The Curator's Salon - The Art Podcast

In this episode, we look at one of the biggest misconceptions artists have about social media growth: the idea that going viral is what creates a sustainable audience or sales. It’s easy to assume that one high-performing post will change everything, but reach alone doesn’t guarantee connection, trust, or buying behaviour. We explore: why viral moments don’t automatically translate into sales or stability the gap between visibility and capacity to hold attention why growing too quickly can actually expose missing foundations in your content and systems the difference between reach and trust (and why trust matters more) how trust content makes the “human behind the artwork” visible, especially important in an age of AI-generated content why sales come from repeated emotional familiarity, not one-off exposure This episode sets up a core shift: from chasing visibility to building recognition, trust, and connection over time. Which is exactly what we’ll be working on in From Noise to Known starting on 13th May. See workshop details here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode, we explore a common shift that’s happened on Instagram—and why many artists are still posting as if nothing has changed. A lot of artists are still using Instagram like a static portfolio: post the finished work, add a caption, and wait for engagement. But the platform doesn’t really work like that anymore. I break down: why Instagram used to feel like a visual diary—and why that’s changed how social media is now “social first,” not purely visual why static posts alone rarely hold attention anymore why posting only finished work often leaves your audience with no entry point A key shift in this episode is understanding that: when you only post finished work, you’re giving people no way in. I also briefly explore how other industries (like fashion) build far richer content ecosystems—showing not just the final product, but the references, process, emotion, and world behind it. Because when people understand your world, they don’t just look at your work—they start to connect with it. Join From Noise to Known - the three part workshop starting 13th May 2026.See all the details here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode, we look at why so many artists feel like they’re showing up consistently on Instagram, but still aren’t seeing real momentum in their audience, engagement, or sales. If you’ve been posting your work online but it feels like everything resets every time you share something new, this episode breaks down what’s actually missing. You’ll also get a simple self-audit to apply immediately: Look at your last 9 posts and ask: would someone understand enough about my work to feel connected to it—or is it just standalone content? And a practical shift you can make straight away: Instead of only posting finished work, start thinking about what helps someone understand why it matters, not just what it is. Because when content is disconnected, growth feels random. But when it works as a system, it starts to build. This is the reel on Instagram I mentioned in this episode - Watch it here  Join the three day workshop - From Noise to Known here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about the most common question I get from artists which is how to get their work shown in galleries / how to get gallery representation. I share what I look for in an artist and it is more than the work. There's a vibe check, we're looking for credibility and how it fits into the gallery curation. I also talk about feeder galleries and gallery models which artists should understand before approaching the gallery on their list.My program Gallery Ready is retiring at the end of 2025. You can get the training at the link below.There's a live call in January so you can dive into the program now and bring your questions to the live online call.See all the detailshttps://www.thecuratorssalon.com/galleryready Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I respond to ' 50% gallery commission is wild!' , I explain retail margins and how retailers take much more than 50% and put into context the gallery commission. I also talk about different  ways that galleries work with artists. This episode covers why it is so important for an artist to have their own audience and ways of selling directly without dependency on a gallery, but to sell via galleries as a complement to your overall business. And choice. There's a lot of different ways of working and selling your art and it all comes down to choice. What works for someone else does not have to be the same for you.Art Business Foundations starts in September.Details here https://www.thecuratorssalon.com/artbizfoundationsGallery Ready program waitlist here https://www.thecuratorssalon.com/gallery-ready  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about using AI generated images as reference material for your artwork. I go on to talk about how artists are often dismissive of AI generated art and creators of Ai art calling themselves artists.I go on to talk about how other industries outside of visual arts refer to themselves as artists. And previous tech developments such as analogue to digital photography, platforms like Canva, camera phones or the ready made have triggered artists in the past as weakening their craft or diluting what it means to be an artist.  Is this true or did these things just create more resources and improve visual literacy?I talk about a benefit of Ai image generation which in my opinion is the expanding vocabulary that is required to make better prompts and can help artists and art enthusiasts beyond the prompt, in talking about their art.This episode also invites listeners to notice how ai artists might be a mirror or a trigger to where they are holding themselves back, and explore their own definition of being an artist - eg is it a requirement to struggle, or have art school debt!? And I talk about staying in your lane and noticing distraction. Some of these topics such as ' is it art if it is made with AI ' are merely distractions from wider issues playing out in the world today, and to be mindful of where your attention is, when you could be channeling it into your art.There's lot to discuss in this episode.  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Michael Petry is the director at MOCA London. He is also the author of a number of books and in this episode he talks about his latest book, Mirror Mirror, The Reflective Surface in Art. Starting with Van Eyck's Arnolfini Betrothal, the book tracks the story of mirrors and the reflective surface in art through to contemporary art with mirrored surfaces inviting self reflection, 'holding up a mirror' to society and the viewers' participation in the artwork.Michael talks about how artists use the reflective surface to draw in visitors, how this affects engagement with art such as Kusama's Infinity Room and the many artists using the reflective surface for political commentary. The final chapter in the book which Michael talks about in this episode is about narcissism and the popular trend of selfies.You can see images and links to images mentioned in this podcast at this link Buy the Book HereVisit MOCA London at MOCA London,  113 Bellenden Road, London, SE15 4QYMOCA website. https://www.moca.london/Follow Michael and MOCA on Instagram  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about protecting your energy for your inevitable art world success.It is important to protect your energy and watch out for 'coolers' that can throw you off track with their negative outlook on life.As you find momentum and growth in your art career or business you’ll soon understand there’s a mindset and energy component that accompanies the actions and strategies.Along this part you gotta look out for the coolers who don’t believe in your vision, your potential etc They usually talk about being realistic but generally bring down the vibe, make you doubt, see the bad side, present problemsThese individuals tend to focus on the negatives, whether it’s in their own lives or in the people they interact with. They can be chronic complainers, doubters, or those who always anticipate failure instead of success.The human mind is highly influenced by its surroundings, and if you’re surrounded by people who believe success is rare or that life is just a struggle, you might unconsciously adopt those beliefs.But you’re smart so you can spot them.Inside my program, Activation, we cover how to keep your vibe higher so you don’t succumb to these influences. How to actually stay there.So you aren’t knocked around by others’ opinions that are contaminants in your energy field. Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Siddhant Khattri of Vedica Art Studio and Gallery joins me on this podcast to talk about his work through the art world. The gallery is based in Mumbai and in this episode he shares his upcoming projects to take place in Paris, networking and building a circle of support and more.Siddhant has arranged an open studio day for the artists that he works with around the world and in this episode he talks about the event that visitors can attend virtually, from anywhere in the world. And we talk about performance art, documenting these time based events and more. https://www.vedicaartgallery.com/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

