StyleZeitgeist Podcast

On this episode we host the American artist Banks Violette. While this is not an episode about fashion per se, Violette and StyleZeitgeist have much in common culturally. He has been working for over two decades at the intersection of fine art and youth culture, making compelling work that deals with the dark side of the American society and the counterculture it produces. We talk about growing up in Reagan's America, channeling teenage rage, the New York City of the early 2000s and Violette's – and his compatriots, that included Dash Snow and Dan Colen – problematic relationship with sudden fame, his retreat from the art scene and his return, a collaboration with Hedi Slimane at Dior Homme and Celine, and much more.Support the show

This special episode of the StyleZeitgeist podcast was recorded live at MoMu, Fashion Museum Antwerp, as part of the opening weekend program for The Antwerp Six exhibition on the occasion of the 40th anniversary of their first collective showcase. Just like for many fashion enthusiasts, The Antwerp Six loom large in Eugene’s and Philippe’s imagination. On this sprawling episode they talk about how the Six have influenced their understanding of fashion, about their role in expanding the boundaries of the fashion system, their spirit of independence, innovation, but also pragmatism and professionalism, and the indelible imprint the group has left on fashion. Eugene and Philippe touch upon both the personal and the professional views on the work of the Six, the importance of fashion retail as a support system that has allowed the group to flourish, and the significance of forming a collective even if its members have distinct styles.The Antwerp Six exhibition is on view at MoMu through January 17th, 2027. We encourage you to visit it.Support the show

We are back with the fashion critic and writer Philippe Pourhashemi to review the Fall / Winter 2026 women’s season. Eugene and Philippe discuss Demna’s runway debut at Gucci, the sophomore outings of Louise Trotter at Bottega Veneta, J.W. Anderson at Dior, Haider Ackermann at Tom Ford, Sarah Burton at Givenchy, and much more. We talk about the killer collection Daniel Lee presented at Burberry, and offer differing takes on Prada, as well.Support the show

On this episode we speak with Jeppe Ugelvig, the editor of Viscose journal, and a scholar, writer, and curator who works at the intersection of fashion and art. We talk about the fall of the fashion media and why independent media and criticism are paramount if we are to have a thriving fashion ecosystem, the problematic relationship between luxury fashion and its clients, the no less problematic relationship between fashion and art, and the surprisingly upbeat prognosis about where the next wave of creativity and authenticity will come from, because it must.Support the show

On this episode we discuss the Fall / Winter 2026 season with the journalist Philippe Pourhashemi. We talk about nice clothes versus fashion, the trio of shows at Pitti Uomo, the increasing irrelevance of Milan, about auteurs like Rick Owens and Rei Kawakubo, who all delivered strong collections, why Sacai keeps going from strength to strength, why Dior and Louis Vuitton continue to disappoint, and much more. Eugene and Philippe offer contrasting opinions on Prada Saint Laurent, and Dries Van Noten, and also discuss the continuing appeal of smaller brands they saw at the showrooms in Paris; Mordecai being the standout for both.Support the show

Intern Pierre (not his real name) is a professional investor who runs an eponymous Substack where he deftly dissects the smoke and mirrors put up by the luxury sector. His specialty is sharing access to privileged, investment grade information that lay people are usually not privy to. On his first ever podcast appearance we discuss the importance of reading a financial statement, on the insolvable paradox of exclusivity and constant growth, on the unraveling of the luxury fashion narrative, and much more. Support the show

In this two-part episode Eugene Rabkin and Philippe Pourhashemi discuss this past season of many debuts, whether the so-called "great reset" was successful, and address two main narratives that are gripping the fashion media, the power and tact (or lack thereof) of the sideline fashion commentariat, and whether designers are out of touch with the needs of modern women.In episode one Eugene and Philippe discuss New York, London, and Milan, the debuts of Demna at Gucci, Louise Trotter at Bottega Veneta, Simone Belotti at Jil Sander, and Dario Vitale at Versace (pronounced, Ver-says) and the democratization of fashion commentary. In episode two they talk about J.W. Anderson's first outing at Dior, Matthieu Blazy at Chanel, Duran Lantink at Gaultier, Glenn Martens at Maison Margiela, Miguel Castro Freitas at Mugler, and sophomore efforts by Michael Rider at Celine and Sarah Burton at Givenchy, among other shows. They also discuss the alleged misogyny on part of some designers. It's a lot, hence why we broke up this podcast into two episodes. Substack and Patreon subscribers will have access to both parts early and at once. Consider becoming a paid subscriber; your contribution supports independent fashion journalism, or you can read another article about Kylie Jenner.Support the show

