Slow Motion Records

CLUB CUTS - Pornopolis by Slow Motion Records

CLUB CUTS - A series of sets from our parties and takeovers. Hara Katsiki recorded live at Karmen Camina for Club Tonic 26.12.2025

CLUB CUTS - A series of sets from our parties and takeovers. Radondo recorded live at Club RSO, Berlin, 17th January 2025.

' Next in our 'A UFO' free edit series is Karassimeon’s masterful rendition of ‘Los Niños Del Parque’ by the legendary wave group Liaisons Dangereuses. Renowned for his consistently slick productions, the Parisian artist captures the essence of the city’s iconic sound from the 2000s, infused with his signature mind-bending modern flair. Combining the original commanding vocals with a unique electro twist, Karassimeon elevates ‘Los Niños Del Parque’ to exhilarating heights. Lasers whip throughout the edit, punctuating each bar while the arrangement slices through beautifully detailed, intoxicating spaces. This unstoppable dancefloor gem encapsulates the irresistible energy of the seminal 1982 release whilst bringing 2025 a refreshing tone. '

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Introducing CLUB CUTS - A series of sets from our parties and takeovers, kicking things off with none other than the illustrious duo that is our very own Sesto Senso AKA Fabrizio Mammarella and Franz Scala. Recorded at Sameheads, our home far from home, earlier this year.

Label head Fabrizio Mammarella and fellow Italian innovator Rodion return to Slow Motion with their energetic single ‘Un Segnale Di Speranza’, a mesmerising precursor to their upcoming album ‘Musica E Computer’ recorded at “Museo Del Synth Marchigiano”. Another ground-breaking collaboration between the pair which again features Mammarella’s signature arcane arps and the sweeping, glassy harmonies of Rodion. Fabrizio has also pieced together a Dub mix of the track that explores the further corners of his sonic world, displaying his innate gifts for creating future classics. ‘Un Segnale Di Speranza’ once again progresses their captivating, pioneering sound and leaves us eager to experience more of the new dimension they have entered.

Label head Fabrizio Mammarella and fellow Italian innovator Rodion return to Slow Motion with their energetic single ‘Un Segnale Di Speranza’, a mesmerising precursor to their upcoming album ‘Musica E Computer’ recorded at “Museo Del Synth Marchigiano”. Another ground-breaking collaboration between the pair which again features Mammarella’s signature arcane arps and the sweeping, glassy harmonies of Rodion. Fabrizio has also pieced together a Dub mix of the track that explores the further corners of his sonic world, displaying his innate gifts for creating future classics. ‘Un Segnale Di Speranza’ once again progresses their captivating, pioneering sound and leaves us eager to experience more of the new dimension they have entered.

Karolina Bnv makes a glimmering debut on Wrong Era with a 4 track EP set to reinforce the labels’ progressive Italo, Proto sensibilities with forward-thinking flare. Laced with crisp thunderous energy, ‘Good Girls Always Play Piano’ starts the release with strength, marching you into the acidic, electro machine ‘Mouth Work’. Sophistication swims through Karolina’s release, with perfectly placed cinematic vocoder lines and tasteful flashes of electro.  'Spinal Emotion' is another distinguished synth lead track rich with intelligent earworms rattling through beautiful instrumentation. Triggers and responses dance off each other with ease. The record culminates in the menacing, artful dissonance of ‘They Are Coming', a compelling, aptly named track with a captivating arcane nature. Karolina Bnv leaves listeners with an enticing cliffhanger of what is to come. Radondo, Berlin 2024

Karolina Bnv makes a glimmering debut on Wrong Era with a 4 track EP set to reinforce the labels’ progressive Italo, Proto sensibilities with forward-thinking flare. Laced with crisp thunderous energy, ‘Good Girls Always Play Piano’ starts the release with strength, marching you into the acidic, electro machine ‘Mouth Work’. Sophistication swims through Karolina’s release, with perfectly placed cinematic vocoder lines and tasteful flashes of electro.  'Spinal Emotion' is another distinguished synth lead track rich with intelligent earworms rattling through beautiful instrumentation. Triggers and responses dance off each other with ease. The record culminates in the menacing, artful dissonance of ‘They Are Coming', a compelling, aptly named track with a captivating arcane nature. Karolina Bnv leaves listeners with an enticing cliffhanger of what is to come. Radondo, Berlin 2024