80% of art collectors buy from artists they know or feel they know. In this episode we talk about how you can give your audience the feeling of being closer to the artist and enrich their experience of the artist. Which in turn makes moves them closer to becoming an art buyer or a patron of your work.In this episodeUsing social media and mailing lists to share more about the artist, their journey, credibility and the big ideas in their work.Help the potential buyer understand how to talk about your art.Art Fairs, open studios and exhibitions to practice talking about your work.Avoiding price shock.The IG reel I mention in the post is here Available programs here Recommended reading list is here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I explain how I respond when an artist says they want gallery representation. We look at their sales history, exhibiting experience and more. Often artists come looking for gallery representation before they are ready. I think it is great to know what to expect and the road to representation.  However, if the goal is to offload the 'business' side of being an artist, there's often other elements that the artist needs to work on before approaching any dealers, which includes professional and personal growth.A guide to gallery representation is found here In this episode I mention the program, Gallery Ready., details here https://www.thecuratorssalon.com/gallery-readyThis is the Instagram reel I reference in the episode  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Michael Wallner is an artist based in London. His inspiration comes from urban skylines and landmark buildings. In this episode of the podcast he talks about his journey through art and regularly showing at art fairs.He talks about building his art network, showing his art at fairs in the US and managing costs and finances in his art business. Michael's website https://michaelwallnerart.com/Follow Michael on Instagram https://www.instagram.com/michaelwallner_art Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I am joined by Tim Fowler who talks about his exhibition, The Ground at the Attenborough Centre, Leicester. The Leicester based artist talks about the research that went into the exhibition which features his large scale paintings of plants that followed the same migratory pattern as his own DNA - from West Africa to the Caribbean to the UK.He talks about setting himself challenges such as painting large scale before he had any exhibiting opportunity, and selling at fairs where he wanted to be seen before any gallery represented him. Tim currently has gallery representation and we talk about the different expectations and challenges of working with commercial galleries and institutions. While both offer programming, they vary in their expectations and outcomes.While preparing for the exhibition (ends 26 January 2025) Tim worked with a film maker to create a documentary which you can watch here.Follow Tim on Instagram https://www.instagram.com/timjfowlerWebsite -  https://www.timfowler.co.uk/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Kat Popova joins me on this episode of the podcast and we talk about her year which started with with 3 exhibitions on the calendar. As an artist she reflects on the last few years of exhibiting,  and setting up 2024 with three exhibitions on the horizon. She shares her vulnerable story of the fear of 'not being included' that led to her committing to shows and avoiding 'red flags'.She goes on to share how she returned to her art making and easing her fears around working with galleries in the future.We go on to talk about Art Basel Paris, and Art Basel Miami Beach, and how the former revived our join interest in returning to Miami as exhibitors at a future date.  Kat's website https://www.katerinapopova.com/Kat on Instagram https://www.instagram.com/katerinaspopova/Create Magazine https://www.createmagazine.co/Art and Cocktails Podcast hosted by Kat Popova  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Sonia Borrell is a collector, author and mentor. In this episode she talks about writing her book Art in Real Time and her journey to building a contemporary art collection. She talks about her art preferences which is currently figurative and staying open to her personal tastes changing. She talks about collecting for personal expression and connection over investment and shares her advice for new collectors; buy art from your own time. Sonia also shares her views on the works of art that the artist does not sell, holding back to create their own archive.  She also talks about supporting your own practice through other income streams where possible, in order to have the time to develop a body of work and find your own visual language.   Follow Sonia on Instagram here https://www.instagram.com/soniabblondon/Get your copy of Art in Real Time by Sonia Borrell here Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode Gita Joshi talks to Mona Lerch and Katelyn Chapman about artists statements and applying for funding to develop their art practice.We discuss the importance of the artist statement for those artists who are ready to enter the marketplace and how it supports the artist's visual work.Katelyn Chapman shares details of successfully applying to grants for funding a studio practice and details of the program that can support you to do the same.Details here https://womenunitedartmovement.com/artist-intensiveFollow Mona on Instagram at @womenunited_art_movementFollow Katelyn on Instagram at https://www.instagram.com/kschap/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode my guest is Victoria Mann,the founder of AKAA art fair. This fair takes place in Paris with a focus on artists connected with Africa.In this episode Victoria shares her backstory and how the fair came about and how it has evolved over the years. 2024 is the 9th edition of the fair and Victoria discusses what visitors can expect at the fair taking place 18-20 October 2024. See more at https://akaafair.com/  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Liz Lidgett from Liz Lidgett Gallery joins me on this episode to talk about her gallery based in Des Moines Iowa.Liz has amassed a loyal following online and in this episode she talks about how the gallery started, her experience of working with artists, hiring and growing a team, selling worldwide and the regular launches and exhibitions offered by the gallery. https://www.lizlidgett.com/https://www.instagram.com/lizlidgettgallery/  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Artist Ghia Haddad joins me on this podcast to discuss her non Euro Centric approach to textiles and mixed media art.She shares her experience of art history with a Euro-centric viewpoint and feeling outside of this as an Arab woman.Her work explores textiles and representation of Arab women through the lens of an Emirati woman. Ghia's art is something that invites interaction and touch. In this episode she  talks about the Western approach to idolising of art that is to be revered, while her own art takes reference from her own culture that invites interaction through more than looking and permits touch and considers this more communal and democratic.She goes on to talk about her series I Dream In Colour which uses the bridal gown as the symbol that crosses cultures and presents it in its various ways beyond the European white bridal gown. Tap here to see the collectionDecolonizing History is another of Ghia's series which represents queens from a bygone age, again reminding us that much of our knowledge of world history is told through the European lens. Hear her talk about her reimagining Cleopatra and Zenobia. See images of the artwork here  See Ghia's website here https://www.ghiahaddad.com/Ghia on Instagram https://www.instagram.com/ghia_artdesign/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Victoria Fry of Visionary Art Collective joins Gita Joshi on this episode of the podcast.Victoria talks about her initial blog which has now developed into a community of artists around the world, a magazine, a podcast and artist mentoring.She shares how the platform evolved during the pandemic, and providing resources for art educators  and now supporting artists to build their own practice.In 2023 Victoria launched a gallery space, Warnes Contemporary based in Brooklyn.  In this episode she talks about finding the gallery space and the artists she exhibits.https://www.visionaryartcollective.com/Instagram https://www.instagram.com/visionaryartcollective Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Gita Joshi is joined by artist Karen Turner on this episode.Karen shares her journey through art and the the evolution of her practice and her visual language. She discusses her commitment to visibility these last few years, and being shortlisted and a finalist in art prizes, and her media coverage. She also discusses her experience of selling at art fairs and offers listeners tips of preparing for selling at an art fair.Karen is also launching into supporting artists in their visibility as per her own journey, and details of her mentoring services can be found at the links below Instagramhttps://www.instagram.com/karen_turner_artist/Karen's website https://www.karenturnerfineart.com/Mentoring and programs https://www.go-large.com/info Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode Gita Joshi talks to Marina Granger who shares details of her free training for artists seeking galleries.In this episode we talk about how galleries find artists and how to get the attention of galleries who are not accepting submissions. Marina also shares some of her background working in NYC galleries and how she arrived at supporting artists after seeing so many turned away and given the run around by galleries.  Join the free training here Visit the Websitehttps://www.theartistadvisory.com/The podcasthttps://theartistadvisory.as.me/podcastInstagram : https://www.instagram.com/the_artist_advisory Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Gita Joshi is joined by Mona Lerch of Women United Art Movement and they discuss the Women United Art Prize now in its fourth year. The 2024 prize jurors include Kat Popova, Danielle Krysa and Ashley Longshore.They also discuss the importance of the artist statement and texts supporting the artist's visual work.Learn more about the art prize at the link belowhttps://www.womenunitedartmovement.com/Follow Mona on Instagram at https://www.instagram.com/womenunited_art_movement/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