In this two-part episode Eugene Rabkin and Philippe Pourhashemi discuss this past season of many debuts, whether the so-called "great reset" was successful, and address two main narratives that are gripping the fashion media, the power and tact (or lack thereof) of the sideline fashion commentariat, and whether designers are out of touch with the needs of modern women.In episode one Eugene and Philippe discuss New York, London, and Milan, the debuts of Demna at Gucci, Louise Trotter at Bottega Veneta, Simone Belotti at Jil Sander, and Dario Vitale at Versace (pronounced, Ver-says) and the democratization of fashion commentary. In episode two they talk about J.W. Anderson's first outing at Dior, Matthieu Blazy at Chanel, Duran Lantink at Gaultier, Glenn Martens at Maison Margiela, Miguel Castro Freitas at Mugler, and sophomore efforts by Michael Rider at Celine and Sarah Burton at Givenchy, among other shows. They also discuss the alleged misogyny on part of some designers. It's a lot, hence why we broke up this podcast into two episodes. Substack and Patreon subscribers will have access to both parts early and at once. Consider becoming a paid subscriber; your contribution supports independent fashion journalism, or you can read another article about Kylie Jenner.Support the show

Our guest on this episode is Gene Pressman, of the great retail family that made Barneys into a New York fashion institution that has become part of the city lore and that has left an indelible mark on fashion itself. Barneys was a trailblazer, a temple for true fashion cognoscenti. Gene's new book, out September 2nd is called "They All Came to Barneys: A Personal History of the World's Greatest Store." We see no lies; Barneys was the world's greatest store, and we all came there. Gene walks us through the ark of his career, through the changes he has witnessed in the store and in New York City since the '60s and through the '90s. He talks about the seismic changes in fashion he has witnessed firsthand, such as the rise of Giorgio Armani, the ascendance of Yohji Yamamoto and Rei Kawakubo, the wonder of the Antwerp Six, and his long-lasting friendship with Azzedine Alaia. We also discuss the current state of fashion and retail, and much, much more. Support the show

Our guest is Patrick Van Ommeslaeghe, one of the most talented Belgian designers you have probably never heard of. We speak about his career arc, from assisting Josephus Thimister at Balenciaga to building out the womenswear at Jil Sander with Raf Simons, to the short but brilliant life of his own brand, why he quite the fashion rat race and has quietly worked behind the scenes at houses like Loewe, and why the current fashion system is broken.Support the show

The Turkish Cypriot designer Hussein Chalayan burst onto the London fashion scene with a brilliant 1993 graduate show Tangent Flows. With work that blended philosophy, science, technology, history and fashion, Chalayan became the pinnacle of conceptual fashion. Today, Chalayan designs and makes art, teaches at HTW in Berlin, and is a mentor at Forecast Mentorship Program 2025. In this wide-ranging episode Chalayan we discuss his career arc and the spirit of intellectual inquiry that has driven him to create some of the most memorable collections in the history of contemporary fashion.Support the show

We are back with the fashion journalist Philippe Pourhashemi to reflect on the Spring / Summer 2026 menswear season. We discuss many collections, starting at Pitti Uomo in Florence and ending with Paris. We dissect J.W. Anderson's debut at Dior, including the new ad campaign, Julian Klaussner's runway debut at Dries Van Noten, Rick Owens's moment of grandeur, Craig Green's return to the Paris catwalk, how the Japanese continue to make Paris look good, what we saw at the showroom and why the best clothes are coming from small brands, and much more. Support the show

On this episode we speak with the German fashion designer Lutz Huelle, who has built a brand with a cult following from scratch. Lutz tells us about growing up in a small German town in the '80s, his friendship with the photographer Wolfgang Tillmans, the dream world of the '90s London youth culture and Central Saint-Martins, how he ended up designing the Artisanal and knitwear lines during the golden years of Martin Margiela, and eventually launching his own line in Paris. We discuss the challenges of the fashion system and his teaching job, and speak about why it's important to remain kind in the industry that often isn't.Support the show

