All Episodes
All Classical Radio — 186 episodes
John Pitman Reviews: María Dueñas' Homage to Heifetz
Lisa Lipton Explores: The James Beard Public Market
Fred Child Interviews NEA Chairman Mary Anne Carter
All Classical Radio's Kate Remington Interviews Jon Batiste
John Pitman Reviews: Alice Sara Ott's Piano Works
Lisa Lipton Explores: Portland's Yelling Choir
John Pitman Reviews: Jan Lisiecki Return to Mozart
John Pitman Reviews: Terra Infirma
John Pitman Reviews: Randall Scotting's 'Divine Impresario'
Lisa Lipton Explores: Portland State University 's Spring Awakening
John Pitman Reviews: Gautier Capuçon's Gaïa
John Pitman Reviews: Christopher Tin's 'Song Offerings'
John Pitman Reviews: Marc-André Hamelin's 'Found Objects / Sound Objects'
John Pitman Reviews: Tomás Cotik's Paganini Capriccio
John Pitman Reviews: Ember's 'Birds of Paradise'
John Pitman Reviews: Benjamin Appl's 'For Dieter'
John Pitman Reviews: Huang Ruo's 'An American Soldier'
John Pitman Reviews: Yevgeny Sudbin's 'Ver La Flamme'
John Pitman Reviews: Les Korngold's Korngold Symphony
John Pitman Reviews Simone Dinnerstein's 'The Eye is the First Circle'
John Pitman Reviews: Joshua Roman's 'Immunity'
John Pitman Reviews: John-Henry Crawford
John Pitman Reviews: Augustin Hadelich's 'American Road Trip'
John Pitman Reviews: Arnold Schoenberg
John Pitman Review: John Malkovich in 'The Music Critic'
John Pitman Review: Christopher O'Riley's 'The Well-Tempered Clavier'
John Pitman Review: Danish String Quartet's 'Keel Road'
John Pitman Review: Neave Trio's 'A Room of Her Own'
John Pitman Review: Miloš's 'Baroque'
John Pitman Review: James Newton Howard's 'Night After Night'
John Pitman Review: Thibaut Garcia's 'El Bohemio'
John Pitman Review: Randall Goosby 'Violin Concertos'
John Pitman Review: Plínio Fernandes's 'Bacheando'
John Pitman Review The Menuhin Century
John Pitman Review: Carlos Simon's 'Together'
Shades Of Night Andrew Brownell JP Interview Feature
John Pitman Review: Eric Whitacre & Voces8 'Home'
John Pitman Review: Benjamin Grosvenor Schumann Brahms
A Noteworthy Interview with author Ruth Ozeki
John Pitman Review: Mao Fujita Takes On Mozart
John Pitman Review: Eldbjørg Hemsing's 'Arctic'
John Pitman Review: Leif Ove Andsnes's 'Poetic Tone Pictures'
An Adventure At Grannie's in English
An Adventure At Grannie's En Español
John Pitman Review: Hilary Hahn's 'Eclipse'
John Pitman Review: Sheku Kanneh-Mason's 'Song'
John Pitman Review: Summerland - Premieres by William Grant Still
The Race En Español
The Race In English
John Pitman Review: John-Henry Crawford shares his Corazón
Where We Live: Nikki Brown Clown
Where We Live: Sensory-Friendly Concerts
Where We Live: Community Music Center
Where We Live: BRAVO Youth Orchestras
Where We Live : All One Tribe
Where We Live: Current.org's Local that Works
John Pitman Review: Undersong, with pianist Simone Dinnerstein
John Pitman Review: Víkingur Ólafsson explores Mozart & Contemporaries
John Pitman Review: Sheku and Isata find their "Muse"
John Pitman Review: Berlin-based Seong-Jin Cho Returns to Chopin
John Pitman Review: Record label gives Jean-Yves Thibaudet "Carte Blanche"
John Pitman Review: Jerod Tate Fire And Light Arts Blog Pitman
John Pitman Review: Roots- Debut recording by violinist Randall Goosby
John Pitman Review: Kenji Bunch George Takei Lost Freedom
John Pitman Review: Conspirare's The Singing Guitar
The State of the Arts: Sarah Zwinklis
Where We Live: Queer Opera
The State of the Arts: Laura Grimes and Bob Hicks
John Pitman Review: Dialogo -- Debut by cellist John Henry Crawford
The State of the Arts: Jaren Hillard
John Pitman Review: Balkan guitarist Miloš debuts new guitar concertos
John Pitman Review: Simone Dinnerstein's "An American Mosaic"
The State of the Arts: Chris Ayzoukian and Lani Faith
John Pitman Review: Samuel Coleridge-Taylor is "Uncovered"
The State of the Arts: Rebekah Phillips and Steven Byess
The State of the Arts: Mark Steighner
John Pitman Review: Calidore Quartet Estelle Choi
The State of the Arts: Scott Showalter and Lorin Dunlop
Where We Live: Marin Alsop
Where We Live: Recording Inclusivity Initiative
John Pitman Review: Osvaldo Golijov on "Falling Out of Time"
Lovefest Concert 2021
Thanksgiving Gratitude Program 2020
2020 Artists in Residence Recital
John Pitman Review: Simone Dinnerstein, A Character of Quiet
John Pitman Review: World premiere of Ethel Smyth's only symphony
ICAN ADVENTURE: Oliver
Preview of Sherlock Holmes & The West End Horror
Chapter 9: In Which a House is Built at Pooh Corner for Eeyore
Where We Live: Native Arts And Cultures Foundation
The Shape of Music | Episode 5 Circle of Fifths
Chapter 8: In Which Christopher Robin Gives A Pooh Party, and We Say Good-bye
