Strange Stories from a Chinese Studio, Volume 2

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)

"Strange Stories From a Chinese Studio (selections from Volume 1)" by Songling Pu offers a captivating glimpse into the rich tapestry of Chinese folklore and supernatural tales. This collection showcases the enduring power of storytelling, weaving together themes of the mysterious and the uncanny that continue to resonate with audiences today. The tales explore the complexities of human nature, the interplay between reality and the supernatural, and the moral lessons embedded within each narrative. Listening to these selections invites a reflection on timeless human experiences, making it a significant auditory journey for anyone interested in the depth of cultural narratives and the universal themes that connect us all.

"Strange Tales from a Chinese Studio" or "Strange Tales of Liaozhai" is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. ( Wikipedia)