Showtime with Andrew G | Arts & Entertainment

Andrew G sits down with James Liotta to explore what it really takes to build a long-lasting career in entertainment. With over 25 years across comedy, radio, theatre, and television, James reflects on how growing up in an Italian-Australian household shaped his humour, storytelling, and passion for live audiences. From community radio and early theatre roles to national tours and television appearances, he shares how persistence, adaptability, and creating his own opportunities became the foundation of his career.The conversation dives into the power of cultural comedy, the realities of rejection and unpaid gigs, and why James never chased fame—only the chance to keep performing. Andrew and James also unpack the unpredictability of live theatre, audience interactions, and the success of Nonno and Yaya with George Kapiniaris, a comedy show celebrating Italian and Greek family culture through sketches, music, and stand-up.At its core, this episode is about resilience, creative independence, and the joy of making people laugh—proving that success in entertainment comes from consistently showing up, evolving, and staying connected to your audience.

Andrew G sits down with Max Meaden to unpack the creative journey behind The Last Parma Night, a darkly funny and deeply Australian stage production inspired by the pub rituals, friendships, and growing pains that define so many young adults. From childhood obsessions with Doctor Who to writing and starring in his own original work, Max shares how storytelling became both a personal outlet and a way to explore identity, nostalgia, and human connection.They explore the emotional weight behind everyday rituals like “Parma Night” and why simple traditions between mates can hold far more meaning than they first appear. Max reflects on his early experiences performing, training at 16th Street Actors Studio, and the realities of navigating auditions, rejection, and the pressure of building a career in Australia’s arts industry. The conversation also dives into the decision to stop waiting for opportunities and instead create work from the ground up with the people and stories closest to him.Andrew and Max discuss the uniquely Melbourne identity woven throughout The Last Parma Night, from pub culture and tram rides to the anxieties of adulthood, changing friendships, and the fear of being left behind. They also unpack the show’s surreal and unexpected elements, how sci-fi influences shaped its darker undertones, and why the best theatre often disguises immense emotional and technical complexity beneath something that feels effortless and familiar.Beyond the play itself, the episode becomes a wider conversation about the value of Australian storytelling, the struggle for arts funding, and the challenge creatives face in balancing authentic artistic expression with the demands of social media and modern entertainment culture. At its core, this episode is about friendship, reinvention, creative risk-taking, and the importance of telling stories that reflect who we are, where we come from, and the moments that quietly shape our lives.

Andrew G sits down with Jarred Dewey to explore the journey of a world-class circus artist driven not by competition, but by creativity, connection, and the pursuit of meaningful performance. From his early days as a recreational gymnast who struggled in competitive environments to discovering his place in the world of circus, Jarred shares how finding an art form that valued expression over winning changed the course of his life.They unpack the reality of building a career in a niche and physically demanding industry, including the leap from a working-class upbringing in Adelaide to studying at the National Institute of Circus Arts and eventually touring the world with Circa. Jarred reflects on the intensity of performing across 40+ countries, the cultural nuances of live audiences, and how those experiences shaped his perspective—not just as an artist, but as a human deeply attuned to energy, emotion, and connection.The conversation dives into his current role in Club Cabaret, a bold and emotionally layered show that blends circus, drag, music, and storytelling. Jarred opens up about the vulnerability of performing in such an intimate format, the responsibility of guiding audiences through both spectacle and deeper themes like identity and inclusivity, and why the most powerful performances aren’t always about applause—but about tension, presence, and shared experience.At its core, this episode is about redefining success in the creative world, embracing risk without fear, and understanding that great performance isn’t just about skill—it’s about empathy, authenticity, and the ability to make people feel something real.

Andrew G sits down with Sian Fuller to explore the journey of a young artist navigating early success, self-doubt, and the evolving path back to what she truly loves. From growing up in a family of musicians to stepping onto the national stage at just 16, Sian reflects on how validation, pressure, and exposure shaped her identity—not just as a performer, but as a person figuring things out in real time.They unpack the reality of being thrust into the spotlight at a young age through The Voice, and how the experience challenged her confidence while also reinforcing the importance of self-belief. Sian shares the emotional complexity of performing under public scrutiny, the impact of social media, and why surrounding yourself with the right people can make all the difference in staying grounded and inspired.The conversation dives into her return to musical theatre with Once, a raw and intimate production that demands vulnerability, musicianship, and deep connection on stage. She opens up about why this role felt aligned with her current season in life, how imperfection adds authenticity to performance, and what makes the show resonate so strongly with audiences.At its core, this episode is about embracing uncertainty, finding confidence through experience, and learning that being a creative isn’t about perfection—it’s about connection, honesty, and having the courage to keep showing up.

Andrew G sits down with Mark Taylor to explore the journey of a creative returning to the stage after more than a decade away, and what it really means to reconnect with your artistic identity. From early childhood storytelling shaped by imagination and music, to navigating self-doubt and the pressure of perception, Mark shares how his relationship with performance has evolved over time.They unpack the reality of stepping back into acting after years of directing and producing, and why the absence of labels has allowed him to embrace a more fluid, honest approach to creativity. Mark reflects on the internal battles creatives face, the impact of self-consciousness, and how age and experience have helped him quiet the noise and focus on what truly matters—connection, presence, and truth in performance.The conversation dives into his return to the stage in Once, a deeply intimate and music-driven production that blurs the line between actor and musician. He shares why the story resonates so personally, how music becomes a vehicle for emotional expression, and what makes the show so uniquely powerful for both performers and audiences.At its core, this episode is about coming back to what you love, letting go of rigid identity, and finding freedom in simply being a creative—open, collaborative, and fully present in the moment.

Andrew G sits down with He Huang to explore the unconventional path behind one of comedy’s most original voices, built on curiosity, cultural contrast, and a relentless search for belonging. From a serious upbringing in China to discovering stand-up through a random library class, He shares how comedy became less of a dream and more of an unexpected obsession.They unpack the reality behind finding your voice as an outsider, the tension between different cultures, and how misunderstanding can become creative fuel. He reflects on going viral through Australia's Got Talent, why that moment wasn’t the finish line, and how it simply opened the door to years of hard work, experimentation, and growth.The conversation dives into her latest show, Timu Joke Factory, a more personal, narrative-driven performance that blends humour with deeper emotional storytelling. She opens up about the challenge of balancing laughs with meaning, and why not every joke is meant for everyone.At its core, this episode is about embracing discomfort, turning difference into strength, and building something authentic, even if it doesn’t fit the mould.

Andrew G sits down with Sammy J to explore the reality behind a career built on reinvention, resilience, and staying creative in a constantly changing industry. From classroom humour to national stages, Sammy shares how comedy became his identity—and how years of trial, failure, and small wins shaped his path.They unpack the myth of the “big break,” the pressure of creating for the algorithm, and why live performance still offers something digital never can. Sammy also reflects on shifting toward more personal storytelling through Hero Complex, and the challenge of turning real-life experiences into meaningful, engaging work.At its core, this episode is about playing the long game—staying true to your craft, embracing change, and building real connection with an audience.

In this episode, Andrew G sits down with FEZ FAANANA to explore his journey from navigating two cultures to building a globally recognised cabaret phenomenon.Fez shares how feeling different growing up became his creative advantage, shaping his confidence, resilience, and approach to performance.They unpack the philosophy behind Briefs—blending circus, drag, burlesque, and comedy—and how great shows are driven by instinct, energy, and audience connection rather than formula.At its core, this episode is about embracing your differences, taking creative risks, and creating work that truly connects.

In this episode, Andrew G sits down with Dilruk Jayasinha to explore the unexpected journey from corporate accounting to stand-up comedy, and what it really means to find fulfilment in your work.Dilruk shares how humour shaped his identity growing up, and how leaving a stable career forced him to confront the reality that success means little without joy in the process. He reflects on the early days of comedy, from bombing on stage to slowly improving through persistence rather than natural talent.They unpack the craft behind stand-up, the discipline of refining material, and the balance between hard work and enjoyment that keeps him going. Dilruk also opens up about his latest show, Gratitude Guy, and his shift from focusing on pain to rediscovering gratitude.At its core, this episode is about choosing fulfilment over expectation, embracing the long road to growth, and showing up until the work starts to make sense.

In this episode, Andrew G sits down with Daniel Muggleton to explore the unpredictable reality of stand up comedy and what it really takes to build a career on stage. From studying law to performing at open mics, Daniel shares how his path was shaped by risk, persistence and figuring things out as he went.They unpack the truth behind stand up, from years of bombing and refining material to the pressure of delivering for live audiences. Daniel explains why comedy is not about finding what is funny, but making the uncomfortable funny, and how some of the best moments come from uncertainty.At its core, this episode is about perspective, resilience and staying in the game long enough to turn real life into something people can connect with and laugh about.

In this episode, Andrew G sits down with Brett Blake to explore the unpredictable path of comedy and what really drives performers to keep going. From struggling in school with ADHD and dyslexia to finding his voice on stage, Brett shares how humour became both a coping mechanism and a calling.They unpack the reality of stand-up. The trial and error, the sting of bombing, and the persistence it takes to improve in front of a live audience. Brett also reflects on the importance of observation, turning real-life moments into relatable comedy.At its core, this episode is about resilience, connection, and showing up, even when it’s hard, until something finally clicks.

In this episode, Andrew G sits down with Alan Fletcher for an honest conversation about longevity in the arts and the creative drive that keeps performers coming back, year after year. From his early days in theatre to his decades-long run on Neighbours, Alan reflects on the unexpected path that shaped his career and the discipline it takes to keep evolving.They unpack the reality behind performing. the constant learning, the importance of collaboration, and why success often comes down to showing up and doing the work rather than following a perfect plan. Alan also shares his love for storytelling through music, and how writing and performing songs offers a different, more personal kind of connection with an audience.At its core, this episode is about creativity, connection, and the magic of live performance, the kind that can’t be edited or replayed, only experienced in the moment.

In this episode, Andrew G sits down with performer Ebony Tucker for an honest conversation about the realities of life on stage and the passion that keeps artists coming back — even when it’s tough. From growing up without an arts background to touring a beloved children’s production, Ebony reflects on how her love for storytelling began and the deep need for human connection that drives her work.They unpack the myth that acting is glamorous, revealing the unseen challenges — self-doubt, constant pressure, and the quiet work behind every performance. Ebony also shares her journey of finding her authentic voice, the lessons learned through training, and why being yourself is the most valuable thing you can bring as an artist.The conversation also explores the unique world of performing for children, where honesty is immediate and connection is everything. From unpredictable audience moments to the lasting impact of small, meaningful experiences, Ebony highlights why this work is both challenging and deeply rewarding.At its core, this episode is about storytelling, resilience, and connection — and the powerful magic of live performance that happens when people come together to share a moment in real time.

In this episode, Andrew G sits down with performer, writer and creator Olivia Mitchell for an honest conversation about the realities of life on stage and the passion that keeps artists returning to the theatre. As she prepares for an outdoor production of The Tempest, Olivia reflects on how her love for performing began and the strange mix of anxiety and excitement that comes with stepping in front of a live audience.They explore the myth that acting is simply memorising lines, and the deeper work involved in building a character — creating a full human life through voice, movement and relationships. Olivia also shares what it feels like to perform your own writing, why creating opportunities is often essential in the arts, and how everyday moments often become the seeds of future stories.At its core, this episode is about connection — between performers and audiences, between story and experience — and the unique magic of live theatre that can only happen when people gather together in the same space.