Karolina Bnv makes a glimmering debut on Wrong Era with a 4 track EP set to reinforce the labels’ progressive Italo, Proto sensibilities with forward-thinking flare. Laced with crisp thunderous energy, ‘Good Girls Always Play Piano’ starts the release with strength, marching you into the acidic, electro machine ‘Mouth Work’. Sophistication swims through Karolina’s release, with perfectly placed cinematic vocoder lines and tasteful flashes of electro.  'Spinal Emotion' is another distinguished synth lead track rich with intelligent earworms rattling through beautiful instrumentation. Triggers and responses dance off each other with ease. The record culminates in the menacing, artful dissonance of ‘They Are Coming', a compelling, aptly named track with a captivating arcane nature. Karolina Bnv leaves listeners with an enticing cliffhanger of what is to come. Radondo, Berlin 2024

Karolina Bnv makes a glimmering debut on Wrong Era with a 4 track EP set to reinforce the labels’ progressive Italo, Proto sensibilities with forward-thinking flare. Laced with crisp thunderous energy, ‘Good Girls Always Play Piano’ starts the release with strength, marching you into the acidic, electro machine ‘Mouth Work’. Sophistication swims through Karolina’s release, with perfectly placed cinematic vocoder lines and tasteful flashes of electro.  'Spinal Emotion' is another distinguished synth lead track rich with intelligent earworms rattling through beautiful instrumentation. Triggers and responses dance off each other with ease. The record culminates in the menacing, artful dissonance of ‘They Are Coming', a compelling, aptly named track with a captivating arcane nature. Karolina Bnv leaves listeners with an enticing cliffhanger of what is to come. Radondo, Berlin 2024

Dripping with the allure of the 1985 Flexi Cowboys original, Italian native DayVentura tightens things up and broadens horizons in the next edition of our ‘A UFO’ free edit series. Building to the unforgettable bass hook of ‘Domination’ DayVentura elegantly captivates the ears, keeping us hungry for more with sophisticated flair. The vocals are beautifully washed out, providing a clear space for excitement to build and fill the floor. Nodding to sun-kissed sets in future summers, DayVentura creates a timeless reimagining of this seminal classic. ' Radondo, Berlin 2024

In addition to Eluard’s LP ‘Dirty Hall’ Slow Motion Label head, Fabrizio Mammarella and Napoli-based Altieri bring their revered sounds to remixes of ‘Comic Bad’ and ‘Phonemes’.  Prolific, sonic visionary Altieri reimagines ‘Phonemes’ with an explosive tone perfectly suited to the club. Using his distinctive floor-shattering low-end and arcane vocals, his remix erupts into the motif of the original after a signature powerful rise.  Fabrizio Mammarella’s abundant power to lift originals to a bar-setting realm is in full display. His unmistakably infectious arps are in full swing, combining the enigmatic vocal riff of the original with his energetic melodics makes for another timeless reimagining. Radondo, Berlin 2024

In addition to Eluard’s LP ‘Dirty Hall’ Slow Motion Label head, Fabrizio Mammarella and Napoli-based Altieri bring their revered sounds to remixes of ‘Comic Bad’ and ‘Phonemes’.  Prolific, sonic visionary Altieri reimagines ‘Phonemes’ with an explosive tone perfectly suited to the club. Using his distinctive floor-shattering low-end and arcane vocals, his remix erupts into the motif of the original after a signature powerful rise.  Fabrizio Mammarella’s abundant power to lift originals to a bar-setting realm is in full display. His unmistakably infectious arps are in full swing, combining the enigmatic vocal riff of the original with his energetic melodics makes for another timeless reimagining. Radondo, Berlin 2024

