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Title
1

Longevity of Musicians; Liszt as an Advertiser; Arrested for Treason; Rothschild's Music; The “Prison Josephs"

2

Schumann's Failure; Genius Discovered by Punishment; Richard Wagner and the Number "13"; A Little Trick of Paganini's; Liszt's Completion of the Beethoven Monument

3

Delayed Appreciation; Overfed Composers; Nasal; A Bold Pupil; Wagner's Activity

4

An Opera Sacrificed; An Erratic Prima Donna; When They Began; Sarcasm; A Prima Donna's Pets

5

Paganini's Method of Study; Goat Hair for Hero Worshipers; Stage Censorship; Fallible; A Dressing-room War

6

Aristocratic Patronage—Haydn's Farewell; The Hebrew in Music; The Story of Mozart's Requiem; Liszt's Reply to Louis Philippe; Jenny Lind's Generosity

7

Beethoven, Brain-owner; Schubert's Modesty; Our Musical Advancement; Honest Opinions; The Modern Tendency

8

Fugues and Chess; Fortunes in Fiddles; One Kind of Criticism; Musical Cooks; Artistic Pride

9

Beethoven's Friends; Prolific Composers; Music for the Eye; Schumann's Madness; Humor in Composition

10

Haydn's Last Appearance; The Heroic in Music; A Peculiar Visiting Card; Origin of the Name "Kreutzer Sonata"; Royal Musicians

11

A Charitable Trio; Beethoven's Forgetfulness; Rossini's Arrogance; To a Pauper's Grave

12

Notable Musical Antagonisms: Händel—Buononcini; Gluck—Piccinni; Cuzzoni—Bordoni; Sontag—Malibran; Liszt—Thalberg

13

The Financial Circumstances of the Great Composers

14

A Sharp Rejoinder; Two Kinds of Bills; Von Bülow as a Political Speaker; Lind's First Engagement; Beethoven's First Triumph

15

Händel's Duel; Paganini's Generous Deed; A Gentle Critic; Art Before Business; The "Dear Saxon"

16

Bülow's Bits; An Interrupted Concert; Coöperative Composition; An Absent-minded Conductor; Costly Admiration

17

Wine and Music; Schubert's "Erl-King"; Royal Honors to a Singer; The Deaf Beethoven; The History of a Violin

18

"Vorts" vs. Music; French Wit; Too Literal; Imagination a Factor in Hearing Music; Musical and Non-Musical Accent

19

Von Weber to a Bawling Choir; An Interrupted Opera; Beethoven Punished; Violin Collectors; Pot-boilers

20

Gounod's Faust; Madame Patti; An Even Distribution of Honors; Rapid Composition; Friends

21

Haydn's Reception by Prince Esterhazy; Proving Identity; A Great Thief; Von Bülow's Memory; Their Favorite Surroundings for Composition

22

A Kind Act; Public Criticism; Fun on the Stage; The Thirty-three Variations; A Deserved Chastisement

23

Il Trovatore; Music vs. Commerce; A Narrow Escape; A Pyrotechnic Violoncello; Misdirected and Repressed Talent

24

The Discovery of a Tenor; A Long Encore Number; "Englyshe Meetre"; "The Devil on Two Sticks"; Impositions on Musicians

25

The Hallelujah Chorus; Beethoven a la Cupid; Wagner and the Beggars; Vox Populi; What's in a Name

26

A Costly Fiddle; Bach's Great Works. How Enjoyed by Some; Peculiar English; Original Tapestry; The Manual Labor of Composition

27

A Burial Place Denied; Von Bülow's Peculiarities; Not at First Sight; Restoring an Organ; An Exciting Musical Duel

28

An Interrupted Strain; A Musical Tragedy; Beethoven's Gratitude; Choleric Händel; Music vs. Conversation

29

The World's Reward to Genius; An Obese Basso; Preserving Identity; A Great German Songstress; A Sight for the Boys

30

Paganini in Court Dress; A Gory Drumstick; Great Musical Memories; A Comical Revenge; Scherzo

31

But One Seat Left; A Compliment from Haydn; A Particular Prima Donna; Mendelssohn's Kindness; Campanini as a Soldier

32

To Make a Player Play; True Kindliness; Viotti's Independence; Not the Geese that Saved Rome; That Patti Kiss

