SoCal Soundcheck

David Mills begins every production with a deceptively simple question: What’s the goal?That question shapes everything that follows. Does the artist want an honest recording of the song exactly as they wrote it, or are they trying to create something that can compete on radio? How much input do they want? Are they willing to change a melody, rewrite a lyric or remove a part that isn’t serving the song?David developed that perspective through years of playing live, touring and working as a session musician. The Lake Elsinore guitarist formed his first band at 11 or 12 and stayed with it for roughly 14 years. After learning pedal steel, he went from one long-term band to becoming an in-demand hired gun, eventually touring Southern California and Canada with Daring Greatly.His session work includes pedal steel on Jelly Roll’s “She.” The part that made the record was only three notes - an example of one of the most important lessons David has learned: great musicianship isn’t about filling every available space. It’s about hearing what the song needs and having the restraint to stop there.Today, David brings that same ear to Mills Production Studios, where he works as a producer, recording engineer and musician. We talk about the difference between producing and simply recording a band, building enough trust to challenge an artist, finding the right pocket, playing for listeners instead of other musicians and why the ultimate test is whether people can feel the music.In This EpisodeHow David started playing guitar and formed his first band in Lake ElsinoreWhy learning pedal steel transformed his careerHow a local recording session led to playing on Jelly Roll’s “She”Touring Southern California and Canada with Daring GreatlyThe difference between a recording engineer and a producerWhy David begins every project by asking, “What’s the goal?”How producers earn enough trust to challenge an artist’s songThe difference between being a great live musician and a great session playerWhy playing less can make a recording more powerfulHow Kings of Karma’s “Again and Again” found its missing hookWhy feel, pocket and restraint matter more than technical complexityWhat David listens for when studying other producers and recordingsConnect With David MillsMills Production Studios: https://millsrecords.com/ Instagram: https://www.instagram.com/_david.mills_/Image Credit: https://www.facebook.com/KennethRaySeals/SponsorThanks to Tsunami Cables for sponsoring The SoCal Setlist. Built by musicians here in Southern California, Tsunami Cables deliver clean signal transfer, low noise and reliable tone, and every cable is backed by a lifetime warranty.Visit https://tsunamicables.com/ and use code SOCALSETLIST for 10% off through May 29, 2027.Follow The SoCal Setlist for more conversations with the artists, musicians, producers and venue owners shaping music across Southern California.

Sandy Lee Casey has spent most of her life finding a way to keep music in it. She began singing at a Somerville, Massachusetts country bar at 15, toured New England in cover bands, and later spent 16 years with Boston wedding band Double Vision. A move to Los Angeles led to a job at Warner Bros.-owned Amigo Studios, where she met artists including Alice Cooper and Gladys Knight and joined a small group of staff members singing background vocals for a track on Metallica's Master of Puppets album.Sandy also recorded for Red vs. Blue and RWBY, including “Red Like Roses – Part II” with her daughter, Casey Lee Williams. Now based in Murrieta, she performs across the Temecula Valley as a solo artist and with Sandy Lee Casey & Friends. She talks with Brian about protecting her voice, choosing songs other cover bands overlook, moving between Boston and Southern California, and why she still tries to learn one new song every week.In This EpisodeHow Sandy taught herself guitar and started playing paid gigs at 15Why she chose cover bands over Boston's pay-to-play original sceneThe audition that led to 16 years with Double VisionWhat she learned while working at Warner Bros.-owned Amigo StudiosHow she became part of a background-vocal session for Metallica's Master of Puppets albumRecording “Red Like Roses – Part II” for RWBY with Casey Lee WilliamsBuilding Anyone's Guess Band and moving into Sandy Lee Casey & FriendsConnect With SandyWebsite: https://sandyleecasey.com/Instagram: https://www.instagram.com/sandyleecasey/Facebook: https://www.facebook.com/SandyLeeCasey/YouTube: https://www.youtube.com/c/sandyleecasey1Listen to “Red Like Roses – Part II”: https://open.spotify.com/track/13qjycCLStZb9sJje6v0MCThanks to Tsunami Cables for sponsoring The SoCal Setlist. Built by musicians here in Southern California, Tsunami Cables deliver clean signal transfer, low noise and reliable tone, and every cable is backed by a lifetime warranty. Visit https://tsunamicables.com/ and use code SOCALSETLIST for 10% off through May 29, 2027.

Tori Green is a Corona-based singer and songwriter who performs throughout Southern California as a solo artist, in an acoustic duo and with the Tori Green Band.In this episode of The SoCal Setlist, Tori shares how she went from singing in childhood talent shows to earning a Golden Ticket on Season 21 of American Idol with her performance of “Cry Pretty” by Carrie Underwood.Tori talks about the long American Idol audition process, preparing for Hollywood Week and the advice from Luke Bryan and Lionel Richie that changed how she approaches a performance. She also shares the story behind her first paid show at The Bobber, how the Tori Green Band came together and why the band loves mixing pop, rock, R&B, country and funk.We also discuss:Her original songs “Point of View” and “Boy Bye”Her new song “Late Night Nonsense” and plans for more original musicThe karaoke video of “Hurt” that earned millions of TikTok viewsBooking shows and building an audience through social mediaHer work at a mortuary and new role in forensic toxicologyHer goal of touring, opening for established artists and pursuing music full timeFollow Tori Green on Instagram: @toriiggreennListen to “Point of View” and “Boy Bye” on Spotify and Apple Music.This episode is sponsored by Tsunami Cables, proudly built in Southern California and backed by a lifetime warranty. Use promo code SOCALSETLIST for 10% off.

Robert Rauch moved 1,500 miles from Arkansas to Lake Elsinore in 2024 with plans to build a music career in Southern California. He arrived without a local music network and spent his first week visiting venues, introducing himself and asking for an opportunity.Temecula Wine and Beer Garden gave Robert his first local show on April 20, 2024. He has since performed throughout the region at venues including Wilson Creek Winery, Miramonte Winery, Pechanga and Yaamava’.In this episode, Robert shares how growing up in a musical family shaped him and why he chose to pursue music as a career. We talk about building the Robert Rauch Band, developing a show that moves between pop, rock and R&B, and learning from the musicians around him.Robert also explains why a three-hour gig gives a band five hours to connect with an audience. The show begins while people watch the band set up and continues after the final song when he stays to meet the crowd.“If you have a three-hour gig, you’ve got five hours to hook them.”Reading the room is another important part of Robert’s approach. If the audience isn’t responding, he’ll adjust the set list on the fly. During one show, he shifted from R&B and pop to classic rock because that was what the room wanted.Robert also tells the story of earning his opportunity at Wilson Creek Winery. He accepted the solo rate for a full-band audition and paid his musicians from his own pocket. That performance led to more dates and an invitation to play a private event for 700 people.“It’s easy to get the gig, but it’s hard to keep the gig.”Robert’s humility shows in the way he credits the musicians around him and welcomes honest feedback from his bandmates and other players. He also remains grateful to the venues that gave him an early opportunity.“If somebody is going to take the time to say something that’s going to make you better, listen to it.”We also discuss Robert’s original music, including his EP Breakthrough, the album The Journey and the personal story behind “One Life for All of Us.”Follow Robert Rauch:Instagram: https://www.instagram.com/robertrauchofficial/Website: https://www.robertrauchmusic.com/This episode is sponsored by Tsunami Cables. Proudly built in Southern California and backed by a lifetime warranty, Tsunami Cables are made for musicians who care about reliable tone and gear that can handle gig after gig. Visit https://tsunamicables.com/ and use promo code SOCALSETLIST for 10% off.

