The Edinburgh University Press Podcast

Edith Szanto’s Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual.

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge. Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.

In this episode of High Theory, Saronik talks to Senthorun Raj about the Emotions of LGBT Rights. Emotions from disgust and fear to love and joy shape the legal frameworks that attempt to govern human sexual behavior around the world. Sen cautions against dividing emotions into good and bad, but instead asks us to take a critical stance on all emotions, to understand how they shape our policies. In the episode, we talk about Sara Ahmed, the Stonewall Riots, conversion therapy, and efforts to mandate for and against inclusive sex education. The transcript lives here as a WordDoc and here as a PDF. Sen’s book, The Emotions of LGBT Rights and Reforms: Repairing Law (Edinburgh University Press 2025) uses emotion as a novel analytic lens to understand, analyse, and critique the relationship between individual, interpersonal, and institutional conflicts over LGBT rights. Emotions are central to the pursuit, organisation, and contestation of lesbian, gay, bisexual, and transgender (LGBT) rights in law. Drawing from critical legal theories, this book cultivates the concept of “emotional grammar” to show how emotions structure law reform pursuits by threading together Hansard, legislation, case law, law reform consultations, and statutory guidance. By doing so, it explains why addressing this emotional grammar is important for scholars, lawyers, judges, legislators, and activists seeking to navigate conflicts over LGBT rights and reforms that aim to repair the inequalities faced by LGBT people. Senthorun Raj is an academic human rights lawyer with expertise in issues of race, gender, sexuality, and culture. He works as a Reader in Human Rights Law at Manchester Metropolitan University. Sen’s research and teaching interests include LGBTIQ+ rights, emotion, culture, equalities and human rights law, legal education, and critical legal theory. His latest monograph, builds on his previous book, Feeling Queer Jurisprudence: Injury, Intimacy, Identity (Routledge, 2020), which explored the ways emotions shape legal judgments that enable progress for LGBT people. He is also the co-editor of The Queer Outside in Law: Recognising LGBTIQ People in the United Kingdom (Palgrave, 2020) and Queer Judgments (Counterpress, 2025). The image for this episode is a coloured lithograph, from 1868, depicting a double rainbow, by René Henri Digeon after Étienne Antoine Eugène Ronjat. It was sourced by Lili Epstein for High Theory from the Wellcome Collection.

The post-Reformation era has witnessed a vastly changing landscape in Indonesian Islam, particularly with the emergence of conservative Muslim voices. Christian-Muslim Relations in Post-Reformation Indonesia: Resistance, Identity and Belonging (Edinburgh UP, 2026) explores several strategies of Christian resistance against the resurgence of conservative voices in Indonesian Islam to establish a coherent view of Christian responses and a greater understanding of Christian-Muslim relations after the Reformation in 1998. These different strategies demonstrate that, despite their status as a religious minority, Indonesian Christians are far from passive and submissive. Instead, they actively negotiate their identity and role in contemporary Indonesia’s shifting political and social context to cultivate a sense of belonging.

Scotland is a nation that has undergone significant changes over the last 50 years or so. This is, of course, true of much of the Western world but, as David McCrone shows in his Changing Scotland: Society, Politics and Identity (Edinburgh UP, 2025), these change have had particular impacts and been understood in particular ways in Scotland. Using a sociological approach in which politics, identity and culture need to be understood as impacted by broader process of social, structural change, McCrone discusses how following the fracturing of the ‘warfare/welfare nexus’ which, until the 1980s tied the nations of the United Kingdom together, Scotland is transformed. The country which in the postwar period had seen the most outward migration begins to welcome more people, the class structure changes after deindustrialisation, yet a strong sense of working-class identity remains, opportunities for women improve significantly, Scots increasingly come to think of themselves as Scots and ‘the referendum decade’ of 2011-2021 sees changes in political allegiance and formations. In our discussion David discusses what led him to a career producing the sociology of Scotland, how the country should be understood via its civil society, the importance of adopting a sociological approach to social change and what Émile Durkheim has to say about the number of Saltires flying from lampposts across the land. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.

