Theatre Audience Podcast

In this episode, we’re joined by Carine and Frances Gilbert - The Gilbert Twins - identical twins, comedians, writers and content creators who have built an online audience of more than three million followers.After creating hundreds of viral comedy sketches, the twins are returning to their musical theatre roots with Under the Influence, their original musical comedy co-written with Shona Maule. Following a critically acclaimed run at the Edinburgh Festival Fringe, the show has now transferred to London’s King’s Head Theatre. And the inspiration behind it? They really did go to couples therapy together.We chat to Carine and Frances about what led two sisters into couples therapy, turning that very personal experience into comedy, and the strange reality of building a career around the relationship you’re simultaneously trying to understand.They open up about co-dependency, sisterhood and finding an individual identity when the world has always viewed them as a pair. We also explore the pressures of having millions of people watching online, the leap from 60-second sketches to telling a story on stage, writing about each other without destroying the relationship, and what Edinburgh audiences taught them about their own show.Plus, we discover whether there are limits to what they're prepared to reveal about one another - and ask the rather terrifying question: what happens if one twin gets the dream opportunity and the other one isn't invited?A funny, candid and wonderfully chaotic conversation about twinhood, therapy, social media, musical theatre and finding your own voice when you've spent your entire life sharing one. Hosted on Acast. See acast.com/privacy for more information.

This episode, we travel from the wonderfully ridiculous world of P.G. Wodehouse to the glamour, tragedy and conspiracy surrounding Marilyn Monroe. We review Jeeves Takes Charge at Charing Cross Theatre and Who Killed Marilyn? at the Emerald Theatre: two productions exploring famous characters and cultural icons in very different ways.Jeeves Takes ChargeThe unmistakable world of P.G. Wodehouse comes to the stage in Jeeves Takes Charge, bringing with it the hapless Bertie Wooster, his extraordinarily capable valet Jeeves and all the misunderstandings, social disasters and gloriously silly situations that inevitably follow them. At the centre of it all is Sam Harrison, taking on the extraordinary challenge of playing all 22 of P.G. Wodehouse’s much-loved characters himself - from Jeeves and Bertie Wooster to Florence Craye, Gussie Fink-Nottle, Bingo Little, Uncle Willoughby and Aunt Dahlia. It’s a one-man comic juggling act requiring lightning-fast character changes, impeccable timing and seemingly endless energy.At Charing Cross Theatre, we enter a world of impeccable manners, eccentric characters and quintessentially British comedy as Jeeves once again attempts to rescue Bertie from his own spectacularly questionable decision-making.We discuss whether Wodehouse's much-loved humour translates successfully to the stage, the joy of watching Jeeves remain several steps ahead of everyone around him and whether there's still an audience for this delightfully old-fashioned world of troublesome relatives, romantic entanglements and upper-class chaos.Who Killed Marilyn?Over at the Emerald Theatre, Who Killed Marilyn? attempts to uncover the mystery surrounding the death of one of the most famous women of the twentieth century.Pixie Lott takes on Marilyn Monroe in Sharleen Cooper Cohen's play, which explores the theory that Marilyn's relationships with the Kennedy family and connections to organised crime may have played a part in her death. At the centre of the story is Marilyn's hidden notebook, containing her private thoughts, poetry and potentially dangerous secrets shared by some very powerful men.But does the production reveal the complicated woman beneath the famous image? We discuss Lott's performance, the frustrating decision to give a singer of her ability so little opportunity to sing and a production that too often presents its supporting characters as broad caricatures. There are welcome exceptions, particularly Julie Armstrong as Marilyn's troubled housekeeper and keeper of secrets, Eunice, alongside Benjamin Dilloway as Arthur Miller and Paul Kane as Robert Kennedy.There's an intriguing conspiracy thriller somewhere inside Who Killed Marilyn?, but we ask whether the production digs deeply enough into Marilyn herself - the intelligent, witty, ambitious and politically curious woman behind that instantly recognisable breathy voice and Hollywood image.From Jeeves quietly cleaning up Bertie Wooster's latest catastrophe to Marilyn Monroe becoming entangled with some of America's most powerful men, it's an episode filled with famous names, secrets, scandal and people desperately trying to keep trouble behind closed doors. Hosted on Acast. See acast.com/privacy for more information.

Our Edinburgh Fringe reviewer Franki Rameaux joins us for a special Theatre Audience Podcast round-up, bringing back her verdict on some of the shows that caught her attention at this year's festival.The Edinburgh Festival Fringe is where theatre gets to take risks. New writing meets experimental performance, musicals emerge from the most unexpected places, artists test bold ideas in tiny rooms and audiences take chances on shows they might never encounter anywhere else. And with thousands of productions competing for attention, sometimes the real joy is discovering something you knew absolutely nothing about before walking through the door.Franki certainly put in the miles this year, seeing a huge range of work across the Fringe. In this episode, we focus on seven productions: See You Tomorrow, HAM, Belly, January 6th: The Musical, Bodytrapped, Under the Influence and Bliss.From intimate storytelling and provocative new writing to comedy, music and performances tackling identity, politics and the pressures of contemporary life, it's an eclectic snapshot of exactly what makes Edinburgh such an exciting - and occasionally unpredictable - place to experience theatre.What surprised her? What stayed with her? Which productions deserve a life beyond Edinburgh? And, most importantly, which shows would she tell you to book if you had the chance?Join Franki and the Theatre Audience Podcast team as we unpack the highs, discoveries and talking points from another gloriously packed Edinburgh Festival Fringe.Seven shows. Seven very different experiences. Welcome to our Edinburgh Fringe Round-Up. Hosted on Acast. See acast.com/privacy for more information.

This episode, we journey from the supernatural world of a Japanese manga phenomenon to one of America’s most notorious murder mysteries, before gathering under the Jellicle moon for a bold new production of a musical theatre classic.We review Death Note: The Musical at the Barbican, the true-crime musical Bury the Hatchet at Southwark Playhouse and Andrew Lloyd Webber’s CATS, reimagined for the magical outdoor setting of Regent’s Park Open Air Theatre.Death Note: The MusicalThe globally successful manga thriller comes to the London stage in an exhilarating new musical. When brilliant student Light Yagami discovers a mysterious notebook that gives him the power to decide who lives and who dies, his determination to create a better society quickly descends into obsession.His actions attract the attention of the brilliant and elusive detective L, beginning an increasingly dangerous battle of intellect, justice and morality. Created in collaboration with the original Japanese producers HoriPro, the musical features a score by Frank Wildhorn, lyrics by Jack Murphy and a book by Ivan Menchell.Bury the HatchetOn 4 August 1892, Andrew and Abby Borden were brutally murdered in their Massachusetts home. Andrew’s daughter, Lizzie Borden, became the prime suspect - but was she really responsible for one of history’s most infamous crimes?A spirited company of three actor-musicians re-examines the case through a lively mixture of true crime, courtroom drama, dark comedy and live folk music. Familiar bluegrass songs, irreverent commentary and sharply performed storytelling give the legendary tale a fresh and thought-provoking theatrical twist.CATSAndrew Lloyd Webber’s global musical sensation receives a bold new production in the magical surroundings of Regent’s Park Open Air Theatre.Inspired by T.S. Eliot’s *Old Possum’s Book of Practical Cats*, this reimagining brings together the strays and rebels of London beneath the Jellicle moon. Each hopes to be chosen for a new life as they introduce themselves through some of musical theatre’s most famous songs, including Macavity: The Mystery Cat**, Jellicle Ball** and the chart-topping Memory.Directed and choreographed by Regent’s Park Open Air Theatre Artistic Director Drew McOnie, this fresh take on CATS promises to be one of the major theatrical events of 2026. Hosted on Acast. See acast.com/privacy for more information.

This episode, we're reviewing two wildly different shows with one thing very much in common: relationships heading spectacularly off the rails. Natalie and Darren experience Matthew Bourne's seductive dance thriller The Car Man, while Hot Mess turns the entire relationship between Earth and Humanity into one brilliantly funny, pop-fuelled musical romcom.The Car ManMatthew Bourne's The Car Man roars back onto the stage with its intoxicating mix of dance, desire, jealousy and murder.Loosely inspired by Bizet's Carmen, Bourne relocates the action to a hot and claustrophobic 1960s American town, where the arrival of handsome stranger Luca sends passions spiralling dangerously out of control. Ashley Shaw is electric as femme fatale Lana, opposite Will Bozier as her doomed lover Luca, leading an exceptionally talented New Adventures ensemble through Bourne's unmistakable blend of cinematic storytelling and thrilling choreography.Darren and Natalie discuss the extraordinary chemistry of the company, the production's sensuality and how Bourne takes the familiar DNA of Carmen and transforms it into something entirely his own. Dark, sexy and deliciously dangerous, The Car Man is another reminder of why Matthew Bourne remains one of British theatre's great storytellers.Hot MessAfter a billion years of bad dates, Earth has finally found the one: Humanity. What could possibly go wrong? Quite a lot, as it turns out.Created by the award-winning team behind 42 Balloons, Hot Mess features music and lyrics by Jack Godfrey and a book and direction by Ellie Coote. This hugely entertaining new British musical transforms the climate crisis into a love story between Earth and Humanity - complete with attraction, arguments, break-ups and some seriously catchy pop songs.Danielle Steers is sensational as Earth, with Morgan Gregory bringing enormous charm to Humanity as their passionate relationship gradually becomes, well... a hot mess.But underneath the laughs is something surprisingly thoughtful. The environmental message never feels preachy, instead using comedy to explore what could happen if Humanity continues taking Earth for granted. We discuss why theatre is such a powerful place to tell stories about the climate crisis, the show's ingenious staging, its infectious score and an ending that's worth the ticket price alone.Funny, clever, informative and bursting with originality, Hot Mess confirms Jack Godfrey and Ellie Coote as two exciting voices in new British musical theatre.Plus, we're playing Let It Out from Hot Mess during the episode.Two shows about irresistible attraction, destructive relationships and what happens when desire gets seriously out of control. One involves murder. The other could involve the end of the planet. No pressure. Hosted on Acast. See acast.com/privacy for more information.