Chapter 7: In Which Piglet Is Entirely Surrounded by Water
John Pitman Review: Strings for Peace
John Pitman Review: Affinity
Chapter 6: In Which Christopher Robin Leads an Expotition to the North Pole
Chapter 5: In Which Kanga and Baby Roo Come to the Forest, and Piglet Has a Bath
The State of the Arts: Chris Ayzoukian
Where We Live: Essential Sounds, Oregon Symphony
Where We Live: Onry, Livin' in the Light
The State of the Arts: Meagan Iverson
Chapter 4: In Which Eeyore Has a Birthday and Gets Two Presents
The State of the Arts: Yaacov Bergman
The State of the Arts: Special Edition Scott Showalter
Chapter 3: In Which Piglet Meets a Heffalump
The State of the Arts: Adam Eccleston
Chapter 2: In Which Pooh Gets Into a Tight Place & Eeyore Loses a Tail
Chapter 1: In Which We Are Introduced to Winnie-the-Pooh and some Bees
John Pitman Review: Countertenor Aryeh Nussbaum Cohen
The State of the Arts: S. Renee Mitchell
John Pitman Review: Is A Rose, Anne Sofie Von Otter and composer Caroline Shaw
The State of the Arts: Teddy Abrams and Donna Briggs
The State of the Arts: Damien Geter
Where We Live: Olivenbaum
The State of the Arts: Cynthia Fuhrman
John Pitman Review: Violins of Hope, Niv Ashkenazi plays instruments of the Holocaust
The State of the Arts: Ethan Sperry
The State of the Arts: Abigail McKee
John Pitman Review: Donald Nally talks about Anonymous Man
The State of the Arts: Niel DePonte Cognizart
The State of the Arts: Sue Dixon
The State of the Arts: Scott Showalter
John Pitman Review: Miro Quartet complete their Beethoven cycle
Where We Live: Adam Eccleston
Where We Live: Sanctuaries
Where We Live: Portland Winter Light Festival
John Pitman Review: Jonathan Biss completes Beethoven journey
Where We Live: Black History Festival NW
John Pitman Review: String Trio debuts with “Silenced Voices” (Black Oak Ensemble)
John Pitman Review: Miloš Sound Of Silence
Youth Roving Reporter Olivia Dever: Daimh
John Pitman Review: Violinist Margaret Batjer and the LA Philharmonic
John Pitman Review: Wei Luo Debut
Youth Roving Reporter Amrita Jhooty: Momix, White Bird
John Pitman Review: Sharon Isbin's "Souvenirs"
Music Heals - PHAME
Music Heals - MusicNOW
Music Heals - MyMusicRX
Music Heals - MAYBELLE CENTER CHOIR
Music Heals - SING HERE NOW
John Pitman Review: Craig Phillips NY Polyphony Chat With Music
Holly - Music Heals
John Pitman Review: Augustin Hadelich links Brahms to Ligeti
Heather - Music Heals
John Pitman Review - Harpist Yolanda Kondonassis: American Rapture
John Pitman Review: Lara Downes is making “Holes in the Sky"
John Pitman Review: A Korean cellist in Paris (Hee-Young Lim plays French cello concertos)
John Pitman Review: Katarzyna Musiał and her "Spanish Heart"
Youth Roving Reporter Lele Yang: Verselandia! 2019
John Pitman Review: Pianist Jan Lisiecki explores Mendelssohn's piano concertos
John Pitman Review: Ascent with violist Matthew Lipman
ICAN Mindful Moment: Happy Place
ICAN ADVENTURES: Charlotte
John Pitman Review: Songplay - Soprano Joyce DiDonato's spin on Baroque arias
Where We Live: Bridging Voices Portland's QSA Youth Chorus
John Pitman Review: The Temple of Glory: Conductor Nicholas McGegan realizes a dream
John Pitman Review: Llyr Williams Beethoven Unbound
John Pitman Review: Amit Peled plays Bach on Casal’s cello
John Pitman Review: Hilary Hahn Plays Bach
Youth Roving Reporter Connor Barrow: Adam LaMotte, Portland Baroque Orchestra
Youth Roving Reporter Lele Yang: A Life, Portland Center Stage
Youth Roving Reporter Raquel Armendariz: Nina DeCesare, Oregon Symphony
Where We Live: Oregon Food Bank
Youth Roving Reporter Madeline Wiggins: Zoë Keating
Youth Roving Reporter Arden Butterfield: Magellanica
Youth Roving Reporter Shania Watts: Project Trio
Youth Roving Reporter Emma Clark: Vancouver Symphony Orchestra
Youth Roving Reporter Madeline Wiggins: Miro Quartet
Youth Roving Reporter Aashna MacLennan: Voices of Light
Youth Roving Reporter Aashna MacLennan: Portland's Inaugural South Asian American Arts Festival
Youth Roving Reporter Sophia Suhler: Harmonic Laboratory, TESLA
Where We Live: Project Prelude
Where We Live: PHAME
Where We Live: Children's Book Bank
Where We Live: In A Landscape
Where We Live: Women Singing Women, Resonance Ensemble
Where We Live: Lan Su Chinese Garden
Where We Live: p:ear
Where We Live: Piano Santa Foundation
Where We Live: Sound Stories, Oregon Symphony
Where We Live: CommuniCare
Where We Live: Lullaby Project, Oregon Symphony
Where We Live: Inclusive Arts Vibe Dance Company
John Pitman Review: Eternal Light Morten Lauridse
John Pitman CD Feature - Bach arias sung by German baritone, Benjamin Appl
John Pitman Interview: Blues Dialogues with Rachel Barton Pine