Struggles of Brown, Jones, and Robinson

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)

Dive into the profound world of Fyodor Dostoyevsky's "Short Stories (Version 2)," where the complexities of human nature and the struggles of existence come to life through his masterful storytelling. These narratives explore timeless themes such as morality, faith, and the duality of human experience, resonating with listeners today as they navigate their own challenges. Dostoyevsky's keen insights into the human psyche and societal issues continue to be relevant, urging us to reflect on our own lives and the world around us. This collection remains a powerful reminder of the enduring nature of his work, inviting you to engage with the depths of emotion and thought that define the human condition.

Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts. Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas) Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)