All Episodes

How to get a number 1 on iTunes

How to be a Guest Entertainer by Royal Caribbean's Director of Entertainment, Ken Rush

Cabaret Coaching with Marcus Reeves and “Between the Songs”

How to talk to an audience with confidence by Kai Hoffman

From Production Singer to Solo Act by Artistic Director Lisa Cottrell

Making sense of social media with George Brumme

A Singer's Guide to Telling Jokes with Tom O'Connor

How to keep your musicians happy. Advice from by Musical Director Pete Rogers

Creating a show and conquering the Edinburgh Fringe by Tim McArthur

How to be a cruise ship entertainer by Royal Caribbean Cruise Director Jerome Sueur

How to take your cabaret to New York by PR expert Laura Davis

How to talk to a sound engineer by Tom Killoran

How to work with a cruise ship band by Musical Director Hamish Revell

How to get your show reviewed and keep the critics happy by Paul Vale

Cabaret Secrets from Musical Director to the stars - Don Hunt

How to tell a joke by comedian John Evans

From the concert platform to cruise ship headliner - flautist Gary Arbuthnot on how to be a star at sea

How to create your own cruise ship cabaret by West End star Michael Quinn

How to get a gig at the world famous Ronnie Scott's Jazz Club

New York Diva Lady Rizo on the power of honesty and vulnerability

What a director can do for your cabaret, by Hugh Wooldridge

The Edinburgh Fringe, a performer's guide by newbie Nicky Gayner

How to sing with a big band by Joe Pettitt, leader of the Len Phillips Big Band

Cabaret Whore Sarah-Louise Young on creating, directing and surviving the Fringe

Broadway critic Michael Riedel on what makes a great cabaret performer.

Steve Ross, New York Prince of Cabaret on how to create your own cabaret show

How to make sense of social media and convert followers into lifelong fans by Phil Barley

How to sing jazz, entertain an audience and have a great time doing it by Marilyn Maye

New York's Stacy Sullivan on how to record an album

Steven Brinberg talks about performing as Simply Barbra

New York's Stacy Sullivan on the art of cabaret

How to create a cabaret show by singer impersonator Christina Bianco

Singer impersonator Christina Bianco on Divallusion at the Edinburgh Fringe

How to Light your own cabaret show for cruise ships by Dale Barr

How to make money at the Edinburgh Fringe Festival (and much more) by Michael Roulston

Cabaret star Barb Jungr on why a little danger on stage is a good thing

How to take a show to the Edinburgh Fringe Festival and keep working when you're 80 by Lynn Ruth Miller

How to get your cabaret show reviewed by Sara Cluderay of This is Cabaret

Ruth Leon - How to get booked at the Crazy Coqs

How to get a gig at the St James Theatre Studio by James Albrecht - Associate Artistic Director

Mark Halliday - Performer and Producer explains how to create successful acts for cruise ships

Harold Sanditen - How to get the best from a cabaret open mics and how to record a CD

Liz Robertson – How a West End and Broadway singer can sing Cabaret

Michael Feinstein tells his cabaret secrets

Mark Shenton - How to get your show reviewed by a top critic

How to get booked for the Henley Festival (and much more) by Artistic Director Stewart Collins

Kay Richardson explains how singers should deal with sound technicians - Part 2

Kay Richardson explains how singers should deal with sound technicians - Part 1

Joel Pierson - Musical Director explains how singers should work with musicians

Kuba Kawnik - Cruise Ship Multi Instrumentalist - Part 2

Kuba Kawnik - Cruise Ship Multi Instrumentalist - Part 1

Alexander Bermange - Composer and Performer explains with ins and outs of cabaret

Allan Stewart - How to Get A Standing Ovation

Allan Stewart - Comedy Entertainer on how to be a great entertainer - Part 3

Allan Stewart - Comedy Entertainer on how to be a great entertainer - Part 2

Allan Stewart - Comedy Entertainer on how to be a great entertainer - Part 1

Todd Gordon - Part 3 - Why singers should be a little bit pushy

Todd Gordon - Part 2 - How to build an audience

Todd Gordon - Part 1 - How to sing in a small cabaret room

Gary Parkes - Part 4 - How to get more gigs on cruise ships

Gary Parkes - Part 3 - How to make your show a success on cruise ships

Gary Parkes - Part 2 - Getting noticed by an agent for cruise ships

Gary Parkes - Part 1 - How to get booked to sing on cruise ships

Tom Derycke - How to talk to a lighting engineer - Part 2

Tom Derycke - How to talk to a lighting engineer - Part 1

Neil Marcus - Producer - Part 4 - What's special about cabaret star Maria Friedman?

Neil Marcus - Producer - Part 3 - How to make money out of cabaret

Neil Marcus - Producer - Part 2 - Choosing the right songs for your cabaret show

Neil Marcus - Producer - Part 1 - Working with a cabaret producer

Fiona Jane Weston – Performer and Critic - How to use good artwork for your cabaret show and breaking the forth wall

Verônica Ferriani - Vocalist - Part 2 - how to record a CD for your cabaret show

Verônica Ferriani - Vocalist - Part 1 - how to perform to international audiences

João Wolf - Cruise Director - Part 4 - how entertainers should behave on cruise ships

João Wolf - Cruise Director - Part 3 - how singers should deal with cruise directors on cruise ships and does the rating system matter?

João Wolf - Cruise Director - Part 2 - The mistakes cruise ships singers make

João Wolf - Cruise Director - Part 1 - How singers can impress their cruise director

Chris Peters - Sound Engineer - Part 2 - How to make your sound engineer happy

Chris Peters – Sound Engineer - Part 1 - Using the right microphone

Maria King - Pianist - Part 4 - female entertainers on cruise ships

Maria King - Pianist - Part 3 - How to develop stage craft and deal with stage fright

Maria King - Pianist - Part 2 - How to choose repertoire

Maria King - Pianist - Part 1 - from Classical Pianist to cruise ship headliner

Anthony Davis and Harry The Piano - Part 3 - Why it takes 10 years to become an expert

Anthony Davis and Harry The Piano - Part 2 - Michael Gambon's penis

Anthony Davis and Harry The Piano - Part 1 - How to sell out your cabaret show

Keith Maynard – What does a cruise director do?

Joey Mix - How singers should work with their Musical Director