This episode, we're talking audience participation, legendary music and two productions that couldn't be more different. Darren heads to the Mill at Sonning for the interactive comedy phenomenon Shear Madness, while Natalie and Darren take their seats for Sinatra: The Musical, a stylish new portrait of one of the twentieth century's greatest entertainers.Shear MadnessCan you solve a murder before the cast does?The international comedy sensation Shear Madness arrives at the Mill at Sonning, bringing with it a unique blend of murder mystery, improvisation and audience participation. Set inside the delightfully chaotic Shear Madness hair salon, an ordinary day quickly descends into murder, mayhem and outrageous comedy as everyone becomes a suspect—and it's up to the audience to crack the case.No two performances are ever the same, with each audience shaping the investigation and deciding how the story unfolds. Darren discusses why the show's improvisation is its greatest strength, the joy of returning knowing the experience will be completely different, and how the intimate setting of the Mill at Sonning makes audiences feel part of the action from the moment they walk through the doors.We also celebrate a brilliantly committed cast, including Daniel Cane, whose comic timing as Tony Whircomb is a standout, Rosaleen Burton's superb control of the audience, and Natalie Ogle, who gamely endures a live hair wash every performance. Directed by Sally Hughes, with Alex Marker's wonderfully detailed fully functioning salon set, this is a hilarious evening of theatre where the audience truly becomes part of the show.Sinatra: The MusicalOne voice changed popular music forever… but who was the man behind the legend?Sinatra: The Musical charts the extraordinary life and career of Frank Sinatra through more than twenty of his greatest songs, including That's Life, One For My Baby, The Best Is Yet to Come and I've Got the World on a String.Joel Harper-Jackson delivers a charismatic performance as Sinatra, joined by Ana Villafañe as Hollywood icon Ava Gardner and Phoebe Panaretos as Nancy Sinatra. Directed and choreographed by Kathleen Marshall, with a book by Joe DiPietro, the production combines live music, stylish choreography and timeless classics to explore the triumphs and personal struggles behind one of entertainment's biggest stars.Natalie and Darren reflect on the performances, the thrill of hearing Sinatra's iconic catalogue performed live by a full band, and whether the show fully captures the darker complexities of the man behind the music. Plus, don't leave your seat too quickly - the post-curtain call surprise is well worth staying for.From solving murders to singing classics, this week's episode celebrates two productions that remind us theatre is at its best when it brings audiences right into the heart of the story. Hosted on Acast. See acast.com/privacy for more information.

This episode, we're stepping back into the years before the Second World War with two gripping historical dramas. One revisits the assassination that ignited the First World War, while the other imagines a pivotal royal visit that helped shape the alliance between Britain and America. Packed with political intrigue, sharp humour and outstanding performances, these productions remind us that history is often decided by ordinary conversations - and extraordinary choices.ArchdukeCould three hungry young men really change the course of history? Rajiv Joseph's brilliantly dark comedy Archduke takes us to Belgrade in 1914, where three inexperienced revolutionaries are handed a sandwich, a pistol and a mission that will alter the twentieth century forever. What follows is a witty, unsettling and unexpectedly funny examination of radicalisation, youthful idealism and the terrifying consequences of political violence.Directed by Lyndsey Turner and featuring an inventive design by Es Devlin, the European premiere boasts a terrific cast led by Chris Walley, Abraham Popoola, Stanley Morgan, Janice Connolly and Marc Wootton. We discuss how the play balances absurd comedy with historical tragedy, and why its themes of disillusioned young men and extremist ideology feel alarmingly relevant today.SpringwoodHistory is also shaped around the dinner table. Richard Nelson's quietly captivating new play transports us to Springwood, the country home of President Franklin D. Roosevelt, in the summer of 1939. As King George VI and Queen Elizabeth become the first reigning British monarchs to visit the United States, a seemingly informal weekend of picnics, hot dogs and polite conversation carries enormous political significance, with Europe standing on the brink of war.Led by superb performances from Robert Lindsay as Franklin D. Roosevelt and the wonderfully understated Jemma Redgrave as Eleanor Roosevelt, alongside Andrew Havill as King George VI and Rebecca Night as Queen Elizabeth, Springwood reveals the private doubts, humour and humanity behind some of the twentieth century's most influential figures.We discuss Richard Nelson's beautifully observed writing, the subtle humour running throughout the play and why this intimate portrait of diplomacy feels remarkably timely in today's uncertain political landscape.Two historical dramas. Two moments that shaped the modern world. One episode exploring how individual choices can echo across generations. Hosted on Acast. See acast.com/privacy for more information.

One script. One actor. No rehearsal. Fifteen years on, White Rabbit Red Rabbit remains one of the most extraordinary theatrical experiences ever created.In this episode, we sit down with acclaimed Iranian playwright Nassim Soleimanpour, whose groundbreaking work has been performed more than 4,000 times in over 25 languages by thousands of actors across the globe.Written while Nassim was unable to leave Iran, White Rabbit Red Rabbit transformed personal circumstance into a theatrical experiment that continues to challenge performers and audiences alike. As the play celebrates its 15th anniversary with a new West End run, we explore how its themes of trust, obedience, freedom and choice remain as powerful and relevant today as ever.Beyond the play itself, Nassim reflects on his remarkable career, from creating internationally celebrated works including NASSIM and ECHO to leading workshops that bring strangers together through storytelling and shared experience.We also discuss the role of theatre in an uncertain world, how his upbringing in Iran has shaped his voice as an artist, why unpredictability is at the heart of live performance, and what continues to inspire him to create work that connects people across cultures and languages.This is a thoughtful, insightful and deeply human conversation with one of contemporary theatre's most original and influential voices. Hosted on Acast. See acast.com/privacy for more information.

This episode, we're heading to Mount Olympus as we review Disney's Hercules, now lighting up the West End.Has Disney finally found another stage musical to rival The Lion King? We discuss whether Hercules succeeds by reimagining the beloved 1997 animated classic, why Disney's live-action remakes continue to divide opinion, and what makes a great stage adaptation in the first place.Natalie also sits down with Bradley Gibson, who stars as Hercules, for an exclusive conversation about taking on one of Disney's most iconic heroes. Bradley talks about the journey to the role, the demands of leading a major musical, and what audiences can expect from this fresh take on the legendary story.Whether you're a lifelong Disney fan or simply love big, spectacular musicals, this is an episode you won't want to miss. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we're joined by Jordan Luke Gage to talk about one of our favourite new musicals of the year, Redcliffe.Known for his incredible work on stage, Jordan has now turned his hand to writing, composing and lyric-writing, creating a show that feels both deeply personal and remarkably assured. After seeing Redcliffe, we had to sit down and chat about the journey behind it.We discuss making the leap from performer to creator, the challenge of writing the book, music and lyrics yourself, and why telling a passionate, tragic and authentic queer love story was so important to him. Jordan also shares the inspirations behind the show, the realities of developing new musicals today, and what he's learned from years of performing in some of the industry's biggest productions.Warm, funny and full of heart, this is a conversation with an artist entering an exciting new chapter - and one we can't wait to see more of. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we explore three powerful productions that tackle some of the biggest questions facing society today. From the dangers of deepfake technology and online voyeurism to supernatural terror during wartime Iran and an inspiring true story of ingenuity in Malawi, these are shows that challenge, move and ultimately stay with you long after the curtain falls.Are You Watching?What happens when technology blurs the line between reality and exploitation?Georgie Dettmer makes an impressive professional playwriting debut with Are You Watching?, a bold new world premiere directed by Jess Edwards, whose acclaimed work includes Conversations After Sex. Exploring deepfakes, pornography, online voyeurism and the commodification of grief, the play asks difficult questions about consent, responsibility and our growing desensitisation to digital abuse.As stories intertwine and perspectives shift, audiences are forced to confront their own relationship with the content they consume and the systems that profit from it. Timely, provocative and deeply unsettling, we discuss whether this powerful new work succeeds in holding a mirror up to our increasingly online world.Under the ShadowThe horrors of war and the supernatural collide in this gripping stage adaptation of Babak Anvari's BAFTA-winning film.Adapted by Carmen Nasr, Under the Shadow transports audiences to Tehran during the final years of the Iran-Iraq War, where Shideh is left to care for her young daughter as bombs rain down on the city. Yet alongside the very real threat of conflict lurks something far older and more sinister: a djinn carried on the wind between the missile strikes.Featuring a remarkable central performance from Leila Farzad as Shideh, supported by Nadia Albina, Bijan Daneshmand, Souad Faress, Mona Goodwin, Nicholas Karimi and Rachid Sabitri, this atmospheric production feels especially resonant given current events in Iran. We discuss how the play balances psychological horror with a deeply human story about motherhood, identity and the impossible choices faced during times of war.The Boy Who Harnessed the WindBased on William Kamkwamba's bestselling memoir and the acclaimed 2019 film directed by Chiwetel Ejiofor, The Boy Who Harnessed the Wind arrives in the West End as a moving and uplifting new musical full of heart, hope and extraordinary talent.Directed by Lynette Linton, with book and lyrics by Richy Hughes and music and lyrics by Tim Sutton, the production tells the true story of a thirteen-year-old boy in drought-stricken Malawi who uses ingenuity, determination and a handful of library books to build a windmill that transforms his community.We discuss the outstanding central performance from Alistair Nwachukwu as William, alongside Madeline Appiah as his mother Agnes and Sifiso Mazibuko as his father Trywell. The inventive use of puppetry, Frankie Bradshaw's vibrant set and costume design, Oliver Fenwick's lighting and George Dennis' soundscape combine to create a production that celebrates resilience, imagination and the power of education to change lives.Three remarkable stories. Three very different worlds. One episode about the courage to confront fear, challenge injustice and dream beyond the impossible. Hosted on Acast. See acast.com/privacy for more information.