Martialling Peace: How the Peacekeeper Myth Legitimises Warfare (Edinburgh University Press, 2023) by Dr. Nicole Wegner is not a book about peacekeeping practices. This is a book about storytelling, fantasies and the ways that people connect emotionally to myths about peacekeeping. The celebration of peacekeeping as a legitimate and desirable use of military force is expressed through the unproblematised acceptance of militarism. Introducing a novel framework – martial peace – the book offers an in-depth examination of the Canadian Armed Forces missions to Afghanistan and the use of police violence against Indigenous protests in Canada as case examples where military violence has been justified in the name of peace. It critically investigates the peacekeeper myth and challenges the academic, government and popular beliefs that martial violence is required to sustain peace. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Marvel, DC and US Security: The Superhero Genre and Foreign Policy in the Twenty-first Century (Edinburgh UP, 2025) by Dr. Julian Schmid considers how the long-standing superhero genre has been reinvigorated in the twenty-first century as an interlocutor of security and surveillance discourses following the events of ‘9/11’. While superheroes have a long cultural history, Dr. Schmid argues that their contemporary representations in Hollywood films and TV shows create and deepen specific discourses on security, terrorism and violence. He shows how the Marvel Cinematic Universe and the DC Extended Universe, in particular, are important artefacts that can help us to understand how these discourses are popularised and ultimately normalised.The book offers a rich account of the emergence of superheroes against the backdrop of America’s history since its founding in 1776 and their rise to popularity through comic books since the 1930s. Analysing the connections between superheroes, foreign policy and security from ‘9/11’ to the present, it demonstrates the significance of superheroes for the construction of heroism and security in contemporary times.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

This book rediscovers a lost history of the Roman Empire, written by Sextus Aurelius Victor (ca. 320-390) and demonstrates for the first time both the contemporary and lasting influence of his historical work. Though little regarded today, Victor is the best-attested historian of the later Roman Empire, read by Jerome and Ammianus, honoured with a statue by the pagan Emperor Julian and appointed to a prestigious prefecture by the Christian Theodosius. Through careful analysis of the ancient evidence, including newly discovered material, this book re-examines the two short imperial histories attributed to Victor in the manuscripts, known today as the Caesares and the Epitome de Caesaribus, and discusses a wide range of both canonical and neglected authors and texts, from Sallust and Tacitus to Eunapius and the Historia Augusta. New books in late antiquity is presented by Ancient Jew Review George Woudhuysen is Associate Professor in Roman History, Faculty of Arts, at the University of Nottingham Justin Stover is Senior Lecturer; Medieval Latin at the University of Edinburgh Michael Motia teaches in Classics and Religious Studies at UMass Boston

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour.

Archives are not only sources for history but have their own histories too, which shape how historians can tell stories of the past. In Managing Paperwork in Mamluk Cairo: Archives, Waqf and Society (Edinburgh UP, 2025), Daisy Livingston explores the archival history of one of the most powerful polities of the late-medieval Middle East: the ‘Mamluk’ sultanate of Cairo. Relying on surviving original documents, Livingston focuses on archival practices connected to waqf, the pious endowments that became one of the characteristic features of late-medieval Islamic societies. By centering a close exploration of documents connected to processes of endowment and property exchange, this book sheds light on a startling culture of document accumulation that was shared by the diverse social groups involved in founding and managing endowments: sultans and emirs, qadis, legal notaries, and scribes. Emphasizing the documents’ life cycles from production, to preservation, to disposal and loss, it argues for the use of surviving documents to tell their own archival histories. Daisy Livingston is Associate Professor of Medieval Islamic History in the Department of History at Durham University. As a historian of the medieval Middle East, in particular Egypt between the tenth and sixteenth centuries, her research focuses on various aspects of documentary culture, especially histories of archiving. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

In this episode of the Language on the Move Podcast, Dr Loy Lising speaks with Distinguished Professor Ingrid Piller about the 3rd edition of her best-selling textbook Intercultural Communication (Edinburgh UP, 2025). A comprehensive and critical overview of the field of intercultural communication Key concepts and discussions illuminated with international case studies of intercultural communication in real life Includes learning objectives, key points, exercises and suggestions for further reading in each chapter A new chapter devoted to intercultural crisis communication; expanded coverage of language in migration; and new studies and examples of virtual, online and computer-mediated communication throughout. Combining perspectives from discourse analysis and sociolinguistics, the third edition of this popular textbook provides students with an up-to-date overview of the field of intercultural communication. Ingrid Piller explains communication in context using two main approaches. The first treats cultural identity, difference and similarity as discursive constructions. The second, informed by multilingualism studies, highlights the use and prestige of different languages and language varieties as well as the varying access that speakers have to them. For additional resources, show notes, and transcripts, go here.

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland’s leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life.

Since the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring  reflections on class, race, gender, nations, and mobility. But, beyond  depicting migration, is it possible for migrant literature to be a force of movement itself? Poetics of the Migrant: Migrant Literature and the Politics of Motion calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. Poetics of the Migrant understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable. About Kevin Potter: Kevin Potter is a postdoctoral researcher in the Department of English & American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first book, Poetics of the Migrant was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature. About Pavan Mano: Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (https://www.kcl.ac.uk/people/p...). He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (https://manchesteruniversitypr...).

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce’s work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).