My guest is Amanda Hess, who is a coach for neurodivergent brains.In this episode she provides tips to help manage overwhelm and sooth the nervous system, to improve productivity.She says " I spent years of my life and multiple thousands of dollars trying to “fix” what was “wrong with me”, until I realised that there actually was NOTHING wrong with me. When I started working WITH my brain, everything else in my life just fell into place. Not only did I feel way less stress & anxiety, I also began purposefully creating results that I WANTED in my life." https://amandahess.ca/Instagram https://www.instagram.com/theamandahess/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about how exhibitions can be the answer to getting in more art sales and growing an audience.Planning your own exhibition can provide an opportunity for people to see your work up close, and provides a way to draw in a wider audience through the physical presentation of your art. Your own exhibitions also provide an opportunity to get much desired press and media coverage which add to. your brand amplification.Take a listen to the episode Learn more about the program Your Own Art Show here https://yourownartshow.com/Download the exhibition marketing checklist here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I answer a common question from artists which is ' Should I show my art prices on my website?"Sometimes the question arises from a lack of confidence in their pricing, sometimes it is because they see that not all galleries present prices online and it is from here they are taking their lead.Other times there is something else related to mindset that they want to keep hidden.In this episode I discuss mindset and the customer experience that you want to create for your potential clients.https://www.thecuratorssalon.com/for-artistshttps://www.thecuratorssalon.com/show-your-art-membership Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode Gita Joshi discusses polishing up your online presence ahead of approaching galleries for representation.As you prepare yourself to approach galleries for representation, it is important to review your online presence - your website and social media presence , to ensure you are giving a polished an professional experience to anyone who will view your site. As we reach out to customers or business partners for collaboration, our website will often be the first point of call along with your social media profiles. This episode takes you through some of the pages that artists most commonly need to address. See details for Gallery Ready at this link https://www.thecuratorssalon.com/gallery-readyFollow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Gallery models can vary and it is helpful to understand the different ways that they operate so you can approach the right ones for representation. Gallery representation is a popular goal for artists and in this episode I share a  few of the different ways they can operate so you can understand what to expect if you were to be approach them. Understanding gallery models is part of the research an artist should do before sending in any pitch or proposal.See details for my online program Gallery Ready, at this linkhttps://www.thecuratorssalon.com/gallery-ready Follow me on Instagram https://www.instagram.com/thegitajoshi/Follow me on TikToktiktok.com@thecuratorssalon Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