This episode, Darren sits down with acclaimed stage and screen actor JJ Feild.Currently starring in the world premiere of Ben Ockrent's darkly comic family drama Relics at the Lyric Hammersmith, JJ discusses the appeal of the play, its exploration of family dynamics and the secrets we inherit.The conversation also takes a broader look at his remarkable career, from returning to the stage as Oberon and Theseus in A Midsummer Night's Dream at the Bridge Theatre to his work on major screen productions including Jack Ryan, Captain America: The First Avenger, Telstar and Lost in Space.JJ reflects on the roles that have shaped him, what he looks for in a script, the differences between theatre and screen acting, and the importance of continuing to challenge himself as a performer.A warm, thoughtful and insightful conversation with one of Britain's most versatile actors. Hosted on Acast. See acast.com/privacy for more information.

This episode, we're talking horses - but in two very different theatrical experiences. Natalie reviews Peter Shaffer's psychological masterpiece Equus at the Menier Chocolate Factory, while Darren heads to the National Theatre for the long-awaited homecoming of the global phenomenon War Horse.EquusWhat could drive a seemingly ordinary seventeen-year-old boy to commit an act of shocking violence against six horses?That's the question at the heart of Peter Shaffer's modern classic Equus, now revived at the Menier Chocolate Factory in a gripping new production directed by Lindsay Posner. As psychiatrist Martin Dysart attempts to understand his young patient Alan Strang, the investigation becomes something far more profound than a search for motive. The deeper Dysart digs, the more he is forced to confront his own beliefs about passion, normality, worship and what it truly means to live a fulfilled life.Natalie discusses whether this powerful revival still packs the same psychological punch that has made Equus one of the most celebrated plays of the twentieth century, and why its questions remain as provocative today as when it first premiered.War HorseNearly twenty years after it first changed the landscape of British theatre, War Horse returns home to the National Theatre.Based on Michael Morpurgo's beloved novel, the production follows young Albert and his horse Joey, whose bond is tested when the First World War tears them apart. As Joey is shipped to the battlefields of France, Albert embarks on a dangerous journey to bring his beloved companion home.Featuring the extraordinary puppetry of Handspring Puppet Company, a soaring score and some of the most breathtaking stagecraft ever created, War Horse remains one of the defining theatrical productions of the modern era. Darren reflects on experiencing the show for the first time, discussing whether its emotional storytelling and revolutionary puppetry still have the power to captivate audiences in an era shaped by productions such as Life of Pi and My Neighbour Totoro.Two acclaimed productions. Two unforgettable relationships between humans and horses. One explores obsession and psychology; the other love, loyalty and survival against the backdrop of war. Hosted on Acast. See acast.com/privacy for more information.

This episode, Darren sits down with actor, writer and co-creator Joshua Poole to discuss Monarchs Anonymous, the riotous new historical farce arriving at The Other Palace.What began as a lockdown YouTube project has evolved into a full-scale stage production, bringing together some of history's most famous rulers for a chaotic group therapy session. Joshua talks about the origins of the show, balancing his roles as both writer and performer, and stepping into the shoes of the notoriously flamboyant Charles II.Along the way, the conversation explores the challenge of finding comedy in history, what happens when historical figures are judged by modern standards, and why audiences continue to be fascinated by the personalities behind the crowns.Packed with humour, insight and a healthy dose of royal scandal, this is a fascinating look behind the scenes of one of London's most original new comedies.Monarchs Anonymous plays at The Other Palace from 23–28 June. Hosted on Acast. See acast.com/privacy for more information.

This episode, we're joined by writer-director Ellie Coote and composer-lyricist Jack Godfrey, the award-winning creative team behind the smash-hit new musical Hot Mess.Following acclaimed runs at the Edinburgh Festival Fringe and Southwark Playhouse, Hot Mess returns this summer for an extended London season at The Other Palace. The high-energy original romcom reimagines the climate crisis as the ultimate relationship drama, turning Earth and Humanity into star-crossed lovers whose billion-year romance may finally be heading for a messy break-up.During our conversation, Ellie and Jack discuss the journey of creating one of the most exciting new British musicals of recent years, from its Fringe First Award-winning beginnings to becoming a multi-award-winning audience favourite. They talk about writing comedy around such a huge global issue, why hope sits at the heart of the story, and how they balance big ideas with infectious pop songs and laugh-out-loud humour.We also explore their creative partnership, the success of 42 Balloons, the challenges of developing original musical theatre in the UK, and what they've learned from watching audiences connect with the show's environmental message in unexpected ways.Plus, we discuss the show's exciting new London cast, with Danielle Steers returning as Earth and Morgan Gregory joining the company as Humanity for what promises to be a bigger, bolder and even more spectacular production at The Other Palace.If you've ever wondered how to turn climate change into a hilarious, heartfelt and surprisingly romantic musical, this conversation is for you. Hosted on Acast. See acast.com/privacy for more information.

This episode, we head from the streets of Victorian London to the African savannah, with a stop at the most delightfully absurd cabaret in town. We review Cameron Mackintosh's spectacular revival of Oliver!, Disney's enduring theatrical phenomenon The Lion King, and the wonderfully bonkers physical comedy of Derrière On A G String at the King's Head Theatre.Oliver!Cameron Mackintosh's new production of Lionel Bart's beloved musical Oliver! continues to delight audiences with its timeless score, unforgettable characters and thrilling storytelling. Based on Charles Dickens' classic novel Oliver Twist, the production features iconic songs including Food, Glorious Food, Consider Yourself and As Long As He Needs Me. Packed with heart, humour and outstanding performances, we discuss why this latest revival proves that Oliver! remains one of the greatest British musicals ever written.Derrière On A G StringPart ballet, part physical comedy, part silent movie and entirely ridiculous, Derrière On A G String arrives at the King's Head Theatre with a glorious sense of mischief. Inspired by the visual comedy of Mr Bean and Laurel and Hardy, this highly skilled ensemble of dancers and performers create a series of hilarious, wordless vignettes through movement, slapstick and impeccable comic timing. Camp, chaotic and wonderfully inventive, this is a show where audiences should expect the unexpected - and perhaps avoid sitting too close to the action.The Lion KingMore than twenty-five years after its premiere, Disney's The Lion King continues to be one of the most breathtaking spectacles in musical theatre. Directed by Julie Taymor, whose groundbreaking puppetry and visual design transformed the possibilities of stagecraft, the production combines Elton John and Tim Rice's iconic songs with stunning costumes, choreography and storytelling. We discuss whether the magic still holds up and why generations of audiences continue to be captivated by Simba's journey from cub to king.Join us as we explore three very different theatrical experiences - from musical theatre classics and theatrical spectacle to a gloriously cheeky celebration of physical comedy. Hosted on Acast. See acast.com/privacy for more information.