Chris Gates planned on a future in politics until his aunt introduced him to the Beatles during a trip to Washington, D.C. Hearing “Love Me Do” changed his direction. He got his first guitar on his 10th birthday, taught himself Beatles songs and worked on his voice with his mother, a singer who held him to a demanding standard.At 14, Chris played his first show with Burning Bridges at the Hemet Christmas Parade. He says he hasn’t taken a break from music since.Today, Chris is the singer, rhythm guitarist and frontman for Kings of Karma. He and bassist Joe Berry have spent more than a decade building the band, including years of cover gigs around Temecula. Chris shares how they found their original sound, wrote about 80 percent of their original album "Bite the Bullet" during a 12-hour session in Joshua Tree, and later re-recorded the album from scratch in seven days.He also discusses songwriting, life as an independent band and the next Kings of Karma single, “Nothing Without You.”In this episode:Hearing the Beatles for the first timeTeaching himself guitar and working on his singing with his motherPlaying his first show at 14Building Kings of Karma with Joe BerryWriting and re-recording Bite the BulletMoving from cover gigs toward original musicWinning a Hollywood Music in Media AwardBuilding consistency as an independent bandConnect with Chris and Kings of Karma:Kings of Karma: https://kingsofkarma.com Kings of Karma on Instagram: https://instagram.com/kingsofkarmaofficialChris Gates on Instagram: https://instagram.com/rubber_soul_16Thanks to our sponsor, Tsunami Cables. Their cables are built in Southern California and backed by a lifetime warranty. Visit https://tsunamicables.com and use promo code SOCALSETLIST for 10% off.

David Garcia’s relationship with music began with fear. At eight, a Twisted Sister video sent him running from the room. Curiosity pulled him back. Years later, David walked out of a Metallica concert and told his parents he wanted to stop playing guitar and become a bass player.More than 30 years and thousands of live shows and studio sessions later, David has become one of Southern California’s most in-demand working bassists. For much of that time, he built a career in operations management while continuing to perform. After moving to Temecula during the pandemic, his phone started ringing as live music returned. Keeping both careers going began affecting his health, so David walked away from his job and made music his full-time work. He calls it one of the most terrifying decisions he has ever made and the best decision he ever made.In this episode, David shares:Why seeing Metallica on January 11, 1992, changed his pathHow he prepared to leave a successful career and pursue music full timeThe work behind learning several hours of material on short noticeWhy he runs through an entire set before leaving for a showHow his notes for approximately 1,200 songs help him stay preparedWhat he learned from Cheez Whiz, Get Down Party and other SoCal musiciansWhy unfamiliar music and intimidating gigs still excite himWhat success means at 50 when his identity is tied to the stringsFollow David:Instagram: @feedthebassplayer Website: FeedTheBassPlayer.comThe SoCal Setlist is sponsored by Tsunami Cables. Use promo code SOCALSETLIST for 10% off your order.

Kate Morris has been writing songs since childhood, and her path to the stage took shape after years as a stay-at-home mom to her two daughters. Once both girls were in school, she began performing her originals publicly and found a place in Southern California’s country scene.In this episode of The SoCal Setlist, Kate talks about growing up in a musical family in small-town New Hampshire and getting her first shot at a Writers' Round Orange County when another performer offered her one of his slots. She shares how motherhood has shaped her writing, including “Little Hands,” an unreleased song about her daughters that has moved audience members to tears.Kate also explains the family story behind “Preach” and how a Chris Stapleton chord helped spark “Tumbleweeds,” arriving August 14. She talks about performing at writers rounds in Nashville, building her full band and making room for gigs in the middle of family life.“Performing in general fills my cup.”Follow Kate on Instagram: @katemorrismusicListen to “Preach” on Spotify.Support for this episode comes from Tsunami Cables. Their cables are built in Southern California and backed by a lifetime warranty. Visit TsunamiCables.com and use code SOCALSETLIST for 10% off.Follow The SoCal Setlist for more conversations with the artists shaping Southern California’s live music scene.

Southern California bassist Greg Boulet discovered the electric bass almost by accident after spotting it on a middle-school instrument list. Within a year, he was playing his first show at the Old Town Temecula Theater at just 13 years old—and headbanging through nearly the entire performance.That early experience began a musical path through marching band, jazz band, Palomar College, original projects and regular trips to perform in San Francisco with Lunar Hand. Today, Greg holds down the low end for reggae-rock band Indica Roots and Eastlake Rhythm Section, a Temecula-based collective performing classic rock, funk, pop and yacht rock favorites.Greg also teaches at Leading Note Studios in San Marcos, where he directs the Rock Band Program and helps young musicians become more confident performers.Brian and Greg discuss what makes a rhythm section work, how bass and drums create the pocket, learning from live performances, recovering from mistakes and why the ultimate goal is always to make the audience feel the music.In this episodeHow Greg discovered the electric bass in middle schoolPerforming his first show at 13 at the Old Town Temecula TheaterHow marching band and jazz band shaped his musicianshipThe private lessons that changed how he approached the fretboardFinding a supportive original-music community in San Francisco with Lunar HandJoining Indica Roots and helping expand the band’s soundForming Eastlake Rhythm Section with longtime friendsWhat makes a tight rhythm section—and Greg’s definition of “the pocket”Teaching students not to fear mistakesLearning from Marcus Miller, Jaime Preciado and Tony KanalRecording social-media tracks for Ampeg and building his live bass rigConnect with GregGreg on InstagramIndica Roots on InstagramEastlake Rhythm Section on InstagramEastlake Rhythm Section websiteGreg at Leading Note StudiosSponsorThe SoCal Setlist is sponsored by Tsunami Cables. Proudly built in Southern California and backed by a lifetime warranty, Tsunami Cables are made for musicians who care about clean signal transfer, reliable tone and gear that can handle real wear and tear.Visit TsunamiCables.com and use promo code SOCALSETLIST for 10% off. Offer valid through May 29, 2027.

Gary Stanionis has spent nearly four decades building a life in music—as a drummer, world percussionist, vocalist, touring musician, record label executive and artist manager.His journey began at 17, when his mother discovered one of his graffiti pieces and asked what it would take to make him stop. His answer was simple: a drum set. Within months, Gary had started his first band and was performing professionally by 18.From the Southern California funk and acid-jazz scene to smooth-jazz tours, megachurch stages, recording sessions and artist management, Gary has experienced almost every side of the music business. He also helped musicians working with artists such as Stevie Wonder secure endorsements and build their careers.Today, Gary has returned to the stage with SoleMusiq - a deeply personal solo project shaped by his late mother, her song recommendations and his desire to bring people together.With hundreds of songs, no setlist and no breaks, Gary reads the room and creates what he calls a “soundtrack of connection.”In this episodeHow a graffiti piece led to Gary’s first drum setDiscovering funk, jazz and the idea that “everything has a groove”Starting the original funk and acid-jazz band Middle EarthDevoting five years to learning world percussionPerforming on the smooth-jazz circuit and major church stagesWhat Gary learned from working as a professional sidemanWhy he left his record-label position to protect an artist’s musicLaunching GÁM Representation and helping touring musicians build their careersHow his mother’s song recommendations inspired SoleMusiqWhy Gary performs for three hours without a setlist or breakFinding a second chance in Temecula’s live-music communityWhy Gary believes musicians are ultimately there to serve the audienceConnect with GaryGary Stanionis: https://www.instagram.com/garystanionis/SoleMusiq: https://www.instagram.com/sole_concert/The SoCal Setlist is sponsored by Tsunami Cables. 🌊When your signal matters, your cable matters.Use promo code SOCALSETLIST for 10% off your order at TsunamiCables.com