My guest today is Elli Milan from Milan Art Institute. In this episode she talks about her early career where she created art for Interior stylists and how she came to form the Milan Art Institute.The Milan Art Institute is based in Florida and offers online courses helping artists develop their skills in painting and art making then how they can set up their own business to sell their art. Learn more about the Mastery Program here Join Art Social here https://www.artsocial.com/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about additional revenue streams for artists, whether it be ad - hoc for a cash injection, seasonally as suits their schedule or something that they offer all year round. There is no reason to  have  art sales as the only income stream for artists and I invite listeners to explore their experience, resources, skills and more for untapped income opportunities which can support their art business alongside art sales.The program starts Monday 30th October at 6pm UK timeThe link mentioned in this episode is herehttps://www.thecuratorssalon.com/income-expansion Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about something so many artists face - the fear of self promotion.I share how this holds up your career, visibility and sales, and what steps you can take to become comfortable promoting yourself as a self representing artist.In this episode, I mention a few of my programs and you can see them below Clearing the Artists way https://www.thecuratorssalon.com/clearing-artists-wayElevate Your Insta Game https://www.thecuratorssalon.com/elevate-your-insta-gameMy artists membership is called the Show Your Art Membership, Becoming your own gallerist. Details hereMy Three Month artists group coaching program details are hereMy book is called Show Your Art and you can find it on Amazon here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