In this episode, Andrew G sits down with acclaimed director and arts leader Sam Strong for an insightful conversation on creativity, leadership and the future of live performance. From his early days as a theatre maker to leading a bold new vision at Gasworks Arts Park as it marks 40 years, Sam reflects on what continues to drive his work.They explore why theatre still matters in a streaming world, the importance of accessibility and authentic storytelling, and the courage required to back bold, sometimes divisive work. Sam shares why managing fear is central to creative leadership — and why the collective, in-room experience of live performance remains irreplaceable.At its core, this episode is a celebration of participation, risk, and the shared human connection that keeps theatre alive.

In this episode, Andrew G sits down with Mamma Mia leading lady Bek Chapman during rehearsals at the National Theatre ahead of the show’s February season. From the surprise birthday call that moved her from understudy to Donna Sheridan, Bek reflects on stepping into an iconic role at exactly the right moment in her life.The conversation explores the heart beneath the disco sparkle — the strength and vulnerability within Donna, the emotional impact of Slipping Through My Fingers, and why Mamma Mia continues to resonate across generations. Andrew and Bek also discuss the unique energy of live theatre and the powerful connection between performers and audiences.At its core, this episode is a celebration of joy, friendship, and the deeply human magic that makes theatre unforgettable.

In this episode, Andrew G sits down with acclaimed Australian director Pip Mushen during rehearsals for Mamma Mia, ahead of its upcoming season at the National Theatre this February. Pip reflects on his early perceptions of the show and how, through rehearsal and close attention to the script, he discovered a depth of heart and emotional storytelling beneath its joyful, familiar surface.The conversation offers a behind-the-scenes look at the director’s role in shaping live theatre — from the invisible work audiences never notice to the delicate balance between spectacle and sincerity. Pip shares insights from a career spanning theatre, film, and television, unpacking what it really takes to lead a cast under pressure, collaborate with creative teams, and keep a production aligned around a shared goal.Andrew and Pip also explore why Mamma Mia continues to resonate across generations. Beyond ABBA’s iconic music and infectious energy, the show endures because of its emotional accessibility, its focus on relationships, and its ability to move audiences without demanding analysis or explanation.At its heart, this episode is a celebration of live theatre as a shared, immediate experience — joyful, demanding, and deeply human — and a reminder that the most powerful moments on stage are often the ones audiences feel rather than consciously see.

In this episode, Andrew G sits down with Belle Parkinson, Ali Long, and Eleanor Atanofsky as they prepare to step into the world of Mamma Mia ahead of its National Theatre season this February. The cast reflect on the excitement, nerves, and privilege of working on a musical that holds such a special place in popular culture, and on the responsibility of bringing honesty and authenticity to a show so many audiences already love. They share what life is like inside the rehearsal room as opening night draws closer — from the fast pace and constant momentum to the sense of trust, play, and belonging that forms when a cast comes together. The conversation offers a behind-the-scenes look at Mamma Mia as a true ensemble piece, where every performer contributes to the energy of a show that never really stops moving. The discussion also explores why Mamma Mia continues to resonate decades after its debut. From the timeless appeal of ABBA’s music to the show’s balance of humour, heart, and emotional relatability, the cast unpack why it works best when played sincerely rather than as pure spectacle. Along the way, they reflect on their individual journeys into theatre — from early inspirations and training to uncertainty, growth, and learning to trust their instincts. At its heart, this episode is about joy, connection, and shared experience. It’s a reminder of why live theatre matters, how music can instantly lift a room, and why audiences keep returning to Mamma Mia — to laugh, to feel seen, and to leave the theatre smiling, humming ABBA, and feeling just a little lighter than when they arrived.

In this episode, we sit down with Sam Anderson, Shannon Foley, and Luke Stevens as they step into the world of Mamma Mia ahead of its National Theatre season in February 2026. The cast reflect on the excitement, pressure, and privilege of working on a show that continues to connect with audiences across generations, and on the responsibility of bringing truth and authenticity to such a beloved musical. They share what it’s like inside the rehearsal room as opening night approaches—from the fast pace and constant momentum to the trust, play, and collaboration that make the process so rewarding. The conversation offers a behind-the-scenes look at how Mamma Mia functions as a true ensemble piece, where every performer is part of a joyful, finely tuned machine. The discussion explores why Mamma Mia still resonates decades on. From the timeless pull of ABBA’s music to the balance of humour, heart, and emotional honesty, the cast unpack why the show works best when it’s played sincerely rather than as pure spectacle. They also reflect on the different paths that led them here—training, setbacks, resilience, and the lessons learned along the way. At its heart, this episode is about joy, connection, and shared experience. It’s a reminder of why live theatre matters, why music can lift people instantly, and why audiences keep coming back—to leave the theatre smiling, humming ABBA, and feeling just a little lighter than when they arrived.  

In this episode, we sit down with Stuart Maunder, Artistic Director of Victorian Opera, to explore the enduring magic of The Pirates of Penzance and the creative life that has grown alongside it. Stuart reflects on decades spent in rehearsal rooms and theatres, tracing how early encounters with pantomime and musical storytelling shaped his love of performance and his belief that theatre should be joyful, generous, and accessible to all.He shares what it’s like to return to Pirates time and again—as a director, a storyteller, and a lifelong fan—unpacking why this famously “silly” operetta continues to resonate across generations. From the terror and exhilaration of stepping into a rehearsal room, to the energy that emerges when seasoned performers and early-career artists collaborate, Stuart offers an inside look at building a production designed to give audiences a genuinely great night out.The conversation delves into why The Pirates of Penzance remains funny and moving more than a century after it was written. Stuart explores the balance between laughter and heartfelt emotion, the power of music to reach audiences beyond words, and the uniquely British humour that keeps the work fresh without losing its original spirit. He also challenges common misconceptions about opera, reframing it not as an elite art form, but as something driven by music, community, and shared human experience.At its heart, this episode is about joy—why laughter matters, why silliness can carry real emotional weight, and why theatre that welcomes people in continues to endure. Whether you’re an opera devotee or a first-timer who’s never thought it was “for you,” this conversation is an invitation to give it a go—and to walk out of the theatre thinking, my God, that was a great night.

In this episode, we sit down with Ashley Rogers-Bredin and Madidi McKenzie to explore the making of & Juliet in Warrnambool and the journeys that have shaped them as young theatre-makers within regional communities. Ashley reflects on growing up in local theatre, stepping into his first full-scale directing role at just 23, and what it means to lead a company he once performed alongside. Madidi shares her path as a performer and the challenge of inhabiting the role of Anne Hathaway—one that demands maturity, reflection, and a deep commitment to truth. They speak candidly about the rehearsal process behind a major musical, from casting and collaboration to the emotional impact of hearing the full band and cast come together for the first time. The conversation unpacks why & Juliet resonates so strongly with today’s audiences, blending pop music and humour with themes of female empowerment, identity, self-worth, and the importance of being heard. At its heart, this episode is about community, voice, and possibility. Ashley and Madidi reflect on the power of regional theatre to nurture talent, build confidence, and create meaningful stories that challenge expectations. Whether you’re a performer, director, educator, or theatre-lover, this episode is a reminder that powerful, relevant theatre can grow anywhere—and that chasing what makes you happy is always worth the risk.

In this episode, we sit down with Glenn Elston, Artistic Director of the Australian Shakespeare Company, to explore a life shaped by live performance and a lifelong relationship with Shakespeare. Glenn reflects on how returning to the plays again and again deepens his understanding of human nature, creativity, and why theatre remains a living art form. He speaks candidly about sustaining a large independent theatre company—from overlapping productions and touring to the physical and creative demands of back-to-back seasons. Glenn also shares the unique power of outdoor theatre, where shared space, weather, and audience connection break down barriers. He reflects on keeping Shakespeare accessible and funny through bold comedy, physical storytelling, and a strong sense of play for families and first-timers. At its heart, this conversation is about community and why theatre still matters. Glenn offers a thoughtful perspective on live performance as a tool for connection, wellbeing, and kindness in a digital world. Whether you’re a theatre-maker, educator, performer, or audience member, this episode is a reminder of theatre’s power to bring people together, night after night, under the open sky.

In this episode, we sit down with Ayril Borce, a rising performer in Melbourne’s musical theatre scene, to explore the deeply human journey behind his life in performance. Ayril opens up about where it all began, from street dancing and community celebrations to navigating family expectations, self-belief, and the winding path that led him onto the professional stage. He speaks candidly about the realities of choosing an artistic life, including changing careers later than most, stepping into formal training for the first time in his mid-twenties, and confronting the fear of not feeling “ready enough.” Ayril reflects on the discipline of dance, the vulnerability of learning to sing in front of others, and the resilience required to keep going through rejection, uncertainty, and constant growth. Along the way, he shares the moments that affirmed his choices, from getting into NIDA to making his professional debut and finding his place in large-scale musical theatre productions. At its heart, this conversation is about community, belonging, and the power of shared movement and storytelling. Ayril offers a heartfelt perspective on why disco, dance, and musical theatre still matter: they allow people to let go, feel seen, and connect with one another. Whether you are a performer, a creative considering a career shift, or someone searching for the courage to take a leap, this episode is an honest, encouraging reminder that there is no single path into the arts and that showing up, again and again, is where the real work begins.

In this episode, we sit down with Ella Caldwell, one of the driving creative forces at Red Stitch Actors’ Theatre, to explore the deeply human journey behind her life in the arts. Ella opens up about her beginnings, the moments that shaped her, and the unexpected turns that led her to become a core part of one of Australia’s most respected independent theatre companies.She talks candidly about the struggles that come with a life on stage, from self doubt to burnout to the emotional cost of throwing yourself fully into every role. Ella’s reflections are honest and vulnerable, sharing not just the highlights but the parts of the journey that often go unseen. She also tells the stories behind some of her biggest creative breakthroughs, those powerful moments in rehearsal or performance that reminded her why she chose this path in the first place.Ella offers a heartfelt look into what theatre really means to her the community, the connection, and the belief that stories have the power to shift people at their core. Whether you are an actor, director, theatre lover, or someone finding your way creatively, this conversation feels grounding, comforting, and deeply inspiring. It is a beautiful reminder of why the arts matter and why the people who make them matter just as much.

In this episode, we chat with Chris Mitchell, a kid who grew up obsessed with movies and somehow ended up building a theatre that’s changing the creative scene in his city. Chris gets real about the messy, confusing, and unexpected moments that shaped him, the times he didn’t know which path to take, the pull of creativity that wouldn’t let go, and the experiences that pushed him toward something he never saw coming. What starts as a personal journey of figuring things out turns into a story about creating something bigger than himself, a space for artists, storytellers, and audiences to come together.   Chris shares the highs, the funny missteps, and the lessons that only theatre life can teach,  all with honesty and heart. It’s the kind of conversation that will make anyone in the arts nod, laugh, and maybe even tear up a little, remembering why they fell in love with this crazy, creative world.   Whether you’re an actor, director, designer, writer, or just chasing your own creative dream, Chris’s story is a reminder that following your passion isn’t always easy, but it can lead to something truly extraordinary, a place, a purpose, and a community that makes it all worth it.  