Apologies for the hiatus, but we are back with a bang! On this episode we speak with Patrick Scallon, Paris-based communication consultant who was the head of communications at Maison Martin Margiela from 1993 to 2008 and at Dries Van Noten from 2008 to 2023. In the fashion world Patrick is a legend, having helped shape two of the most iconic independent brands. He was awarded the Chevaliers des Arts et des Lettrés by the French ministry of Culture for his contribution to fashion in 2019.We get into the weeds (hence the feature length of this episode!) of his years at Margiela, discussing how the brand was molded, how it communicated its values, how much creativity was spurred by the lack of resources, how Scallon had to turn down the supermodel Claudia Schiffer, Margiela's biggest market (you will never guess), and the dangers of the current Margiela fetish. Plus, we finally get the truth about whether you were supposed to cut off that infamous label from the garments (the answer may surprise you). We also chat about Patrick's time at Dries Van Noten, what made Dries special, how the brand grew during his tenure, the immense work of putting together Van Noten's brilliant 2014 exhibit, and some of the brand's most memorable shows.Lastly, we speak about what it's like to work in communications, the pressures of the job, how the industry has changed over Patrick's tenure, and what the fashion press could do better.Support the show

On this episode we speak with Robert Williams, Luxury Editor at the Business of Fashion. We start with Robert's unique career journey as an American student in Paris (it wasn't like Emily's), before going on to discuss the challenges of maintaining independence in fashion journalism. We explore the evolving landscape of the fashion industry over the past decade, discussing the intersection of fashion and marketing, the challenges faced by the fashion media, and the impact of consumer behavior on luxury fashion. We examine why heritage brands want to be luxury fashion brands, and the pricing dilemmas that have emerged as brands strive to maintain their luxury status while appealing to a mass audience. In the end Robert turns tables and asks Eugene about his upcoming book and for fashion reading recommendations.Support the show

On this episode we speak with Emily Segal, the founder of the brand strategy agency Nemesis, publishing house Deluge, and the author of the novel Mercury Retrograde. Emily came to fame in the 2010s as the co-founder of the collective K-Hole, which coined the term "normcore." She went on to work with everyone from Prada to Supreme, and learned a few things along the way, some of which we discuss in this episode. We mostly concentrate on two pieces of her writing, the Umami Theory of Value and B for Balenciaga, a brand case study. We discuss why the current culture feels like a postmodernist, meaningless, made-for-Instagram slop, or as Emily writes, "Umami is what you got when you did not get anything," why Balenciaga is a cultural apex predator, a vortex that sucks in cultural artifacts and spits them out as memes, why Demna's irony is hollow, whether he will succeed at Gucci, and much more besides.  Support the show

We are back with Philippe Pourhashemi to review the women’s Fall / Winter 2025 season. We discuss the debuts of Veronica Leoni at Calvin Klein, Haider Ackermann at Tom Ford, Sarah Burton at Givenchy, and Julian Klausner at Dries Van Noten. We also give our impressions of what is likely to be the last collection of Daniel Lee at Burberry, and dive into the shows of Undercover, Rick Owens, Comme des Garçons and more.Support the show

Natasha Degen, the chair of Art Market Studies at Fashion Institute of Technology and the author of Merchants of Style: Art and Fashion after Andy Warhol, is back on the podcast to discuss the ever more insidious relationship between fashion and art. We discuss her concept of Art Pop, which are commercial ventures that are given an air of an art project, what the second rounds of collaboration between Louis Vuitton and Takashi Murakami and Yayoi Kusama signify, and why fashion is increasingly getting into film, TV, and books and literature.Support the show

We are back with the journalist and critic Philippe Pourhashemi to review the Fall / Winter 2025 men's season. We discuss the Setchu runway debut at Pitti Uomo in Florence, and touch upon the meaning of and the need to put on a fashion show, Peter Copping's debut at Lanvin, the new direction at Dries Van Noten, and the shows of Auralee, Comme des Garçons, Rick Owens, and more. We talk about the continuous grotesquery at LVMH, as well as our surprise reactions to the latest collections from Kim Jones and Prada.Support the show

On this episode, we speak with Ana Andjelic, the strategic branding mastermind who knows her Bs from "Brand" to "Baudrillard," author of the Sociology of Business Substack and of the new book Hitmakers: How Brands Influence Culture. We discuss how the luxury industry went off rails through over-expansion, the difference between the luxury and fashion mentality and the luxury and commodity thinking, and what it will take to turn things around. We discuss how fashion trends are really created and why everything looks interchangeable. We finish the episode with a surprising marketing case-study!Support the show