I talk about going through the submissions from artists for Art Seen magazine, common errors, what I see that shouts 'amateur hour' and how to leverage your inclusion in the magazine to work for your goals.Buy Art Seen hereSubmit to Art Seen here https://www.thecuratorssalon.com/submissionsSee details for my three month group coaching program here And details for my artist membership can be found here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

I am joined by Cynthia Corbett to discuss the Young Masters Art Prize which she founded in 2009.In this podcast, Cynthia explains how the prize started and has grown over the years. She discusses the exhibitions that are scheduled for this years winners later in the fall and how the YMAP continues to exhibit outside of the prize years.The prize has previously served as a launch pad for many artists which Cynthia shares on this episode, and is currently open for submissions from artists based anywhere in the world. She is keen to emphasise that Young Masters is a play on Old Masters. Young referring to living artists of any age practicing today - there is no upper age limit . And Masters refers to referencing art history in their work.Living artists are encouraged to apply from anywhere in the world. Deadline to submit is 9 July 2023.https://www.young-masters.co.uk/https://www.thecynthiacorbettgallery.com/https://www.instagram.com/cynthiacorbettgallery/@thegitajoshi  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Ekaterina Popova and Alicia Puig talk about their new book, The Creative Business Handbook, with Gita Joshi.We discuss creative businesses which are often born out of creative passions and in this episode, the authors talk about some of the challenges that are faced by creatives as they enter their entrepreneurial journey. We talk about adopting a CEO mindset and creativity in the running of the business itself.You can get your hands on the book here https://amzn.to/3XmexbyLearn more about Alicia and Ekaterina here at https://www.createmagazine.com/Art Queens website https://www.theartqueens.com/membership Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Today I talk about the power of artists having their own exhibitions without waiting for opportunities to come to them.I love artists own exhibitions and they are one of the top ways that galleries find artists for representation. Take a listen.Get the free guide mentioned in this episode hereFind me on Instagram @thegitajoshiVisit the website https://thecuratorssalon.com/See program details https://yourownartshow.com/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about vanity galleries - those galleries where you hire wall space. I explain the difference between these and gallery rental spaces. They often get alot of criticism and in this episode I talk about ways of reframing those cold outreach emails that many artists receive that leave them feeling frustrated and annoyed.Take a listen.See details for my online program for artists who are gallery ready here https://thecuratorssalon.com/gallery-ready Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

