PODCAST · music
TheOxfordAmbientCollective
by TheOxfordAmbientCollective
The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally route
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137
Themes From Forgotten Films Vol 2 :Caves of Memory
Themes From Forgotten Films Vol 2 :Caves of Memory by TheOxfordAmbientCollective
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136
Pirma Sviesa (naviarhaiku 637)
A short semi improvised piano piece inspired by this haiku: first light - a flock of birds dart in and out of the fig tree Haiku by Anne Curran https://nzhaiku.wordpress.com/anne-curran/ https://www.naviarrecords.com/haiku-music-challenge/
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135
The Fragile Valley (naviarhaiku 636)
A short semi improvised piano piece inspired by this haiku: beyond the talus withering in the valley — a hanging glacier Haiku by Lisa Germany https://www.naviarrecords.com/haiku-music-challenge/
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134
Music For Schools Vol 2 (5 - Data Storage)
A short track played on my Casio VL-Tone VL-1 Electronic Keyboard Synthesiser and recorded into a Tascam DR005XP.
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133
Ghost Hackers VIII - Man In The Middle
A new Ghost Hackers track. This was created in AUM using the Thor synth (by Reason), Hilda synth and Axon3 (beat/drum creator) using Moog MF-1045 (delay) , EOS 2 (reverb) and Revolv (convolution reverb) and Grand Finale (Limiter/Compresser).
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132
Ghost Hackers VII -Evil Twin
Ghost Hackers VII -Evil Twin by TheOxfordAmbientCollective
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131
Ghost Hackers VI - Phreaking
The first track of 2026. The track was created in Korg Gadget using gadgets such as Recife (retro-futurist drum gadget), Miami (Monophonic Wobble Synthesizer) and Stockhom (Reason developed Rex file player).
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130
Soundpainter & The Oxford Ambient Collective - Illusions In Retrograde - 01 Illusion 1 Odyssey
slowworldmusic - a remaster from 2013 release Andrew Janik is awesome at:- https://soundcloud.com/soundpainter Illusions In Retrograde Remastered -4 tracks out now:https://burythejar.bandcamp.com/album/illusions-in-retrograde-remastered available on all other streaming services in the coming weeks
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129
Themes From Forgotten Films Vol 2: The Reactor
Themes From Forgotten Films Vol 2: The Reactor by TheOxfordAmbientCollective
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128
Themes From Forgotten Films Vol 2:Vilniaus Arkikaredra
Themes From Forgotten Films Vol 2:Vilniaus Arkikaredra by TheOxfordAmbientCollective
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127
Themes From Forgotten Films Vol 2: Lost Signals
This is from the soundtrack to the 1994 film by director Sam Norton. The film is set on a space station on the edge of the solar system orbiting Pluto and suddenly all communication is lost with the home world.
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126
Themes From Forgotten Films Vol 2:Ghost In The Dunes
A tune recorded in WaveMapper. This is from the soundtrack to the 1988 film by Japanese director Akari Ito. The film explores the how a young boy called Hinta as he dreams of a world of mystic castles, ravens and ghosts in dunes.
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125
Themes From Forgotten Films Vol2:Tamsus Kodas
A synth jam in Synth One J6 - the first in a new set of Themes From Forgotten Films. This is part of the Sountrack for the 2014 film Tamsus Kodas by Lithunanian director Kajus Kalvis. The film explores the day in the life of hacker Danielius Banis who gets dangerously involved in the Vilnius underworld.
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124
Computer Echoes:1010<->ZX80
The last of the Computer Echoes track and another track inspired by a visit to the National Museum of Computing at Bletchley Park. The ZX80 was an early home computer released by Sinclair Research in 1980. It was one of the first affordable personal computers, designed to be accessible to hobbyists and individuals interested in computing at home
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123
Computer Echoes:1001&orCommodore Pet
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. The Commodore PET (Personal Electronic Transactor) was one of the first personal computers, released in 1977 by Commodore International. It was an all-in-one machine with a built-in monochrome monitor, a keyboard, and a cassette drive for data storage. It ran on the MOS 6502 processor and was one of the first widely available computers designed for businesses, schools, and hobbyists. https://en.wikipedia.org/wiki/Commodore_PET https://www.tnmoc.org/adopt-artefacts/adopt-a-commodore-pet
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122
Computer Echoes:1000!Altair 8800b
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. The Altair 8800 had no built-in screen or video output, so it would have to be connected to a serial terminal (such as a VT100-compatible terminal) to have any output. https://en.wikipedia.org/wiki/Altair_8800
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121
Computer Echoes:0111(^) DEC PDP 8
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. The DEC PDP 8 was the first commercially successful minicomputer, with over 50,000 units sold during the model's lifetime https://en.wikipedia.org/wiki/PDP-8
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120
Computer Echoes:0110 == Transistorised Automatic Computer
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. The Transistorised Automatic Computer was designed in 1958 as compute rised early-warning system. https://www.tnmoc.org/marconi-tac#:~:text=The%20Marconi%20TAC%20(Transistorised%20Automatic,rattling%E2%80%9D%20during%20the%20Cold%20War.