This episode, we celebrate the launch of Sting's return to the stage in The Last Ship, witness Sir Gary Oldman's extraordinary theatrical comeback in Krapp's Last Tape, revisit the magical world of My Neighbour Totoro, enjoy the romantic chaos of Stage Kiss, and experience Cynthia Erivo's astonishing one-woman performance in Dracula.The Last ShipWe attended the media launch for The Last Ship, the acclaimed musical from 17-time Grammy Award winner Sting, which sails into Theatre Royal Drury Lane this autumn. Featuring a new book by Barney Norris, directed by Leo Warner, with set and video design by 59, this reimagined production sees Sting himself taking on the role of Jackie White. Inspired by his own upbringing in Wallsend, The Last Ship tells the moving story of a shipbuilding community facing the loss of its livelihood, combining powerful storytelling with some of Sting's most beloved music. We discuss the launch event and what audiences can expect from one of the most anticipated musical theatre events of the year.Krapp's Last TapeAcademy Award winner Sir Gary Oldman makes his long-awaited return to the stage after nearly four decades in Samuel Beckett's Krapp's Last Tape at the Royal Court Theatre. In this remarkable one-man performance, Oldman delivers a masterclass in acting, exploring memory, regret, loneliness and the passage of time through Beckett's haunting masterpiece. We discuss why watching one of Britain's greatest actors live on stage feels like a truly special theatrical event and why this production has captivated audiences and critics alike.My Neighbour TotoroThe Royal Shakespeare Company's acclaimed adaptation of Studio Ghibli's beloved classic returns to the West End. Adapted by Tom Morton-Smith and directed by Phelim McDermott, My Neighbour Totoro combines breathtaking puppetry from Basil Twist and Mervyn Millar with a heartfelt story about imagination, family and childhood wonder. We discuss whether this theatrical phenomenon continues to cast its spell and why Totoro remains one of the most magical experiences currently on the London stage.Stage KissSarah Ruhl's brilliantly funny romantic comedy receives its UK premiere in a delightful production directed by Blanche McIntyre. When two actors with a complicated romantic past are cast opposite each other in a stage melodrama, the lines between performance and reality begin to blur. Sharp, witty and surprisingly moving, Stage Kiss explores love, intimacy, nostalgia and the peculiar magic of theatre itself. We discuss why this long-awaited UK premiere proves Ruhl's writing remains as fresh and insightful as ever.DraculaThree-time Oscar nominee, Tony Award winner and Grammy winner Cynthia Erivo takes on all 23 roles in Kip Williams' groundbreaking adaptation of Dracula. Following the extraordinary success of The Picture of Dorian Gray, Williams once again combines live performance and cutting-edge technology to create a thrilling piece of "cine-theatre". Erivo's tour-de-force performance transforms Bram Stoker's gothic horror into a breathtaking theatrical event, delivering a production that is as technically astonishing as it is emotionally gripping. We discuss whether this ambitious reinvention lives up to the enormous expectations surrounding it.Join us as we dive into giant forest spirits, doomed shipyards, haunted memories, complicated romances and one very hungry vampire. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we’re joined by rising stage and screen actor Georgina Fairbanks to discuss stepping into the legendary West End production of The Mousetrap at St Martin's Theatre. Georgina opens up about playing Mollie Ralston in the world’s longest-running play, balancing comedy and tension inside Agatha Christie’s iconic mystery, and why audiences still can’t resist trying to solve the murder over 70 years later.We also discuss her recent theatre work as Irene in Wilko at Southwark Playhouse. During the conversation, Georgina reflects on joining a theatrical institution under director Ola Ince, the pressure and excitement of entering such an iconic production, and the joy of hearing audience theories night after night. Thoughtful, funny and refreshingly honest, Georgina gives a fascinating insight into life inside one of the West End’s most enduring productions. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we head from the glittering celebrations of the Fringe Theatre Awards at the Clapham Grand to the outrageous comedy of Oh, Mary! starring Catherine Tate, the fast-paced female ensemble drama Flush, and a powerful new production of One Flew Over the Cuckoo's Nest directed by Clint Dyer. Expect dark comedy, emotional chaos, unforgettable performances and theatre that challenges the systems around us.Fringe Theatre AwardsThe team attended the annual Fringe Theatre Awards ceremony at Clapham Grand, hosted by Michael Twaits alongside a host of guest presenters, celebrating the very best of London’s fringe theatre scene. A joyful evening recognising bold new voices, breakthrough productions and the creative heartbeat of independent theatre.Oh, Mary!Comedy icon Catherine Tate takes centre stage in the West End transfer of Oh, Mary! at Trafalgar Theatre. Written by Cole Escola, this wildly irreverent black comedy reimagines Mary Todd Lincoln as a boozy, cabaret-obsessed First Lady spiralling in the weeks leading up to Abraham Lincoln’s assassination. Sharp, outrageous and completely unhinged, this multi-award-winning hit delivers some of the funniest and most daring comedy currently in the West End.FlushWinner of a Fringe Theatre Award and a Bitesize Award for Best Direction, Flush is an exhilarating ensemble comedy-drama set entirely inside a women’s nightclub toilet. Written by and starring April Hope Miller, the production follows sixteen interconnected women across one chaotic night of confessions, breakdowns, hookups and hard truths. Featuring standout performances from Ayesha Griffiths and Jazz Jenkins, Flush balances razor-sharp comedy with emotional honesty, capturing the fragile solidarity and messy brilliance of modern womanhood.One Flew Over the Cuckoo’s NestAaron Pierre, Giles Terera and Olivia Williams lead a gripping new production of One Flew Over the Cuckoo’s Nest. Directed by Clint Dyer and adapted by Dale Wasserman from Ken Kesey’s landmark novel, this bold reimagining explores power, oppression and institutional control through the eyes of Chief Bromden. Fierce, politically charged and emotionally devastating, this production breathes urgent new life into a theatrical classic. Hosted on Acast. See acast.com/privacy for more information.

This episode, we’re diving into the haunting world of Let the Right One In at the Boulevard Theatre. Darren reviews Jack Thorne’s stage adaptation of the acclaimed Swedish vampire story, discussing how the National Youth Theatre tackled the play’s chilling atmosphere, emotional intensity and ambitious physical theatre within the intimate cabaret-style venue. Darren talks about the standout performances from the young cast, including Rachel Dowsett’s striking portrayal of Eli, the inventive staging and movement work, and why the story continues to resonate as both a dark coming-of-age tale and a haunting love story. Darren and Natalie also discuss the importance of organisations like National Youth Theatre in developing the next generation of performers and creatives, with Natalie reflecting on her own experiences training there as a teenager. The episode follows with a behind the scenes conversation with director James Dacre, a long established mentor and director of NYT. Hosted on Acast. See acast.com/privacy for more information.

This week, we dive into JEEZUS!, A Midsummer Night’s Dream at Shakespeare's Globe, and FLYBY at Southwark Playhouse Borough - three productions fuelled by desire, transformation, and emotional chaos. From queer rebellion in 1990s Peru, to Shakespearean lovers lost in a moonlit forest, to a fractured romance drifting through deep space, these shows explore identity, connection, fantasy, and the dangerous thrill of feeling truly alive.JEEZUS!Created by award-winning migrant-led company Alpaqa, this explosive musical blends live music, dark comedy, Latin heat, and unapologetic queerness into one gloriously chaotic theatrical experience. Set against the backdrop of 1990s Peru during Alberto Fujimori’s dictatorship, the show follows altar boy Jesús as Catholic guilt collides headfirst with forbidden desire. Winner of the 2025 Untapped Award and The Stage Fringe Five, JEEZUS! returns to London louder, sweatier, and even more unhinged after its Edinburgh Fringe success. Think Bad Bunny meets Bo Burnham by way of Bertolt Brecht.A Midsummer Night’s Dream – Shakespeare's GlobeShakespeare’s beloved comedy is transformed into a vibrant communal celebration in this joyful new production directed by Emily Lim. As lovers chase desire through a moonlit forest and mischievous spirits wreak havoc, the Globe becomes a playground of chaos, wonder, and transformation beneath the summer sky. Filled with music, magic, and theatrical playfulness, this immersive take on the classic reminds us why A Midsummer Night’s Dream remains one of Shakespeare’s most enchanting works.FLYBY – Southwark Playhouse BoroughOriginally developed by the National Theatre, this emotionally charged new musical blends intimate relationship drama with the vast loneliness of space. Written by Theo Jamieson and directed by Adam Lenson, FLYBY follows astronaut Daniel after he steals a spacecraft and disappears, leaving filmmaker Emily behind to piece together the truth. Starring Poppy Gilbert, Stuart Thompson, Gina Beck, Rupert Young and Simbi Akande, the musical explores ambition, obsession, mental health, and the dangerous pull between two people who cannot let each other go. Hosted on Acast. See acast.com/privacy for more information.

This episode, we dive into two bold, politically charged productions - A Doll’s House at the Almeida Theatre and Between the River and the Sea at the Royal Court - each interrogating relationships under pressure. From the fractures within a marriage to the complexities of identity across borders, these shows ask what happens when the systems we rely on - love, family, nation - begin to crack.A Doll’s House – Almeida TheatreHenrik Ibsen’s groundbreaking domestic drama gets a sharp, contemporary reimagining in this new version by Anya Reiss, directed by Joe Hill-Gibbins. When scandal threatens Nora and Torvald’s seemingly perfect marriage, the rules of their relationship are thrown into question - money, sex, and power all up for negotiation. Romola Garai returns to the Almeida as Nora, bringing intensity and nuance to a role that continues to challenge audiences over a century on. Provocative, unsettling, and darkly modern, this is a revival that leans into the mess of intimacy and control.Between the River and the Sea – Royal Court TheatreWritten by Yousef Sweid and Isabella Sedlak, this internationally acclaimed piece arrives in London following its success at Berlin’s Maxim Gorki Theater. Part personal story, part political reflection, it follows Yousef - a Palestinian-Israeli man navigating identity, fatherhood, and a complex custody battle across borders. Moving between Haifa and Berlin, the play explores family, fear, and the possibility of imagining a future beyond division. Urgent, intimate, and deeply human storytelling at its core. Hosted on Acast. See acast.com/privacy for more information.

