeling of flow she experiences on stage, a sense of pure presence where everything else disappears. That connection anchors her work, especially in parody musicals. She has performed in Top Gun, Gilligan’s Island, Fifty Shades, Friends and Thrones, and explained how parody relies on balancing sincerity with playful exaggeration. Audience interaction is crucial, and each performance shifts based on the energy in the room.   In Love Actually the musical parody she plays nine characters, using specific physical and vocal markers to switch roles quickly and cleanly. She loves the humour of the show, which celebrates everything people adore and debate about the original film. Whether audiences love the movie or have never seen it, the parody offers nostalgia, surprise and plenty of laughs.   🎭 Love Actually? The Musical Parody 🗓️ 5 Dec to 23 Dec 📍 Athenaeum Theatre One 🎟️ loveactuallymusicalparody.com/melbourne   Love Actually the musical parody is a fast paced, laugh out loud send up of the beloved Christmas movie. It reimagines nine chaotic stories of love, heartbreak and festive madness through clever comedy, original songs and cheeky twists on the film’s most iconic moments. The show follows the Prime Minister falling for his secretary, the best friend confessing his love with cue cards, the husband in trouble with Emma Thompson, and a collection of wonderfully odd characters who stumble through the holiday season with questionable judgment and even more questionable grand gestures.   The parody heightens everything people adore and roll their eyes at from the movie, leaning into nostalgia while adding new jokes, surprises and pop culture nods. It celebrates the messy, sentimental and ridiculous spirit of Christmas, offering a night of festive fun for those who love the film, love to hate it, or have never seen it at all.   BELINDA JENKIN is an accomplished actor, singer, writer and composer with a career that spans musical theatre, parody, cabaret and screen. A graduate of NIDA’s Diploma of Musical Theatre and CAP21 in New York, she has become a versatile and well loved performer known for her sharp comedic timing and expressive storytelling. Her stage credits include Friends the Musical Parody, Thrones, Top Gun the Musical, Gilligan’s Island the Musical, Fifty Shades the Musical Parody, Motor Mouth Loves Suck Face, Anyone Can Whistle, Chronic at La Mama and The Musical of Musicals. On screen she has appeared in Summer Heights High, the Space Jam Experience, Baz Luhrmann’s Elvis and educational sketches for NTC.   As a writer she has created original cabarets and co written musicals such as Until Tomorrow and The Gathering with William Hannagan. Belinda also teaches acting and musical theatre, sharing more than a decade of professional experience with emerging performers.

Get ready to rediscover what happiness really means,  this is not your typical theatre talk. In The Good Life Episode, British actor Nicolas Ancelin shares his journey from the streets of Nottingham to the stages of Melbourne, and how a play about contentment, community, and laughter has reshaped the way he sees the world. What began as a backpacking adventure soon became a story about art, purpose, and finding joy in the simplest things.   🎭 The Good Life 📍 Bayside Arts and Cultural Centre 🗓️  7 November to 22 November 🎟️ https://brightontheatre.com.au/project/season-4-the-good-life/    Their conversation explores what The Good Life truly means in a world that often equates success with busyness. Nicolas reflects on his time in Australia, the lessons learned from the theatre community, and the importance of slowing down to laugh, listen, and live. At its heart, The Good Life Play is about simplicity,  the courage to choose meaning over noise, joy over pressure, and storytelling over spectacle. Nicolas reminds us that comedy isn’t just about punchlines; it’s about empathy, timing, and truth. Warm, witty, and full of heart, this episode celebrates art, purpose, and the performers who remind us that happiness isn’t something you chase, it’s something you create. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  NICOLAS ANCELIN was born in Longjumeau, France and raised in Nottingham, England. He attended Nottingham’s Television Workshop from 2011-2014 before graduating from the Manchester School of Theatre in 2017. He arrived in Australia 3 years ago as a backpacker and unfortunately, will have to return home next year. The Good Life will be Nic’s theatrical debut in the southern hemisphere, this will also be the play's Australian premier. He was taught improvisation and clowning by the legendary Mick Barnfather and stage craft by the RSC's Andrew Jarvis. On his return to Europe, he hopes to attend the Philippe Gaulier School, a mecca for comic actors and clowns. His credits include Noise, Thomas Moran, Cloud Street adapted from Tim Winton, David Copperfield adapted from Charles Dickens, It Can’t Happen Here, Sinclair Lewis, and Dolly West’s Kitchen, Frank McGuinness. He has directed The Red Lion, Patrick Marber, Lemons Lemons Lemons Lemons Lemons, Sam Steiner and co-directed Things We Want, Jonathan Marc Sherman. His dream role would be Henry V. He’d love to direct anything written by Harold Pinter, Annie Baker, or David Mamet, particularly Glengarry Glen Ross.