On this episode we speak with Astrid Wendlandt, the founder of the fashion news website Miss Tweed. This year Miss Tweed came to prominence as the first to break many fashion appointment news, and has made plenty of powerful enemies, such as Bernard Arnault, the CEO of LVMH, and Johann Rupert, the owner of Richemont. But Wendlandt is no rumor-monger; she is a veteran journalist who for decades has worked at prestigious publications like Reuters and the Financial Times, where she honed her investigative reporting skills. We talk about the arc of her career, including her first job at the Moscow Times in Russia's wild '90s, her eventual pivot to reporting on luxury fashion, the founding of Miss Tweed, her work methods, and the challenges she faces as a fashion reporter, including her being banned by Arnault and Rupert from getting information on their companies. We discuss Arnault and LVMH, the hot air balloon of Jacquemus, and much more.Support the show

Eugene Rabkin is back with Philippe Pourhashemi to discuss the Spring / Summer 2005 women's shows in Paris and Milan. They talked about Alessandro Michele's debut at Valentino, the need for change at Rick Owens, their different takeaways from the Dries Van Noten without Dries debut, the stagnant and bland luxury market, why Haider Ackermann is a brilliant choice for Tom Ford and what it means to hire a real designer at the helm of a big brand, and much more.Support the show

On this episode we speak with the London-based fashion and interior design journalist and photographer Mark C. O'Flaherty. Mark is the author of The Narrative Thread, a book about the relationship of fashion collectors to their clothes, and a regular contributor to the New York Times, the Financial Times, the Architectural Digest, Elle Decor, the World of Interiors, among others.We talked about the early '90s London club and queer culture and how it influenced London's fashion scene, Malcolm McLaren and Vivienne Westwood's enduring sway over it, his work with Alexander McQueen, about the now forgotten London fashion heroes Body Map. We discuss Mark's almost accidental career, the difference between writing about and shooting fashion and interiors, and frustrations about doing genuine journalism today.Support the show

So, you want to get a job in fashion? But how? Or are you curious about what goes on behind the scenes of creative director musical chairs? On this episode we speak with Alice Bouleau, Partner at Sterling International, a premier executive search agency. Alice places creative directors and high level executives all over the world in some of the most prestigious fashion houses. We dive deep into how the fashion recruitment process works, examine why some designers actually don't want creative director positions, the blunders that happen along the way of recruitment, the current creative director musical chairs environment, why you have not gotten a response to your resume by applying via LinkedIn and Indeed, common mistakes applicants make, and qualities Alice looks for in a candidate. Last but not least, Alice gives Eugene some career advice.Support the show

So, you want to launch a brand? But do you know how it all actually works? For this episode we invited our old friend Joseph Keefer, who has had a long career in fashion on all fronts; retail, production, merchandising, and design, and who has launched his brand JKEEFER in 2020 in New York City. Joey is one of us, he grew up in the skate, punk, and hardcore scenes in Washington, DC. He started in retail as a teenager, and has moved from gig to gig, slowly learning the ropes. On this episode we go through Joey's journey that has included gigs at Odin, the pioneering menswear store in New York, and SSENSE, among others. We talk about the golden age of New York City's men's fashion in the mid aughts, in which Joey has participated, working closely with designers Robert Geller and Siki Im, the nuts and bolts of merchandising and production, and how his various roles have informed his design practice. Support the show

We are back with Philippe Pourhashemi to discuss this past menswear season. We talk about the shows at Pitti Uomo, Milan, and Paris, from the strange department-store-bound debut of Marine Serre at Pitti Uomo, and an unexpectedly joyful show of Pierre-Louis Mascia, about how bad the Milan shows were this season, the gimmicks at J.W. Anderson, the impotence at Prada, about the grotesque spectacles that Pharrell puts on at Louis Vuitton, and how Japanese designers like Undercover, Sacai, Kolor, and the newcomers like Masu and Taakk continue to make Paris look creative. We go in depth about Dries Van Noten’s last bow, the show itself, and Van Noten’s legacy. We discuss the spectacle of the Rick Owens show, asking when is spectacle good and when is it not enough? And much, much more. Support the show

Eugene Rabkin speaks with the writer and fashion commentator Derek Guy. Derek has come up in the days of forum culture, has written much about menswear, and has become a reluctant Twitter star. We talk about his style journey, the death of masculine shame about fashion and its unintended consequences, about why so much clothing has by and large has gotten so bad, why the notion of quality and expertise disappeared, why the level of discourse in the glory days of forum culture was so much better than anything you can find on social media today, and about considered consumption and taste in general. Support the show

On this episode we speak with Lorenzo Osti, the son of Massimo Osti, about the life and legacy of his father, the pioneer of modern men’s fashion. We talk about Osti’s design ethos, work methods, and innovations, and how the newly established brand Massimo Osti Studio carries on Osti’s legacy today.Support the show