This week, we explore three productions - Dear Jack, Dear Louise, Invisible Me and An Evening Without Kate Bush- each capturing connection in very different ways: through letters, through late-life reinvention, and through music that brings people together. Natalie talks about the up-coming season at the Young Vic with a sneak peep from Artistic Director Nadia Fall. From wartime romance to modern-day intimacy and a joyous celebration of fandom, these shows remind us that it’s never too late to feel, to rediscover, and to belong.Dear Jack, Dear LouiseWritten by Ken Ludwig, this charming and deeply moving play tells the true story of two strangers who fall in love through letters during World War II. Jack, a military doctor stationed in Oregon, and Louise, an aspiring actress in New York, build a relationship across distance and time - proving that even in the darkest moments, connection can flourish. Warm, witty and full of heart, it’s a love story built on words, imagination and longing.Invisible MeA warm, witty and refreshingly honest exploration of life, love and sex later in life, starring Tessa Peake-Jones. Following three Londoners navigating grief, dating, and rediscovery, the play shines a light on stories we rarely see on stage. With humour and tenderness, it asks what happens when life doesn’t slow down at sixty - and whether there’s still room for connection, intimacy, and reinvention.An Evening Without Kate BushCreated and performed by Sarah-Louise Young, this joyful and wildly original show invites audiences to release their inner Kate Bush. Blending cabaret, storytelling and audience participation, it celebrates the fans, the music, and the myth of one of the most iconic artists of all time. Expect to howl with The Hounds of Love, dance through Wuthering Heights, and lose yourself in a night that’s as communal as it is electric. Hosted on Acast. See acast.com/privacy for more information.

This week, we explore three productions that each, in their own way, interrogate identity -through family, through art, and through community. From intimate domestic tensions to bold visual storytelling and vibrant, lived-in spaces, these shows remind us how deeply personal and political our stories can be.The Holy RosenbergsWritten by Ryan Craig and directed by Lindsay Posner, this gripping family drama dives into faith, legacy, and generational divide. With a powerhouse cast including Tracy-Ann Oberman, the play examines belief, belonging, and the emotional cost of holding a family - and its traditions - together in a rapidly shifting world.A Mirrored MonetCreated by Carmel Owen and directed by Christian Durham, this visually striking piece draws inspiration from the world of impressionist art to explore perception and self-image. Blending multimedia with performance, it reflects on how identity is shaped - and sometimes fractured - through memory, observation, and the gaze of others. Cast includes Jeff Shankley and Dean John-Wilson.Jaja’s African Hair BraidingWritten by Jocelyn Bioh and directed by Monique Touko, this vibrant and deeply human story is set in a bustling Harlem hair salon. Featuring a dynamic ensemble cast, the play celebrates community, culture, and resilience - capturing the humour, struggle, and beauty found in everyday connection. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Darren and Natalie bring together Paco Peña: Solera, John Proctor Is the Villain, and a look at The Off West End Awards (Offies) - celebrating bold performance, urgent storytelling and the brilliance of Off-West End theatre.The Off West End Awards (The Offies)We take a moment to celebrate the Offies - the awards that champion the very best of Off-West End theatre. Recognising innovation, risk-taking and outstanding talent across London’s fringe venues, the Offies shine a spotlight on the artists and productions pushing boundaries and shaping the future of theatre.Smalltown Boy – Development Workshop Presentation A new jukebox musical in development, showcased in an invite-only industry workshop in London. Set in New York’s East Village in 1983, it follows a teenage runaway immersed in the underground New Wave scene as the AIDS crisis begins to unfold. Featuring iconic 80s hits like Tainted Love and True Colors, the show explores identity, belonging and chosen family through a distinctly LGBTQ+ lens, with a rising West End cast and a creative team led by writer Jeffrey Fischer-Smith and director Jonathan O’Boyle.Paco Peña: Solera – Sadler’s WellsFlamenco legend Paco Peña returns with Solera, a rich and soulful celebration of Andalusian music and dance. Joined by an exceptional company of dancers and musicians, this electrifying production blends intricate guitar work, powerful vocals and breathtaking choreography. Rooted in tradition yet alive with contemporary energy, Solera is a masterclass in rhythm, storytelling and the enduring power of flamenco.John Proctor Is the Villain – Royal Court TheatreA blistering, five-star production that couldn’t feel more timely. Written by Kimberly Belflower and directed by Danya Taymor, this bold re-examination of The Crucible through a modern, feminist lens places teenage girls at the centre of the narrative. Set in a Georgia high school, the play interrogates power, patriarchy and whose stories are believed - or rewritten. Featuring an outstanding ensemble cast delivering electric, emotionally raw performances, this is theatre that feels urgent, necessary and deeply resonant. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we’re joined by Olivier Award-winning performer, writer and cabaret artist Sarah-Louise Young, as she brings her wildly successful cult hit An Evening Without Kate Bush to Underbelly Boulevard in London.This isn’t your typical tribute show. Kate Bush isn’t in it… and yet she’s everywhere. Blending iconic music, audience participation, and a deep love for fandom, the show has become a global phenomenon - out internationally, playing Glastonbury, and building a fiercely devoted following.In this conversation, we talk about the magic of cabaret, the unpredictability of live audiences, and what it means to create a show that changes night to night and why cabaret remains one of the most exciting and dangerous forms of live performance.Plus… what would actually happen if Kate Bush walked into the audience? Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie take on four strikingly different productions. From dark historical drama – Savage, and modern dating satire You Matched With, to world-class dance Turn it Out with Tiler Peck and Friends and a raw, music-fuelled classic - Teeth 'n' Smiles.Savage – White Bear TheatreA chilling and provocative play rooted in real history, Savage explores the horrifying “conversion” experiments carried out under Nazi rule by Danish doctor Carl Peter Værnet, who claimed to have found a “cure” for homosexuality. Set against this brutal backdrop, the play examines identity, power and survival, brought to life through a strong ensemble. Unflinching and deeply affecting, it confronts a dark chapter of history that still resonates today.You Matched With… – Etcetera TheatreSwipe right into chaos with this sharp, witty exploration of modern dating. You Matched With… dives into the absurdities, expectations and emotional rollercoaster of app-based romance, blending humour with uncomfortable truths about connection in the digital age. Fast-paced and relatable, it captures the awkwardness, hope and heartbreak of searching for love through a screen.Turn It Out with Tiler Peck & FriendsA dazzling evening of dance led by New York City Ballet principal Tiler Peck, bringing together an extraordinary ensemble of performers across ballet, tap and contemporary styles. Packed with visually stunning choreography and standout moments - including a thrilling duo with her husband Roman Mejia - this vibrant programme showcases the sheer versatility and brilliance of world-class dancers pushing boundaries and celebrating movement in all its forms.Teeth 'n' Smiles David Hare’s cult classic returns in this raw, electrifying production set in the world of a struggling rock band. Following a chaotic university May Ball performance, Teeth 'n' Smiles captures the tensions, ambitions and disillusionment of youth through music, rebellion and sharp dialogue in this rebel play starring Self Esteem's Rebecca Lucy Taylor. Gritty, funny and biting, it remains a powerful portrait of artistic frustration and the cost of chasing success. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie take on two epic stories reimagined for the stage - from dystopian spectacle with The Hunger Games: On Stage to one of Shakespearean’s most famous tragedy Romeo & Juliet.The Hunger Games: On StageCitizens of Panem, the arena has arrived in London. This bold new stage adaptation of Suzanne Collins’ global phenomenon transforms The Hunger Games into a live theatrical experience in a purpose-built venue at Canary Wharf. Adapted by Conor McPherson and directed by Matthew Dunster, this ambitious production follows Katniss Everdeen’s fight for survival in a world where power, control and spectacle collide. With cutting-edge staging and a clear sense of scale, the show brings the iconic story to life in a way that asks: what happens when entertainment and violence become one and the same?Romeo & Juliet @ Shakespeare’s GlobeBack at the Globe for its 20th anniversary year of Playing Shakespeare with Deutsche Bank, this fast-paced, 90-minute revival of Romeo & Juliet offers a thrilling, accessible take on Shakespeare’s most famous love story. Directed by Lucy Cuthbertson, this “stunt-riding thriller” strips the play back to its raw emotional core, placing young love against a backdrop of escalating violence. Designed as an entry point for new audiences, this production proves just how urgent and relevant the story of Romeo and Juliet still feels today. Hosted on Acast. See acast.com/privacy for more information.