Talking with Belinda Jenkin on Showtime was a reminder of how much passion and imagination sit behind great musical theatre. Belinda is an actor, singer, writer and composer who has spent more than a decade creating, performing and teaching across Australia and New York. Her path began in primary school when she choreographed routines for her friends, and grew through community theatre, visual arts studies, contemporary music training and ultimately NIDA and CAP21 in New York.   Belinda spoke about the feeling of flow she experiences on stage, a sense of pure presence where everything else disappears. That connection anchors her work, especially in parody musicals. She has performed in Top Gun, Gilligan’s Island, Fifty Shades, Friends and Thrones, and explained how parody relies on balancing sincerity with playful exaggeration. Audience interaction is crucial, and each performance shifts based on the energy in the room.   In Love Actually the musical parody she plays nine characters, using specific physical and vocal markers to switch roles quickly and cleanly. She loves the humour of the show, which celebrates everything people adore and debate about the original film. Whether audiences love the movie or have never seen it, the parody offers nostalgia, surprise and plenty of laughs.   🎭 Love Actually? The Musical Parody 🗓️ 5 Dec to 23 Dec 📍 Athenaeum Theatre One 🎟️ loveactuallymusicalparody.com/melbourne   Love Actually the musical parody is a fast paced, laugh out loud send up of the beloved Christmas movie. It reimagines nine chaotic stories of love, heartbreak and festive madness through clever comedy, original songs and cheeky twists on the film’s most iconic moments. The show follows the Prime Minister falling for his secretary, the best friend confessing his love with cue cards, the husband in trouble with Emma Thompson, and a collection of wonderfully odd characters who stumble through the holiday season with questionable judgment and even more questionable grand gestures.   The parody heightens everything people adore and roll their eyes at from the movie, leaning into nostalgia while adding new jokes, surprises and pop culture nods. It celebrates the messy, sentimental and ridiculous spirit of Christmas, offering a night of festive fun for those who love the film, love to hate it, or have never seen it at all.   BELINDA JENKIN is an accomplished actor, singer, writer and composer with a career that spans musical theatre, parody, cabaret and screen. A graduate of NIDA’s Diploma of Musical Theatre and CAP21 in New York, she has become a versatile and well loved performer known for her sharp comedic timing and expressive storytelling. Her stage credits include Friends the Musical Parody, Thrones, Top Gun the Musical, Gilligan’s Island the Musical, Fifty Shades the Musical Parody, Motor Mouth Loves Suck Face, Anyone Can Whistle, Chronic at La Mama and The Musical of Musicals. On screen she has appeared in Summer Heights High, the Space Jam Experience, Baz Luhrmann’s Elvis and educational sketches for NTC.   As a writer she has created original cabarets and co written musicals such as Until Tomorrow and The Gathering with William Hannagan. Belinda also teaches acting and musical theatre, sharing more than a decade of professional experience with emerging performers.

Get ready to rediscover what happiness really means,  this is not your typical theatre talk. In The Good Life Episode, British actor Nicolas Ancelin shares his journey from the streets of Nottingham to the stages of Melbourne, and how a play about contentment, community, and laughter has reshaped the way he sees the world. What began as a backpacking adventure soon became a story about art, purpose, and finding joy in the simplest things.   🎭 The Good Life 📍 Bayside Arts and Cultural Centre 🗓️  7 November to 22 November 🎟️ https://brightontheatre.com.au/project/season-4-the-good-life/    Their conversation explores what The Good Life truly means in a world that often equates success with busyness. Nicolas reflects on his time in Australia, the lessons learned from the theatre community, and the importance of slowing down to laugh, listen, and live. At its heart, The Good Life Play is about simplicity,  the courage to choose meaning over noise, joy over pressure, and storytelling over spectacle. Nicolas reminds us that comedy isn’t just about punchlines; it’s about empathy, timing, and truth. Warm, witty, and full of heart, this episode celebrates art, purpose, and the performers who remind us that happiness isn’t something you chase, it’s something you create. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  NICOLAS ANCELIN was born in Longjumeau, France and raised in Nottingham, England. He attended Nottingham’s Television Workshop from 2011-2014 before graduating from the Manchester School of Theatre in 2017. He arrived in Australia 3 years ago as a backpacker and unfortunately, will have to return home next year. The Good Life will be Nic’s theatrical debut in the southern hemisphere, this will also be the play's Australian premier. He was taught improvisation and clowning by the legendary Mick Barnfather and stage craft by the RSC's Andrew Jarvis. On his return to Europe, he hopes to attend the Philippe Gaulier School, a mecca for comic actors and clowns. His credits include Noise, Thomas Moran, Cloud Street adapted from Tim Winton, David Copperfield adapted from Charles Dickens, It Can’t Happen Here, Sinclair Lewis, and Dolly West’s Kitchen, Frank McGuinness. He has directed The Red Lion, Patrick Marber, Lemons Lemons Lemons Lemons Lemons, Sam Steiner and co-directed Things We Want, Jonathan Marc Sherman. His dream role would be Henry V. He’d love to direct anything written by Harold Pinter, Annie Baker, or David Mamet, particularly Glengarry Glen Ross.

Get ready to let the sunshine in because Hair the Musical is back and bolder than ever. At Melbourne’s Athenaeum Theatre, Alex Cooper and Maverick Newman lead a fearless new production of the groundbreaking rock musical that defined a generation. More than 50 years after it first shocked audiences, Hair continues to challenge, provoke, and inspire asking what freedom, identity, and rebellion really mean in 2025. 🎭 Hair the Musical 📍 Athenaeum Theatre, Melbourne 🗓️25 October to 22 November 🎟️www.hairthemusical.com.au Directed with a fresh eye and a big heart, this revival doesn’t just revisit the counterculture movement — it reimagines it for a new era. Alex and Maverick bring electric energy and emotional depth to their roles, exploring themes of peace, protest, and personal awakening. From the iconic number “Let the Sunshine In” to the haunting “Where Do I Go”, every song becomes a mirror held up to today’s world where questions of war, race, gender, and freedom still burn bright. In conversation with host Andrew G on Showtime, the pair reflect on the show’s raw honesty and enduring relevance. They share how rehearsals sparked tough but necessary conversations about identity, inclusion, and truth proving that the real magic of Hair lies in its ability to unite people through empathy and understanding. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  ALEX COOPER is a core member of the Australian Shakespeare Company for the past five years, performing in a wide range of beloved productions. His stage credits include Otter, Cop, Judge, and Weasel in The Wind in the Willows; Bagheera in Jungle Book: The Next Chapter; and Major Minor Key in Captain Jack’s Pirate Party. Within the ASC’s Shakespeare repertoire, Alex has portrayed Claudio in Much Ado About Nothing and Benvolio in Romeo & Juliet, both featured in the 2023 summer season. Beyond his extensive stage work, Alex’s theatre appearances also include Leske’s Method (Cameron Sievers) and Second Coming (Andrew R. Kelly). On screen, Alex is best known for his role as Cody in Chris Lilley’s Ja’mie: Private School Girl, and has also appeared in Please Like Me (Josh Thomas, ABC Network) and The Newsreader (Emma Freeman, ABC Network). His portrayal of Claude in Hair the Musical marks a defining moment in his artistic journey — one that blends his passion for storytelling with his belief in the power of theatre to inspire empathy and self-discovery. MAVERICK NEWMAN is a graduate of the Western Australian Academy of Performing Arts (BA in Music Theatre), Maverick was most recently seen as Willard in Footloose The Musical and as Michael in The Boys in the Band (JTC). In 2023, Maverick was nominated for a Sydney Theatre Award for Best Actor in a Leading Role in a Musical for his dynamic performance playing twelve characters in the smash-hit Murder for Two (Hayes Theatre Co.), which enjoyed multiple return seasons, including critically acclaimed runs at Arts Centre Melbourne and Riverside Parramatta. Other notable stage credits include Emilia in The Comedy of Errors (Australian Shakespeare Company); Britt Craig in Parade (Soundworks Productions); Donny/Junee in A Model Murder (Sydney Festival/LPD); Chandler/Janice in Friends! The Musical Parody (SK Entertainment); and Mr. Toad in The Wind in the Willows (Australian Shakespeare Company). An award-winning writer, Maverick’s creative works include Tis The Season… (recipient of the Green Room Award for Best Original Songs), Finding Felix: A Memoir (nominated for four Green Room Awards), and Maverick Newman in Conversation with Maverick Newman (Hayes Theatre Co. & Athenaeum Theatre). Maverick is proudly represented by Sue Barnett & Associates.

Get ready to crank up the volume because School of Rock is more than just kids with guitars, it’s a celebration of passion, purpose, and the power of music to bring people together. Onstage, John Yanko and Anna Dinyés rock out as part of the electrifying cast, but behind the amps and anthems is a story of rediscovery, growth, and pure joy. Their shared love for performing fuels every riff and lyric, proving that music isn’t just what they do, it’s who they are. 🎸 School of Rock 📍 National Theatre St Kilda 🗓️ 1 to 15 November 🎟️ booktickets.com.au Based on the hit film, School of Rock follows Dewey Finn — a wannabe rock star who turns a class of straight-A students into a mind-blowing band that learns what it really means to find your voice. With powerhouse performances, infectious energy, and heart-thumping music, this production captures the spirit of rebellion and the magic of self-expression that only rock ’n’ roll can deliver. From explosive ensemble numbers to quiet moments of reflection, School of Rock strikes every chord, humour, hope, and heart. Audiences of all ages are cheering for its unstoppable mix of fun, emotion, and authenticity, reminding us all that it’s never too late to chase your dreams or pick up a guitar. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. JOHN YANKO is a Melbourne-based singer, songwriter, and performer whose artistry bridges storytelling and soul. He made his television debut on ABC’s The Piano, where he was handpicked by Harry Connick Jr. and Andrea Lam to perform at Sydney’s City Recital Hall. John’s musical theatre credits include leading roles in We Will Rock You, Seussical, Shrek the Musical, and now School of Rock. His passion for performance is rooted in connection — using music to inspire joy, courage, and authenticity both on and off stage. ANNA DINYÉS is a Hungary-born, Melbourne-based artist with a background in classical voice and piano. She is currently completing her Bachelor of Music (Musical Theatre) at the Australian Institute of Music and has appeared in productions such as Urinetown, The Mystery of Edwin Drood, and Pippin. Anna toured internationally as a lead vocalist in a professional ABBA tribute show and has lent her voice to the award-winning video game Elden Ring and Marvel’s Loki soundtrack. Blending discipline with playfulness, Anna continues to carve her path as a bold and versatile performer in the Australian theatre scene.

Get ready to crank up the volume because this is not your average school story. In School of Rock the Musical, Dylan Crawley and Imogen Alexander prove that following your dreams never goes out of tune. What starts as a conversation about returning to the stage quickly turns into a reflection on passion, purpose, and the power of music to bring people together. 🎭 School of Rock the Musical 📍 National Theatre, St Kilda 🗓️ 1 to 15 November 🎟️ booktickets.com.au Based on the hit film, School of Rock is an electrifying stage adaptation that follows wannabe rockstar Dewey Finn as he turns a group of straight-A students into a mind-blowing rock band. Packed with high-energy performances, heart, and hilarious moments, this production hits all the right notes. In this episode, Dylan Crawley and Imogen Alexander open up about their creative journeys from childhood inspirations to navigating the leap from classroom to stage. Dylan shares how a love for performance never really fades, even after years in cyber security, while Imogen reflects on growing up across five countries and how that global upbringing shaped her artistry. Together, they explore what it means to chase your passion fearlessly, rediscover joy, and embrace the thrill of live theatre once more. For Dylan, School of Rock has always been a source of inspiration. Returning to the stage as Ned Schneebly feels like coming home,  a full-circle moment that reminds him why he fell in love with performing in the first place. School of Rock the Musical is a loud, feel-good celebration of friendship, second chances, and the unstoppable energy of doing what you love. Whether you’re a lifelong fan of the film or seeing it for the first time, this production will remind you why live theatre still rocks. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. DYLAN CRAWLEY is appearing on stage for the first time since high school. After being cast as Wilbur in the 2016 Hairspray production at Saint Ignatius College Geelong, Dylan knew musical theatre filled his soul. He later pursued a cyber security degree and worked in the field for several years before returning to his first love — performing. With past experiences at Walt Disney World and the Geelong Arts Centre, Dylan decided it was time to stop watching others live their dreams and start living his own. Now, as Ned Schneebly in School of Rock, he’s thrilled to bring his comedic energy and heart to the stage. IMOGEN ALEXANDER is an emerging musical theatre performer who grew up across five countries, fostering a deep love for the arts. A graduate of Showfit and Griffith University’s Queensland Academy of Excellence in Music Theatre, Imogen’s credits include Legally Blonde (Enid Hoopes) and I Love You, You’re Perfect, Now Change (Betty/Noah). She has also performed in Bluey’s World and as the featured Mandarin singer for Amway’s 30th Anniversary with Kermond Entertainment. When she’s not performing, Imogen enjoys F45 workouts, teaching swimming, and spending time with her cat — also named Dylan.