' Angé makes her debut on Wrong Era with the slick 'Daydream'. A record filled with instantly signature bass hooks and celestial soundscapes that encapsulate her dark, driving, energy-fueled vision. This vision is evident from the get-go with the anthemic 'Daydream'. A pulsating and undoubtedly infectious floor filler with captivating, eerie vocals. The cascading arps of '5AM' follow this tone, flowing in and out of acidic synthesis and piercing percussion.  'Kevin' is charged with slick post-punk and flashes of shoegaze in the guitar work, amongst powerful vocal cuts and metallic synth lines. 'Sans Nom' is the perfect conclusion to 'Daydream', with an ever-evolving bassline and haunting choral lines. The Estonian producer, selector and co-founder of Tallinn's renowned Dark Disco event series has created a distinctive release with elegant cohesion, leaving us eager for another dive into her sonic realm. '  Radondo, Berlin 2024

' Angé makes her debut on Wrong Era with the slick 'Daydream'. A record filled with instantly signature bass hooks and celestial soundscapes that encapsulate her dark, driving, energy-fueled vision. This vision is evident from the get-go with the anthemic 'Daydream'. A pulsating and undoubtedly infectious floor filler with captivating, eerie vocals. The cascading arps of '5AM' follow this tone, flowing in and out of acidic synthesis and piercing percussion.  'Kevin' is charged with slick post-punk and flashes of shoegaze in the guitar work, amongst powerful vocal cuts and metallic synth lines. 'Sans Nom' is the perfect conclusion to 'Daydream', with an ever-evolving bassline and haunting choral lines. The Estonian producer, selector and co-founder of Tallinn's renowned Dark Disco event series has created a distinctive release with elegant cohesion, leaving us eager for another dive into her sonic realm. '  Radondo, Berlin 2024

' Angé makes her debut on Wrong Era with the slick 'Daydream'. A record filled with instantly signature bass hooks and celestial soundscapes that encapsulate her dark, driving, energy-fueled vision. This vision is evident from the get-go with the anthemic 'Daydream'. A pulsating and undoubtedly infectious floor filler with captivating, eerie vocals. The cascading arps of '5AM' follow this tone, flowing in and out of acidic synthesis and piercing percussion.  'Kevin' is charged with slick post-punk and flashes of shoegaze in the guitar work, amongst powerful vocal cuts and metallic synth lines. 'Sans Nom' is the perfect conclusion to 'Daydream', with an ever-evolving bassline and haunting choral lines. The Estonian producer, selector and co-founder of Tallinn's renowned Dark Disco event series has created a distinctive release with elegant cohesion, leaving us eager for another dive into her sonic realm. '  Radondo, Berlin 2024

' Angé makes her debut on Wrong Era with the slick 'Daydream'. A record filled with instantly signature bass hooks and celestial soundscapes that encapsulate her dark, driving, energy-fueled vision. This vision is evident from the get-go with the anthemic 'Daydream'. A pulsating and undoubtedly infectious floor filler with captivating, eerie vocals. The cascading arps of '5AM' follow this tone, flowing in and out of acidic synthesis and piercing percussion.  'Kevin' is charged with slick post-punk and flashes of shoegaze in the guitar work, amongst powerful vocal cuts and metallic synth lines. 'Sans Nom' is the perfect conclusion to 'Daydream', with an ever-evolving bassline and haunting choral lines. The Estonian producer, selector and co-founder of Tallinn's renowned Dark Disco event series has created a distinctive release with elegant cohesion, leaving us eager for another dive into her sonic realm. '  Radondo, Berlin 2024

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit.  ‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.   ‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff.  Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space.  The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics. ‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere.  Radondo, Berlin 2023