Syrian Poets and Vernacular Modernity (Edinburgh UP, 2025) examines a poetic movement that rose from under official state discourse in 1970s Syria Closely examines a wealth of unknown primary poetic texts from Syria that make up a new poetics which challenges received ideas about modern Arabic poetry Rereads along transnational lines the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ Offers a substantial rethinking of key terms in comparative literary studies — translation, translatability, vernacular —as seen through the lens of everyday poetics Describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works Expands the scope of postcolonial poetry in the globalised age by factoring in relationships between first-, second-, and third-world literary cultures This book distinguishes a Syrian style of qaṣīdat nathr (prose poem) as a piece of collaborative performance called shafawiyya, vernacularised poetic speech. It describes the poetic lineages, stretching from early Syrian independence to the 21st century, whose task it was to bring poetic expression closer to everyday life.

These poets are shown cultivating genres and translational practices rooted in a plebeian civilian identity that counters both heroised images of the prophet-poet and stern authoritarian rule. A comparative analysis is provided to understand shafawiyya poetics as a transnational mode of creative engagement. This analysis includes aesthetic affinities and instances of transmission between Arabic poetry and poetries written in formerly Soviet countries (Poland, Czechoslovakia, Romania, Bulgaria). From this vantage point, matters of perennial debate in comparative literature - vernacular, translatability, postcolonial poetry - are shown from a new perspective.

The book closely examines a wealth of unknown primary poetic texts from Syria that make up the new poetics and challenge received ideas about modern Arabic poetry. It describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works. Behar rereads the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ along transnational lines, offering a substantial rethinking of the key terms in comparative literary studies as seen through the lens of everyday poetics. Daniel Behar is Assistant Professor of Modern Arabic Literature in the Department of Arabic Language and Literature at the Hebrew University of Jerusalem. He is interested in comparative analysis of modern Arabic poetry, theories of translation, and socialist literary imaginaries in Syria.

Liberal democracies don’t age gracefully. Established systems of governance like those of the UK and the US which once served as blueprints are today experiencing a profound crisis of legitimacy. In Britain, a landslide general election result was quickly followed by a catastrophic tumble in approval ratings. In the US presidential campaign, meanwhile, voters were told that democracy itself was on the ballot, with both candidates suggesting the election might well be the last one ever. The consensus underpinning the world’s most powerful democracies is, indeed, waning. The populaces have developed a deep dissatisfaction with their governments’ political procedures, yet no credible alternatives have emerged. In his latest book Legitimacy in Liberal Democracies (Edinburgh UP, 2024), Benjamin Studebaker argues that the kinds of disagreements which historically led to political violence today instead just linger throughout the state and society. Without alternatives, liberal democracy’s legitimation crisis leads to neither reform nor revolution. Studebaker depicts a legitimacy crisis rife with state capacity problems, in which citizens tell each other many conflicting legitimation stories as they search for ways to live with a dissatisfying political system they cannot replace. As different factions try to ‘save’ democracy in their own ways, they appear authoritarian to one another. Efforts to build legitimacy thus only spark greater inequality, pluralism, and ever-tighter gridlock. Benjamin Studebaker is a political theorist. He holds a PhD in Politics and International Studies from the University of Cambridge. He has written for Aeon, Sublation, Compact, Current Affairs, The Bellows, and Huffington Post, among others. He hosts Political Theory 101 and co-hosts the film podcast The Lack. Benjamin is also the author of The Chronic Crisis of American Democracy which we spoke about in 2023.

African Literature and US Empire Postcolonial Optimism in Nigerian and South African Writing (Edinburgh UP, 2024) demonstrates how African literature grapples with the enforced optimism of US empire that circulates in postcolonial nations: Unsettles chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries Brings together African literary studies, affect studies, and U.S. empire studies Diagnoses and critiques how U.S. empire is sustained through cycles of optimism and disappointment Includes chapters on both classic postcolonial fiction by writers such as Buchi Emecheta and Miriam Tlali and recent anglophone African novels by Chimamanda Ngozi Adichie and Ekow Duker Postcolonialism has long been associated with post-nationalism. Yet, the persistence of nation-oriented literatures from within the African postcolony and its diasporas registers how dreams of national becoming endure. In this fascinating new study, Hallemeier brings together African literary studies, affect studies and US empire studies, to challenge chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries. The Nigerian and South African writings in African Literature and US Empire, while often attuned to the trans- and extra- national, repeatedly scrutinize why visions of national exceptionalism, signified by a ‘pan-African’ Nigeria and ‘new’ South Africa, remain stubbornly affecting, despite decades of disillusionment with national governments beholden to a neocolonial global order. In these fictions, optimistic forms of nationalism cannot be reduced to easily critiqued state-sanctioned discourses of renewal and development. They are also circulated through experiences of embodied need, quotidian aspiration and transnational, pan-African relationship.

Benjamin P. Davis’s Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.’ Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil’s Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at [email protected].

