PODCAST · technology
The Dead Pixel Podcast
by The Dead Pixel Podcast
A podcast for and about the people behind the scenes in post production.
Episodes
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Episode 12: Robert Harris
Lee has known Robert “Bob” Harris for over 20+ years. “I’ve called him so many times for film advice dozens of times” said Lee. “What I love about Bob is his honesty and confidence when I ask a question, and sometimes the question seems so unique I’d think ‘would Bob even know the answer to…
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Episode 11: Dean Hurley
Calling this episode a discussion about sound is really an understatement. Because, although Dean Hurley has been David Lynch’s official “sound guy” for many years, it’s clear that you’re getting way more with this guy than a conversation about audio. We won’t spoil things, so just listen and…
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Episode 10: Heather Linville & George Willeman
It might be difficult to conjure up exciting images when someone brings up the library. Quietness, stacks of books, and card catalogs likely come to mind. But the Library of Congress? Well, that’s different. It’s the American people’s library after all. And it’s the oldest federal cultural...
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Episode 09: Joe Gawler
Joe Gawler is the senior colorist and partner at The Harbor Picture Company in New York City. Joe and Lee go back a very long time. When Lee first started mastering movies in New York City, there weren’t a lot of colorists who could work on feature films outside Hollywood. Most colorists in the...
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Episode 08: Barry Sonnenfeld
A few months ago, Lee was speaking with filmmaker Barry Sonnenfeld. They were catching up on a few things related to one of the Coen brothers films, and he started to tell me why he didn’t like HDR and why he has a problem with 4k. Intrigued, I continued the conversation. But, while he was…
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Episode 07: Manuel Götz
The discussion of film scanning doesn’t come up too often. A lab has a scanner of their choosing for various reasons, and we simply send our film to them for the scanning work asking little questions. But there are plenty of questions to ask with the biggest one being “is this the right scanner…
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Episode 06: James Mockoski
We wanted to know what it’s like working for just one filmmaker, albeit an incredibly diverse and prolific one as Francis Ford Coppola. What we learned after talking to James Mockoski is that it’s always kept interesting because the filmmaker is continually interested in the past as much as the...
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Episode 05: John Polito
John Polito is the founder and chief engineer of Audio Mechanics in Burbank, California. Founded in 1991, Audio Mechanics is one of the most sought-after, respected, award winning audio service providers for film studios, music labels, content owners, collections and archives, with a reputation…
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Episode 04: Davide Pozzi
Davide Pozzi has been working at Cineteca di Bologna since 2001, and in 2006 he became the director of L’Immagine Ritrovata film restoration laboratory. Under his management, the laboratory has established itself as one of the most highly specialized facilities in the field of film restoration...
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Episode 03: Andrea Kalas
Archiving thousands of film and digital assets for a giant studio like Paramount Pictures seems like a daunting task. But Andrea makes it seem both fascinating and exciting. We spoke to her about life at the big studio, her former work at the British Film Institute, UCLA and Dreamworks. And we…
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Episode 02: Mike Pogorzelski
Michael Pogorzelski is the Director of the Academy Film Archive, whose collection now includes nearly 100,000 titles representing 214,000 items. Over 1,100 films have been preserved at the Academy Film Archive including features, documentaries, animated films, avant-garde and experimental films…
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Episode 01: Ryan Hullings
A passion for fidelity and years of experience in audio postproduction for film, television, and music led Ryan Hullings to the Criterion Collection, where he began as an audio restoration engineer in 2007 and is now manager of the audio department. His work involves not just conducting digital...
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ABOUT THIS SHOW
A podcast for and about the people behind the scenes in post production.
HOSTED BY
The Dead Pixel Podcast
CATEGORIES
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