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119
Computer Echoes:0101!=IBM1130
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. The IBM1130 was one the first IBMs developed for the office. https://en.wikipedia.org/wiki/IBM_1130
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118
Computer Echoes: 0100 & EDSAC
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. EDSAC was the one of the world's first digital computers. https://www.tnmoc.org/edsac
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117
Computer Echoes:0011 # The W.I.T.C H
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. W.I.T.C.H was the one of the world's first digital computers. https://www.tnmoc.org/witch
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116
Computer Echoes:0010 => Dreams of Colossus
Another track inspired by a visit to the National Museum of Computing at Bletchley Park. Colossus was the world's first digital computer. https://en.m.wikipedia.org/wiki/Colossus_computer
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115
Computer Echoes:0001<> The Bombe
This track is influenced by a recent visit to the National Museum of Computng at Bletchley Park here in the UK. The track was created in AUM and used apps such as Stria and ID700 with MIDI notes from Harmony Bloom and effects from Bleass Motion EQ, Bleass Delay and Otherdesertcities. Here is where to find out more about The Bombe. https://en.wikipedia.org/wiki/Bombe
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114
The Far Tower In Fluorescence (with Soundpainter)
A few weeks ago my music friend Soundpainter (aka Andrew Janik) got in touch about using one of my tracks from my Sound Installations album as he thought that it would work well with the track that he was producing. This is the result. It has been great fun going back and forth with Andrew exchaning ideas.
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113
Ghost Hackers V - Dark Worm
Ghost Hackers V - Dark Worm by TheOxfordAmbientCollective
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112
Sonic Installations VI-The Cove
This track was composed in AUM using apps such as Hida (going through a Rymdigae effect) and Hillman (going through a Nembrini Delay effect). Notes/MIDI came from Chordjam with additional sounds coming from Fluss Recorder (going via a Speaker effect), All mastered in Grand Finale.
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111
Ghost Hackers IV - Zero Day
This is track was created on my Roland MC307, which I puchased off eBay last year. I finally worked out how to record from it properly. It was great fun!
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110
::::>>>>::Journey To The Sun::::::Naviar Haiku 521
My contribution to Naviar Records Haiku Challenge 521. Haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa Basking in the New Year's sun... my trashy hut Picture by Jonathan M. Hethey https://unsplash.com/photos/photography-of-grass-with-sun-light-ka9D9DiEVvw
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109
Sonic Installations V- The Death of William Blake
The melody for this track was made in Fugue Machine. There are two instances of the Hillman synth app panned left and right. Each of these are going through an effect called Speaker. Grand Finale is being used for mastering. The title was inspired by a recent visit to London as I walked through a small City of London burial ground and suddenly found that the one of many people who were buried there was William Blake (and indeed John Bunyan).
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108
Barbican Drones (with Encym)
A collaboration with a music friend Encym (Roland). I have done a few collaborations with Roland now and it is always a pleasure to work with him. This track contains a number of wonderful samples that Roland sent me earlier in the year. These have been manipulated with an apps such as Fluss and SpaceCraft and with effects added from a Nembrini delay, Other Desert Cities and Speaker. The track was put together in AUM.
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107
Butterfly And Ship (with Pete Swinton) 2.Dysphasia
This is second of the four tracks of a new collaboration with my music friend Pete Swinton. I will be re-working some of his tracks from his excellent Butterfly and Ship album. peteswinton.bandcamp.com/album/butterfly-and-ship This track is a re-work of his track - 05. Two Ships It was mixed in the AUM app on my iPad and used iPad effects apps such as OtherDesertCities, MoogeFooger MF104s Delay,Speakers and Grnad Finale.