In this episode I talk about a new guide I have put together for artists who are seeking gallery representation and what it takes for an artist to be gallery ready.Sorry you missed the guide which is currently unavailable and will return soon.You can see my online program called Gallery Ready here.https://thecuratorssalon.com/gallery-ready Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

The Woolwich Print Fair was started in 2016 and takes place annually in November at Woolwich Arsenal, London.Jack Bullen, one of the fairs co-founders, joins Gita Joshi in this episode of the podcast. He shares the evolution and growth of the fair, why printmaking is his focus for this art fair and what to expect at the 2022 edition.The fair takes place 3-6 November at Woolwich Arsenal where visitors can expect to see over 1300 artworks alongside curator's selections, and galleries.The online edition of the fair  is open 3-20 November.See details herehttps://woolwichprintfair.com/Get a free copy of the guide to writing your artist statement here, and I'll be sharing codes for free tickets to the fair as well.  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

My guest is Alicia Puig of PXP Contemporary and Create! Magazine. We talk about Alicia's background and then go on to talk about artist submissions we receive, the artist statement and applying to galleries. You can get your free  Essential Guide to Writing the Artist Statement hereYou can apply to PXP Contemporary here  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

I see a lot of artists websites and I have noticed that an artist with a lot of experience can still have a poor website. Whether an artist is new to the game or they have years of experience under their belt, I have noticed their website can still be letting them down. This typically happens when they don't communicate their  recent experience or upcoming events, and have not thought through the website visitor journey. So many artist websites neglect the visitor journey and their sites are in need of updating with recent and current experiences of the artists. In this episode I share some of the areas that can help you update your website and create a  better visitor journey so your website really works for you.Details for my 3 month program starting 5th October can be seen herehttps://thecuratorssalon.com/on-being-seen  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

I talk to Danny Dunson about his work as an independent curator and his work with Gallery 1957, and the exhibition, Homecoming: The Aesthetics of the Cool featuring Amoako Boafo, Otis Quaicoe and Kwesi Botchway.Danny talks about his journey as an art historian, working with artists in Ghana, his company Legacy Bros and the artist incubation program.Artists mentioned in this episode - Amoako Boafo, Kwesi Botchway, Otis Quaicoe, Patrick Eugene, Gallery 1957Follow Danny on Instagram  @legacybrosFollow me on Instagram @thegitajoshi Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

The Curator's Salon Magazine arrives in May 2021 and artists are invited to submit their work for inclusion.I talk about publications as a different way for artists to show their art and how this can lend credibility, visibility and validation for an artist.In this episode I also discuss what I look for in a submission, not just for this publication but for anything I am curating or when I am on a selection panel.You can submit your art for The Curator's Salon Magazine at this linkhttps://thecuratorssalon.com/magazine Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