Get ready to let the sunshine in because Hair the Musical is back and bolder than ever. At Melbourne’s Athenaeum Theatre, Alex Cooper and Maverick Newman lead a fearless new production of the groundbreaking rock musical that defined a generation. More than 50 years after it first shocked audiences, Hair continues to challenge, provoke, and inspire asking what freedom, identity, and rebellion really mean in 2025. 🎭 Hair the Musical 📍 Athenaeum Theatre, Melbourne 🗓️25 October to 22 November 🎟️www.hairthemusical.com.au Directed with a fresh eye and a big heart, this revival doesn’t just revisit the counterculture movement — it reimagines it for a new era. Alex and Maverick bring electric energy and emotional depth to their roles, exploring themes of peace, protest, and personal awakening. From the iconic number “Let the Sunshine In” to the haunting “Where Do I Go”, every song becomes a mirror held up to today’s world where questions of war, race, gender, and freedom still burn bright. In conversation with host Andrew G on Showtime, the pair reflect on the show’s raw honesty and enduring relevance. They share how rehearsals sparked tough but necessary conversations about identity, inclusion, and truth proving that the real magic of Hair lies in its ability to unite people through empathy and understanding. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  ALEX COOPER is a core member of the Australian Shakespeare Company for the past five years, performing in a wide range of beloved productions. His stage credits include Otter, Cop, Judge, and Weasel in The Wind in the Willows; Bagheera in Jungle Book: The Next Chapter; and Major Minor Key in Captain Jack’s Pirate Party. Within the ASC’s Shakespeare repertoire, Alex has portrayed Claudio in Much Ado About Nothing and Benvolio in Romeo & Juliet, both featured in the 2023 summer season. Beyond his extensive stage work, Alex’s theatre appearances also include Leske’s Method (Cameron Sievers) and Second Coming (Andrew R. Kelly). On screen, Alex is best known for his role as Cody in Chris Lilley’s Ja’mie: Private School Girl, and has also appeared in Please Like Me (Josh Thomas, ABC Network) and The Newsreader (Emma Freeman, ABC Network). His portrayal of Claude in Hair the Musical marks a defining moment in his artistic journey — one that blends his passion for storytelling with his belief in the power of theatre to inspire empathy and self-discovery. MAVERICK NEWMAN is a graduate of the Western Australian Academy of Performing Arts (BA in Music Theatre), Maverick was most recently seen as Willard in Footloose The Musical and as Michael in The Boys in the Band (JTC). In 2023, Maverick was nominated for a Sydney Theatre Award for Best Actor in a Leading Role in a Musical for his dynamic performance playing twelve characters in the smash-hit Murder for Two (Hayes Theatre Co.), which enjoyed multiple return seasons, including critically acclaimed runs at Arts Centre Melbourne and Riverside Parramatta. Other notable stage credits include Emilia in The Comedy of Errors (Australian Shakespeare Company); Britt Craig in Parade (Soundworks Productions); Donny/Junee in A Model Murder (Sydney Festival/LPD); Chandler/Janice in Friends! The Musical Parody (SK Entertainment); and Mr. Toad in The Wind in the Willows (Australian Shakespeare Company). An award-winning writer, Maverick’s creative works include Tis The Season… (recipient of the Green Room Award for Best Original Songs), Finding Felix: A Memoir (nominated for four Green Room Awards), and Maverick Newman in Conversation with Maverick Newman (Hayes Theatre Co. & Athenaeum Theatre). Maverick is proudly represented by Sue Barnett & Associates.