Investigative reporter Bob Woodward once noted that assassination was the Scarlett letter of American politics because targeted killings challenge the image of the United States as a liberal democracy and the driving force behind a rules-based international order. In his new book, Luca Trenta documents how assassination and assassination attempts have been a persistent feature in US foreign policy. The US government has relied on a variety of direct methods as well as more indirectly laying the groundwork for local assassins.  Using primary documents and interviews, The President’s Kill List meticulously documents how policymakers decided on assassination and the level of Presidential control over these decisions. The book analyzes the evolution of assassination policies and reveals how successive administrations - through private justifications and public legitimations - ensured that assassination remained an available tool. The podcast includes insightful comments on assassination and the Trump administration. The paperback is coming out in May 2025. Dr. Luca Trenta is an Associate Professor of International Relations in the Department of Political and Cultural Studies at Swansea University. His previous publications include an earlier book, Risk and Presidential Decision-making: The Emergence of Foreign Policy Crises (Routledge, 2016) and he hosts Out of the Shadows, interviewing authors and experts in intelligence and covert operations. In his public-facing scholarship, Dr. Trenta has appeared in a History Channel documentary called Secret Wars Uncovered (2020) and he regularly contributes to and collaborates with media outlets such as the BBC. Mentioned: Joseph Burkholder Smith, Portrait of a Cold Warrior (1976) John Frankenheimer, The Manchurian Candidate (1962) The Ford-Colby-Kissinger meeting is at page 35 here and Luca’s story about the meeting is here “Family Jewels” document of CIA employee responses to James Schlesinger asking to report activities outside CIA charter (1973) Rebecca Sanders, Plausible Legality: Legal Culture and Political Imperative in the Global War on Terror (2018) The Church Committee Report (Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities (1976) Hugh Wilford, The CIA: An Imperial History (2024) Tim Weiner, Legacy of Ashes: The History of the CIA (2008) Tim Weiner, The Mission: The CIA in the 21st Century (2024)

Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development. The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Across Iron Age Central Eurasia, non-sedentary people created, viewed, and considered animal-style imagery, creating designs replete with feline bodies with horse hooves, deer-birds, animals in combat, and other fantastic creatures. Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh University Press, 2023) focuses on this animal-style imagery, examining the dissemination of this image system.  Filled with fascinating images carefully chosen from an enormous geographical scope, Petya Andreeva's vivid book explores how communities used animal-style design to create and define status, to bond alliances together, and to showcase steppe know-how and worldliness in sedentary communities. Fantastic Fauna should appeal to those in Eurasian history, East Asian history, art and archeology, and those interested in thinking about steppe art.  Interested listeners should also check out Petya's chapter on the Golden Hoard (available here), part of an Open-Access UNESCO volume on the Silk Roads.

Leyla Ozgur Alhassen’s book Qur’anic Stories: God, Revelation and the Audience (Edinburgh University Press, 2021) provides excellent analyses of several Qur’anic surahs, or chapters, to explore how Qur’anic stories function as narratives – but not just any kind of narratives: narratives with a theological purpose behind them.  The specific stories she looks at include those of Maryam, Yusuf, and Musa primarily. Alhassen analyzes the literary themes present in these different chapters, such as the themes of control, knowledge, semantic echoes, and consonance, or themes of family, judgment, evidence, and secrets – whether it’s secrets that the text is withholding from the reader or secrets that characters are keeping from each other. One of the most important contributions that the book makes is to offer one possible and convincing explanation for why stories of the same characters are told in different ways in different chapters of the Qur’an. For example, God is woven into some stories as both a character and an omniscient narrator depending on the larger theme of the surah and the placing of the story; in some instances, God as the omniscient narrator shows the words of a beloved, righteous character as true, thus making a theological statement. Alhassen argues that in such renderings of a story, where it becomes unclear whether a certain quote is God’s or a character’s, the point the text is making there is that God merges His (or Her) words with characters as a reward from God. Other theological statements that the stories seem to be making are that they reveal some insight into divine intent. In this interview, we discuss the origins of the book, how the Qur’an establishes structure and how Qur’anic stories serve as narratives, the main points of each chapter and story, and whether, and how, if at all, it matters that the Qur’an doesn’t give us identical quotes from characters in the various renditions of their stories in order to make an important stylistic choice.