Angel Vega is a Southern California singer, songwriter, guitarist, vocalist, and multi-instrumentalist who performs solo as RubbaSoul and fronts the 80s powerhouse rock tribute band Headbangers Ball.In this episode of The SoCal Setlist, Angel talks about growing up in Orange County, discovering guitar after one of his brother’s friends played a Batman riff, and later teaching himself through YouTube videos, tabs, classic rock songs, and a lot of trial and error. Early influences included Led Zeppelin, The Beatles, The Eagles, and the heavier bands that made him want to pick up an electric guitar — Megadeth, Metallica, and Slayer.Angel also shares how he got started playing in bands, from garage rock and surf-inspired original music in San Marcos to the thrash metal project Xypher after moving to Murrieta. Along the way, he played house shows, backyard parties, skate parks, and dusty mosh-pit gigs that helped shape his confidence as a performer.The conversation also digs into Headbangers Ball, the 80s hard rock and metal tribute band where Angel takes on songs from artists like Iron Maiden, Ozzy, Judas Priest, Van Halen, Mötley Crüe, Def Leppard, Skid Row, Scorpions, and Guns N’ Roses. Angel talks about building setlists like a rollercoaster, opening with “Mr. Crowley,” reading the crowd, and why those songs still connect with people who grew up hearing them.Angel also talks about launching RubbaSoul after an open mic at Bailey’s, realizing he already had the songs, gear, and drive to start booking solo shows. He shares the story behind his album Delusions, which he recorded at home using GarageBand, a Blue Yeti mic, and a Focusrite interface. The Beatles are a major influence on Angel’s songwriting, and the name RubbaSoul is a play on his favorite Beatles album, Rubber Soul.This episode is about self-teaching, taking chances, putting yourself out there, and staying connected to the feeling that made you want to play music in the first place.Follow Angel on Instagram: https://www.instagram.com/rubbasoul/Follow Headbangers Ball on Instagram: https://www.instagram.com/headbangersballmusic/The SoCal Setlist is sponsored by Tsunami Cables. 🌊When your signal matters, your cable matters.Use promo code SOCALSETLIST at checkout for 10% off your order at TsunamiCables.com.

“If you can’t dance, they can’t dance.”That line really sums up how Anthony Necerato approaches performing.Playing shirtless, standing on the drum throne, throwing sticks and pointing at people in the crowd, Anthony has the kind of stage presence that pulls people into the show.His bandmates in Those Guys describe him as a “frontman drummer,” - he isn’t just there to provide a backbeat - he’s there to help turn every show into a party.In this episode, Anthony talks about growing up in Murrieta, finding his feel for the drums through the video game Rock Band, getting his first kit from Kyle Hudson and his dad, and helping build Those Guys from their first show at The Cove into one of the most fun and respected bands in the local SoCal scene. He also talks about being a dad and keeping that balance, his bowling league, and how rewarding it’s been to watch Those Guys keep growing - playing bigger stages for bigger crowds.As Anthony put it, “We stuck with it.”Anthony plays in the pocket. And a big part of that is the connection he has with Steven - locking into accent hits, catching each other’s changes, and sometimes looking at each other mid-song like, “that was sick.”He plays for the room. He watches the crowd. He wants people to dance, forget their problems for a few hours, and feel like they’re part of the party.“The reason I’m having such a good time is other people are having a good time.”Meet Anthony Necerato.Follow Anthony on Instagram here: https://www.instagram.com/anthonynecerato/The SoCal Setlist is sponsored by Tsunami Cables. 🌊When your signal matters, your cable matters.Use promo code SOCALSETLIST at checkout for 10% off your order at TsunamiCables.com.

“For me nowadays, when we get together and play, it’s like a celebration of just being together.”For Michael D’Santi, that togetherness has lasted for more than 30 years.The Southern California blues-rock guitarist started D’Santi with his brother and friends he met in high school. After decades of gigs, changing music scenes, families, careers, and everything that can pull a band apart, they are still playing together.They know each other so well that they rarely need to make eye contact onstage. Everyone already knows where the music is going.As Michael put it, “People pick up on that. They see that we’re enjoying it rather than trying to make money or be famous.”But before D’Santi, there was a house filled with instruments.Michael’s father was a guitarist who played around Los Angeles during the late ’60s and early ’70s. He introduced Michael and his brother Paul to everything from jazz, R&B, and funk to Jimi Hendrix, Led Zeppelin, Cream, Jeff Beck, Albert King, and B.B. King.Michael originally started on drums, but while accompanying his brother to drum lessons, the guitars hanging on the music-store walls kept catching his attention.Once he picked one up, everything changed.By 13 or 14, Michael was already gigging with older musicians. By 1989, D’Santi had begun taking shape, blending guitar-driven blues rock with elements of funk, reggae, R&B, and the sound of ’70s bands like Humble Pie and the Faces.They also developed a reputation as what Michael calls a “B-side cover band,” choosing deeper cuts instead of playing the same familiar songs audiences hear every weekend.The goal was not to follow the crowd. It was to stay true to themselves.In this episode of The SoCal Setlist, Michael talks about growing up in the Los Angeles and Inland Empire music scenes, watching Albert King and B.B. King as a kid, seeing Stevie Ray Vaughan twice, and learning guitar by listening closely to the musicians around him.He also shares stories from his years as a full-time working musician, including opening shows for major artists, performing on USO tours, recording and touring with Nickelodeon star Drake Bell, and spending years driving between San Diego, Los Angeles, Orange County, and the desert for gigs.Michael also talks about D’Santi’s original music, playing with the Honey Lickers, teaching guitar, building a simple but expressive guitar rig, and why tone has far more to do with a player’s personality and touch than the equipment they use.As Michael explains, five guitarists can play through the exact same rig and still sound completely different.The episode also gets into one of the hardest parts of making music: keeping a band together.Even after decades of friendship, Michael says it still takes patience, trust, compromise, and a shared commitment to keep moving forward.From touring the country to returning to the stage with his brother and lifelong friends, Michael’s story is a reminder that a successful life in music is not always measured by fame.Sometimes it is measured by the people still standing beside you when the next song begins.Meet Michael D’Santi.🎧 Full episode out now.Link in bio.Follow D'Santi on Facebook here: https://www.facebook.com/profile.php?id=100063541774004The SoCal Setlist is sponsored by Tsunami Cables. 🌊When your signal matters, your cable matters.Use promo code SOCALSETLIST at checkout for 10% off your order at TsunamiCables.com.