On this episode we review the Fall/Winter 2024 fashion season in Milan and Paris, including the Alexander McQueen debut and the feedback it has received, the state of Balenciaga and Demna, Ann Demeulemeester, Sacai, and more. Philippe shares thoughts on his new favorite brand, Hodakova, and we talk about why the Dior show was an ad, why the smaller brands like Gaucherre and Lutz Huelle are important, and much more. The question of the day, considering the debuts we have witnessed over the last twelve months - is the new generation capable of producing a great designer?Support the show

On this episode we speak with Natasha Degen, Professor and Chair, Art Market Studies, Fashion Institute of Technology about the uneasy symbiosis of fashion and art that she examines in depth in her recent book Merchants of Style: Art and Fashion After Warhol,. We talk about the encroachment of corporate luxury fashion on the art world with Warhol as the pivotal figure, the degradation of the art museum, art and fashion collaborations, Raf Simons and Sterling Ruby, Marc Jacobs and Takashi Murakami, Virgil Abloh and Pharrell, Bernard Arnault's and Francois Pinault's forays into art as the new Medici, and what is lost when art becomes sponsored by the private sector and consumed by the masses.Support the show

On this episode we are back with Philippe to discuss this past men’s season shows at Pitti Uomo, Milan, and Paris. We talk about the contrast between Luca Magliano and S.S. Daley, Gucci, Prada, and Zegna (best of season in Milan), why Rick Owens was the show of the season and Yohji Yamamoto was a letdown, the continued elegance of Dries Van Noten, and Rei Kawakubo’s uncharacteristic feeling of lightness, Hermès’ uncompromising quality, why the Japanese newcomers TAAKK and MASU (not covered by Vogue Runway, but covered by us) made Paris exciting, and which small brands we loved and why we are going to lean into supporting smaller brands this year. We wonder out loud, how bad can Louis Vuitton and Dior get? We cheat a little in the end by discussing Galliano’s Maison Margiela Artisanal show, because how could we not?!Support the show

On this episode we speak with Maria Wiesner, the styles editor of Frankfurt Allgemiene Zeitung and the author of a book about the life and work of Jil Sander (published earlier this year in German by HarperCollins). We discuss the formative years of the Queen of Minimalism, how Bauhaus and Hamburg honed her aesthetic, how her trail-blazing, uncompromising vision of minimalism paid off handsomely in the ‘80s and the ‘90s, and her ill-fated deal with Prada.Support the show

On this episode we discuss the work of Phoebe Philo and the role she has played in defining contemporary fashion, the aesthetic direction and the business model of her new eponymous brand as compared to her work at Celine, the reception of the first two drops, and what the future holds.Support the show

We are back with our regular guest Philippe Pourhashemi to review the Spring / Summer 2024 women’s season. We discuss in depth the debuts of Peter Do at Helmut Lang, Sabato de Sarno at Gucci, Peter Hawkings at Tom Ford, and Stefano Gallici at Ann Demeulemeester. We talk about the brilliant Undercover outing (spoiler alert: best of season!), Sacai, Rick Owens, Comme des Garçons, Dries Van Noten, Prada, and many other shows.Support the show

On this episode we speak with Julie Zerbo, the founder of the Fashion Law, a fashion media outlet dedicated to fashion, law, business, and industry analysis. Her being a lawyer by education, we find Julie's perspective on fashion both original and pertinent. We talk about Julie's professional journey, the obstacles she faces running an independent publication, and her views on the current state of fashion.Support the show

We are back with the journalist and critic Philippe Pourhashemi to discuss the recently finished Spring/Summer 2024 fashion season. We review shows from Pitti Uomo, Milan, and Paris, including Rick Owens, Dries Van Noten, Lemaire, Sacai, and more, and we discuss Pharrell's Louis Vuitton debut.Support the show

On this hot-take episode with Philippe Pourhashemi we discuss the recent firings of Ludovic de Saint Sernin from Ann Demeulemeester and Rhuigi Villasenor from Bally and their implications. We speak about hype versus talent, what makes the right fit between a creative director and a brand, the relationship between management and creative, brand building and reputational risk, and much more.Support the show

We reconnect with the journalist Amy Odell to discuss the problematic legacy of Karl Lagerfeld, the late designer of Chanel, and the new exhibit devoted to his work at the Metropolitan Museum of Art in New York. We try to answer one of the central questions of creativity - can you separate the art from the artist? - and dive into other aspects of Lagerfeld's life and work.Support the show