Taiwanese-Language Cinema: Rediscovered and Reconsidered (Edinburgh UP, 2024), edited by Chris Berry, Wafa Ghermani, Corrado Neri, and Ming-yeh T. Rawnsley, is a landmark contribution to studying Taiwanese cinema. The book revisits Taiyupian, a thriving yet overlooked segment of Taiwan’s cinematic history produced between the 1950s and 1970s in the Minnanhua dialect commonly used by the local Hoklo. This volume arrives at a pivotal moment when many of these films are being restored, subtitled, and critically revisited. By bringing together essays from Taiwanese and non-Taiwanese scholars, the book offers a robust framework for understanding Taiyupian’s cultural, social, and industrial dimensions. It challenges the traditional dominance of Mandarin and Japanese influences in Taiwan’s cinematic narrative, advocating for a broader, more inclusive history. The editors skilfully blend historical analysis with cultural theory, offering insights into the socio-political context that gave rise to these films and their eventual decline. The inclusion of translated Taiwanese scholarship is particularly commendable, as it ensures a dialogue between local and global perspectives. Reading this book is an eye-opening experience, especially for those unfamiliar with Taiyupian’s rich legacy. The book effectively positions these films not as relics but as dynamic cultural artefacts that continue to shape Taiwan’s cinematic and cultural identity. The writing, while scholarly, is engaging, particularly in chapters that explore Taiyupian's aesthetic and emotional resonance. The visuals and archival materials referenced throughout enhance its value as a resource for both academic and personal exploration. I wholeheartedly recommend this book to anyone interested in Taiwanese cinema, East Asian cultural studies, or the intersection of language and identity in film. Its insights resonate far beyond the specific era it examines, offering a model for how neglected histories can be rediscovered and celebrated. Dr Ming-Yeh Tsai Rawnsley is a Taiwanese media scholar, writer, and former journalist and TV screenwriter. Since 2013, she has been a Research Associate at the Centre of Taiwan Studies, SOAS University of London. She is also a Non-Resident Senior Fellow at the China Policy Institute, University of Nottingham (2014–present), a Research Fellow at the European Research Centre on Contemporary Taiwan (ERCCT), University of Tübingen (2015–present), and Research Associate at Academia Sinica, Taiwan (2018–present). M-Y T. Rawnsley is the Editor-in-Chief of the International Journal of Taiwan Studies (2018–present) and associate editor of the East Asian Journal of Popular Culture (2013–present). Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.

Tribe-state relations are a foundational element of authoritarian bargains in the Middle East, and in particular in the Gulf States. However, the structures of governance built upon that foundation exhibit wide differences. What explains this variation in the salience of kinship authority?  Through a case comparison of Kuwait, Qatar and Oman, in Kinship, State Formation and Governance in the Arab Gulf States (Edinburgh University Press, 2022) Dr. Scott Weiner shows that variation in tribal access to limited resources before state building can account for these differences. Its conclusions are based on seven months of archival research and interviews in Arabic and English, and reveal new details about state formation on the Arabian Peninsula. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Daniela Berghahn's award-winning monograph Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film (Edinburgh UP, 2023) is the first systematic analysis of decentred exoticsm in contemporary transnational and world cinema. By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, the monograph makes an important contribution to the urgent agenda of decolonising film studies. Exotic Cinema was awarded The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre (best book) and the African Studies Centre award at Babes-Bolyai Univeristy in Cluj-Napoca.  The research website www.exotic-cinema.org offers some insights into the scope and aims of this project.

Dr. Shweta Kishore and Dr Kunal Ray’s Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions. Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating. Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences. Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

Francesco Piraino’s Sufism in Europe: Islam, Esotericism and the New Age (University of Edinburgh Press, 2024) is a vital contribution to the growing field of Sufism in the Global North which often encompasses studies of North America and western Europe. This monograph study, the first focused study of Sufism in Italy and France, uses ethnographic data and sociological analysis to map and situate various Sufi communities in Paris and Milan, along with transnational flows of these communities across Morocco, Algeria, and Cyprus.  At the heart of these case studies is the question of how to approach and study Sufi communities across an ever diversifying social, religious/spiritual, and political landscape and across categorical commitments such as New Age, New Religious Movements, esotericism, diasporic Islam, Traditionalism and mysticism. Piraino argues for the limitations and utilities of these various categories, and ultimately helps us shift our focus to to the everyday embodied ebbs and flows of a variety of Italian and French Sufi communities to showcase how these terms should be used with fluidity to reflect the lived realities of his interlocutors. This book will be of interest to scholars of contemporary Sufism, sociology of Islam, contemporary Islam, Islam in Europe and much more.

It is commonly proposed that since the mid-2000s, the slasher subgenre has been dominated by unoriginal remakes of "classics". Consequently, most original slasher films have been ignored by academics (and critics), leaving the field with a limited understanding of this highly popular subgenre.  The Metamodern Slasher Film (Edinburgh UP, 2024) corrects that mischaracterisation by analysing contemporary slasher films that sincerely attempt to innovate within the subgenre. I argue that these films reflect broader cultural turns towards sincerity, optimism in the face of crisis, and an emphasis on felt experience that are indicative of a metamodern sensibility. This is the first book to use metamodernism to analyse film in a sustained way, and the first academic work to use metamodernism to examine horror. The Metamodern Slasher offers readers new ways to understand the slasher film, the horror genre, and also the cultural moment we find ourselves in.