“I can’t stop. I’ll stop when I die.”That line sums up Sean Maier’s story.Known to many as Shred Sean, Sean is a guitarist, songwriter, teacher, and performer whose life with music started the way so many great stories do: with one song that changed everything.For Sean, that song was Bush’s “Glycerine.” He heard it as a kid, picked up the guitar, and never really put it down. What started with a seventh-grade guitar class and a few power chords quickly turned into hours of practice, a deep dive into players like Eddie Van Halen, Yngwie Malmsteen, George Lynch, Nuno Bettencourt, and Paul Gilbert, and a lifelong obsession with getting better.In this episode of The SoCal Setlist with Brian Jensen, Sean talks about growing up in Long Island, working in his parents’ deli, trading sandwiches for VHS shred guitar lessons, building confidence through small wins, and eventually joining Blessed by a Broken Heart after answering a MySpace bulletin looking for a shred guitar player.By 21, Sean had left New York to join the band in Montreal, and by 22 he was touring Europe, signing record deals, recording in major studios, and touring with the band globally.But this conversation is not just about the highlight reel.Sean also talks about the grind: sleeping on floors, touring out of vans, dealing with criticism, watching opportunities come and go, and learning that a career in music requires serious thick skin. As he puts it, people are going to doubt you, and you have to really believe in yourself.From playing large stages in front of thousands, to finding new ways to keep his original music alive, Sean’s story is a reminder that the path is rarely straight, but the people who last are the ones who keep finding a way.This is the story of someone who has passion, purpose, and relentless drive.In This EpisodeSean and Brian talk about:How Bush’s “Glycerine” sparked Sean’s love for guitarGrowing up in Long Island and working in his parents’ deliLearning guitar in seventh grade and getting laughed at during an early performanceBuilding confidence through small winsDiscovering Van Halen, Yngwie, George Lynch, Nuno Bettencourt, and Paul GilbertTrading deli sandwiches for VHS shred guitar lessonsJoining Blessed by a Broken Heart through MySpaceLeaving New York for Montreal at 21Touring Europe and signing international record dealsRecording Pedal to the Metal Playing in JapanWhy musicians need thick skinWhy Sean says he’ll keep playing music no matter whatHis current work with Those Guys and his own original musicFollow Sean on Instagram: https://www.instagram.com/shredstarz/Watch the official video for "Megadrive" on YouTube: https://www.youtube.com/watch?v=U9MZlI5Ux94SoCal Soundcheck is sponsored by Tsunami Cables.SoCal Soundcheck is proud to be sponsored by Tsunami Cables. These are high-quality, dependable cables built for working musicians, serious players, and anyone who values gear that performs night after night.When your signal matters, your cable matters.Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.

Country-rock artist Chris Lozano didn’t come from a music industry family. He grew up in Paonia, Colorado, a small coal mining town where his graduating class had just 40 people - and where hard work wasn’t a slogan, it was a way of life.In this episode of SoCal Soundcheck, Chris shares the story behind his journey: singing Motown and classic country as a kid, getting pulled out of middle school detention by a choir teacher who heard something in his voice, meeting the woman who would become his wife, serving in the Marine Corps, and eventually finding his way into country music.Chris also talks about how his military background shaped his songwriting, especially on songs like “Boots on Sacred Ground,” written for the Marines, military members who never came home, and the Gold Star families who carry that loss every day. In one of the most emotional moments of the conversation, Chris explains that he doesn’t write to impress everyone — he writes so the people the song is meant for can feel seen.The episode also goes deep into Chris’s Nashville recording experience at Historic RCA Studio C, working with producer Eddie Gore, and learning from the kind of session musicians who have played with major artists across country, rock, and Americana. Chris shares stories about walking the same halls as legends, tracking with Nashville players, and learning how small changes in songwriting, phrasing, production, and performance can turn a song into something that connects.Chris also opens up about the grind of booking, building a band, getting rejected, and staying persistent:“For every yes I’ve got, I’ve gotten probably like 20, 30 no’s. So don’t take the no’s as you’re a failure.”That mindset runs through the whole conversation - from Paonia to the Marine Corps, from karaoke nights to Nashville, from local shows to national stages.In this episodeGrowing up in a small coal mining town in ColoradoHow Chris first discovered his voiceMeeting his wife in middle schoolServing in the Marine Corps and learning guitar while stationed in HawaiiWriting songs with emotional weight and personal meaningThe story behind “Boots on Sacred Ground”Recording at Historic RCA Studio C in NashvilleWorking with producer Eddie GoreNashville takeaways, session players, and songwriting lessonsThe reality of booking shows and hearing “no” again and againBuilding the Chris Lozano Band and taking country-rock on the roadFeatured/mentioned: Chris Lozano Band, Eddie Gore, Historic RCA Studio C, Bekka Bramlett, Tim Buppert, Steve Mackey, Dane Bryant, Tyler Cain, Jared Kneale, Erik Peterson, Toby Keith, Jason Aldean, Billy Gibbons, Eric Clapton, Dolly Parton, Waylon Jennings, Elvis Presley, Chris Stapleton, Cody Johnson.Follow Chris on Instagram: https://www.instagram.com/chrislozanocountry/Website: https://chrislozanoband.com/SoCal Soundcheck is sponsored by Tsunami Cables.SoCal Soundcheck is proud to be sponsored by Tsunami Cables. These are high-quality, dependable cables built for working musicians, serious players, and anyone who values gear that performs night after night.When your signal matters, your cable matters.Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.

“I have three hours to convince everybody in the room that they love country music.”That line says a lot about Brian Gaylord.On this episode of SoCal Soundcheck, Brian Gaylord joins the show alongside Eric Davis of the Brian Gaylord & Country Star Band for a conversation about country music, rodeo grit, original songs, Nashville recording, and the standard behind building a serious live band.Before he was fronting a country band, Brian was a professional rodeo cowboy — traveling, competing, and living inside the culture that would eventually shape his sound. Country music was always there, playing on the radio, becoming part of his voice, his style, and his identity.After knee surgeries and being told he might never ride again, Brian had to figure out what came next. Music became more than a side passion. It became the next arena.That same competitive mindset carried into his recording career. Brian talked about flying to Nashville, working with high-level musicians, recording at the home studio of a Rascal Flatts member, and building songs with players connected to artists like Morgan Wallen and Tim McGraw.That standard also defines the Brian Gaylord & Country Star Band. Brian is intentional about the musicians he brings onstage — players who can deliver a polished, full, real country sound.With Eric Davis on guitar and a lineup that includes top-tier players, pedal steel, multiple guitarists, and backing vocals, the band is built to sound big, professional, and unmistakably country.The episode also digs into the challenge of bringing country music into Southern California venues, especially rooms that may not think of themselves as country audiences. Brian’s goal is not just to entertain the crowd. It is to win them over.Brian and Eric also performed live in the studio, giving the episode a stripped-down look at the musicianship behind the stories.In this episode, Brian Gaylord and Eric Davis talk about Brian’s rodeo background, the knee injuries that tested his determination, trading a saddle for his first guitar, recording original music in Nashville, working with top-level producers and session players, building the Brian Gaylord & Country Star Band, winning over non-country audiences, playing original songs live, Eric’s guitar approach, and live in-studio performances.Brian Gaylord on Instagram: https://www.instagram.com/brian_gaylord_music/Brian Gaylord & Country Star Band on Instagram: https://www.instagram.com/briangaylordcountrystarband/Eric Davis on Instagram: https://www.instagram.com/ericdavissd/SoCal Soundcheck is sponsored by Tsunami Cables.SoCal Soundcheck is proud to be sponsored by Tsunami Cables. These are high-quality, dependable cables built for working musicians, serious players, and anyone who values gear that performs night after night.When your signal matters, your cable matters.Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.