'Guadalajara’s My Boy Roy returns to Wrong Era with an anthemic edit of Boytronic’s ‘Hold on’ for our ‘A UFO’ free edit series. He gives the original a respectful, powerful re-arrangement and layers on his percussion his signature lift. After a string of strikingly unique releases, this edit is no exception, MBR provides us with another window into his unparalleled gift for ground-shaking basslines and energy-rich atmospheres. ' Support the original! https://www.discogs.com/release/584647-Boytronic-Hold-On Radondo, Berlin 2023

Brazilian artist Tjor makes a momentous debut on Wrong Era with his EP ‘Turbo Lover’. Bringing his energetic percussion and fizzing synth arps to a new realm in the title track, a solid tone is set from the start. Tjor’s intelligent fusion of EBM and New Beat can be heard in the dark, stormy ‘The Run’ amongst ghostly, rhythmic vocals. ‘Eternal affair’ blends Italo Disco’s arpeggios with hints of the glistening flare of west coast electro. Vocals and synth lines combine to create an atmosphere that perfectly matches the track’s title. The rising brilliance of ‘Midnight’ keeps in line with the EP’s forward-thinking energy with infectious Hi-RG synth stabs and driving low-end. ‘Corsa Romantica’ swells you into an elusive dusk setting with a powerful, swirling melody that ties the faultless elements together. Turbo Lover is a fitting title for an EP that shifts things into the next gear.' Radondo, Berlin 2023. Released June 9, 2023

Brazilian artist Tjor makes a momentous debut on Wrong Era with his EP ‘Turbo Lover’. Bringing his energetic percussion and fizzing synth arps to a new realm in the title track, a solid tone is set from the start. Tjor’s intelligent fusion of EBM and New Beat can be heard in the dark, stormy ‘The Run’ amongst ghostly, rhythmic vocals. ‘Eternal affair’ blends Italo Disco’s arpeggios with hints of the glistening flare of west coast electro. Vocals and synth lines combine to create an atmosphere that perfectly matches the track’s title. The rising brilliance of ‘Midnight’ keeps in line with the EP’s forward-thinking energy with infectious Hi-RG synth stabs and driving low-end. ‘Corsa Romantica’ swells you into an elusive dusk setting with a powerful, swirling melody that ties the faultless elements together. Turbo Lover is a fitting title for an EP that shifts things into the next gear.' Radondo, Berlin 2023. Released June 9, 2023

Brazilian artist Tjor makes a momentous debut on Wrong Era with his EP ‘Turbo Lover’. Bringing his energetic percussion and fizzing synth arps to a new realm in the title track, a solid tone is set from the start. Tjor’s intelligent fusion of EBM and New Beat can be heard in the dark, stormy ‘The Run’ amongst ghostly, rhythmic vocals. ‘Eternal affair’ blends Italo Disco’s arpeggios with hints of the glistening flare of west coast electro. Vocals and synth lines combine to create an atmosphere that perfectly matches the track’s title. The rising brilliance of ‘Midnight’ keeps in line with the EP’s forward-thinking energy with infectious Hi-RG synth stabs and driving low-end. ‘Corsa Romantica’ swells you into an elusive dusk setting with a powerful, swirling melody that ties the faultless elements together. Turbo Lover is a fitting title for an EP that shifts things into the next gear.' Radondo, Berlin 2023. Released June 9, 2023

Brazilian artist Tjor makes a momentous debut on Wrong Era with his EP ‘Turbo Lover’. Bringing his energetic percussion and fizzing synth arps to a new realm in the title track, a solid tone is set from the start. Tjor’s intelligent fusion of EBM and New Beat can be heard in the dark, stormy ‘The Run’ amongst ghostly, rhythmic vocals. ‘Eternal affair’ blends Italo Disco’s arpeggios with hints of the glistening flare of west coast electro. Vocals and synth lines combine to create an atmosphere that perfectly matches the track’s title. The rising brilliance of ‘Midnight’ keeps in line with the EP’s forward-thinking energy with infectious Hi-RG synth stabs and driving low-end. ‘Corsa Romantica’ swells you into an elusive dusk setting with a powerful, swirling melody that ties the faultless elements together. Turbo Lover is a fitting title for an EP that shifts things into the next gear.' Radondo, Berlin 2023. Released June 9, 2023