Accounting for the unique characteristics of Taiwan’s cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island’s diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan’s film history. Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

Nearly 50 years since the European Foreign Ministers issued their first declaration on the conflict between Israel and Palestine in 1971, the European Union continues to have close political and economic ties with the region. Based exclusively on primary sources, Anders Persson's EU Diplomacy and the Israeli-Arab Conflict, 1967-2019 (Edinburgh UP, 2020) offers an up-to-date overview of the European Union’s involvement in the Israeli-Arab conflict since 1967. This study uses an innovative conceptual methodology to examine keyword frequency in a sample of more than 2300 declarations and statements published in the Bulletin of the European Communities/European Union (1967–2009) as well as council reports and press interviews (2009–2018) to uncover broad patterns for qualitative analysis. The study suggests that the Israeli-Arab conflict is more important to the EU than any other conflict, having been key to shaping EU’s foreign policy overall.

Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland’s place within the Union, and towards the country’s future. Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality. The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organized around shared geopolitical goals rather than ethnic ties. Largely known by the term “animal style,” this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia.  In Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh UP, 2024) Art historian Petya Andreeva’s research shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbors to showcase worldliness and control over the nomadic “other.”

In this very exciting book that I couldn’t put down - Neo-Traditionalism in Islam in the West: Orthodoxy, Spirituality, and Politics (Edinburgh University Press, 2023) - Walaa Quisay explores the trend of white male convert neo-traditionalist scholars in the West and their relationship with young seekers of sacred knowledge. She highlights the meanings of "tradition" that these scholars imagine and preach, even if it does not fit the reality of the Muslim cultures and countries that they imagine as purveyors of tradition.  Walaa particularly tells the story of three main shaykhs - Hamza Yusuf, Abdal Hakim Murad, and Umar Faruq Abd-Allah. She analyzes their perceptions of modernity, which they insist is destructive to the tradition, their ideas being very similar to white conservative western thinkers. Their idea of the tradition involves a kind of authentic Islam and Islamic tradition that only existed in the past because they have been polluted with modernity, especially with ideas of gender and social equality and Black Lives Matter. These white male convert scholars’ Islam is deeply orientalist, as they scold Arab Muslims who no longer live in tents and enjoy modern technology, for example. For these shaykhs, authentic Islam can only be practiced without these modern innovations – which, to be sure, they themselves enjoy in the western countries where they live; it also necessitates a uniquely Moroccan aesthetic, such as in the clothing style, which is imposed on seekers from all over the world in these retreats. These seekers are individual Muslims of various backgrounds, from all around the world, who are eager to learn about their faith and to experience tradition and traditional Islam from these shaykhs. They pay large sums of money, depending on the retreat, to learn and connect with other Muslims. Notably, these shyakhs do not seem to think of the capitalism of the retreats and the costs as a modern practice that is worthy of rejection. The book’s primary argument is that the concept of tradition is in fact not entirely theological or stable but, for the neo-traditionalists, it represents the antidote to modernity. Additionally, Walaa shows that while the neo-traditionalist shaykhs present the story of modernity and tradition one way, which is that modernity is fundamentally harmful to the tradition, the seekers engage with it differently, some even expressing their critiques of the shaykhs’ arguments and the retreats at times. Throughout the book, Walaa describes the ways that these seekers receive and engage with the knowledge of the shyakhs. The seekers are tasked with the challenge of returning to modernity, to the real world, after the retreats, to practice their faith in a world the shaykhs teach them to escape, a world where politics of all forms, from gender and race and injustices, is harmful to the soul and should be avoided at all costs. The shyakhs are also very clear in their teachings that injustices are a punishment from God and those who experience them deserve them because they had distanced themselves from God. Yet, their appeal persists, and one of Walaa’s objectives in the book is to explain why.

Ibrahim Fraihat’s latest book, Iran and Saudi Arabia: Taming a Chaotic Conflict (Edinburgh University Press, 2020) is much more than an exploration of the history of animosity between Saudi Arabia and Iran and its debilitating impact on an already volatile Middle East. It is a detailed roadmap for management and resolution of what increasingly looks like an intractable conflict. Based on years of field research, Fraihat builds a framework that initially could help Saudi Arabia and Iran prevent their conflict from spinning out of control, create mechanisms for communication and travel down a road of confidence building that could create building blocks for a resolution. Fraihat’s book could not have been published at a more critical moment. A devastating coronavirus pandemic has hit both Saudi Arabia and Iran hard. So has the associated global economic breakdown and the collapse of oil markets. The double whammies constitute the most existential crisis the kingdom has faced in at least half a century. They hit Iran particularly hard as it labours under harsh US sanctions. Fraihat offers a roadmap that would allow Saudi Arabia and Iran to ultimately extricate themselves from costly proxy wars in Yemen, Syria and Libya. By providing a detailed roadmap, Fraihat’s book makes a major contribution not only to a vast literature of conflict in the Middle East but also to policymakers in Saudi Arabia and as well as would-be mediators. James M. Dorsey is a senior fellow at Nanyang Technological University S. Rajaratnam School of International Studies and the National University of Singapore’s Middle East Institute.