Get ready to see motherhood in a new light — this is not your average “mum influencer” story. In The Mum and Bubba Episode, content creator Althea Cayton opens up about raising her daughter in a digital world, balancing authenticity with privacy, and how the magic of theatre and storytelling is shaping their everyday life. What began as a creative outlet soon grew into a heartfelt community for parents who value connection, curiosity, and kindness. 🎧 The Mum and Bubba Episode 📍 In-Studio — Melbourne 🗓️ 21 October 2025 🎟️ instagram.com/mum.and.bubba Through candid reflections, Althea shares how @mum.and.bubba became a space for genuine storytelling not picture-perfect posts. She talks about finding joy in the simple things, choosing collaborations that feel real, and showing up online as both a creator and a mum. For her, authenticity isn’t a strategy,  it’s a way to stay grounded while navigating the noise of social media. Their conversation explores what it means to nurture creativity in a child and why the arts matter more than ever. From live theatre to storytime at home, Althea believes that imagination builds empathy and that every performance, every book, every melody helps children see the world with wonder.  She shares how Melbourne’s vibrant arts scene has become part of her family’s rhythm, turning weekends into moments of laughter, curiosity, and connection. At its heart, The Mum and Bubba Episode is about time, the time we give, the moments we make, and the love we model. Althea reflects on how her daughter taught her to slow down, have fun, and lead with kindness, lessons that have shaped both her parenting and her platform. Honest, tender, and full of warmth, this episode celebrates creativity, motherhood, and the stories that make us who we are. ALTHEA CAYTON is a Melbourne-based content creator and the voice behind @mum.and.bubba, a digital space celebrating family life, creativity, and the joy of shared experiences. A lifelong writer with a background in marketing, Althea started the page six years ago to connect with other parents and share useful finds, local events, and imaginative adventures.  Inspired by her daughter, she continues to use her platform to encourage families to explore the arts, discover live theatre, and embrace the beauty of everyday moments.

Vidya Makan is back on the Showtime podcast, this time in the Melbourne studio, to talk about the momentous success of her groundbreaking original Australian musical, The Lucky Country, following its ARIA nomination for Best Original Soundtrack or Musical Theater Album.   Vidya dives deep into the painstaking, nearly two-year-long process of creating the Original Cast Recording, detailing how she and her collaborators, producer Michael Tan and music director Heidi Maguire, translated the show's vision—an "Aussie radio dial" of sounds—for the listener's ear. She notes that a cast album is a separate, highly controlled art form, revealing the "luxury" of being able to craft the music like a "detailed painting."   She discusses the immense shock and honor of the ARIA nomination, sharing what this top-level recognition means for a show created by and featuring minority voices that is meant to serve as "a mirror as to who we are" as a nation. Vidya gets emotional about the powerful meaning behind the newly rewritten finale track, "Rise," which includes the Indigenous language Gugu Yalanji, and the feeling of gratitude to be part of such a sacred moment.   Finally, she expresses her excitement about bringing the show back to Melbourne, the city where she first discovered her artistry and wrote the musical. She is thrilled to share a contribution to the national dialogue that is meaningful, doesn't shy away from tricky conversations, but is also "a lot of fun."   Don't miss the show or the ARIA-nominated album!   🎭 The Lucky Country 🗓️ 13 October to 18 October 📍 Lawler Theatre 🎟️ http://mtc.com.au/   VIDYA MAKAN is one of Australia's most exciting multi-hyphenates, renowned as a composer and a leading lady. Her acting credits include Eliza in Hamilton, Catherine Parr in SIX, and Dot/Marie in Sunday In The Park With George, all of which earned her major industry nominations. Her critically acclaimed original musical, The Lucky Country, opened to rave reviews in 2023 and is currently touring. The Original Cast Album has been nominated for a 2025 ARIA Award for Best Original Soundtrack or Musical Theater Album. She is currently working with Queensland Theatre on a new musical exploring the lives of South Asian Australians.

Louisa Mignone joined the Showtime podcast to share her journey from growing up in a lively household of five siblings to becoming one of Australia’s most versatile actors in theatre, film, and television. With a career spanning acclaimed theatre productions and standout screen roles, Louisa spoke about what it takes to sustain a creative career, navigating the challenges of the industry, and staying true to storytelling that resonates.   Growing up inventing worlds with her siblings and a cupboard full of dress-up clothes, Louisa discovered her love for performance early. After exploring arts and cinematography at Flinders University, she stumbled into drama school — a decision that set her on a path of theatre company creation, bold stage roles, and screen performances that challenge her and expand her craft.   She reflected on the realities of being a performer in Australia today: financial instability, creative risk-taking, and the changing patterns of audiences post-COVID. Louisa shared her experiences balancing stage and screen, discussing how live theatre offers immediate feedback and evolving performances, while screen work requires precision, collaboration with directors, and trust in the editing process.   Currently, Louisa appears in Melbourne Theatre Company’s bold new adaptation of Rebecca, a limited season running until 5 November at Southbank Theatre’s The Sumner. She shared insights into the development process, working with a small cast in multiple roles, and exploring the complex moral and psychological themes of the story, which remain strikingly modern.   🎭 Rebecca 🗓️ 30 September to 5 November 📍 Southbank Theatre, The Sumner 🎟️ https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/rebecca/   Rebecca, a reimagined stage adaptation of the classic 1938 novel, follows a woman navigating obsession, secrecy, and identity in a morally complex world. With only four actors portraying multiple roles, audiences are taken on a thrilling journey through a story of desire, power, and choice — as relevant today as it was decades ago.   🤠 For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime    LOUISA MIGNONE is a Melbourne Theatre Company debut alumna with credits including The Almighty Sometimes, Death of a Salesman (GWB Entertainment/Red Line Productions), The Fence (Darebin Arts/29 Scenes), Anna K (Malthouse Theatre), Mortido (Belvoir), The Club (State Theatre Company South Australia), Antigone (Sport For Jove), The Pork Stiletto (The Old Fitzroy), The Boys (Griffin Theatre Company), and Fugitive, Boom Bah! (Windmill Theatre). She is a founding member of Adelaide-based theatre company isthisyours?, whose original works have toured nationally and received numerous awards.   Her television and film credits include The Mongoose, Fake, The Twelve (S1), Scrublands, Australian Gangster, Ms Fisher’s Modern Murder Mysteries (S1–2), Wentworth (S8–9), Halifax Retribution, Secret City: Under the Eagle, Rake (S2–4), How to Stay Married (S2), Miss Fisher’s Murder Mysteries, Fat Tony & Co, My Place, East West 101, Infini, Two Fists One Heart, and Latte e Miele, which she also created.

Ruth McGurk and Katie Loxston joined the Showtime podcast to share the irresistible joy of bringing the iconic musical Mamma Mia! to Geelong. Playing the mother-daughter duo Donna and Sophie, they dive into what makes this show a timeless, global phenomenon.   The infectious music of ABBA is the heart of the production, with the cast highlighting how the familiar songs instantly create a ripple of excitement and nostalgia through the audience. They discuss how Mamma Mia! brilliantly weaves ABBA's back catalogue into the narrative, making it feel less like a "jukebox musical" and more like a story perfectly crafted for the music—a connection they feel is key to its lasting appeal.   As Geelong locals, Ruth and Katie talk about the excitement of performing an iconic show for their hometown audience, noting that Mamma Mia! is exactly the "party" the community needs. They reveal the "infectious" and "safe" energy of the rehearsal room, where cast and crew have developed deep, real-life friendships, especially within their on-stage trios (Donna/Tanya/Rosie and Sophie/Ali/Lisa).   They share their favourite emotional moments on stage, including the powerful connection in "Slipping Through My Fingers," and touch on the value of theatre training. Ruth reflects on how her background in cabaret and writing has given her the confidence to "keep the show moving" if things go wrong, while Katie praises her Queensland Conservatorium training for teaching her "everything in the kitchen sink." Don't miss the party! 🎭 Mamma Mia! 🗓️ 3 Oct to 19 Oct 📍 Geelong Arts Centre, The Story House 🎟️ geelonglyric.com   RUTH McGURK is a Geelong mum, teacher, and an accomplished multi-hyphenate. Playing Donna, this is her second time on stage in Geelong. She is an internationally published children’s author whose debut solo show won Best Cabaret at Melbourne Fringe. Her theatre credits include Crissy in HAIR and Cinderella in Into the Woods.   KATIE LOXSTON is a Queensland Conservatorium graduate, where she trained in Musical Theatre and took on roles like Peggy Sawyer in 42nd Street. Playing Sophie, she is a familiar face in Geelong theatre, recently appearing as Patty Simcox in Grease. Offstage, she teaches performing arts at Stage Arts Geelong and Infinite Dance Studios.