Brazilian artist Tjor makes a momentous debut on Wrong Era with his EP ‘Turbo Lover’. Bringing his energetic percussion and fizzing synth arps to a new realm in the title track, a solid tone is set from the start. Tjor’s intelligent fusion of EBM and New Beat can be heard in the dark, stormy ‘The Run’ amongst ghostly, rhythmic vocals. ‘Eternal affair’ blends Italo Disco’s arpeggios with hints of the glistening flare of west coast electro. Vocals and synth lines combine to create an atmosphere that perfectly matches the track’s title. The rising brilliance of ‘Midnight’ keeps in line with the EP’s forward-thinking energy with infectious Hi-RG synth stabs and driving low-end. ‘Corsa Romantica’ swells you into an elusive dusk setting with a powerful, swirling melody that ties the faultless elements together. Turbo Lover is a fitting title for an EP that shifts things into the next gear.' Radondo, Berlin 2023. Released June 9, 2023

Milano's Uabos and Slow Motion Records member Andrea Tempo join forces for a thunderous EP combining their powerful signature sounds. The aptly named 'Blue Tornado' slings this release into action with glistening arpeggios and a captivating, sweeping synth line. Their re-imagining of the infectious sensibilities of 1980's Italo Disco can be heard throughout the release with nods to electro in 'Paura Nera'. The anthemic acid-led 'Visione Lontana' ties ethereal elements into the EP, with a hazy yet euphoric lead. Fellow Slow Motion affiliates Armonics and Alteri provide elevating remixes. Alteri maintains the original's chiming allure and lowers the tempo with a rolling bassline that flows into the synth-wave realm. Armonics brings his steady, percussive solidity to the remix re-harmonising the lead to sit within his unmistakable arcane synth textures. Release date : 2023-05-26 Buy : slowmotionrec.bandcamp.com

Milano's Uabos and Slow Motion Records member Andrea Tempo join forces for a thunderous EP combining their powerful signature sounds. The aptly named 'Blue Tornado' slings this release into action with glistening arpeggios and a captivating, sweeping synth line. Their re-imagining of the infectious sensibilities of 1980's Italo Disco can be heard throughout the release with nods to electro in 'Paura Nera'. The anthemic acid-led 'Visione Lontana' ties ethereal elements into the EP, with a hazy yet euphoric lead. Fellow Slow Motion affiliates Armonics and Alteri provide elevating remixes. Alteri maintains the original's chiming allure and lowers the tempo with a rolling bassline that flows into the synth-wave realm. Armonics brings his steady, percussive solidity to the remix re-harmonising the lead to sit within his unmistakable arcane synth textures. Release date : 2023-05-26 Buy : slowmotionrec.bandcamp.com

Milano's Uabos and Slow Motion Records member Andrea Tempo join forces for a thunderous EP combining their powerful signature sounds. The aptly named 'Blue Tornado' slings this release into action with glistening arpeggios and a captivating, sweeping synth line. Their re-imagining of the infectious sensibilities of 1980's Italo Disco can be heard throughout the release with nods to electro in 'Paura Nera'. The anthemic acid-led 'Visione Lontana' ties ethereal elements into the EP, with a hazy yet euphoric lead. Fellow Slow Motion affiliates Armonics and Alteri provide elevating remixes. Alteri maintains the original's chiming allure and lowers the tempo with a rolling bassline that flows into the synth-wave realm. Armonics brings his steady, percussive solidity to the remix re-harmonising the lead to sit within his unmistakable arcane synth textures. Release date : 2023-05-26 Buy : slowmotionrec.bandcamp.com