Get ready to crank up the volume because School of Rock is more than just kids with guitars, it’s a celebration of passion, purpose, and the power of music to bring people together. Onstage, John Yanko and Anna Dinyés rock out as part of the electrifying cast, but behind the amps and anthems is a story of rediscovery, growth, and pure joy. Their shared love for performing fuels every riff and lyric, proving that music isn’t just what they do, it’s who they are. 🎸 School of Rock 📍 National Theatre St Kilda 🗓️ 1 to 15 November 🎟️ booktickets.com.au Based on the hit film, School of Rock follows Dewey Finn — a wannabe rock star who turns a class of straight-A students into a mind-blowing band that learns what it really means to find your voice. With powerhouse performances, infectious energy, and heart-thumping music, this production captures the spirit of rebellion and the magic of self-expression that only rock ’n’ roll can deliver. From explosive ensemble numbers to quiet moments of reflection, School of Rock strikes every chord, humour, hope, and heart. Audiences of all ages are cheering for its unstoppable mix of fun, emotion, and authenticity, reminding us all that it’s never too late to chase your dreams or pick up a guitar. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. JOHN YANKO is a Melbourne-based singer, songwriter, and performer whose artistry bridges storytelling and soul. He made his television debut on ABC’s The Piano, where he was handpicked by Harry Connick Jr. and Andrea Lam to perform at Sydney’s City Recital Hall. John’s musical theatre credits include leading roles in We Will Rock You, Seussical, Shrek the Musical, and now School of Rock. His passion for performance is rooted in connection — using music to inspire joy, courage, and authenticity both on and off stage. ANNA DINYÉS is a Hungary-born, Melbourne-based artist with a background in classical voice and piano. She is currently completing her Bachelor of Music (Musical Theatre) at the Australian Institute of Music and has appeared in productions such as Urinetown, The Mystery of Edwin Drood, and Pippin. Anna toured internationally as a lead vocalist in a professional ABBA tribute show and has lent her voice to the award-winning video game Elden Ring and Marvel’s Loki soundtrack. Blending discipline with playfulness, Anna continues to carve her path as a bold and versatile performer in the Australian theatre scene.

Get ready to crank up the volume because this is not your average school story. In School of Rock the Musical, Dylan Crawley and Imogen Alexander prove that following your dreams never goes out of tune. What starts as a conversation about returning to the stage quickly turns into a reflection on passion, purpose, and the power of music to bring people together. 🎭 School of Rock the Musical 📍 National Theatre, St Kilda 🗓️ 1 to 15 November 🎟️ booktickets.com.au Based on the hit film, School of Rock is an electrifying stage adaptation that follows wannabe rockstar Dewey Finn as he turns a group of straight-A students into a mind-blowing rock band. Packed with high-energy performances, heart, and hilarious moments, this production hits all the right notes. In this episode, Dylan Crawley and Imogen Alexander open up about their creative journeys from childhood inspirations to navigating the leap from classroom to stage. Dylan shares how a love for performance never really fades, even after years in cyber security, while Imogen reflects on growing up across five countries and how that global upbringing shaped her artistry. Together, they explore what it means to chase your passion fearlessly, rediscover joy, and embrace the thrill of live theatre once more. For Dylan, School of Rock has always been a source of inspiration. Returning to the stage as Ned Schneebly feels like coming home,  a full-circle moment that reminds him why he fell in love with performing in the first place. School of Rock the Musical is a loud, feel-good celebration of friendship, second chances, and the unstoppable energy of doing what you love. Whether you’re a lifelong fan of the film or seeing it for the first time, this production will remind you why live theatre still rocks. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. DYLAN CRAWLEY is appearing on stage for the first time since high school. After being cast as Wilbur in the 2016 Hairspray production at Saint Ignatius College Geelong, Dylan knew musical theatre filled his soul. He later pursued a cyber security degree and worked in the field for several years before returning to his first love — performing. With past experiences at Walt Disney World and the Geelong Arts Centre, Dylan decided it was time to stop watching others live their dreams and start living his own. Now, as Ned Schneebly in School of Rock, he’s thrilled to bring his comedic energy and heart to the stage. IMOGEN ALEXANDER is an emerging musical theatre performer who grew up across five countries, fostering a deep love for the arts. A graduate of Showfit and Griffith University’s Queensland Academy of Excellence in Music Theatre, Imogen’s credits include Legally Blonde (Enid Hoopes) and I Love You, You’re Perfect, Now Change (Betty/Noah). She has also performed in Bluey’s World and as the featured Mandarin singer for Amway’s 30th Anniversary with Kermond Entertainment. When she’s not performing, Imogen enjoys F45 workouts, teaching swimming, and spending time with her cat — also named Dylan.