Best known to millions as Raquel in the iconic BBC sitcom Only Fools and Horses, Tessa  Peake-Jones joins Darren to discuss her latest stage role in the heartfelt new comedy-drama Invisible Me, opening at Southwark Playhouse.Written by Bren Gosling and directed by Scott Le Crass, the play explores dating, loneliness and the search for connection later in life. Following three very different characters navigating singledom in their sixties, Invisible Me offers a funny, honest and touching look at love, identity and the courage it takes to start again.Tessa talks about bringing the character of Lynn to life, the realities of representation for older performers on stage, and why stories about later-life romance feel more relevant than ever. Hosted on Acast. See acast.com/privacy for more information.

Our guest this week is director and theatre-maker Jesse Jones, Artistic Director of Royal & Derngate, who joins Darren to talk about bold programming, new writing, and why theatre should never be afraid of dividing opinion.Jesse’s career spans devised theatre, new writing, large-scale adaptations and West End hits. He co-founded the award-winning The Wardrobe Ensemble and previously served as Associate Artistic Director at Paines Plough.In this episode we discuss leading a regional producing theatre, protecting risk in new writing, and his latest production Top Gs Like Me by Samson Hawkins, a provocative new play exploring masculinity, identity and online culture.A thoughtful conversation about bold programming, new voices, and why theatre that divides opinion can sometimes be the most exciting kind. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie take on three wildly different theatrical experiences - from razor-sharp satire with The Producers and dark musical thrills American Psycho to outrageous operatic comedy - The Opera Locos.The Opera Locos – Sadler’s WellsThe madcap Spanish company Yllana brings its international hit The Opera Locos to Sadler’s Wells, turning the world of grand opera completely on its head. This riotous comedy follows a group of eccentric opera singers competing for a prestigious prize, but their soaring voices and egos quickly spiral into chaos. Featuring beloved arias from composers such as Mozart, Verdi and Puccini alongside unexpected pop classics, the show blends virtuosic singing with physical comedy, mime and clowning. The result is a playful celebration of opera that proves the genre can be both spectacular and seriously funny.American Psycho – Almeida TheatreRupert Goold returns to the Almeida Theatre with a thrilling revival of the cult musical American Psycho. Based on Bret Easton Ellis’ infamous novel, the show plunges us into the sleek, soulless excess of 1980s Wall Street as investment banker Patrick Bateman hides a terrifying double life. Featuring music by Duncan Sheik, this stylish, darkly satirical musical explores capitalism, vanity and the emptiness of consumer culture. With slick staging and a pounding score, the production captures both the glamour and the horror of Bateman’s world — where appearances are everything and identity is terrifyingly fragile.The Producers – West End TransferMel Brooks’ legendary musical comedy The Producers storms into the West End following its acclaimed run at the Menier Chocolate Factory. The outrageous story follows down-on-his-luck producer Max Bialystock and timid accountant Leo Bloom, who hatch a scheme to get rich by producing the worst musical ever written. What could possibly go wrong? Packed with showstopping numbers, outrageous jokes and the infamous “Springtime for Hitler”, this revival proves why The Producers remains one of the funniest musicals ever written — a riotous love letter to theatre itself. Hosted on Acast. See acast.com/privacy for more information.

In this special backstage episode, Natalie sits down with Keala Settle and Hal Fowler, the stars of Mrs. President at the Charing Cross Theatre - a gripping reimagining of Mary Lincoln’s fight to reclaim her reputation after the assassination of Abraham Lincoln.Keala Settle delivers a powerhouse performance as a woman vilified by history, navigating grief, public scrutiny and the crushing weight of expectation. Opposite her, Hal Fowler plays photographer Mathew Brady, the man tasked with restoring her image - a collaboration that becomes as volatile as it is revealing.In this candid conversation, Keala and Hal explore the emotional intensity of the piece, the fine line between truth and public narrative, and why Mary Lincoln’s story feels startlingly contemporary. They discuss power, identity, media manipulation and the cost of being misunderstood - themes that resonate far beyond the 19th century.Raw, insightful and unexpectedly timely, this is a fascinating glimpse behind the curtain of one of London’s most thought-provoking productions. Hosted on Acast. See acast.com/privacy for more information.

This week, Darren and Natalie bring you backstage moments, bold new musical theatre, immersive magic and political satire with a photo call for World’s Greatest Lover, Natalie took her school kids to see Into the woods and Darren attended the press night of I’m Sorry, Prime Minister.World’s Greatest Lover – Photo Call & Cast ChatsWe were at the photo call for the high-energy pop-rock musical World’s Greatest Lover, featuring music and book by Julien Salvia and lyrics and book by Ludovic-Alexandre Vidal - the award-winning writing duo behind The Prince & The Pauper and The Adventures of Tom Sawyer. Fresh from their Eurovision pop success with La Poupée Monte Le Son, the pair now bring their infectious theatrical style to London. Darren caught up with cast members Matt Terry, Joaquin Pedro Valdes, and Jaymi Hensley for quick-fire chats about the show’s bold sound, its romantic chaos and what audiences can expect.Into the Woods Back under the trees at the Bridge, this thrilling revival of Sondheim’s masterpiece invites audiences into an immersive fairytale world where wishes come at a cost. With seating wrapped around the action and on-foot tickets allowing you to follow the story, this is musical theatre at its most playful, poignant and theatrical.I’m Sorry, Prime MinisterThe iconic political duo return in this sharp, nostalgic and gently biting farewell to Jim Hacker and Sir Humphrey. A final chapter to the beloved Yes, Minister universe, this stage outing blends classic satire with contemporary relevance as power, ego and public image once again collide. Hosted on Acast. See acast.com/privacy for more information.

In this week’s episode, Darren is joined by Joseph O’Curneen - founding member of internationally acclaimed Spanish theatre company Yllana - to talk about the glorious chaos that is The Opera Locos.Returning to London following standing ovations, The Opera Locos takes over Sadlers Well’s Theatre for a strictly limited run. This vibrant comic opera experience blends world-class singing with outrageous physical comedy, fusing the grandeur of Mozart, Verdi and Puccini with pop anthems from Whitney Houston, Mika, U2 and more.At the heart of the show are five eccentric opera singers - a faded tenor, a macho baritone, a pop-loving counter-tenor, a dreamy soprano and a fiery mezzo - whose rivalries, egos and hidden desires spiral into operatic mayhem. It’s opera… but not as you know it.Joseph shares how Yllana, founded in 1991 as a comedy and physical theatre company, has grown into a global powerhouse - producing 41 shows, performing over 16,000 times across 48 countries, and reaching almost six million audience members. We explore the art of non-verbal storytelling, the universal language of laughter, and why opera is the perfect playground for comic anarchy.From Max Award-winning success in Spain to international touring and a triumphant London return, this is a joyful, insightful conversation about risk, reinvention and making classical music wildly accessible.If you think opera isn’t for you - this might just change your mind. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three powerful productions that examine legacy, longing and the stories we pass down - through history - Here there are Blueberries, through song - Ballad Lines, and through quiet acts of courage - The Unlikely Pilgrimage of Harold Fry.Here There Are BlueberriesA haunting and urgent new play inspired by a real-life photo album discovered in an archive - images taken by Nazi officers at Auschwitz. As archivists begin to piece together the lives behind the photographs, difficult questions emerge: what do we do with inherited history? Who gets to tell these stories? And how do we confront the ordinary faces of extraordinary evil? A deeply unsettling, necessary piece of theatre that lingers long after the lights go down.Ballad LinesA lyrical, folk-infused new musical that threads together generations of women through music and memory. Rich in harmony and storytelling, Ballad Lines blends Celtic influences with contemporary musical theatre to create an intimate exploration of identity, love and resilience. Atmospheric, heartfelt and musically stunning.The Unlikely Pilgrimage of Harold FryBased on the beloved novel by Rachel Joyce, this moving musical charts Harold’s spontaneous walk across England to save an old friend. With an evocative score and deeply human performances, it’s a story of redemption, grief and the extraordinary power of simply putting one foot in front of the other. Hosted on Acast. See acast.com/privacy for more information.