Vidya Makan joined the Showtime podcast to share her journey from soccer hopeful to one of Australia’s most exciting musical theatre voices. Growing up in Brisbane she dreamed of playing for the Matildas and even trained at Manchester United’s summer school. A trip to London changed everything when she saw Wicked on the West End and realised theatre could be a space where she belonged. Since then Vidya has played major roles including Eliza in Hamilton and Katherine Parr in Six. She spoke about keeping roles truthful, bringing her own perspective to iconic characters, and the thrill of performing with an audience that feels part of the show. Alongside performing she has always written music, inspired by artists like Lin-Manuel Miranda to tell stories that reflect minority voices. Her own musical The Lucky Country grew from that passion. Written over five years, it mixes humour, camp, and sharp commentary on what it means to be Australian from diverse perspectives. The score is a patchwork of sounds from Baker Boy to Cold Chisel to Kylie, shaped with collaborators Sonia Suarez and Heidi Maguire. Vidya also worked closely with First Nations artists like Shoa Demal to ensure cultural truth and respect. Audiences have responded with reflection and gratitude, and the recent original cast album further amplifies voices rarely heard in mainstream theatre. For Vidya, Australian theatre needs more authentic, daring stories that reflect our diversity. The Lucky Country, opening at Melbourne Theatre Company, is her answer to that call. 🎭The Lucky Country 🗓️  13 to 18 October 📍 Lawler, Southbank Theatre 🎟️ mtc.com.au The Lucky Country, a bold new musical about what it means to be Australian, today revealed its cast for the Melbourne and Brisbane seasons. Leading the ensemble are Garret Lyon as Boy, Naarah Barnes as Teacher, Vidya Makan as Cindy, Phoenix Jackson Mendoza as Sexy Australia, Jeffrey Liu as Waiter, and Karlis Zaid as Veteran. They are joined by Anusha Thomas and Tainga Toa in swing and understudy roles. The show premieres on Monday 13 October at Melbourne Fringe Festival as part of the Guarantee program, before heading to Brisbane Powerhouse for MELT Festival. With a score inspired by Australian icons from Baker Boy to Kylie, the 60-minute production blends humour, heart and music to explore identity and belonging. Created by Vidya Makan and Sonya Suares, The Lucky Country is a joyful, moving, and unapologetically Australian celebration of who we are and who we can become.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram    VIDYA MAKAN is one of Australia’s most exciting multi-hyphenates in the entertainment industry. As a leading lady she has captivated audiences nationwide with her powerhouse performances, including Eliza in Hamilton, Catherine Parr in SIX, Ruby in Bloom and Dot/Marie in Sunday in the Park with George. These roles have earned her major industry award nominations and cemented her as a standout talent. Her television appearances include ABC and Michael Cassel Group’s A (Very) Musical Christmas in 2024 and a guest spot as quiz master on Channel 10’s Have You Been Paying Attention in 2023. As a composer and lyricist Vidya is making her mark with original musicals. Her debut work The Lucky Country premiered to rave reviews in Sydney in 2023 and will be presented this October at Melbourne Theatre Company’s Southbank Theatre before moving to Brisbane’s MELT Festival. The original cast album, released with Origin Music, drops on August 14. She is also developing a new musical with Queensland Theatre alongside collaborator Tasnim Hossain. Brisbane-born, Vidya first dreamt of being a Matilda before finding her passion in theatre. A skilled pianist and cellist, she graduated from Queensland Conservatorium’s Bachelor of Musical Theatre in 2015.

Ash Murdica’s rise in Australian musical theatre is the kind of story that grabs your attention from the very first note. From a small town in regional Victoria to performing in blockbuster shows like Rent, Six and Dear Evan Hansen, Ash has turned a teenage spark of curiosity into a professional career many dream of but few achieve. Their journey is a mix of raw talent, relentless dedication and the ability to adapt across styles from classical piano to contemporary guitar and now country in the upcoming Dolly Parton musical Here You Come Again. Ash’s love of music began in high school when a friend suggested starting a band after complimenting Ash on their hair. That light hearted moment set off a passion that grew through years of playing rock covers, learning piano chords by ear and eventually studying at the Melbourne Conservatorium of Music. The turning point came in 2021 with a role in the orchestra for Wicked, which showed Ash that musical theatre could be more than a pastime. Since then Ash has navigated the pressure and joy of professional productions, managing nerves with quirky rituals like pep talks, sentimental trinkets on their music stand and journaling before performances. Alongside mentors and supportive peers they have built a career marked by both resilience and achievement. Ash’s story is not just about individual success but about showing young musicians, especially those from regional backgrounds, that with commitment and courage it is possible to make it to the big stage.   🎭 Here You Come Again 🗓️  23 October to 2 November 📍 Comedy Theatre, Melbourne 🎟️  hereyoucomeagain.com.au   Here You Come Again is a warm and funny new musical built around the songs and spirit of Dolly Parton. It tells the story of Kevin, a man in his forties who finds himself back in his childhood bedroom after a tough breakup and the isolation of the Covid lockdown. Surrounded by old posters of Dolly on the walls, Kevin feels stuck until Dolly herself magically appears, offering guidance, humour and plenty of songs to help him find a way forward. The show features many of Dolly’s most loved hits, including Jolene, 9 to 5, Islands in the Stream, I Will Always Love You and of course Here You Come Again. Each song moves the story along as Kevin learns to face heartbreak, self doubt and new beginnings with courage and hope. Dolly is both mentor and comic relief, encouraging Kevin to see his struggles in a new light and even inspiring him to chase dreams he had long buried. More than just a jukebox musical, Here You Come Again is about the way music can carry us through our darkest moments. It celebrates fandom, resilience and the magic of a voice that has inspired millions. Audiences can expect plenty of laughs, touching moments and a joyful reminder that even when life feels uncertain, a good song and a little Dolly wisdom can help you dust yourself off and keep going.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime ASH MERDICA began her journey in community theatre before quickly stepping into the professional arena with deputy guitar and keys roles in Mamma Mia! (Louise Withers and Associates, 2023), Rent (LPD Productions, 2024) and Six (Louise Withers and Associates, 2024). Most recently she held the Guitar 2 chair for the Melbourne season of Dear Evan Hansen (Michael Cassel Group, 2024–25). A graduate of the Melbourne Conservatorium of Music with a Bachelor of Music Performance in Contemporary Guitar, Ash also holds a Grade 8 Pianoforte certificate with distinction, reflecting her versatility across instruments and styles.

In the latest episode of Showtime, host Andrew G  chats with Justine Garnes and Danny Gibbons from Little Lamington Productions about their upcoming comedy series Amateurs. The mockumentary celebrates the unpredictable, heartfelt and hilarious world of community theatre, capturing the chaos, camaraderie and quirks that define this cultural space. The idea for the series grew out of Justine and Danny’s own experiences in amateur theatre, where they first met performing in Clue. Car rides to rehearsals sparked conversations about the eccentric characters and relatable moments that fill rehearsal rooms, and from these stories came the concept for Amateurs. The show uses a mockumentary format, inspired by series like The Office and Modern Family, to highlight authentic behind-the-scenes moments such as audition mishaps, forgotten lines and costume disasters. The tagline “all passion, no payday” reflects the dedication of community theatre participants who devote their time and energy purely for love of the craft. The characters in Amateurs are drawn from real-life archetypes, from the returning parent trying to balance family with performance, to the diva who treats local productions like Broadway. These portrayals balance comedy with empathy, showing the humanity behind the quirks. The episode also highlights the importance of community theatre as a social hub where friendships and acceptance flourish. To support production, Little Lamington Productions is hosting a trivia and karaoke fundraiser, reflecting the spirit of volunteerism and grassroots creativity that fuels amateur theatre. Amateurs promises to be both affectionate satire and a love letter to the theatre community.   🎟️  Support Amateurs on Kickstarter   Amateurs is a new mockumentary comedy series from Little Lamington Productions that shines a light on the unpredictable world of community theatre. Created by Justine Garnes and Danny Gibbons, it draws on their experiences performing in local productions and captures the quirks, chaos and camaraderie that make amateur theatre unique. The show embraces the tagline “all passion, no payday”, celebrating volunteers who pour time and energy into productions purely for love of the craft. With a mockumentary style inspired by favourites like The Office, Amateurs finds humour in behind-the-scenes moments such as audition mishaps, costume disasters and personality clashes. Both affectionate and satirical, Amateurs balances comedy with empathy, portraying relatable characters while highlighting the friendships and sense of belonging that community theatre fosters. It is a tribute to the resilience and joy of making theatre together.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   DANNY GIBBINS is a writer, director, producer and performer with a strong background in community and independent theatre. He began his creative journey at Firbank Grammar School, where he performed leading roles in musicals, wrote original productions, and toured England with the Madrigal Choir. Over the years Danny has developed a diverse writing portfolio, creating works for festivals and theatres including Matilda’s Project at Midsumma, Bristleface, A Prince’s Quest, Beyond the Barriers, The Staffroom and The Sneeches. His achievements include recognition at the Malvern Theatre Writers competition and mentoring roles in the Malvern Theatre Emerging Leaders program. Danny has directed and produced a range of independent works such as A Prince’s Quest and The Staffroom, and continues to be active as a festival producer and mentor. As a performer, he has appeared in productions including Clue and Beyond the Barriers, and most recently as a host and entertainer, embracing his role as the “Ringmaster of Fun.” JUSTINE GARNES is a versatile performer with extensive experience in musical theatre, live entertainment and children’s performance. Originally from Essex, she trained in acting, dance and theatre at Colchester Institute, earning a Musical Theatre BTEC Diploma, and further developed her skills at the Guilford School of Arts in London. Her training also includes ISTD dance qualifications in ballet, tap and modern jazz, alongside strong musicianship with piano, ukulele, and advanced vocal and music theory accreditations. Her career spans a wide range of performance settings, from professional cruise entertainment with The Radioettes on Royal Caribbean’s Radiance of the Seas to fronting corporate and wedding bands such as the Smooth Whiskey Band. She has performed internationally in acclaimed harmony groups including The Radioettes and Fox Wiggle & Sass, showcasing her vocal ability in three-part harmony. On stage, Justine’s credits include Pilar in Legally Blonde, the Baker’s Wife in Into the Woods, and leading roles across productions in the UK and Australia.

Darren Gilshenan has built one of the most versatile careers in Australian performance, moving between theatre and television with equal success. A graduate of NIDA in 1988, he credits his training with giving him the discipline and adaptability to take on a wide range of roles. He spent a decade with Bell Shakespeare, describing Shakespeare as the ultimate training ground where stamina, clarity and emotional truth were constantly tested. Comedy became another defining part of his career. His award-winning role as Truffalino in The Servant of Two Masters demanded physical energy, improvisation and a fearless connection with audiences. That same versatility carried into television, where he became widely recognised on the sketch program Full Frontal. The quick turnover of characters and material required him to draw on his stage training to deliver performances with speed and conviction. Not all roles were light. His portrayal of Davies in Harold Pinter’s The Caretaker coincided with personal grief, leaving him physically affected by the demands of the character. It revealed both the risks and the value of acting, showing how performance can help process pain but also weigh heavily on the performer. Gilshenan’s current project, Job at Red Stitch, explores the mental toll on internet content moderators. The two-hander is intense and confronting, but he sees it as one of the most important plays of his career. He relates its themes to the generational shift between his own outdoor childhood and his son’s online world. What he values most in Job is its ambiguity, which forces audiences to reflect rather than accept easy answers. For Gilshenan, theatre’s power lies in sparking dialogue and exposing hidden truths, and his career continues to demonstrate that commitment to challenging and meaningful work. 🎭 Job 🗓️  17 September to 12 October 📍 Red Stitch Actors’ Theatre 🎟️  redstitch.net Job is a taut psychological drama that pits patient against practitioner in a battle of power, truth and survival. Jane, reeling after a viral workplace incident, is desperate to return to her Big Tech job and regain her sense of control. The decision lies with her therapist, Loyd, whose responsibility is to judge whether returning will heal her or drive her deeper into harm. As their sessions unfold, the balance of power shifts unpredictably, exposing hidden motives, blurred ethics and the fragile line between care and control. What begins as a routine evaluation spirals into a gripping contest of wits and wills, probing the toll of digital culture and the human cost behind corporate ambition. Following its acclaimed Broadway season, Job makes its Australian premiere at Red Stitch, starring Jessica Clarke and Darren Gilshenan in a two-hander that promises intensity, provocation and theatrical electricity.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   DARREN GILSHENAN graduated from NIDA in 1988 before spending a decade performing with the Bell Shakespeare Company, followed by three years on the sketch comedy Full Frontal. His television credits include Sunny Nights, Ten Pound Poms (Series 2), Bay of Fires (Series 2), Thou Shalt Not Steal, Colin from Accounts (Series 1 and 2), Population 11, Nautilus, Upright, Harrow and Stateless, for which he won the 2020 AACTA Award for Best Supporting Actor in a Television Drama Series. On film he has appeared in Pickpockets, Audrey, Take My Hand, The Appleton Ladies’ Potato Race and A Savage Christmas. He also starred in the web series Plausible Deniability produced by Random Pictures, earning Best Actor at the IndieX Film Festival, where the series also received the award for Outstanding Achievement: Best Web Series / TV Pilot. His stage work includes acclaimed performances in The Caretaker, The Hypochondriac and Who’s Afraid of Virginia Woolf?, the latter earning him a Best Actor nomination at the Sydney Theatre Awards.