Get ready to see motherhood in a new light — this is not your average “mum influencer” story. In The Mum and Bubba Episode, content creator Althea Cayton opens up about raising her daughter in a digital world, balancing authenticity with privacy, and how the magic of theatre and storytelling is shaping their everyday life. What began as a creative outlet soon grew into a heartfelt community for parents who value connection, curiosity, and kindness. 🎧 The Mum and Bubba Episode 📍 In-Studio — Melbourne 🗓️ 21 October 2025 🎟️ instagram.com/mum.and.bubba Through candid reflections, Althea shares how @mum.and.bubba became a space for genuine storytelling not picture-perfect posts. She talks about finding joy in the simple things, choosing collaborations that feel real, and showing up online as both a creator and a mum. For her, authenticity isn’t a strategy,  it’s a way to stay grounded while navigating the noise of social media. Their conversation explores what it means to nurture creativity in a child and why the arts matter more than ever. From live theatre to storytime at home, Althea believes that imagination builds empathy and that every performance, every book, every melody helps children see the world with wonder.  She shares how Melbourne’s vibrant arts scene has become part of her family’s rhythm, turning weekends into moments of laughter, curiosity, and connection. At its heart, The Mum and Bubba Episode is about time, the time we give, the moments we make, and the love we model. Althea reflects on how her daughter taught her to slow down, have fun, and lead with kindness, lessons that have shaped both her parenting and her platform. Honest, tender, and full of warmth, this episode celebrates creativity, motherhood, and the stories that make us who we are. ALTHEA CAYTON is a Melbourne-based content creator and the voice behind @mum.and.bubba, a digital space celebrating family life, creativity, and the joy of shared experiences. A lifelong writer with a background in marketing, Althea started the page six years ago to connect with other parents and share useful finds, local events, and imaginative adventures.  Inspired by her daughter, she continues to use her platform to encourage families to explore the arts, discover live theatre, and embrace the beauty of everyday moments.

Vidya Makan is back on the Showtime podcast, this time in the Melbourne studio, to talk about the momentous success of her groundbreaking original Australian musical, The Lucky Country, following its ARIA nomination for Best Original Soundtrack or Musical Theater Album.   Vidya dives deep into the painstaking, nearly two-year-long process of creating the Original Cast Recording, detailing how she and her collaborators, producer Michael Tan and music director Heidi Maguire, translated the show's vision—an "Aussie radio dial" of sounds—for the listener's ear. She notes that a cast album is a separate, highly controlled art form, revealing the "luxury" of being able to craft the music like a "detailed painting."   She discusses the immense shock and honor of the ARIA nomination, sharing what this top-level recognition means for a show created by and featuring minority voices that is meant to serve as "a mirror as to who we are" as a nation. Vidya gets emotional about the powerful meaning behind the newly rewritten finale track, "Rise," which includes the Indigenous language Gugu Yalanji, and the feeling of gratitude to be part of such a sacred moment.   Finally, she expresses her excitement about bringing the show back to Melbourne, the city where she first discovered her artistry and wrote the musical. She is thrilled to share a contribution to the national dialogue that is meaningful, doesn't shy away from tricky conversations, but is also "a lot of fun."   Don't miss the show or the ARIA-nominated album!   🎭 The Lucky Country 🗓️ 13 October to 18 October 📍 Lawler Theatre 🎟️ http://mtc.com.au/   VIDYA MAKAN is one of Australia's most exciting multi-hyphenates, renowned as a composer and a leading lady. Her acting credits include Eliza in Hamilton, Catherine Parr in SIX, and Dot/Marie in Sunday In The Park With George, all of which earned her major industry nominations. Her critically acclaimed original musical, The Lucky Country, opened to rave reviews in 2023 and is currently touring. The Original Cast Album has been nominated for a 2025 ARIA Award for Best Original Soundtrack or Musical Theater Album. She is currently working with Queensland Theatre on a new musical exploring the lives of South Asian Australians.