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106
::::>>>>::Dark Fall::::::Naviar Haiku 511
My contribution to Naviar Records Haiku Challenge 511. Haiku by Shubham Dasgupta In dark autumn nights dew and the new bamboo shoots reaching out to moon Photo by naraa
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105
::::>>>>::Moonlight Discord::::::Naviar Haiku 508
My contribution to Naviar Records Haiku Challenge 508. Haiku by John Hinks Deep, dark summer night A Sudden shatt of moonlight Blesses the temple stepping stones
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104
Sonic Installations IV (the far tower)
This track was recorded and played in AnimoogZ.
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103
Themes From Copenhagen V- Zealand
This track was recorded in AUM and used apps such as Sunrizer and Hilman, The melodies came from Fugue Machine. Effects used were Nembrini Analog Rack Delay and Nembrini Delay3000.
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102
Themes from Copenhagen IV - Øresund
This track was recorded in AUM ans used apps such as AOX02,auDSPr and Noises - all going through the effect Rymdigare.
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101
Themes From Copenhagen III - Radio Cristiania
This track was played in Free Christiania. It is based on a track that I never got round to completing. It was recorded in AUM and used the ID700 synth and Axon02. Effects used were Lo-Fi-Af and Rymdigare.
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100
Themes From Copenhagen II - Trinitatis Kirke
This track was played in the Trinitatis Kirke in Copenhagen. At the time there was a wonderful organ recital in progress, so I felt compelled to create this track. It was played on the Moog Model 15 app. Effects from Eventide were added later on.
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99
Themes From Copenhagen I - Amkomst
This track was played whilst flying from Heathrow to Copenhagen. It was recorded in AUM via AnimoogZ
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98
Sonic Installations III (drone droids)
Sonic Installations III (drone droids) by TheOxfordAmbientCollective
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97
Sonic Installations II (raadiolained)
Sonic Installations II (raadiolained) by TheOxfordAmbientCollective
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96
Butterfly And Ship (with Pete Swinton) 1. Sinyphasia
This is first of the four tracks of a new collaboration with my music friend Pete Swinton. I will be re-working some of his tracks from his excellent Butterfly and Ship album. https://peteswinton.bandcamp.com/album/butterfly-and-ship This track is a re-work of his track - 01. OSC Sine 63Hz 0dbFS. It was mixed in the AUM app on my iPad and used iPad apps such as Hillman Synth, Euclidian, Nembrini Delay, Grand Finale, Fluss and Bleass Chorus.
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95
Sonic Installations I (sagedus)
Sonic Installations I (sagedus) by TheOxfordAmbientCollective
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94
::::>>>>::::Celestial Paths::::Naviar Haiku 466
My contribution to Naviar Records Haiku Challenge 466. Haiku by Louise Hastings Open road… the distant clouds stepping stones
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93
Signal To Noise (collab With Encym)
A collaboration with a music friend Encym (Roland). I have done a few collaborations with Roland now and it is always a pleasure to work with him. This track contains a number of wonderful samples that Roland sent me. These have been manipulated with an app called SpaceCraft and with effects added from a Nembrini delay. Radio sounds have come from an app called WebSDR. The track was put together in AUM.
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92
Ghost Hackers III - Red Attack
Ghost Hackers III - Red Attack by TheOxfordAmbientCollective
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91
Ghost Hackers II - Blue Defence
Ghost Hackers II - Blue Defence by TheOxfordAmbientCollective
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90
Ghost Hackers I - False Flag
A track recorded in AUM using Patterning 2 (using samples from a Pulsar23)going through Varispeed app and Reelbus tape effect. Synth sounds from DRC app with effects from OtherDessertCities with notes from Euclidian (midi notes generator).
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89
Conjunctions VI Rework (TOAC vs Ferekans)
This is a rework of my track Conjunctions VI with my new music friend Ferekans. You can find has excellent work at: https://soundcloud.com/ferekans-music
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88
Incantations 2
The second Incantations track played on my Harley Benton SC-550 II guitar ). The track was recorded via an Audient Sono Guitar interface into AUM on my iPad. Effects used were Nembrini Delay 3000, Gauss (a looper/sequencer), Kosmonaut and Bleass Slow Machine.
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ABOUT THIS SHOW
The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally route
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