33

Musical Gratitude; The Greater the Composer the Greater the Student; An Ignorant Tenor; Three Classes of Players; How to Secure a Successful Début

34

A Song for Forty; The Temple Organ; A Fiddler's Trick; Personal Appearance; Mozart's Acknowledgment

35

Operatic Sore Throat; Leoncavallo's Whimsical Opinion of his "Clowns"; How to Make a Singer Sing; Another Way; Rossini Hearing the Impossible

36

Manuscript for Kettles; A Patti Reception that She Didn't Receive; The Encore Fiend; Händel's Escape; A Hatful of Pearls

37

Mendelssohn Composing for Fun; The Right Kind of a Patron; An Episode in the Life of an Artist; Earning a Violin Easily; Schubert's Serenade

38

Malibran's Generosity; How Berlioz Fooled the Critics; Music Hath Charms; Wagner's Melodies and Chords; Disposing of an Audience

39

Playing on a Shoe; Händel's Successful Scheme; A Basso's Wit; Old Words to New Tunes; The Composer's Debt to Nature

40

Sontag's Revenge; A Second Napoleon; A Singer's Sense; Haydn's Noble English Pupil; Lablache and Tom Thumb

41

A Composer's Chagrin; The Friends, Mozart and Haydn; A Frightened Desdemona; Retentive Memories; Patti's Vanity

42

Clementi's Economy; Music at So Much per Note; Liszt's Precocity; Keeping at It; A Peculiar Genius

43

Shaking all Over; The "Ox" Minuet; Nilsson and the Shah of Persia; Modulations; An Eventful Career

44

Napoleon Outwitted by a Songstress; Stubborn Composers; Clerical Wit; A Patient Pupil; Field Fooled

45

Saving a Fiddle; Absent Minded; The Prima Donna of the Eighteenth Century; The "Harmonious Blacksmith"; The Ups and Downs of a Singer's Life

46

Some Liberal Musicians; How Paganini Secured his Favorite Fiddle; Liszt on Mendelssohn; Mara's Revenge; Chopin's Technic

47

Spohr as a Horn Player; Securing Music under Difficulties; In Bülow's Class-Room; Viotti's Tin Fiddle; Liszt's Playing and his Generosity

48

From Humble Origin to Wealth and Fame; Gallant Haydn; Rossini and the Italian School; Lives of Labor; A Great Quartet

49

Rec'd in Full of A/c; Wagner's Working Costume; Cherubini as a Revolutionary Fiddler; Conscientious Acting and Singing; The Peculiarities of Genius

50

Händel's Youth; A Violin for Eighteen Pence; Mendelssohn at Work; A Double Dose of Brahms; Unfailing Sight Reading an Impossibility

51

Introductory

52

The Gregorian Chant; The Bach Revival; Why We Should Sing; Glimpses of Cherubini; Discovering a Nightingale

53

Balfe's Strange Room Mate; Berlioz and Paganini; History Repeats Itself; The Greatest Musical Prodigy; A Test of Precocity

54

Irish Enthusiasm; Playing like "Zwei Gotts"; A Sudden Cure; Ole Bull at "Rouge-et-Noir"; Outspoken Admiration

55

Whims of Composers; Ole Bull as a Duelist; He Didn't Purchase; A Critical Composition; Keep in with the Accompanist

56

The Youthful Beethoven's Trick on a Singer; An Untalented Royal Pupil; Händel's Persuasiveness; Good English in Song; An Uncringing Reply

57

Southern Passion; Rather a Hard Opponent to Conquer; Catalani and Goethe; The Music but Not the Face; A Concert Preacher

58

Traveling in State; Tuning Up; Voice Against Trumpet; Beethoven's Kiss; Mendelssohn's Dislike of Meyerbeer

59

An Army, a Cow and a Prima Donna; A Musical Priest; Musical Criticism; High Art; A Boy's Memory

60

Slippers at a Premium; Artistic Aversion to Empty Honors; Music and Madness; Baton Waving. Lully Losing a Limb; Prima Donnas Come High

61

An Unorthodox Creed; The Devil's Trill; Unlucky Manuscripts; Forewarned is Forearmed; A Queen's Regard for her Music Teacher

62

An Earnest Student; A Witty Songstress; Moscheles' Blunder; Jealousy in the Family; Prejudice