In 1960s Egypt, a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Yasmine Ramadan’s Space in Modern Egyptian Fiction (Edinburgh University Press, 2021) explores how this literary generation presents a marked shift in the representation of rural, urban, and exilic space, reflecting a disappointment with the project of the postcolonial nation-state in Egypt. Combining a sociological approach to literature with detailed close readings, Yasmine Ramadan explores the spatial representations that embodied this shift within the Egyptian literary scene and the disappearance of an idealized nation in the Egyptian novel. Space in Modern Egyptian Fiction provides a robust examination of the emergence and establishment of some of the most significant writers in modern Egyptian literature and their influence across six decades while tracing the social, economic, political, and aesthetic changes that marked this period in Egypt's contemporary history. In this episode, Ibrahim Fawzy interviews Yasmine Ramadan about the representations of Cairo, Alexandria, Upper Egypt, Europe, and the Gulf in modern Egyptian fiction. Ibrahim Fawzy is a literary translator and academic based in Egypt. His interests include translation studies, Arabic literature, ecocriticism, and disability studies.

The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh UP, 2021), by Huda Fakhreddine, examines one of the most controversial poetic forms in Arabic: the Arabic prose poem. When the modernist movement in Arabic poetry was launched in the 1940s, it threatened to blur the distinctions between poetry and everything else. The Arabic prose poem is probably the most subversive and extreme manifestation of this blurring, often described as an oxymoron, a non-genre, an anti-genre, a miracle and even a conspiracy. This ‘new genre’ is here explored as a poetic practice and as a critical lens which gave rise to a profound, contentious and continuing debate about the definition of an Arabic poem, its limits, and its relation to its readers. Huda Fakhreddine, Associate Professor of Arabic Literature at the University of Pennsylvania, examines the history of the prose poem, its claims of autonomy and distance from its socio-political context, and the anxiety and scandal it generated. Miguel Monteiro is a PhD Student in Near Eastern Languages and Civilizations at Yale University. [email protected].

This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. The US Graphic Novel (Edinburgh UP, 2022) pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel – debates that accelerated after the term ’graphic novel’ was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens. Dr. Paul Williams is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph Dreaming the Graphic Novel broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition The Great British Graphic Novel at the Cartoon Museum in London, which was visited by over 10,000 people.

Ingrid Piller speaks with James McElvenny about his new book A History of Modern Linguistics: From the Beginnings to World War II (Edinburgh UP, 2024). This book offers a concise history of modern linguistics from its emergence in the early nineteenth century up to the end of World War II. Written as a collective biography of the field, it concentrates on the interaction between the leading figures of linguistics, their controversies, and the role of the social and political context in shaping their ideas and methods. In the conversation we focus on the national aspects of the story of modern linguistics: the emergence of the discipline in 19th century Germany and passing of the baton to make it an American science in the 20th century. For additional resources, show notes, and transcripts, go here.

Tim Lanzendörfer's Utopian Pasts and Futures in the Contemporary American Novel (Edinburgh UP, 2023) highlights the emergence of a literary mode, speculative historism, over the past two decades in U.S. literature. Discussing in depth novels by writers such as Ken Kalfus, Joyce Carol Oates, and Colson Whitehead, among others, it integrates questions of critical method, genre, form, and literary theory, all of which have some urgency today. Addressing itself to the question of how to read this mode through a form of utopian hermeneutics, this study explores the formal constitution, narrative choices, and place in the wider literary market of a mode that it believes to be constitutively important for understanding American literature's struggle with the possibility of imagining hopeful futures.

In the 20th century, capitalist animal agriculture emerged with a twofold mission: to ruthlessly exploit animals for their labour time and enlarge human food supplies. The results of this process are clear. Animal-sourced foods have expanded exponentially. And simultaneously, hundreds of billions of animals confront humans and machines in brutal, antagonistic relations shaped by domination and resistance. Building on Karl Marx’s value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In Animals and Capital (Edinburgh University Press, 2023) Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism. Dinesh Joseph Wadiwel is Associate Professor in Socio-Legal Studies and Human Rights at the University of Sydney. His research interests include theories of violence, critical animal studies and disability rights. He is author of The War against Animals (Brill, 2015) and is co-editor, with Matthew Chrulew of Foucault and Animals (Brill, 2016). He has a background working within civil society organisations, including in anti-poverty and disability rights roles. Kyle Johannsen is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).