Matt Rivera’s story starts with a box of cassette tapes.Growing up in Southern California, Matt discovered bands like Van Halen, Aerosmith, Stryper, and Scorpions through his dad’s music collection. His dad played guitar, the songs hit hard, and somewhere in that mix of classic rock riffs and cassette-era discovery, Matt found the thing that would stick with him for life.In this episode of SoCal Soundcheck, Brian Jensen sits down with Matt Rivera, guitarist and backup vocalist for Press Rewind, a SoCal dad rock cover band playing classic rock, ’90s, and 2000s alternative rock around the Temecula Valley.Matt talks about growing up in the Wildomar, Lake Elsinore, and Temecula area, starting on piano before switching to guitar, learning early songs like Black Sabbath’s “Iron Man” and Papa Roach’s “Last Resort,” and forming his first band with longtime friend Chris Merchant.The conversation also gets into the story behind Press Rewind, playing with a live band at local open mic nights, learning songs on the fly, and the musicianship that comes from being able to support different singers, players, and requests in real time.Of course, there’s plenty of guitar talk too. Matt breaks down his EVH guitars, PRS Custom 24, LTD George Lynch model, Martin acoustic, 5150 amp, DigiTech Drop pedal, EVH effects, noise gate setup, and why tube amps still have a sound that’s hard to replace.But at the heart of the episode is something every musician can relate to: confidence.When asked about the hardest obstacle he’s had to overcome as a musician, Matt said:“Believing in myself and enjoying what I do. If you’re having fun doing it, that’s all that matters.”That’s the thread running through the whole conversation - from a kid digging through cassette tapes to a guitarist still chasing that same feeling on stage.Follow Matt on Instagram: https://www.instagram.com/musicnerd/Follow Press Rewind on Instagram: https://www.instagram.com/pressrewind_band/SoCal Soundcheck Sponsored by Tsunami CablesGreat tone starts with great gear, and great gear has to be reliable. Whether you’re on stage, in the studio, or setting up for a podcast, your cables are the last thing you want to worry about.That’s why SoCal Soundcheck is proud to be sponsored by Tsunami Cables. These are high-quality, dependable cables built for working musicians, serious players, and anyone who values gear that performs night after night. When your signal matters, your cable matters.Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.Offer valid through May 29, 2027.

In this episode of SoCal Soundcheck, Brian sits down with Apollo Spalding, guitarist and songwriter for the psychedelic alt-rock band Hypno Sapo.Apollo’s approach to music is anything but one-dimensional. His sound and technique are shaped by a wide range of influences, from Jimi Hendrix, Kurt Cobain, the Sex Pistols and Prince to Chicago blues, Delta blues, Muddy Waters, Robert Johnson, Skip James, Celtic/gypsy jazz, Russian composers like Shostakovich, Eastern sounds, reggae, funk and more.But what makes Hypno Sapo stand out is not just the range of influences. It is what Apollo does with them.The band’s music may feel psychedelic, unpredictable and strange, but it is not random. Apollo talks about writing with different modes, tunings, voice leading, tone, dynamics and the details that make each song feel alive. His guitar parts are built with intention, helping give Hypno Sapo a sound that feels original, creative and uncompromising.Apollo also shares how Hypno Sapo came together, what it is like writing and performing original music in a local scene dominated by cover bands, why recording the band live mattered, and why supporting local original artists is so important.Meet Apollo Spalding of Hypno Sapo.Follow Apollo on Instagram: https://www.instagram.com/fwrad_radikal/Hypno Sapo on Instagram: https://www.instagram.com/hypno.sapo/Listen to Hypno Sapo's self-titled debut EP on YouTube here: https://www.youtube.com/watch?v=htNcyLahWDA&list=PL8KM0L4kq-n_pZVkDHiZ4tPr0t168J-CzSoCal Soundcheck Sponsored by Tsunami CablesGreat tone starts with great gear, and great gear has to be reliable. Whether you’re on stage, in the studio, or setting up for a podcast, your cables are the last thing you want to worry about.That’s why SoCal Soundcheck is proud to be sponsored by Tsunami Cables. These are high-quality, dependable cables built for working musicians, serious players, and anyone who values gear that performs night after night. When your signal matters, your cable matters.Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.Offer valid through May 29, 2027.

Charli Brewer Was Born to RockCharli Brewer didn’t casually pick up the guitar. Once it clicked, it became a daily obsession.A SoCal guitarist, multi-instrumentalist and singer-songwriter, Charli has built a large and engaged online following through rock and metal guitar solo covers, performing with the kind of energy that makes it clear she is not just playing the notes. She is living inside them.In this episode of SoCal Soundcheck, Charli talks about growing up surrounded by music, from Jerry Lee Lewis and The Beatles to Black Sabbath, Led Zeppelin, Van Halen, Megadeth, Metallica, Motörhead, System of a Down and Pink Floyd. She shares how a dusty, out-of-tune guitar with old strings eventually became the instrument that pulled her in for hours a day, every day.Charli also breaks down how she studies guitar players, why she often goes beyond tabs and tutorials, how live performances help her understand a guitarist’s feel, and why learning songs by ear can be so satisfying.The conversation also gets into her gear, including Jackson King V guitars, EMG pickups, Floyd Rose systems, her Gibson Les Paul, Blackstar amps, her Boss GT-1000 setup, and the artist relationships she has built with Blackstar Amplification and EMG. Charli talks about becoming a Blackstar Amplification artist, being endorsed by EMG, playing NAMM, and how tone, feel and versatility shape the way she plays.Beyond the guitar talk, Charli opens up about building her Instagram audience, staying consistent, engaging with fans around the world, and treating social media as a modern version of the gig: every post is a chance for someone to stop, listen and connect.She also shares where she wants to go next: original music, a real band, collaboration, gigging, and eventually releasing a catalog of songs she has been writing for years.In this episode, we talk about:Growing up as a SoCal musician with Texas blues influenceThe Beatles “light bulb” momentDiscovering Sabbath, Zeppelin, Van Halen, Megadeth, Metallica and System of a DownThe old guitar, dead strings and System of a Down song that pulled her back inLearning guitar through YouTube, tabs, live videos and ear trainingWhy Charli studies guitarists instead of just copying solosPracticing three to four hours a dayGuitar as therapy, outlet and creative fuelJackson King V guitars, EMG pickups, Floyd Rose systems and her Gibson Les PaulBecoming a Blackstar Amplification artistBeing endorsed by EMGPlaying NAMM and connecting with the music gear communityUsing Instagram to build a worldwide guitar audienceWhy consistency, authenticity and engagement matterHer unreleased original music and future band plansWhy she wants collaboration, chemistry and a real band behind her next chapterFollow Charlie on Instagram: https://www.instagram.com/charli_b_music/Follow Charlie on YouTube: https://www.youtube.com/@CharliBrewerMusicSoCal Soundcheck proudly sponsored by Tsunami CablesTsunami Cables are built for musicians who care about clean signal transfer, lower noise, reliable tone, and gear that can handle real wear and tear gig after gig. They’re made by musicians, for musicians, proudly built in SoCal, and backed by a lifetime warranty. Visit TsunamiCables.com and use promo code SOCALSOUND for 10% off.