This week we’re joined by comedian, writer and performer Jessica Regan, a regular voice on The Guilty Feminist Podcast, to talk about her bold and brilliantly personal one-woman show 16 Postcodes.Following sell-out, critically acclaimed runs at the Edinburgh Festival Fringe and the Pleasance Theatre, 16 Postcodes makes its London premiere at King's Head Theatre. The show chronicles Jessica’s real-life journey through London’s crumbling private rental market - and in a twist that makes every performance unique, the audience decides which stories are told each night.With the UK’s Renter’s Rights Bill coming into effect later this year, this conversation feels especially timely. Jessica offers a lived, sharp and darkly funny perspective on the realities behind the headlines - exploring instability, autonomy, power, and what it really means to try to build a life when “home” never quite sticks.We talk about turning housing trauma into theatre, why comedy is sometimes the only survival tool available, how audiences respond when given control, and whether legislation can truly repair the emotional toll of renting in London.It’s funny. It’s honest. And it’s painfully relatable. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie cover a packed episode spanning major casting announcements, explosive physical theatre, and an intimate world premiere that cuts straight to the heart.We were at the Thomas Hopkins Productions press launch announcing three exciting productions:Maureen Lipman starring in AllegraWendi Peters leading GloriousAnd The Jonathan Larson Project, celebrating the visionary composer behind Rent and Tick, Tick… Boom! A glimpse at what promises to be an exciting season ahead.Frantic Assembly’s Lost Atoms Jess and Robbie’s love story begins with a chance meeting and unfolds into something extraordinary - or so they remember. Written by Anna Jordan (Succession, Yen, The Unreturning) and staged with Frantic Assembly’s signature physical intensity, Lost Atoms dives into the soaring highs and devastating lows of a relationship shaped as much by memory as reality. Funny, raw and emotionally charged, it asks: when love ends, whose version survives?Guess How Much I Love You?A pregnant couple wait for their 20-week scan - and the life they imagined begins to shift. This devastating and beautifully observed new play by Bruntwood Prize-winner Luke Norris, directed by Olivier Award-winner Jeremy Herrin, explores parenthood, impossible decisions and enduring love. A powerhouse cast including Rosie Sheehy, Robert Aramayo, and Lena Kaur deliver deeply affecting performances in this world premiere that lingers long after the curtain falls. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three powerful productions that wrestle with truth, legacy and the cost of standing by your convictions - from the Wild West with High Noon to the White House with Mrs. President and the glittering wreckage of the Jazz Age with Beautiful Little Fool.High NoonA searing stage adaptation of the legendary Western that once served as an allegory for Hollywood’s blacklist, High Noon feels chillingly relevant today. Set in real time and running without an interval, the story follows Marshal Will Kane (Billy Crudup) as he faces an impossible choice: protect his town from a returning outlaw or protect his new wife, Amy Fowler (Denise Gough). With songs by Bruce Springsteen, The Chicks and Ry Cooder, this tense, 100-minute thriller is part love story, part political warning - and entirely gripping.Mrs President Keala Settle takes on the role of Mary Lincoln in this newly reimagined version of John Ransom Phillips’ gripping drama. Haunted by grief, vilified by society and desperate to reclaim her narrative, Mary turns to photographer Mathew Brady (Hal Fowler) to help restore her image - only for their collaboration to spiral into a fierce battle over truth, authorship and control. Directed by Bronagh Lagan, this bold reinvention reveals Mary Lincoln as a woman fighting to define herself in a world determined to define her.Beautiful Little FoolTold through the eyes of their daughter Scottie, this new musical charts the turbulent, brilliant and tragic relationship between Zelda and F. Scott Fitzgerald. Directed by Tony Award nominee Michael Greif, with music and lyrics by Hannah Corneau and a book by Mona Mansour, the UK premiere stars Lauren Ward as Scottie, David Hunter as F. Scott Fitzgerald and Hannah Corneau as Zelda. A sweeping, lyrical exploration of art, fame and family long after the Roaring Twenties have faded. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie take on a powerful and wide-ranging episode, exploring Safe Haven, Mother.Dad, A Grain of Sand, and The Olive Boy - four very different plays that confront survival, morality, parenthood and resilience, from global humanitarian crises to deeply personal stories of growing up and finding your way.Safe HavenSet in the aftermath of the First Gulf War, Safe Haven charts the brutal suppression of the Kurdish uprising in northern Iraq and the desperate flight of two million people into the mountains. As the world watches in horror, two British diplomats - aided by a Kurdish refugee - battle bureaucracy in Whitehall to force intervention before it’s too late. Written by Chris Bowers, former British diplomat in Iraqi Kurdistan, this sweeping and urgent play brings to life the moral conviction and political courage that led to Operation Safe Haven, an unprecedented humanitarian mission that prevented genocide.Mother.DadA woman checks IDs in a pub doorway. A man sits at his kitchen table with his children. Both are waiting for the same call. From hit company Chronic Insanity, Mother.Dad is a raw, raucous and deeply human new play about love, class, parenthood and the sheer madness of raising a family in the 21st century. Written by rising star Doug Deans, this world premiere was selected from over 800 scripts for Lyric Hammersmith’s open submission and shortlisted by the Bush Theatre, Royal Court and Graeae.A Grain of SandThis intimate and devastating one-woman show follows Renad, a young Gazan girl searching for her family while carrying her grandmother’s stories and the myth of the ‘Anqaa’ - the Palestinian Phoenix. Blending folklore with real testimonies from children in Gaza, A Grain of Sand explores war through a child’s eyes, centring resilience, imagination and the right of children to be children. The production is accompanied by Each Child a Light, a powerful collaborative quilt exhibition commemorating children killed in Gaza.The Olive BoyBased on Ollie Maddigan’s real-life story, The Olive Boy is a hilarious and heartfelt coming-of-age comedy about being uprooted, trying to fit in, and pursuing love against the odds. After sell-out runs at the Edinburgh Fringe, a national tour and early acclaim at Camden Fringe, this deeply personal and unexpectedly moving show lands at Southwark Playhouse in its latest chapter. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Darren and Natalie dive into the UK premiere of Already Perfect, the new folk-rock musical now playing at King’s Head Theatre.Written by Tony Award-winner Levi Kreis, Already Perfect is an intimate, soul-infused piece that unfolds in a Broadway dressing room on the brink of collapse - where past and present collide in a raw, often funny reckoning with identity, addiction, faith and self-worth.Natalie sits down with the show’s creator and star Levi Kreis, alongside producer Larry Lelli and director Dave Solomon, to talk about the deeply personal origins of the piece, translating lived experience into musical theatre, and why this story of self-acceptance feels more urgent than ever. They discuss the show’s gospel-tinged score, its emotional honesty, and the challenge of balancing intimacy with theatrical scale.Alongside the interview, Darren and Natalie share their critical response to the production, from the standout performances and striking design to the conversations the show is provoking with audiences. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Darren and Natalie unpack the latest West End revival of Woman in Mind, Alan Ayckbourn’s 1985 psychological comedy now marking its 40th anniversary. Starring Sheridan Smith and directed by Michael Longhurst, the production revisits a story of fractured reality, imagination and domestic dissatisfaction - but does it still resonate today? Natalie and Darren share their thoughts on the play’s dated themes, standout design elements, and whether star power alone is enough to justify its return to the London stage.The conversation then shifts backstage as Darren Zooms with Rebecca Trehearn and Frances McNamee, stars of the new folk musical Ballad Lines. In this behind-the-scenes chat, they discuss bringing traditional ballads to life, performing new writing, and the joy - and challenge - of telling intimate stories through music.  Hosted on Acast. See acast.com/privacy for more information.

In our first episode of 2026, Darren and Natalie dive into one of the most innovative and nerve-shredding productions currently on the London stage - A Ghost in Your Ear at Hampstead Theatre.Written and directed by Jamie Armitage (An Interrogation, SIX) and created in collaboration with acclaimed sound designers Ben and Max Ringham, this two-hander places the audience inside a haunting using binaural 3D sound technology. Wearing headphones, spectators are immersed in a chilling ghost story that unfolds both inside a recording studio and deep within the imagination. Darren reviews how the production uses sound, performance and atmosphere to deliver genuine jump-scares, skin-crawling tension and an emotional story about family, grief and buried secrets - all while pushing the boundaries of what theatre can do.Natalie also brings us a backstage chat with Jonathan Livingstone, who plays Sid, the studio technician opposite George Blagden’s increasingly unravelling actor. Jonathan talks about performing in a show where every line triggers a sound cue, how comedy becomes a lifeline inside horror, and what it’s like to scare an audience who are wearing headphones and completely locked into the world of the play.From comparisons to The Woman in Black to the current wave of theatrical horror sweeping the West End, this episode explores why A Ghost in Your Ear is fast becoming one of the most talked-about and fear-inducing shows in London - and why it proves that sometimes the scariest place of all is your own imagination.  Hosted on Acast. See acast.com/privacy for more information.

In the final episode of Season 5, Darren and Natalie look back on an extraordinary year in theatre, sharing the productions that moved them, thrilled them, and stayed with them long after the curtain fell. From bold new writing and immersive experiences to reimagined classics and unforgettable performances, this episode is a love letter to the shows that defined 2025.They revisit standout moments from Retrograde, Quadrophenia: A Mod Ballet, Grease Immersive Movie Musical, KENREX, This Bitter Earth, Daniel’s Husband, A Midsummer Night’s Dream, Till The Stars Come Down, Evita, and The Midnight Bell -celebrating the artists, stories, and risks that made this theatrical year unforgettable.A fitting farewell to 2025 - and the perfect curtain call to Season 5. 🎭 Hosted on Acast. See acast.com/privacy for more information.

In this special stand-alone episode, Darren sits down with Damon Gould, currently starring as Noel in the cult musical Ride the Cyclone at Southwark Playhouse.Ride the Cyclone is a darkly comic, offbeat musical that has built a devoted global following. After six teenagers die in a freak roller-coaster accident, they find themselves in limbo, offered one final chance at life. Strange, hilarious, and unexpectedly moving, the show explores identity, longing, fantasy, and the versions of ourselves we wish the world could see.In this conversation, Damon talks about stepping into one of the show’s most iconic and complex roles, balancing comedy with vulnerability, audience reactions, and what draws him to bold, unconventional theatre. He also reflects on his career so far - from Cabaret in the West End to Newsies - and what continues to excite him about performing live.A thoughtful, funny, and insightful chat with one of theatre’s most exciting performers, diving deep into a truly singular musical. Hosted on Acast. See acast.com/privacy for more information.