The Graphic User Interface, or GUI, is the adhesive centre of today’s screen entertainment web. From films and television to apps and videogames, it holds together a multitude of media and shapes the way they are accessed, organised, created, consumed, and manipulated. However, it does not do so without leaving viscous traces, and Gooey Media: Screen Entertainment and the Graphic User Interface (Edinburgh University Press, 2023) by Dr. Nick Jones examines this residue and its consequences, revealing how the GUI exerts a powerful influence on contemporary media. Focusing on aesthetics and adopting a media agnostic approach, Dr. Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

The ideal of ‘conversation’ recurs in modern thought as a symbol and practice central to ethics, democratic politics, and thinking itself. Interweaving readings of fiction and philosophy in a ‘conversational’ style inspired by Stanley Cavell, Fiction, Philosophy and the Ideal of Conversation (Edinburgh UP, 2023) clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy – where scepticism threatens ethics and democratic politics – and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know ‘reality’ and other people, to ethical, democratic, and aesthetic action. The book moreover proposes – and models – ‘conversational criticism’ as a framework linking literary studies to broader political and ethical commitments, while remaining responsive to aesthetic form. Erin Elizabeth Greer is an Assistant Professor of Literature at the University of Texas at Dallas. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies. Her work has appeared or is forthcoming in Contemporary Literature, JML, Camera Obscura, Salmagundi, and Stanley Cavell and Aesthetic Experience. Tong He is Lecturer of English at Central China Normal University.

Eve Benhamou's book Contemporary Disney Animation: Genre, Gender and Hollywood (Edinburgh UP, 2022) is the first in-depth study of Disney’s latest animated output from the perspective of genre theory. Analysing a decade in Disney’s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film. Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres. Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph.  Peter C. Kunze is an assistant professor of communication at Tulane University.

Adam Bursi’s Traces of the Prophets: Relics and Sacred Spaces in Early Islam (Edinburg University Press, 2024) uses writings by early Muslims to map a history of material objects, relics, and tombs of prophetic figures as they were conceptualized in the 8th and 9th centuries. The book draws from various genres of writings, including biographies and hadith of the Prophet Muhammad and Qur’an commentaries and juristic compilations to capture the tensions and practices around tomb and relic veneration. Some of the discussion of Muslim relic veneration are polemical as they aim to establish some boundaries around similar pious practices amongst Jewish and Christian communities. In the process, we learn that there were indeed debates with regards to the post-mortem “traces” or “athar” of Muhammad’s tomb, which then impacted how spaces associated with him were also perceived, as well as other prophetic figures like Ibrahim (Abraham) or Daniel. Such examples raise conceptual questions of absence and presence and Prophet Muhammad’s capacity for intercession and obligatory versus non-obligatory rituals. In charting these early Muslim debates and narratives, Bursi masterfully captures the differing approaches Muslims had to holy bodies and sacred spaces. The book will be of interest to scholars who think about early Islamic history and also for scholars who work on contemporary Islamic material and shrine cultures. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier.

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University’s Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies.

Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.

In the ancient Mediterranean world, individuals routinely looked for divine aid to cure physical afflictions. Contested Cures: Identity and Ritual Healing in Roman and Late Antique Palestine (Edinburgh University Press, 2022) by Dr. Megan Nutzman argues that the inevitability of sickness and injury made people willing to experiment with seemingly beneficial techniques, even if they originated in a foreign cultural or religious tradition. With circumstances of close cultural contacts, such as prevailed in Palestine, the setting was ripe for neighbouring Jews, Samaritans, Christians, Greeks and Romans to borrow rituals perceived to be efficacious and to alter them to fit their own religious framework. As a result, they employed related means of seeking miraculous cures. The similarities of these rituals, despite changes in the identity of the divine healers that they invoked, made them the subject of polemical discourse among elite authors trying to police collective borders. Contested Cures investigates the resulting intersection of ritual healing and communal identity. This innovative study synthesises evidence for the full range of healing rituals that were practised in the ancient Mediterranean world. Examining both literary and archaeological evidence, Dr. Nutzman considers ritual healing as a component of identity formation and deconstructs the artificial boundary between ‘magic’ and ‘religion’ in relation to ritual cures. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Noa Shaindlinger's Displacement and Erasure in Palestine: The Politics of Hop (Edinburgh UP, 2023) explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives. With a focus on the city of Jaffa and its displaced Palestinian population, Noa Shaindlinger argues that the Israeli state ‘buried’ histories of mass expulsions and spatial appropriations. Based on a wide-variety of sources, this book brings together archival, literary, ethnographic and oral research to engage with ideas of settler colonialism and the production of history, violence and memory, refugee-hood and diaspora. Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Twitter and IG: @robbyref Website: www.robertomazza.org