What do you get when a marine biology student accidentally walks into a musical theatre audition? In Leighton Garwin’s case, you get nearly fifty shows, a voice that can jump from pop to opera, and now a starring role in the powerhouse musical Chess. On the latest episode of Showtime, Leighton reveals how a twist of fate turned into a lifelong passion for performing. He opens up about struggling to communicate as a kid and how music became his way of saying what words could not. From the dark intensity of Jacqueline Hyde to the golden glow of 42nd Street, every role has pushed him further, shaping the versatile performer he is today. Now, as he takes on the complex character of Anatoli, Leighton faces one of his toughest challenges yet. Chess is not only a demanding score but also a story of Cold War politics, love, and loyalty that still feels razor-sharp in today’s world. This is a conversation about chance, passion, and the power of theatre to hold up a mirror to our lives. If you think musicals are just about catchy tunes, Leighton Garwin is here to prove you wrong. 🎭 Chess 🗓️  12 September to 21 September 📍 The Round, Nunawadding 🎟️  theround.com.au  Few musicals hit as hard as Chess. With a score that soars from rock anthems to heart-wrenching ballads, this Cold War drama throws love, politics, and ambition onto the same board and lets them collide. Set during an international chess championship at the height of East–West tensions, the show follows the explosive rivalry between an American chess superstar and a Soviet grandmaster. What begins as a battle of intellect quickly spirals into a struggle for power, fame, and control, with governments pulling the strings behind the scenes. But amid the political manoeuvring lies a love triangle that raises the stakes even higher. When Florence, caught between loyalty and desire, is forced to choose sides, every move on the board comes loaded with personal and political consequence. With music by ABBA legends Benny Andersson and Björn Ulvaeus, and lyrics by Tim Rice, Chess delivers some of musical theatre’s most iconic numbers, blending passion with razor-sharp storytelling. It is a tale of power plays and human vulnerability, of games that reach far beyond the chessboard. Chess is not just a musical. It is a high-stakes thriller set to unforgettable music, daring audiences to question where loyalty ends and love begins.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram @AndrewGShowtime Leighton is no stranger to the stage, with close to 50 productions to his name. Favourite roles include Danny in Grease, Warner in Legally Blonde, Jesus in Godspell, and Roger in RENT. Outside of performing, Leighton works in medical administration and as a freelance writer. He holds a degree in Contemporary Music from JMC Academy and a diploma in Professional Writing and Editing from NMIT, combining his love of music, theatre, and storytelling.

In this episode of Showtime I sit down with the incredible Carissa Lee, an actor, writer and cultural researcher whose work bridges theatre, television and academia. Carissa takes us back to her early days growing up in a small South Australian town where a passionate drama teacher first introduced her to Shakespeare and professional training. That encouragement lit a spark that has never gone out. She shares the thrill and nerves of stepping on stage, the profound impact of seeing her first professional play, and how discovering diverse playwrights, especially Indigenous voices like Jack Davis, expanded her view of what theatre could be. We talk about the creative risks she has taken, from playing Charles Manson in a four hour play to balancing the emotional intensity of her latest role in What’s Yours? at Red Stitch Actors Theatre. Carissa opens up about portraying fertility struggles, the importance of community in theatre, and the power of shared laughter and tears with an audience. This conversation is about more than acting. It is about empathy, resilience and the way stories connect us. 🎭 What’s Yours 🗓️  1 August to 24 August 📍 Red Stitch Actors’ Theatre 🎟️  redstitch.net Red Stitch Actors’ Theatre will present the world premiere of What’s Yours, a funny, heart breaking and hopeful new play by Melbourne playwright Keziah Warner. Opening Friday 1 August 2025, the production is directed by Isabella Vadiveloo (Wolf Play) and is the second work in the 2025 season to be developed through the company’s INK new writing program. Written for ensemble member and Helpmann Award winner Christina O’Neill (Hour of the Wolf, Bloom, My Brilliant Career, Calamity Jane), What’s Yours explores the fallout from a single, impossible request. Jo and Simon were in love for eight years before their relationship ended. Simon then fell for Jo’s best friend, Lia. A decade later, after several failed IVF attempts, Simon and Lia ask Jo, who has happily chosen a life without children, to donate her eggs. The request forces each of them to confront what they want, what they can give and what they owe to one another. With warmth and wit, Warner has crafted a moving portrait of fractured friendship and complicated love. What’s Yours offers a fresh perspective on the childfree by choice movement while celebrating resilience, autonomy and the enduring power of women’s connection. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram  CARISSA LEE is a Noongar actor, writer and cultural researcher whose work spans theatre, film, television and academia. Born on Wemba Wemba Country, she has built a career that reflects both artistic excellence and a strong commitment to cultural storytelling. Carissa has performed with some of Australia’s most respected companies including Melbourne Theatre Company, Malthouse Theatre, Ilbijerri Theatre and State Theatre Company of South Australia. Recent highlights include performing in Maurial Spearim’s comedy Inside Out at the Yirramboi Festival and Nazaree Dickerson’s moving Noongar family play Ngarngk. Her screen work is equally diverse, with appearances in ABC programs Planet Lulin and Sammy J, the web miniseries Behind the Seams, and the independent horror film The Dysphoria. Known for her versatility and presence, Carissa brings depth and authenticity to every role whether comedic, dramatic or experimental. Beyond the stage and screen Carissa holds a PhD from the University of Melbourne and works as a cultural safety researcher, dramaturg and editor through her fellowship at Swinburne University of Technology. Her practice weaves together performance and research with a strong focus on creating work that honours Indigenous perspectives and fosters greater cultural understanding.

In this episode of Showtime, Andrew G speaks with Annie Blood, someone whose connection to Australian theatre spans more than six decades. Annie’s love for the stage began backstage at the Alfred Hospital revue in the 1960s, sparking a lifelong passion for live performance. Over the years she has worked as a director, stage manager, production manager and actor, embracing the collaborative spirit of theatre. Annie reflects on her approach to honouring a playwright’s vision while keeping productions relevant for modern audiences, sharing insights from challenging works like The Shadow Box and the evolving professionalism of community theatre. She also discusses her current project, Noël Coward’s Fallen Angels, marking its 100th anniversary with wit, authenticity and social commentary. Annie’s story is one of dedication, adaptability and love for the art form, offering a heartfelt reminder that theatre’s magic lies in its ability to bring people together through shared human stories. 🎭 Fallen Angles 🗓️  15 August to 30 August 📍 Brighton Theatre Company, Brighton 🎟️  brightontheatre.com.au Set in the dazzling world of the 1920s, Fallen Angels is a sparkling Noël Coward comedy about love, temptation and friendship under pressure. Julia and Jane are two best friends who believe they are happily married, until news arrives that Maurice, a charming former lover to them both, is returning to town. What begins as mild curiosity quickly spirals into a champagne-fuelled storm of anticipation, jealousy and self-reflection. As they prepare for his arrival, the women’s petty squabbles and rekindled passions lead to hilarious misunderstandings and escalating chaos. When Maurice finally appears, their carefully composed lives unravel in a flurry of razor-sharp banter and social satire. First performed in 1925, the play was groundbreaking in its frank exploration of female desire and agency. A century later, Fallen Angels still sparkles with wit, delivering a cheeky, fast-paced look at relationships that is as fresh and funny today as it was on its debut. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram @AndrewGShowtime ANNIE BLOOD’S involvement in community theatre began in the early 1960s as an inexperienced stage crew member and performer in the Alfred Hospital Revue. While working in the Physiology Department and studying English and Psychology at Monash University, she joined The Monash Players, sparking a lifelong passion for theatre, particularly backstage roles. After time spent in the UK and Europe, she settled in South Australia in 1976, where the vibrant community theatre scene became her creative home. Over the next three decades, Annie embraced almost every aspect of theatre, serving as President of Burnside Players, Artistic Director of Mayfair Theatre Company, and Production Manager for Matt Byrne Media. She also acted in memorable character roles, stage managed numerous productions, and directed plays for companies including Burnside, Elizabeth, The Hills, and Mayfair. Her career reflects deep dedication, versatility, and a love for the collaborative spirit that defines community theatre.

Dawn Riddale, once a musical theatre performer, is the founder of Melbourne Theatre News and Just Auditions, two platforms that have transformed how Melbourne’s community theatre scene connects. Before they existed, show and audition details were scattered and hard to find. Dawn and her fiancé Craig created centralised hubs where performers, theatre companies and audiences could easily share and access information. Just Auditions Victoria now has over 13,000 followers and has expanded to other states with varying success, depending on local participation. Dawn stresses that active community involvement is essential to keep the platforms vibrant and up to date. She also values Melbourne’s unique theatre culture, including traditions like sharing a “sherry” before a show, which she believes helps strengthen connections. Marketing remains a challenge for many community and independent theatre groups, and Dawn advocates for clear, timely promotion that includes all the essential details. Run entirely by volunteers and free to use, these platforms are a labour of love. Dawn hopes more people will help manage them so they can continue supporting and connecting theatre lovers for years to come.   http://justauditions.com/ https://www.facebook.com/justauditions/ https://www.facebook.com/groups/melbournetheatrenews/ 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime DAWN RIDSDALE Dawn Ridsdale is an accomplished performer, director, and theatre maker with over 20 years in Australian community theatre. She has appeared in productions including The Wiz, Don’t Dress for Dinner, David Copperfield, Cosi, A Murder is Announced, It’s My Party (And I’ll Die If I Want To), The Odd Couple (female version), and Waiting for God. Her directing and production credits include Don’t Dress for Dinner, Dimboola, and That Scottish Play. Dawn has also worked as a stage manager and production coordinator, bringing a wealth of skills to every project. Her passion, versatility, and dedication make her a valued member of the theatre community.