Keith Stickney of Tsunami Cables joins SoCal Soundcheck for a conversation about tone, reliable gear, musicianship, and why being easy to work with still matters.Keith is the owner of Tsunami Cables, a drummer, and a longtime audio/video professional. His story starts with music. From learning drums in middle school to marching band, gigging around San Diego, studying at Musicians Institute, and working in recording and live sound, Keith has spent decades on both sides of the stage.In this episode, we talk about how his background as a drummer shaped the way he hears music. Keith breaks down pocket, groove, dynamics, tasteful playing, and why a drummer’s real job is not just playing fills, but making the entire band feel comfortable and locked in. As he puts it, one of the best compliments a drummer can get is, “You made it easy for me to play.”From there, the conversation turns to the gear most musicians use every gig but rarely think about: cables.Keith explains how Tsunami Cables started while he was learning to solder and repair cables at Musicians Institute. What began as a side hustle selling handmade cables to other musicians eventually became a company built around a simple idea: musicians should not have to choose between studio-quality tone and road-ready durability.We get into what separates a cheap cable from a high-quality cable, how cables can affect tone, why bad cables can make your rig sound muffled, what braided shielding does, why cable memory happens, and how wrapping your cables the right way can help protect them. Keith also explains why reliability is not just a convenience. For working musicians playing wineries, churches, clubs, corporate events, and festivals, unreliable gear can hurt the show, the client experience, and whether you get called back.But this episode is not just about cables. It is also about community.Keith talks about the Tsunami Family, his artist program, and why he values real relationships over chasing big names. For him, supporting artists is not just about getting a product into someone’s rig. It is about working with people he respects, musicians he can grab coffee or a beer with, and players he genuinely wants to see succeed.We also talk about custom cables, the Tsunami Custom Shop, the upcoming V15 tube preamp, and Keith’s biggest hill to die on when it comes to music, sound, and gear: attitude matters. Gear can be fixed. Cables can be replaced. But being kind, prepared, and easy to work with can open doors that talent alone cannot.Follow Tsunami Cables on Instagram: https://www.instagram.com/tsunamicables/SoCal Soundcheck is proudly sponsored by Tsunami Cables.Great tone starts with great gear, and great gear has to be reliable. Whether you’re on stage, in the studio, or setting up for a podcast, your cables are the last thing you want to worry about.That’s why SoCal Soundcheck is proud to be sponsored by Tsunami Cables. These are high-quality, dependable cables built for working musicians, serious players, and anyone who values gear that performs night after night. When your signal matters, your cable matters.Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.Offer valid through May 29, 2027.

In this episode of SoCal Soundcheck, Brian sits down with Hunter Webb, bassist for Rose Line Band, to talk about his musical roots, growing up around music, discovering bass, and finding his place in the Southern California live music scene.Hunter shares how moving to Murrieta helped spark his musical journey, why bass lines from artists like Paul McCartney, John Entwistle, Jack Bruce, Cliff Burton, and Geddy Lee shaped his style, and what makes a great rhythm section work.The conversation also dives into the story of RoseLine Band, how the group came together through the local open mic scene, the role Somerset Winery played in their formation, favorite songs from their setlist, gear, tone, karaoke go-tos, and why the Temecula music community continues to mean so much.Follow RoseLine Band on Instagram: https://www.instagram.com/rose_line_band/

Kyle Hudson, lead singer and guitarist of Those Guys, joins SoCal Soundcheck for a fun, wide-ranging conversation about growing up in Murrieta, learning guitar, starting out at open mics, and accidentally building one of the Temecula Valley’s most entertaining live bands.Kyle shares how School of Rock inspired him to pick up guitar, how Those Guys came together for a one-off St. Patrick’s Day show at The Cove, and how that single gig snowballed into a packed local calendar.The conversation also digs into what makes a great cover band work. Kyle talks about choosing songs that fit the band, why performance matters more than simply picking popular songs, and why some crowd favorites become permanent setlist staples while others disappear after a few tries. Brian and Kyle also talk about Bailey’s, The Cove, Old Town Temecula, live music noise issues, Rage Against the Machine closers, dirt bikes, gaming, and the community that keeps the local music scene alive.Topics covered:Kyle’s Murrieta roots and musical familyLearning guitar after watching School of RockStarting out with open mics and original bandsHow Those Guys began as a one-off St. Patrick’s Day gigThe Cove, Bailey’s, Wine and Beer Garden, and the local venue circuitWhy cover bands need to read the roomSong selection versus song performanceWhy “Play That Funky Music,” “Mr. Brightside,” and Rage Against the Machine work liveThe story behind Those Guys’ original song “Rain Lucky”Old Town Temecula’s live music and noise ordinance challengesDirt bikes, injuries, gaming, and Kyle’s offstage personalityFollow Kyle on Instagram: https://www.instagram.com/kvlehudson/Those Guys on Instagram: https://www.instagram.com/thoseguysbanned/Those Guys Website: https://thoseguysbanned.com/Sponsored by Tsunami CablesSoCal Soundcheck is proud to be sponsored by Tsunami Cables. Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.Offer valid through May 29, 2027.

“The goal is to make people feel something.”On this episode of SoCal Soundcheck, Brian sits down with longtime Southern California musician Woody Garcia, frontman of Woody and the Harrelsons, for a conversation about the long road from childhood guitar lessons to becoming one of the most recognizable live performers in the local music scene.Woody traces his story back to growing up in San Dimas, learning guitar around age 11 or 12, and being shaped by the music of Nirvana, Pearl Jam, Smashing Pumpkins, Stone Temple Pilots, and the alternative explosion of the ’90s. He talks about early bands, reconnecting with childhood friend Eugene at a Save Ferris show, recording original music, playing punk shows with Cry Havoc, and eventually finding his way into the project that would become Woody and the Harrelsons.What started as a leap into playing covers became something deeper. Woody shares how performing songs people already love taught him to see music as an emotional bridge -something tied to memory, people, and moments in our lives. For him, doing those songs justice is part of the responsibility.The conversation also gets deep into the craft of live performance: reading the room, choosing songs in the moment, building a set without a setlist, and learning how to serve both the crowd and the venue. Woody explains why the band evolved from mostly ’90s rock into a broader mix of ’80s alternative, classic rock, hip-hop, R&B, soul, and funk - and why the goal is never to give people the exact same show twice.Of course, there is plenty of guitar talk. Woody breaks down his Friedman Small Box amp, his his journey through guitars, amps and various pedals, the role of his hot pink gear aesthetic, string gauge, picks, and why an unforgiving amp can make you a better player. He also talks about the influence of David Gilmour, Prince, Radiohead, and how the musicians in his band are his biggest inspiration.But the heart of this episode is bigger than gear. Woody opens up about taking better care of himself, learning how to sustain the physical demands of singing and performing for hours at a time, and trying to be his best self so the band can be its best self. Toward the end of the conversation, he reflects on seeing how music brings people together, helping people tune out the noise of the world for a moment, and remind us that we are more alike than we are different.This is a conversation about guitars, gear, cover songs, and the grind - but even more than that, it’s about connection, presence, gratitude, and the kind of musician who wants every show to mean something.Listen to this episode if you’re into: Southern California live music, guitar tone, cover bands, ’90s rock, Pink Floyd, Prince, Radiohead, local music stories, and honest conversations with working musicians.Woody & The Harrelson's Website: https://www.woodyandtheharrelsons.com/Woody on Instagram: https://www.instagram.com/woodyandtheharrelsons/Sponsored by Tsunami CablesSoCal Soundcheck is proud to be sponsored by Tsunami Cables. Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.Offer valid through May 29, 2027.