This episode celebrates two completely different - but equally exhilarating - nights at the theatre. From sweeping, cinematic dance storytelling to full-throttle historical chaos, we explore why live performance continues to thrill, surprise, and transport. One is a five-star festive classic - The Red Shoes -  that dazzles the senses; the other - Oh Mary! - is a riotously funny West End sensation that gleefully tears up the rulebook.The Red Shoes - New Adventures / Matthew BourneInspired by Hans Christian Andersen’s dark fairy tale and the legendary 1948 Powell and Pressburger film, The Red Shoes is a five-star triumph and the perfect Christmas theatre treat. Matthew Bourne’s visually sumptuous, emotionally sweeping production explores obsession, ambition, and the intoxicating cost of artistic perfection. We delve into the fascinating history behind the story, the revolutionary impact of the original film, and the legacy of Bourne and his company New Adventures — whose bold, narrative-driven approach has transformed dance theatre and brought new audiences flocking to ballet for decades.Oh Mary! - West EndFrom festive spectacle to feral farce, Oh Mary! is riotously funny, gloriously unhinged, and gleefully inaccurate. A cult New York hit turned Tony-winning Broadway smash, this West End transfer delivers relentless laughs under Sam Pinkleton’s razor-sharp direction, with Cole Escola’s anarchic writing skewering power, ego, and historical mythmaking. We discuss the play’s journey to the West End, its awards success, and why this fearless, five-star comedy has become one of the most talked-about nights out in town — all completely spoiler-free. Hosted on Acast. See acast.com/privacy for more information.

Today on the podcast, Darren is joined by trailblazing drag artist, actor and cabaret star Victoria Scone - a performer who made herstory on RuPaul’s Drag Race UK and went on to wow audiences internationally on Canada’s Drag Race: Canada vs the World. From redefining drag on screen to commanding stages across the UK, Victoria’s career is a joyful collision of theatre, comedy, music and fearless self-expression.Currently, Victoria is bringing full dame energy to the festive season as Dame Trott in Jack and the Beanstalk at the King’s Head Theatre, and in this chat she dives into the glorious tradition of panto, the art of playing a dame, audience chaos, and why drag and panto are such perfect bedfellows.The conversation also spans Victoria’s wider stage career. Along the way, Victoria talks cabaret, comedy, music, and creating new work - including sold-out solo shows Jam Packed.It’s a funny, generous and insightful conversation about performance, visibility, tradition, and carving out a career on your own terms - with plenty of laughs, warmth, and a little festive mischief along the way. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three strikingly different productions - each asking big questions about love, belief, bravery and connection - from intimate relationship drama to festive comedy and razor-sharp contemporary writing. Daniel’s Husband, Gawain and the Green Knight and Most Favoured with backstage chat with actor Alexander Arnold.Daniel’s Husband – Marylebone TheatreDaniel and Mitchell appear to have it all: successful careers, a beautifully curated home, devoted friends, and a deep love for one another. But when an unexpected crisis threatens their future, their relationship is pushed to its limits. Tender, intelligent and quietly devastating, Daniel’s Husband is an unflinching exploration of love, morality and where our strongest convictions truly live - in our hearts, or in our minds.Gawain and the Green Knight – Park TheatreFrom the comedy writers behind The Nag’s Head and Sniff, this riotous reinvention of the classic legend swaps medieval castles for corporate Camelot. Meet Gawain: an office everyman hoping for a promotion and the courage to ask out his crush - until a mysterious green figure crashes the Christmas party and launches him into a quest of temptation, danger and destiny. Expect laugh-out-loud comedy, multi-rolling madness, festive chaos and heroic silliness in equal measure.Most Favoured – Soho TheatreFrom award-winning playwright David Ireland (The Fifth Step, Cyprus Avenue), this sharp, funny and unexpectedly profound two-hander stars Lauren Lyle and Alexander Arnold. After a one-night stand in a Travelodge, Mary and Mike reveal the truths they’ve been hiding - leading to a bold exploration of faith, loneliness and vulnerability, with a twist you won’t see coming. Directed by Max Elton, Most Favoured proves that a short play can still pack a huge emotional punch.Backstage InterviewDarren goes backstage with Alexander Arnold, currently appearing in Most Favoured, to talk about tackling David Ireland’s writing, holding a tight two-hander, navigating that unexpected twist, and why risk, faith and short plays can still leave a lasting impact. Hosted on Acast. See acast.com/privacy for more information.

It’s the most theatrical time of the year, and Theatre Audience Podcast is celebrating the festive season with a Christmas Show Special packed full of pantomime, parody and seasonal spectacle. Darren and Natalie discuss their views on; Beauty and the Beast at Churchill Theatre, Ebony Scrooge at Sadler’s Wells East, The Fit Prince and Jack and the Beanstalk - both at King’s Head Theatre and Cinderella at the Rose Theatre. Beauty and the Beast – Churchill TheatreThis lavish festive spectacular brings fairy-tale magic to Bromley, starring national treasure Su Pollard alongside Samantha Womack. With dazzling sets, big laughs and all the traditional panto ingredients audiences love, Beauty and the Beast delivers festive fun for the whole family, led by two powerhouse performers who know exactly how to work a crowd.Ebony Scrooge – Sadler’s Wells EastA bold, brilliant reimagining of Dickens’ classic, Ebony Scrooge fuses spoken word, music and movement to tell a fresh, culturally resonant version of A Christmas Carol. Set to a vibrant soundtrack and staged with Sadler’s Wells flair, this production offers a soulful, contemporary take on redemption, generosity and community.The Fit Prince – King’s Head TheatreFresh from its Fringe success, this adults-only festive hit delivers outrageous laughs, filthy innuendo and fearless audience interaction. Created by Linus Karp and Joseph Martin, The Fit Prince gleefully dismantles fairy-tale tropes with camp abandon, proving once again that King’s Head Theatre is the home of festive mischief.Cinderella – Rose Theatre, KingstonA sparkling, family-friendly panto packed with heart, humour and high production values. Cinderella at the Rose Theatre delivers classic storytelling with modern wit, bringing magic, romance and plenty of laughs to audiences of all ages in this beautifully staged festive favourite.Jack and the Beanstalk – King’s Head TheatreIslington’s favourite naughty panto returns, starring Victoria Scone as a sensational Dame. Expect filthy jokes, fabulous guest appearances and full-throttle camp chaos in this adults-only version that has become a festive institution in its own right.Join Darren and Natalie as they celebrate the joy, variety and sheer brilliance of Christmas theatre - from family pantos to boundary-pushing festive reinventions - proving there’s truly something for everyone this season. Hosted on Acast. See acast.com/privacy for more information.

In this exclusive backstage-with session, Darren sits down with award-winning composer, producer, and performer John Patrick Elliott. Originally from West Yorkshire, John has done everything from touring across Europe with his project The Little Unsaid to creating live electronic scores for major theatre productions. He won “Best Composer” at the Stage Debut Awards 2022 for his work on Cruise - and he’s also composed for the Royal Shakespeare Company and has a whole catalogue of genre-hopping, boundary pushing music. Hosted on Acast. See acast.com/privacy for more information.

This week Darren and Natalie explore three thrilling productions shaking up London’s stages -  from the dark corners of digital desire with Porn Play, to an eternal whodunnit – The Mousetrap and a macabre new comedy with a supernatural twist – The Grim.Porn PlayA sell-out world premiere that’s as provocative as it is powerful. Ambika Mod (One Day, This Is Going to Hurt) stars as Ani, a rising academic whose secret addiction to violent pornography threatens to unravel her entire world. Directed by Josie Rourke (Donmar Warehouse, Bush Theatre) and written by Sophia Chetin-Leuner (This Might Not Be It), this funny, unsettling and fearless new play dives deep into shame, desire and the digital age of intimacy. Featuring Will Close, Lizzy Connolly and Asif Khan, with design by Yimei Zhao and movement by Wayne McGregor.The MousetrapA cultural institution that needs no introduction. Agatha Christie’s legendary The Mousetrap has kept audiences guessing for over 73 years - making it the world’s longest-running play. When seven strangers find themselves snowed in at a countryside guesthouse after a shocking London murder, suspicion turns to panic as they realise the killer might be among them. With twists, secrets and surprises at every turn, this iconic whodunnit remains as gripping as ever. Millions have seen it - have you?The GrimFollowing sell-out runs at the Edinburgh Fringe and Old Red Lion Theatre, Edmund Morris’s (You’re Dead, Mate) spine-tingling dark comedy The Grim lands at Southwark Playhouse. It’s 1964, and undertaker Shaun (played by Morris) is just trying to get through another day with his hapless assistant Robert (Louis Davison). But when the body of notorious gangster Jackie Gallagher (Harry Carter) refuses to stay dead, chaos - and comedy - ensue. A fast-paced, supernatural farce that’s equal parts hilarious and heartfelt. Hosted on Acast. See acast.com/privacy for more information.