Our guest is Lauren Sherman, former senior correspondent at the Business of Fashion, a top-notch reporter whose no-nonsense writing cuts through much of the industry noise. We discuss why fashion journalism used to be a much richer field, why honest reporting is beneficial to fashion, why it’s imperative for a brand to develop a core audience, why LVMH excels at retaining talent, why brick and mortar retail matters, and talk about her new and exciting role at Puck News.Support the show

We speak with the casting director James Scully about his trajectory of working in fashion, from his days at the iconic New York boutique Charivari in the ‘80s to his days at Harper’s Bazaar and the changes he witnessed while being there, to becoming one of the best casting agents in the fashion industry; his whistle blowing on the rampant abuse of models and the changes it engendered. James’s is a brilliant story of working his way up in fashion through sheer love of it and his talent. It is also an important one because it provides a rare glimpse of what goes on under the hood of the fashion industry. Support the show

We are back with Philippe to review this past Fall / Winter 2023 Women's fashion show season. We dive into many shows, concentrating on the many debuts, of Daniel Lee at Burberry, Ludovic de Saint-Sernin at Ann Demeulemeester, and Harris Reed at Nina Ricci.Support the show

We are back with fashion journalist and author Amy Odell to discuss Pharrell's appointment as the creative director of Louis Vuitton Menswear and what it means for fashion, what it says about the power of celebrity, Louis Vuitton's business model, and the fashion media.Check out Amy's Back Row Substack, amyodell.substack.comSupport the show

We dissect Demna's first post-Balenciaga scandal interview in Vogue with the journalist Amy Odell. We discuss Demna's mea culpas and the various statements he makes, dive into the mechanics of the interview, its possible causes and effects, Kering's corporate strategy, and Vogue's journalistic integrity. We also try to guess who actually conducted the interview. Odell is a seasoned fashion journalist, and together with Eugene, based on their extensive experience they give a glimpse of what probably went on behind the scenes. You can read Demna's interview here.Support the show

On this episode we reunite with our regular guest, fashion editor and critic Philippe Pourhashemi, to reflect on the Fall / Winter '23 Men's season. We discuss Pitti Uomo, Milan, and Paris shows, from Jan-Jan Van Essche to Rick Owens to Yohji Yamamoto to Sacai, the debacle that was the Gucci show without Alessandro Michele, and more!Support the show

We speak with Peter Ettedgui of Misfits Entertainment, a co-producer of the new docu-series Kingdom of Dreams, out in the UK on Sky and coming to the US market soon. The 4-part documentary traces the rise of Bernard Arnault's LVMH and François Pinault's Kering on the backs of John Galliano, Alexander McQueen, Marc Jacobs, and Tom Ford. The documentary is full of insight and rare footage, and we speak with Peter about the making of it and what he learned along the way.Support the show

We speak with the author W. David Marx about his new book “Status and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change.” We dive deep into the book and explore its basic premise that our cultural and consumption tendencies, especially when it comes to fashion, have to do more with the desire for status than we let on, how conspicuous consumption works, how the old and the new money signals their wealth, why logomania is in full swing today, and more.Support the show

On this episode we speak with one of the most interesting designers working in New York (and the world) today, Peter Do. Peter has caught fashion's eye with his sharp, elegant way of dressing that goes against the predominant sportswear and streetwear ethos that American fashion is known for. We sat down with Peter to talk about his journey, his design process, and the challenges he has faced along the way.Support the show

On this episode we speak with one of the most interesting designers working in New York (and the world) today, Peter Do. Peter has caught fashion's eye with his sharp, elegant way of dressing that goes against the predominant sportswear and streetwear ethos that American fashion is known for. We sat down with Peter to talk about his journey, his design process, and the challenges he has faced along the way.Listen to the full episode on Patreon: https://www.patreon.com/stylezeitgeistSupport the show

In this free-wheeling episode we talk to designer Sruli Recht about his journey and about his thoughts on design, the fashion industry, death, and circumcision, amongst other things. When we first met, Sruli was making menswear, technically. But it was apparent that Sruli is not a fashion designer but a product designer, or an artist, if you will. His science fiction-level approach to designing clothes and objects has always intrigued us, as has his unabashed openness and a sober and inquiring way with which he has tackled taboo subjects such as self-deliverance.Support the show

In this episode we discuss the (rather underwhelming) Men's Spring / Summer '23 fashion season. We look at the ups and downs, highs and lows, and pick our favorite collections.Support the show