Episodes
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Struck
I wrote this song 4 years ago. I never published it. I'm actually lucky I rediscovered it - I really enjoyed making it. It set everything in motion for my 7th album.
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Storm Owl remix - polished version
Boy, it's been a while. I spent a couple years focusing on, well, pretty much everything but music - but, that's changing today. This is a remix of a track from Megaman X4, an old PSX game. This is a VERY rough draft - in fact, it's my irst time using Studio One - I've been tooling around with it...
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Storm Owl - Rough Draft
Boy, it's been a while. I spent a couple years focusing on, well, pretty much everything but music - but, that's changing today. This is a remix of a track from Megaman X4, an old PSX game. This is a VERY rough draft - in fact, it's my irst time using Studio One - I've been tooling around with it...
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The World Is On Fire
It's been a long time coming - after many months of being in the world's worst creative block - I decided to write a track as a reflection of what has been a very turbulent 2016 around the world. This track is very dissonant, yet has a certain fragility and beauty to it. Hope you enjoy.
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As Time Stands Still (We Wait For No One)
Trying to go with a bit of a "less is more" approach with my music - and to really try to take that to a new depth, I've written this song using a production approach completely unique to me. I didn't write the song based off of a bassline - actually, there wasn't a true bassline written. Just an...
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Inter Arma Enim (Mastered version)
Mastered version of this track - enjoy :)
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Change In Perpetuity
This track stems from more of my recent studying of theory. This track is strongly rooted in a double harmonic scale, which is your typical "middle eastern" scale. It's a really difficult scale to work with because everything is so dissonant; so, there's a lot of transitions to build into a...
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Inter Arma Enim
"In Times of War" - the name of the track fits the sound. I've been diving into music theory again, and I'm experimenting with some lesser used modes of music to come up with some really cool ideas. I wrote this song using F Sharp Minor, in Phrygian mode, and that gives it a really uncomfortable...
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The Cost Of Living
Alright, so this track is one of the coolest tracks I've done. I fell in love with the melody I wrote on this track. My production approach has adjusted quite a bit to come up with something new while acknowledging the roots of my old music.
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Insurgent
Okay, so why not post two? I apologize for the brevity on the background of these tracks... but, let's just say.. I'm writing my 12th album...
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The Vagabond
A bit of a work in progress.... enjoy :)
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Starting Over
Finally completed it. Night Terrors is wrapped up. And this is a great final track to have written for it. Incredibly melodic, this track definitely stands apart from the rest of the album, as it's accessible, melodic - it's not nearly as ugly as most of the other tracks on the album. The track...
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The Obelisk
What a day. Got let go at work - so this is the song I'm writing in response to that. It's a completely dejected, weird, and unsettling track. It's the perfect summary of how I feel with the situation. The track is very dissonant in many places, on purpose. This is not a song that the "high...
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The Mistake (Parts 1 and 2)
This song is a bit of an ode to modular synthesizers. All of the sounds created on this track were by using a modular emulator on an analog rack to create a very complex track. The majority of "Night Terrors" has been minimalist - this song sounds minimalistic, but it is quite complex.
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Infinite Cycle
It's been a while since I've made a track. It's been one of those years. Fortunately, this one turned out well. All things considered, this is a pretty unique track for me.
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Believe
This could be the most complex track I've ever written from a time signature perspective. The introduction and bridges all utilize additive time signatures, with a lot of interplay between the bass, high synth, and drums, all working on different times that sync up fractally. Outside of the...
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