The Forgotten Song Book is a bold new Australian musical that brings the lost legacy of Broadway composer Wilbur Weissman back to life. Created by 23-year-old talents Dylan McBurnie and Emerson Hurley, the show is part concert, part biography and all heart. Set to live piano and performed by two captivating singers, it resurrects Weissman’s long-forgotten songs from the 1930s and 40s while exploring timeless themes of artistic legacy and the fear of being forgotten. With a sharp eye for historical detail and a deep love for classic musical theatre, Dylan and Emerson craft a powerful and intimate experience that connects past and present. Their creative chemistry and stripped back production style make the show raw, honest and unmissable. The Forgotten Song Book is more than a tribute. It is a reminder that every artist, no matter how overlooked, has a story worth telling. It is nostalgic, fresh and deeply moving. 🎭The Forgotten Songbook 🗓️  25 July to 27 July EXTREMELY LIMITED SEASON 📍 Chapel Off Chapel 🎟️  chapeloffchapel.com.au When twenty three year old historian and composer Emerson Hurley first discovered the music of Broadway composer Wilbur Weissman, he was surprised to find that almost nothing remained of Weissman’s once celebrated legacy. A prolific figure during the 1930s and 40s, Weissman had written songs that were performed alongside the greats of Tin Pan Alley. Yet, like so many artists of his era, his name and work had vanished into obscurity. Determined to change that, Hurley embarked on a passionate research project, combining his twin loves of music and history to uncover the life and work of this forgotten composer. The Forgotten Song Book is the result, a heartfelt and entertaining tribute that brings Weissman’s songs back to the stage for the first time in decades. With a newly written script shaped by meticulous historical research, the show blends humour, nostalgia and emotional insight to share Weissman’s story through his own words and music. Performed by Melbourne theatre favourites Karla Hillam and Jonathan Guthrie Jones, and accompanied live on piano by Hurley himself, the show is directed by Mikey Halcrow. Together, they bring to life a charming and moving musical revue that captures both the spirit of Broadway’s Golden Age and the enduring power of song. Whether you are a lover of classic show tunes or simply curious about the forgotten stories behind the spotlight, The Forgotten Song Book is a fresh and deeply human journey into the past. It is more than a revival. It is a celebration of creativity, resilience and the legacy of an artist whose voice deserves to be heard once again. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime DYLAN MCBURNIE Dylan is a Melbourne-based stage manager, producer and sound engineer with experience spanning Australia and Europe. A graduate of Adelaide College of the Arts, they completed secondments with both the Adelaide Festival and State Opera South Australia. In Melbourne, their musical theatre credits include Urinetown and Songs for a New World with Soundworks Productions, Dogfight with Theatrical, Ruthless with Stagebugs Productions and the upcoming American Psycho. Dylan is also the resident stage manager at Home Grown Musicals. Beyond the world of theatre, they produce stand-up comedy and are a Bruce Award–nominated performer. EMERSON HURLEY Emerson is a Melbourne-based composer and pianist with a background in history and a passion for storytelling through music. He holds a diploma from the Melbourne Conservatorium and is trained as a historian, blending academic insight with musical creativity. Active in Melbourne’s jazz scene as both a soloist and ensemble performer, Emerson has also worked as a music director with JTM Productions, collaborating with Karla Hillam and Jonathan Guthrie-Jones on productions including Some Enchanted Evening and 007: Shaken Not Stirred. Deeply inspired by the Great American Songbook, his compositions pay tribute to the iconic songwriters of Tin Pan Alley. The Forgotten Song Book marks his debut musical and is a culmination of his twin loves—Broadway and the rich tapestry of historical storytelling.

Emily McDougall is lighting up the stage as Elle Woods in Legally Blonde at the National Theatre, but her journey started far from the bright lights of Melbourne. Born and raised in Hobart, Emily’s love for musical theatre began at just 10 years old in a school production. That early spark turned into a fierce passion, eventually taking her to Federation University, where she trained, performed and even co-wrote a musical inspired by the emotional aftermath of the pandemic. Now, as Elle, she brings depth, warmth and strength to a character she has loved for years. Emily’s journey is one of resilience, creativity and heart. She speaks openly about the highs and challenges of working in the arts, and how staying connected to community, training and joy helps her navigate a demanding industry. Through Legally Blonde, she explores the power of breaking stereotypes, embracing complexity and telling stories that inspire audiences to see themselves on stage. Whether she is writing original work or bringing Elle Woods to life, Emily reminds us that theatre is not just about performance. It is about passion, growth and creating moments that last long after the final bow. 🎭 Legally Blonde 📍National Theatre St Kilda 🗓️ 12 to 27 July 🎟️ booktickets.com.au Legally Blonde the Musical is lighting up Melbourne with high energy, big laughs and even bigger heart. Based on the hit film, this feel good stage sensation follows Elle Woods, a fashion loving sorority queen who swaps pink heels for legal briefs when she enrols at Harvard Law to win back her ex. But along the way, Elle discovers her true strength, smashing stereotypes and proving that being true to yourself never goes out of style. Packed with catchy songs, slick choreography and a whole lot of charm, Legally Blonde is more than just a pretty pink musical. It’s a joyful celebration of self confidence, resilience and friendship. From courtroom showdowns to Delta Nu dance breaks, every moment is bursting with colour, humour and heart. This Melbourne production brings a fresh and fabulous take on the Broadway hit, featuring a standout cast of rising stars and scene stealing child performers. Audiences of all ages are loving the infectious energy, dazzling design and empowering message that you don’t need to change who you are to make a difference. Whether you're a die hard fan or new to Elle's journey, Legally Blonde is the must see musical event of the season.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime EMILY MCDOUGALL is a dynamic musical theatre performer originally from Hobart, now based in Melbourne. She discovered her love for performing at just 10 years old in a school musical, a moment that sparked a lifelong passion for the stage. Emily trained at Federation University, where she honed her craft across acting, singing and dance, and also co-wrote an original musical exploring themes of grief and disconnection during the pandemic. Her approach to performance is grounded in authenticity, emotional depth and a deep respect for storytelling. Emily is currently starring as Elle Woods in Legally Blonde at the National Theatre, bringing warmth, strength and nuance to a character she has long admired. Offstage, she remains active in the arts community through ongoing training and creative collaboration. Emily is passionate about work that challenges expectations, celebrates complexity and inspires audiences to see themselves reflected on stage.

What do you get when you mix fairy tale pigs, big vocals and stand-up comedy timing? A children’s musical that’s as clever as it is hilarious. In this episode of the Showtime podcast, Andrew sits down with Zack, Isabelle and Ben, the trio behind The Three Little Pigs, to chat about turning a well-worn story into a high-energy stage hit. With fresh characters, catchy tunes and a whole lot of heart, this production proves that kids’ theatre can be just as bold, brilliant and entertaining as anything on the main stage. 🎭 Legally Blonde 📍National Theatre St Kilda 🗓️ 12 to 27 July 🎟️ booktickets.com.au Stiles and Drewe’s The Three Little Pigs is a clever, high-energy twist on the classic tale, created by the award-winning team behind Mary Poppins and Honk!. Packed with catchy songs, colourful characters and playful humour, this short musical is designed to delight children and entertain the adults who bring them. In this version, the three pigs each have unique personalities—a fitness fanatic, an eco-warrior and a brainy designer—and their journey away from home becomes a fun, fast-paced lesson in resilience and teamwork. The Big Bad Wolf brings just enough mischief to keep things exciting without being scary. With a running time under an hour, the show is perfect for young audiences, offering big laughs, toe-tapping tunes and a heartwarming message about family and finding your strength. It is a joyful introduction to theatre that proves children’s musicals can be just as smart and satisfying as any grown-up show.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime ZAKARIA VASILIOU is a comedian and musical theatre performer with a Bachelor of Fine Arts (Music Theatre) from the Victorian College of the Arts (VCA). His debut stand-up show Twinky Twinky Little Star played to sold-out audiences at the Adelaide Fringe and Melbourne International Comedy Festival, earning rave reviews and an Adelaide Fringe Emerging Artist Award. On stage, Zak has performed in a range of productions including Mongrel (dir. Maude Davey), The Hello Girls (dir. Jason Langley), Sweet Charity (dir. Jayde Kirchert), Chicago (dir. Adrian Barnes), and Ivy and Bean (dir. Sarah Williams). He is thrilled to return as Q in Stiles and Drewe’s The 3 Little Pigs after originating the role in the 2024 Australian premiere directed by Tahra Cannon. Known for blending sharp comedic instincts with heartfelt storytelling, Zak brings energy, humour and originality to every role he plays. ISABELE DAVIS Davis is a Melbourne-born, Shanghai-raised singer, songwriter and performer. After completing a Bachelor of Arts in Music Theatre at WAAPA in 2019, she has dedicated her creative energy to writing, releasing and performing original music across Victoria. Her recent theatre credits include Romeo and Juliet and Outback Adventures (M.S.C), Share House: The Musical (Arts Centre Melbourne), and Ordinary Days (Be You). Isabelle is also the voice of Talia Wick on Find Me, the theme song for the award-winning audio drama The Realm Tree. She recently released the first two singles from her debut album An Inconvenient Youth, with the full album set to launch in August this year. Isabelle is excited to return to The 3 Little Pigs this July, sharing her love of storytelling, music and live performance with young audiences once again. BEN HAMILTON is delighted to return to the stage in this vibrant production of The Three Little Pigs. He is currently studying full-time at Showfit, where he continues to develop his skills in singing, acting and dance, and deepen his passion for musical theatre. Ben has a natural flair for entertaining young audiences and regularly works in children’s entertainment, bringing energy, fun and creativity to every performance. His warm presence and playful spirit make him a hit with kids and families alike. He is thrilled to be part of this joyful and imaginative show, and looks forward to sharing the stage with such a talented cast and crew. The Three Little Pigs is a story full of heart, humour and important lessons about family and resilience, and Ben is excited to help bring it to life for audiences these July school holidays.

Jackson Cross shares his creative journey from Geelong’s vibrant arts community to the main stage at Melbourne’s National Theatre. Now starring as Emmett in Legally Blonde, Jackson reflects on how a high school music teacher helped him rediscover his love for performing and embrace his identity as a queer artist. After years playing in an indie rock band, he returned to theatre with fresh purpose, combining musical skill with emotional truth. Revisiting the role of Emmett, Jackson brings honesty, warmth and quiet strength to the character. He sees Legally Blonde as more than a feel-good musical. It is a celebration of confidence, kindness and defying expectations. His personal experiences with ADHD and self-discovery mirror the themes of the show, making his performance feel real and deeply relatable. With a passion for curiosity, a love of learning and an infectious sense of joy, Jackson speaks openly about the power of community, creativity and staying true to yourself. His story is a reminder that theatre is not just about performance. It is about connection, growth and giving others the courage to shine in their own way. 🎭 Legally Blonde 📍National Theatre St Kilda 🗓️ 12 to 27 July 🎟️ booktickets.com.au Legally Blonde the Musical is lighting up Melbourne with high energy, big laughs and even bigger heart. Based on the hit film, this feel good stage sensation follows Elle Woods, a fashion loving sorority queen who swaps pink heels for legal briefs when she enrols at Harvard Law to win back her ex. But along the way, Elle discovers her true strength, smashing stereotypes and proving that being true to yourself never goes out of style. Packed with catchy songs, slick choreography and a whole lot of charm, Legally Blonde is more than just a pretty pink musical. It’s a joyful celebration of self confidence, resilience and friendship. From courtroom showdowns to Delta Nu dance breaks, every moment is bursting with colour, humour and heart. This Melbourne production brings a fresh and fabulous take on the Broadway hit, featuring a standout cast of rising stars and scene stealing child performers. Audiences of all ages are loving the infectious energy, dazzling design and empowering message that you don’t need to change who you are to make a difference. Whether you're a die hard fan or new to Elle's journey, Legally Blonde is the must see musical event of the season. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime JACKSON CROSS is a passionate and energetic performer with a deep love for storytelling. He began his theatre journey at Federation University, graduating with the class of 2022. Since then, he has developed a strong interest in new works, regularly participating in workshops and developmental projects. His credits include performances in several new Australian musicals, including The White Rose by Oliver Thomson and Isabella Dymalovski, Fresno by Jeremy Harland and Josh Connell, A Wake to Remember by Samantha Wong, and the Green Room Award winning Blue to the Horizon by Sarah Wynen. Over the past two summers, Jackson has performed with Melbourne Shakespeare Company in their outdoor seasons, playing Lorenzo in The Merchant of Venice and Borachio in Much Ado About Nothing, while also contributing musically to both productions. He is now excited to return to the role of Emmett in Legally Blonde with Theatrical, the very first role he ever performed on stage, now revisited with new perspective and enthusiasm.