I talk about my book, Show Your Art, How to build an art career without a gallery.I published this book in April 2020 as an ebook, then as a paperback in August 2020. In this episode I talk about writing the book, and the joy of seeing it make positive impact on the lives of the artists who it was written for. Originally aimed at artists in the early stages of their career, the book aims to empower artists to take things into their own hands rather than wait for a gallery to come calling. After all, there are more artists than galleries could ever manage. I'm delighted the book hit bestseller status for both the ebook and the paperback.You can get the book on Amazon worldwide  Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Sarah Wren from Art Therapy Made Modern is my guest on this episode of the podcast. We talk about Human Design, understanding your body wisdom and following its guidance to lead you to success.Human Design brings together various aspects of modern and ancient wisdoms including the Chakra system, astrology and quantum physics to help you understand your unique strengths and areas for growth.In a society where competition is revered, understanding your personal human design can help you  recognise the different ways of learning that are most suited to you as well as areas you are already a rock star.Book your own reading with Sarah Wren herehttps://www.arttherapymademodern.com/human-designDownload the free guide about Human Design herehttp://www.arttherapymademodern.com/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

I talk to the curators for the British Pavilion at Venice Biennale 2021. Manijeh Vergese and Maddie Kessler were selected for the 2020 Venice Biennale and in light of the global pandemic the Biennale was moved from 2020 to 2021. In this episode the curators talk about how they originally met, their proposal for the British Pavilion, the project itself, working with design teams around the UK and managing the changes that came about due to the Covid-19 pandemic. See more from the architects here https://www.unscenearchitecture.comFollow me on Instagram at https://www.instagram.com/thegitajoshi/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Skye Holland talks about her deep interest in the natural world which is also the subject of her art. Skye talks about the importance of non verbal communication through her life as she was born to parents without hearing, she goes on to discuss the  influence of visual art through her family and career including living and working in South Africa in the 1990s and using sign language for Nelson Mandela's TV appearances during this time.Skye works from her west London studio in Kingston and also discusses her current practice in this episode.https://www.instagram.com/skyeholland/Follow me on Instagram https://www.instagram.com/thegitajoshi/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Christopher Kieling talks about his career and the recent work made during lockdown in Berlin.Influenced by the mathematically inspired works of Escher and Uglow, Kieling explores the pure language of painting–form, colour, composition–through layered imagery.He talks about moving a career in graphic design to being a full time artist, and his solo exhibition Sierra, at Grove Square Galleries, in London.Follow him on instagram https://www.instagram.com/christopherkieling/Follow me on Instagram https://www.instagram.com/thegitajoshi/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Prachi Gothi is an Indian abstract painter based in London. In this episode of the podcast she talks about the difference in art school education she  received in Mumbai and later in London.She discusses the evolution of her art practice, working at the Saatchi Gallery, following her gut and going full time as a painter,  and how 2020 has opened up new opportunities for her.Since the episode was recorded Roys Art Fair has been cancelled for Oct 2020.Follow Prachi on Instagram https://www.instagram.com/prachigothi/https://www.prachigothi.com/Follow me on Instagram https://www.instagram.com/thegitajoshi/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Betsy Enzensberger is a resin artist based in California best known for her joyful resin sculptures of melting ices and lollipops.In this episode of the podcast she talks about getting a training in working with resin, working at galleries selling art by  other people, her career to date and showing her sculptures at fairs around the world, https://betsyenzensberger.com/Follow Betsy on Instagram https://www.instagram.com/betsyenzensberger/Follow me on Instagram https://www.instagram.com/thegitajoshi/ Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists

Dave Buonaguidi is my guest on this episode and he talks about his career in advertising and how that has given him a skillset in marketing, now that he is a full time artist.Dave talks about his career, entry into art after doing a one day workshop in screenprinting, finding his 'universe'  and creating works that are recognisable under his artist brand. He shares his experience of going through Covid-19 and being reactive to current affairs, giving away prints in exchange for kind deeds and being an artist with a prolific output.Visit his websitehttps://www.realhackneydave.com/Follow on Instagram @realhackneydaveFollow me on Instagram @thegitajoshiBuy my book Show Your Art Follow me on Instagramhttps://www.instagram.com/thegitajoshi/Follow me on Substack https://substack.com/@thegitajoshiFollow me on TikTokhttps://www.tiktok.com/@thecuratorssalonVisit the websitehttps://www.thecuratorssalon.com/Resources for Artists https://www.thecuratorssalon.com/for-artists