Writing of Fiction

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG

"Essays on Modern Novelists" by William Lyon Phelps offers a thoughtful exploration of the works and contributions of contemporary authors, delving into their narratives and styles. Phelps's insightful analysis invites listeners to appreciate the craft of fiction and the impact these novelists have had on literature. The themes of creativity, storytelling, and the evolution of the novel remain relevant today, as they encourage a deeper understanding of the literary landscape. This collection not only celebrates the art of writing but also serves as a reminder of the enduring power of literature to reflect and shape human experience. Engaging with Phelps's essays provides a timeless perspective on the art of novel writing.

Edith Wharton, a successful author of fiction herself, gives us some in-depth analysis of the writing of short stories and novels. Then she offers practical suggestions on how to get started writing fiction, with liberal references to Arthur Quiller-Couch. She appears to prefer a list of scenes over an outline. The overall outline of a novel is painted in broad strokes, almost like a step-by-step fill in the blanks recipe. if someone were to call it a How-To book it wouldn't be far off. The last chapter, on Proust seemed a little strange to me as it doesn't tie back much to the previous commandments. (Summary by William Jones) Proof-listeners: were Rita Boutros, Michele Eaton, & TriciaG