Milano's Uabos and Slow Motion Records member Andrea Tempo join forces for a thunderous EP combining their powerful signature sounds. The aptly named 'Blue Tornado' slings this release into action with glistening arpeggios and a captivating, sweeping synth line. Their re-imagining of the infectious sensibilities of 1980's Italo Disco can be heard throughout the release with nods to electro in 'Paura Nera'. The anthemic acid-led 'Visione Lontana' ties ethereal elements into the EP, with a hazy yet euphoric lead. Fellow Slow Motion affiliates Armonics and Alteri provide elevating remixes. Alteri maintains the original's chiming allure and lowers the tempo with a rolling bassline that flows into the synth-wave realm. Armonics brings his steady, percussive solidity to the remix re-harmonising the lead to sit within his unmistakable arcane synth textures. Release date : 2023-05-26 Buy : slowmotionrec.bandcamp.com

TORNERÒ' Ma Spaventi makes a slick return to Slow Motion Records with the captivating 'Tornerò'. Descending arps trickle into 'Tornerò' from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record. ‘Non Ce L’Hai Solo Tu' is a Detroit-infused, fierce floor filler. Layering vocoder motifs with crisp synth stabs make for many a euphoric payoff. The intelligent entwining of electro, early Detroit house and Ma Spaventi’s effortless earworms are plentiful. His gift for haunting, strong melodic intonation is prevalent in ‘Costa Brava.’ A grounded, growling bassline rasps throughout the track, reeling you further and further into this whirlpool of brilliance. ‘Tornerò Reprise’ closes this magnificent EP beautifully. Whispering vocal lines are hauntingly blended with synthesiser noise, keeping in line with the swells across the record and resolving the first edition of ‘Tornerò’ with a more acidic conclusion. The revered Italian producer, mixing and mastering engineer makes his abundant sonic expertise clear in this enticing LP. Encapsulating his talents, ‘Tornerò’ transports you to Ma Spaventi’s unmatched state of flow. ' Radondo, Berlin 2023. Released March 17, 2023

TORNERÒ' Ma Spaventi makes a slick return to Slow Motion Records with the captivating 'Tornerò'. Descending arps trickle into 'Tornerò' from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record. ‘Non Ce L’Hai Solo Tu' is a Detroit-infused, fierce floor filler. Layering vocoder motifs with crisp synth stabs make for many a euphoric payoff. The intelligent entwining of electro, early Detroit house and Ma Spaventi’s effortless earworms are plentiful. His gift for haunting, strong melodic intonation is prevalent in ‘Costa Brava.’ A grounded, growling bassline rasps throughout the track, reeling you further and further into this whirlpool of brilliance. ‘Tornerò Reprise’ closes this magnificent EP beautifully. Whispering vocal lines are hauntingly blended with synthesiser noise, keeping in line with the swells across the record and resolving the first edition of ‘Tornerò’ with a more acidic conclusion. The revered Italian producer, mixing and mastering engineer makes his abundant sonic expertise clear in this enticing LP. Encapsulating his talents, ‘Tornerò’ transports you to Ma Spaventi’s unmatched state of flow. ' Radondo, Berlin 2023. Released March 17, 2023

TORNERÒ' Ma Spaventi makes a slick return to Slow Motion Records with the captivating 'Tornerò'. Descending arps trickle into 'Tornerò' from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record. ‘Non Ce L’Hai Solo Tu' is a Detroit-infused, fierce floor filler. Layering vocoder motifs with crisp synth stabs make for many a euphoric payoff. The intelligent entwining of electro, early Detroit house and Ma Spaventi’s effortless earworms are plentiful. His gift for haunting, strong melodic intonation is prevalent in ‘Costa Brava.’ A grounded, growling bassline rasps throughout the track, reeling you further and further into this whirlpool of brilliance. ‘Tornerò Reprise’ closes this magnificent EP beautifully. Whispering vocal lines are hauntingly blended with synthesiser noise, keeping in line with the swells across the record and resolving the first edition of ‘Tornerò’ with a more acidic conclusion. The revered Italian producer, mixing and mastering engineer makes his abundant sonic expertise clear in this enticing LP. Encapsulating his talents, ‘Tornerò’ transports you to Ma Spaventi’s unmatched state of flow. ' Radondo, Berlin 2023. Released March 17, 2023