Lloyd Jones, a powerhouse in the Australian live entertainment scene, shares his passion for iconic venues like Melbourne’s Palais Theatre in this unforgettable episode of Showtime with Andrew G. From childhood memories of John Farnham to leading major restorations, Lloyd reveals how venues are more than stages. They are cultural landmarks filled with shared history. He champions the Palais Theatre Community Fund, which reinvests 50 cents from every ticket sold into grassroots projects across the City of Port Phillip. From olive oil to youth theatre, the fund is changing lives. With warmth, insight and decades of experience, Lloyd shows how historic venues can thrive commercially while remaining vital to the community. This episode is a love letter to live music, memory and meaningful impact.   🎭 Palais Theatre Community Fund 🗓️ Round 12: Closes 4 July 💰palaistheatre.com.au/community-support The Palais Theatre Community Fund supports local organisations and initiatives that contribute to the cultural and social life of the City of Port Phillip. Created through a partnership between Live Nation and the local council, the fund allocates a portion of every ticket sold to help community projects grow. It has supported a broad range of recipients, from local arts groups and schools to environmental programs and sporting clubs. The aim is to strengthen connections, encourage participation and help local ideas take shape. The fund reflects the important role the Palais Theatre plays not just as a venue, but as part of the local community.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram AndrewGShowtime LLOYD JONES is a venue operations leader, storyteller and lifelong music fan with over two decades of experience across live events, television, film and exhibitions. He currently leads operations for Venue Nation Australia, managing iconic spaces like the Palais Theatre, Festival Hall and Fortitude Music Hall. Originally from Sydney, Lloyd has worked across Australia and Asia, including a recent role in Bangkok with Live Nation Asia. He is passionate about the way music, places and people connect, and brings a storyteller’s eye to every project. Also a published author under the name Edwin Jones, Lloyd continues to chase great stories, live shows and a good meal wherever he goes.

Get ready to bend and snap your expectations because this is not your average sorority story. In Legally Blonde the Musical, Georgina Scott, Vanessa Yeo and Taya Patterson-Fay light up the stage as the Delta Nu trio, but behind the sequins and sass is a celebration of sisterhood, resilience and self belief. Their offstage bond fuels performances that are as heartfelt as they are hilarious, proving that when women support each other, the result is pure theatrical magic.   🎭 Legally Blonde 📍National Theatre St Kilda 🗓️ 12 to 27 July 🎟️ booktickets.com.au   Legally Blonde the Musical is lighting up Melbourne with high energy, big laughs and even bigger heart. Based on the hit film, this feel good stage sensation follows Elle Woods, a fashion loving sorority queen who swaps pink heels for legal briefs when she enrols at Harvard Law to win back her ex. But along the way, Elle discovers her true strength, smashing stereotypes and proving that being true to yourself never goes out of style. Packed with catchy songs, slick choreography and a whole lot of charm, Legally Blonde is more than just a pretty pink musical. It’s a joyful celebration of self confidence, resilience and friendship. From courtroom showdowns to Delta Nu dance breaks, every moment is bursting with colour, humour and heart. This Melbourne production brings a fresh and fabulous take on the Broadway hit, featuring a standout cast of rising stars and scene stealing child performers. Audiences of all ages are loving the infectious energy, dazzling design and empowering message that you don’t need to change who you are to make a difference. Whether you're a die hard fan or new to Elle's journey, Legally Blonde is the must see musical event of the season.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime GEORGINA SCOTT is a New Zealand-born, Naarm/Melbourne-based performer working across theatre, screen, and immersive entertainment. She trained at Jason Coleman’s Ministry of Dance, completing a Diploma of Music Theatre and a Certificate III in Dance Teaching and Management. Recent credits include Time Warped: A Rocky Horror Dinner Show (Magenta) and lead roles in the short films Kiss Me Charlie (Charlie) and Cornered Angels (Sunsta). Georgina has also collaborated with Hunted Interactive Experience and appeared in a range of music videos and television commercials. She is a full-time member of Chris Nolan’s vocal studio and recently completed the 10-week Essentials Acting Course with the Howard Fine Acting Studio. TAEA PATTERSON-FAHY is a Melbourne-based performer, recently relocated from Brisbane. She is a graduate of the Queensland College of Dance, where she completed an Advanced Diploma of Musical Theatre and played the lead role of Alice in Alice by Heart. Originally from Alice Springs, Taea spent her early years immersed in the vibrant community of Central Australia before moving to Brisbane, where she continued her training. Raised in a proud rainbow family by her two mums, Taea grew up with a deep appreciation for storytelling, self-expression, and inclusion. She began performing at the age of three and is thrilled to make her Melbourne stage debut with this production.   VANESSA YEO, originally from the jungles of Borneo, is thrilled to make her musical theatre debut in Legally Blonde. A former industrial abseiler — yes, she really used to hang off skyscrapers on ropes — Vanessa brings boldness and tenacity to the stage, drawing on a unique performance background that includes martial arts, burlesque, belly dance, gymnastics, and singing in an Argentinian Cumbia band. She left the high-rises behind to pursue full-time training at Jason Coleman’s Ministry of Dance, where she is currently completing a Diploma of Musical Theatre. Vanessa is excited to share this next chapter of her creative journey with Melbourne audiences.

A bold new voice has arrived on Melbourne’s cabaret scene with a show that throws out the rulebook on love, identity and what it means to be seen. Asexual Fantasies and Hopeless A-Romantics is a solo journey that blends heartfelt honesty with sharp humour and awkward charm, exploring misunderstood labels, teenage confusion and the joy of self-discovery. Rather than chasing traditional narratives of romance, the show centres on visibility and the quiet power of authenticity, offering audiences a rare and refreshing perspective told with wit, warmth and courage.   🎭 Asexual Fantasies and Hopeless Aromantics 🗓️  16 Jun to 21 Jun 📍 The Butterfly Club 🎟️  https://thebutterflyclub.com/show/asexual-fantasies-and-hopeless-aromantics   Sophie Harvey’s Asexual Fantasies and Hopeless A-Romantics is a deeply personal and refreshingly honest cabaret exploring identity, self-discovery and the often overlooked experiences of asexual and aromantic people. Sophie is a musical theatre performer who also happens to be a proud asexual, constantly questioning where she sits on the aromantic spectrum. Through storytelling and song, she takes audiences on a journey from childhood confusion to present-day clarity, using the cabaret form to share what it means to see the world—and the stage—through an aspec lens. Confronted by the lack of representation for aspec identities in the artform she loves, Sophie responds the only way she knows how: with heart, humour and a killer setlist. Featuring an eclectic mix of music ranging from Golden Age soprano to Queen, from indie ballads to contemporary musical theatre, this is an evening of reflection, visibility and celebration that invites audiences to laugh, feel and maybe even see love a little differently.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   SHOPIE HARVEY is a 20-year-old Scottish-born, Melbourne-based performer and a recent graduate of Showfit’s full-time musical theatre course. She is currently writing and rehearsing her debut solo cabaret Asexual Fantasies and Hopeless A-Romantics, set to premiere at The Butterfly Club. During her training, Sophie appeared in a range of productions including Dance Nation as Ashlee, Icons as Florence Welch, Constellations (Ensemble), and a student-devised verbatim piece in which she portrayed her own mother. Beyond musical theatre, she has a strong passion for plays and classical text, having twice been shortlisted for the John Bell Shakespeare Scholarship and completing workshops at both The Hub Studio and 16th Street, with a focus on Tennessee Williams and Shakespeare. A self-described “asexual who’s constantly figuring out if she’s somewhere on the aromantic spectrum,” Sophie is thrilled to bring her aspec perspective to the stage and share her story with humour, heart and honesty.

Step behind the curtain with Hannah Simos Garner and Jason Sainsbury King as they bring a fresh spark to the beloved roles of Mary Poppins and Bert in MDMS’s magical new production. From tap shoes to flying umbrellas, they reveal the energy, emotion and teamwork it takes to reimagine a classic for today’s audiences. With heartfelt reflections, playful chemistry and a touch of theatrical magic, this episode of Showtime is a joyful reminder that Mary Poppins is as timeless, inspiring and practically perfect as ever. 🎭 Mary Poppins 🗓️  13 June to 22 June 📍 The Karralyka Theatre, Ringwood 🎟️  mdms.org.au/marypoppins MDMS’s production of Mary Poppins is a vibrant and heartfelt retelling of the classic musical that captures the magic, warmth and whimsy audiences have loved for generations. Set in Edwardian London, the story follows the Banks family, whose lives are turned upside down when the mysterious and marvellously poised Mary Poppins arrives at their doorstep. With her signature umbrella, a talking bag and a no-nonsense charm, Mary takes Jane and Michael Banks on extraordinary adventures that help mend the rift within their family. This production combines stunning choreography, live orchestra, charming performances and theatrical stage magic to create an enchanting experience for audiences of all ages. Hannah Simos Garner brings elegance and gentle strength to the role of Mary Poppins, while Jason Sainsbury King’s charismatic Bert guides the story with wit, warmth and impressive dance talent. From high-energy numbers like “Step in Time” to the moving “Feed the Birds,” each moment is staged with care, creativity and heart. Complete with flying effects, beautiful costumes and a multigenerational cast, MDMS’s Mary Poppins is a joyful celebration of kindness, imagination and the power of family. A practically perfect musical that reminds us anything can happen if you let it. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime HANNAH SIMOS GARNER Playing Mary Poppins, a character who famously describes herself as "practically perfect in every way," has been both a tremendous honour and a welcome challenge for Hannah, and one for which she is deeply grateful. She is currently studying a Bachelor of Music in Classical Voice at the Melbourne Conservatorium, under the guidance of esteemed vocal coach Carrie Barr. Prior to this, she trained and performed for six years with Victorian Opera’s Youth Chorus Ensemble, regularly appearing as a soloist in their gala concerts. Hannah also spent thirteen years with Stage School Australia’s Young Australian Broadway Chorus, where she graduated as a Triple Threat and now teaches voice for the company. Hannah has been fortunate to receive mentorship from acclaimed performer and vocal coach Anna O’Byrne, and during her school years, from Marianne Rigby. Her musical theatre highlights include Belle in Beauty and the Beast, Miss Honey in Matilda, Jemima in Cats and Mary in The Secret Garden. Her theatre credits include Jane in Jane Eyre and Jo March in Little Women. With family at the heart of the Mary Poppins story, it has been a joy for Hannah to bring this role to life alongside a generous and talented creative team and cast. JASON SAINSBURY KING is an experienced performer and musician with over 25 years of involvement in the arts. He began singing and playing guitar from a young age and made his stage debut at age eleven in Joseph and the Amazing Technicolor Dreamcoat as part of the children's chorus in the ACT. After relocating to Victoria to pursue his theatrical studies, Jason was awarded a musical theatre grant in 2004, which allowed him to train in stagecraft and performance with lecturers from the Victorian College of the Arts. He has since trained across multiple dance styles including Latin ballroom, jazz, tap, contemporary and aerial. Jason has performed throughout Victoria and shared the stage with renowned Australian artists such as Todd McKenney and the late Rob Guest. His most notable stage credits include Amos Hart in Chicago, for which he received the Music Theatre Guild of Victoria Award for Best Male Actor in a Supporting Role, Peter Allen in The Boy from Oz, Gomez Addams in The Addams Family (Guild nominated), Adam and Felicia in Priscilla Queen of the Desert, Charlie Price in Kinky Boots, where he met and later married his husband Brodie, and Willy Wonka in Charlie and the Chocolate Factory. Jason brings passion, humour and musical talent to every role he takes on.