PODCAST · arts
The Long and Short
by London Review of Books
Mark Ford and Seamus Perry follow on from their ‘revolutionary ☆☆☆☆☆’ (The Times) series on 'Modern-ish Poets' , to look at long poems and the short stories in 19th- and 20th-century literature. Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford. 'The Long and Short' is part of the Close Readings podcast from the London Review of Books. Non-subscribers will only hear extracts from the episodes. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://lrb.me/tlasapple In other podcast apps: https://lrb.me/tlassignuppod Get in touch: [email protected]
Episodes
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The Long and Short: Elizabeth Bowen's short stories
In the final episode of the Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright...
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The Long and Short: Alice Oswald’s ‘Dart’ and ‘Memorial’
The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic Dart (2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined…
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Nella Larsen's 'Passing' and Langston Hughes's 'Montage of a Dream Deferred'
In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s Passing is a taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, that feels just as relevant today. Widely considered his…
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Ted Hughes’s ‘Gaudete’
Originally conceived as a film script, Gaudete is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, Gaudete shines a light on many Hughesian preoccupations and paved the…
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James Joyce's ‘Dubliners’
James Joyce wrote most of the short stories in his landmark collection, Dubliners, when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth…
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Allen Ginsberg’s ‘Howl’ and ‘Kaddish’
Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests. Published in 1956, ‘Howl’ influenced post-war culture like no other...
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D.H. Lawrence's short stories
Controversial, compulsive, and overwhelmingly charismatic, D.H. Lawrence continues to exert an undeniable magnetism through his novels and poetry. But, as Mark argues in this episode, the quintessential Lawrence lies in his shorter fiction. Focusing on five stories that span Lawrence’s career…
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Hart Crane's 'The Bridge'
In their fifth episode, Mark and Seamus reach their first 20th century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work The Bridge. Directly inspired by The Waste Land, The Bridge sought to address modernity, as Eliot had done, with all its conflicts,...
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Katherine Mansfield's short stories
In episode four, we turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. Mark and Seamus discuss the decisive break modernist story makes from its 19th century predecessors, exemplified in Mansfield’s work. At turns lyrical, ruthless,...
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Henry James’s short stories
The third episode turns to the short stories of Henry James, looking in particular at ‘The Aspern Papers’ which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of...
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Walt Whitman's 'Song of Myself'
In the second episode of the series, Mark and Seamus turn to ‘Song of Myself’, for Mark 'one of the most exciting things literature has to offer'. They discuss the extraordinary physicality and exuberance of this seminal American poem, its relationship with urbanism, capitalism and sexuality, and...
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Tennyson's 'Maud'
Mark Ford and Seamus Perry start their series, The Long and Short, with Tennyson’s ‘Maud’, a weird and disturbing poem about obsession that Tennyson himself was obsessed by. He would recite it in full at the drop of a hat, sometimes more than once, to friends and foes alike – even though it...
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Introducing The Long and Short
Seamus Perry and Mark Ford introduce their series on long poems and short stories from the 19th and 20th centuries, and talk about some of the ideas which will underpin their twelve episodes. The authors discussed in the series will be: Alfred Tennyson, Henry James, D.H. Lawrence, Katherine...
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ABOUT THIS SHOW
Mark Ford and Seamus Perry follow on from their ‘revolutionary ☆☆☆☆☆’ (The Times) series on 'Modern-ish Poets' , to look at long poems and the short stories in 19th- and 20th-century literature.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
'The Long and Short' is part of the Close Readings podcast from the London Review of Books.
Non-subscribers will only hear extracts from the episodes. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/tlasapple
In other podcast apps: https://lrb.me/tlassignuppod
Get in touch: [email protected]
HOSTED BY
London Review of Books
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