Tristan Bowls picked up the guitar at 11 because Guitar Hero 2 and 3 made him want to play a real one. AC/DC, Guns N' Roses, Iron Maiden, Slash. That was the foundation.Now he's 29, runs Eastlake Studios on a private property in Lake Elsinore, plays guitar in Eastlake Rhythm Section, and tests amps at Suhr during the day.In this episode, Tristan and Brian get into:- Learning guitar by jamming with neighbors and best friends down the street- The hard rock and heavy metal foundation that started everything (AC/DC, Iron Maiden, Guns N' Roses, King Diamond)- Branching into jazz fusion, R&B, and funk in college and beyond- How Eastlake Studios came to be: getting invited to jam there in 2021 after COVID, finding the studio empty, and revamping it into his own space- Why he prefers being behind the console listening, rather than recording himself- Recording Hypno Sapo live at Eastlake and what made the band's theory knowledge stand out- His mic setup for guitar cabinets: Sennheiser 421 paired with an SM57- Why a Warm Audio U47 clone became his go-to vocal mic- Working volume and tone knobs on the guitar instead of just relying on pedals- His current rig: a Suhr Bella head, a Fender Princeton, and an Engl head he's borrowing for a punk project- His pedalboard: Polytune, Vertex boost, Cornerstone Gladio overdrive, Boss delay, Strymon Flint- Why he sold his SG Standard to pay for his Suhr Tele-style guitar- The Eastlake Rhythm Section origin story: 14 years of friendship and multiple bands before landing in one project in 2021- Why playing covers your own way matters more than copy-pasting the originalMemorable moments from the episode:When Brian asked if Tristan ever pushes back on a band's tone in the studio: "If I'm really hearing something, I don't have a problem with being like, hey, can you turn down your treble on your amp? Because I'd rather do it that way than have to go and do it after I've recorded it."On why comfort in the studio matters: "If you're nervous when you're recording, it's never going to come out like how you want it to. You could listen back to it. It could be good, but there's going to be little things where you're like, oh, that could have been better."On guitar tone, sharing something a mentor told him early on: "You can control a lot of the tone just through your volume, your tone knob."On how Eastlake Rhythm Section approaches covers: "We're going to play what we want to play. And we're going to play it good enough or just tight to where people are like, yeah, that's good."Where to find Tristan and Eastlake Studios:Eastlake Studios: recording, mixing, rehearsal space, music and video production. See Eastlake's and Tristan's credited work: https://linktr.ee/eastlakestudios- East Lake Studio Instagram: https://www.instagram.com/eastlake_studios_/- East Lake Rhythm Section Instagram: https://www.instagram.com/eastlake_rhythmsection/- Personal Instagram: https://www.instagram.com/tristan_bowls/Sponsored by Tsunami CablesSoCal Soundcheck is proud to be sponsored by Tsunami Cables. Use promo code SOCALSOUND at checkout for 10% off your order at TsunamiCables.com.Offer valid through May 29, 2027.

Lex Borja's musical roots run four generations deep. His great-grandfather was a trumpet player. His grandmother was a singer who directed a 12-piece mariachi, and once stopped them mid-song to correct the key (an 8-year-old Lex was watching front row). His mother is also a singer with a strong voice.Lex started playing guitar at 8, started singing at 14, and has been playing venues since he was 18. He's 41 now and leads a band called Lextacy.In this episode, Lex and Brian get into:- Growing up in Tijuana with three-day family parties where everyone sang or played an instrument- Being immersed in 90s pop and R&B (Boyz II Men, Mariah Carey, Luis Miguel) alongside mariachi- Auditioning for La Academia in Mexico (2010), American Idol (2011, made it to Hollywood Week and the top 50), and The Voice Mexico (4 episodes on national TV, coached by Wisin y Yandel)- The chair-turn moment on The Voice Mexico, when his hands cramped from the electricity and he had to stop playing guitar mid-song- Auditioning for nine years before getting on The Voice- Why he chose to sing in Spanish on The Voice (English is his second language, and he felt he could be more sincere transmitting emotion in Spanish)- The story of being booked to perform on opening night of New York Fashion Week (Runway 7), and how it started with a song he wrote called "Never Thought" four months earlier- Auditioning for The Voice in LA in 2022 and getting blocked due to being on probation- How Lextacy can grow up to a 9-piece band when the venue can afford the full lineup- The songwriting practice of mumbling first, logic second (a technique he learned from the Beatles)- His three tests for new mixes: phone test, shitty wireless speaker, and car test- How writing songs became his way to say what he couldn't say out loud, traced back to his single mom leaving letters on his pillow- Why you can't blindly trust the setlist, and how to read the room- His new single "Dañado" (releasing May 29) and what damaged means to himMemorable moments from the episode:When Lex talks about transforming pre-show panic into something useful, he says: "If you don't control your nerves, your nerves will eat you up and just leave you stranded to dry."Reflecting on what kept him going through 9 years of auditions and a probation block that cost him a spot on The Voice in LA, Lex shares the philosophy that drives him: "I don't want the what-if on my life."Toward the end of the conversation, Lex makes a direct appeal to anyone holding back a song they're scared to release: "Don't be stingy. Share that shit. Because I guarantee you that whatever you're going through, there's someone else out there going through a similar situation that that song could potentially shine some light, perspective, or lift someone up."And on his core identity as an artist, when asked about playing alongside skilled guitarists: "I'm a singer. I'll go toe to toe with any singer. Put me. Let's go, baby. And I don't care if I get crushed, but I'll hold my ground."Where to find Lex:- New single "Dañado" releasing Friday, May 29 on Spotify, Apple Music, Amazon Music, Deezer, and other major platforms- Live release performance: Saturday, May 30 at Miramonte Winery, performing the song live for the first time with the band- Lex has approximately 17 songs on Spotify, with multiple songs around the 50K stream mark (many listeners are coming from outside the US, including Spain, France, Brazil, and Mexico)Lextacy band members shouted out in this episode: Josh Lomeli (guitar), Cody Burson (bass), Miguel Diaz (drums), Nicolai Flores (trombone), Music Man Mark (trumpet), Cameron Evans, Kole Weber (saxophone), and Dave DeNuccio (percussion).

Rick Hildebrandt has been gigging in Southern California since 2011, when he traded 54 years of upstate New York for a place in Menifee. After retiring from an IT career at Loma Linda Hospital in 2018, music became the full-time job. Today he plays solo, performs as half of the K-Ray Acoustic Duo with Kelly Ray, and hosts two open mics: Thursdays at The Hive and the second and fourth Tuesdays at Ronis West in Murrieta.In this episode, Rick walks through the philosophy behind his approach (he treats every gig as a partnership with the venue, not a performance), the gear and software that lets one guy sound like a full band, and the song-selection formula he's used to keep dance floors full at Lorimar Winery, Stone Church Brewing, and Lady R Bistro. We also get into his influences (Allman Brothers, Brian Setzer, Albert Lee), his Telecaster setup, and why he hasn't brought an amp to a gig in years.What we cover:Rick's path from upstate New York to Menifee, and 35 years playing with his brother in law Why he picked up the guitar at 12, and the influence of his mother's sight-reading pianoFirst electric: a Gretsch country gentleman bought after selling a 1972 Bultaco Pursang motocross bikeToday's rig: Telecaster, Boss GT-1000, no amp on stage, plus the custom 5-way switch Tele he's currently buildingHow he builds backing tracks in Studio One from MIDI files, tailored to a consistent band soundThe 4-fast, 1-slow song formula (and why "B-side" deep cuts don't fill dance floors)Why he plays three hours straight with no breaksThe K-Ray Acoustic Duo with Kelly Ray, and why finding a singer with an ear for harmony is harder than it soundsThe mindset shift that changed his career: musicians as partners in the venue's businessOpen mic logistics, including the on-screen queue system Rick's wife runsInfluences, slide technique (metal Dunlop, pinky finger), and why he's on 10-46 stringsWhere to find Rick:Website: rickhildebrandt.comOpen Mic at The Hive: Thursdays, 7 to 10 PMOpen Mic at Roney's West (Murrieta): 2nd and 4th Tuesdays, 6 to 9 PMUpcoming: Lorimar Winery (Wednesday, 12:30 to 3:30) and Wilson Creek Winery for Mother's Day with Kelly Rae (Sunday, 1 to 4 PM)Instagram: https://www.instagram.com/rick_hildebrandt/Facebook: https://www.facebook.com/rick.hildebrandt.9

In this episode of SoCal Soundcheck, I sit down with Richard Wetherington - guitarist, songwriter, and frontman of the country-rock band Raw Fire.Originally from New Jersey and now in Southern California, Richard shares his journey into the local music scene.We discuss the power of networking, including how offering value through photography and gear support helped him build relationships with established musicians like John Demps. Richard also breaks down how Raw Fire came together - using Facebook, open mics, and some hustle to find the right lineup for his band.We also talk about the “science” behind a great live show, including why pacing and giving the audience breathing room can make or break a set. We also talk gear, from his Taylor guitars to his Blackstar tube amp, and how his sound comes together on stage.Finally, Richard shares what’s next - transitioning from a strong cover set into original music and building a distinct identity for Raw Fire.Follow Raw Fire on Instagram here: https://www.instagram.com/rawfiremusic/

In this episode of SoCal Soundcheck, Brian sits down with Temecula saxophone player Cole Weber, who spent most of his life resisting the very thing he's now built a career on.Cole grew up in Lake Elsinore surrounded by music (his dad is a working sax player), but wanted nothing to do with it. He chased competitive soccer instead, making a team ranked fourth in the nation, until two knee surgeries rerouted his path. Even through years of school band and a stint studying music production, he kept one foot out the door.The turning point came when he found himself at his girlfriend's parents' house with no job and no plan. She pushed him to give saxophone a real shot, his dad handed him some starter gear, and within three months he was booking full-time income.From there, the conversation gets into the realities of making a living as a working musician in Southern California: why Instagram outperforms every other platform for bookings, how word of mouth drives the Temecula scene, and the honest math behind solo gigs versus band splits. Cole also shares his five-year plan to move away from live performance and into producing and releasing original music, inspired by artists like Russ, Honest AV, and Nick D, who built audiences by dropping a song a week.Plus: the heartbreak songs that shaped his writing, and the life motto that changed how he approaches networking ("it's not a flex to be busy, be available").Connect: ColeWeberSax.com | Instagram: https://www.instagram.com/kolewebersax/

In this episode of SoCal Soundcheck, Brian sits down with Chris Merchant of No Hard Feelings and Press Rewind to talk about building bands, what it really takes to grow a local following and how you kind of just figure it out as you go.Chris shares his journey from starting on drums to stepping into vocals, learning along the way without formal training and developing his sound through real band experience.They dive into his two projects: No Hard Feelings, a pop punk original band, and Press Rewind, a high-energy cover band rooted in classic rock. But one of the biggest turning points came when his band leaned into Emo Night - playing covers from bands like Blink-182 and Fall Out Boy - to draw crowds and create momentum.What started as a way to get more people in the room quickly evolved into a powerful strategy: build the audience with familiar songs, then introduce original music.Chris also shares insights on the local Southern California music scene, hosting open mic nights, supporting emerging artists, and why community is everything when it comes to growing as a musician.Follow Chris on Instagram here: https://www.instagram.com/chrisamerch/

In this episode of SoCal Soundcheck, Brian sits down with vocalist Anna Suzette to talk about her unique journey from classical opera training to fronting a rock band in the Temecula Valley music scene.Anna shares how she began singing at a young age, training in opera and performing in choirs before eventually breaking out of that mold to explore rock, musical theater, and live band performance. She opens up about finding her voice beyond classical technique, discovering her love for harmony, and learning how to “belt” after years of operatic training.The conversation dives into:Transitioning from opera to rock and live band performanceThe role of open mics and karaoke in building confidence and connectionsForming and growing her band Rose LineThe importance of community in the local music sceneFavorite venues like Somerset, Crush & Brew, and Murrieta Brewing CompanyHow social media and networking work together to land gigsHer vocal warm-up routine and how she protects her voiceThe relationship between crowd energy and song selectionAnna also shares insights into what makes a song connect with an audience, including why their cover of Barracuda consistently wins crowds - and why some songs just don’t land, even when you expect them to.Whether you're a musician looking to break into the scene or just love live music, this episode is packed with practical advice, real experiences, and inspiration from an artist actively building her path.Follow the Rose Line band on Instagram here: https://www.instagram.com/rose_line_band/

In this episode of SoCal Soundcheck, Brian sits down with Temecula-based country artist Maddison Scott to talk about her journey from choir and church singing to performing live across Southern California.Maddison shares how she got her start, what it’s like transitioning from structured choir to live band performances, and how she built momentum playing venues throughout Temecula. She also opens up about opening for a major country artist, navigating stage nerves, and the realities of performing without rehearsals.The conversation dives into the importance of song selection, crowd engagement, and why mixing genres can make or break a live set. Maddison also talks about social media, building a following, and why face-to-face networking still wins when it comes to booking gigs.Plus, she shares her dream artists to open for, her recent Local’s Choice Award win, and one unforgettable on-stage wardrobe malfunction you won’t want to miss.If you're a local musician or just love the SoCal music scene, this episode is for you. Follow Maddison on Instagram here: https://www.instagram.com/maddisonrscottofficial/

In this episode of SoCal Soundcheck, I sit down with singer-songwriter Faith Belle to talk about her journey into music, the power of authentic songwriting, and the influences that shaped her sound.Faith shares how she balances a full-time career in finance while pursuing music, why she refuses to be boxed into a single genre, and how personal experiences have shaped songs like Just Believe. We also dive into her early musical influences, her connection to the legendary Bon Jovi story from her hometown in New Jersey, and the importance of vulnerability in songwriting.We also talk about the evolving role of social media for musicians, performing live versus studio recordings, and the incredible community of artists involved with Nashville on the Coast.Faith also shares the story of meeting one of her musical inspirations, Gary LeVox of Rascal Flatts, and how that moment reaffirmed her commitment to creating music that is real, honest, and impactful.If you love discovering new artists, hearing the stories behind the songs, and learning what drives musicians to create, this is an episode you won’t want to miss.In This Episode We Discuss:Faith Belle’s journey from New Jersey to the Southern California music sceneBalancing a full-time career in finance with musicMusical influences including jazz, blues, and countryThe power of authentic songwritingHer song Just Believe and writing from personal experiencesThe Nashville songwriting communityWhy she left Nashville to create her own soundSocial media and the modern musicianThe importance of live performancesMeeting Rascal Flatts' Gary LeVoxThe community behind Nashville on the CoastWhere to Find Faith BelleFollow Faith Belle on social media and catch her at upcoming live performances. Her music is available on major streaming platforms, and she frequently performs with the Nashville on the Coast songwriter community.

How do you go from busking on the Seal Beach Pier to becoming one of the most talked-about artists in the Temecula music scene in just five months?In this episode of SoCal Soundcheck, host Brian Jensen sits down with singer-songwriter Bella Popa to talk about her musical journey - from a musical-theater-inspired homeschooling childhood to building a social media following of over 35,000 and writing her debut album.In this episode, we discuss:Growing up immersed in music and musical theater Teaching herself piano and guitar • Moving to Temecula and finding her place in the local music scene The realities of being a working musician The power of authenticity on social media Why song selection, stage volume, and dynamics matter at live gigs • Hosting open mic nights at Cougar Winery Writing and releasing her debut albumBella also opens up about songwriting, faith, and how artists can grow by staying consistent and building real connections.Follow Bella Popa: Website: https://bellapopa.com/ Instagram: https://www.instagram.com/bellapopaofficial/If you're in Temecula or the surrounding area, catch Bella live at her Wednesday open mic nights at Cougar Winery - and don’t miss her album release show at Crush & Brew on March 20th.

In this episode of SoCal Soundcheck, host Brian Jensen sits down with a friend and longtime bandmate Gene Kennedy, to talk about the importance of song selection in a cover band.

In this episode of SoCal Soundcheck, host Brian Jensen sits down with a friend and longtime bandmate from both past and present projects to talk about the transition from playing in a young, active original band to navigating life, aging, and the shift into the cover band world.