All episodes
279: Round Two with David Allen Moore
278: Rob Anzellotti on bass capos and extensions
277: Florian Pertzborn on Europoean orchestral experiences
276: Petia Bagovska on Bulgarian bass traditions
275: get your copy of Winning the Audition now!
274: Yung-chiao Wei on overcoming challenges, Carnegie Hall recitals, and living through music
273: My New Book!
272: Reuben Rogers is a "Super-Sideman"
270: Alexandre Ritter on method books, new works, and Brazilian double bass
269: Dennis Bergevin on public school teaching, professional development, and advising
268: Cornelia Watkins on private lesson teaching and Comprehensive Musicianship through Performance
267: Johnny Hamil on student motivation and building bass events
266: Garrett Hope on portfolio careers
265: Szymon Marciniak on DVDs, travel, and freelance life
264: David Heyes on leaving a legacy
263: the intriguing Jonathan Haskell
262: Allan Santos on finding your purpose
261: rob knopper is the auditionhacker
260: Break into the Scene with Seth Hanes
259: Trevor Davis on his luthier path
258: RCM International Double Bass Festival Preview
257: Sandor Ostlund on musical influences, practicing, and career possibilities
256: Shinji Eshima on pit experiences, David Walter, and composing for the ballet
255: Frank Proto on jazz influences, bebop violin, and deadlines
254: Craig Butterfield on careers, ProTools, and American roots music
253: Corey Brown on No Treble, Jaco Pastorius, and the opportunity of being first
252: Nina DeCesare on injuries, auditioning, and George Vance
251: Hans Sturm on motion capture, François Rabbath, and A Day in Paris
250: Diana Gannett on her musical journey
249: Hugh Sung on Musical Entrepreneurship
248: Peter Seymour on Hard Work
247: Danny Ziemann on Jazz Bass Lines
246: Lauren Pierce on YouTube fame
245: Emilio Guarino on Making It
244: Christine Hoock on DJs, egoless playing, and patience
243: Pablo Aslan on tango bass life
242: Sam Suggs on Music Cognition, Jamming in Bars, and the Elements of Execution
241: My Biggest Podcasting Screw-Ups
240: Thierry Barbé on expressive music, German bow, and French basses
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239: Seven Lessons I've Learned About Interviewing
238: Thomas Martin on Bottesini, gut strings, and the bass revolution
Winning the Audition 4: Sealing the Deal
236: Matthew McDonald on resonance, bow distribution, and mindset
Winning the Audition 3: Preparation Routines That Work
234: Justin Locke returns!
Winning the Audition 2: Practicing Techniques for Peak Auditions
232: Jory Herman on community engagement, balance, and resonant churches
Winning the Audition: Preparing for Audition Success
230: Taking the Podcast to the Next Level
229: BASS2016 Prague European Biennial Double Bass Congress Preview
228: David White on Broadway, New York City, and Networking
227: Lloyd Goldstein on Yoga, Habits and Entrainment
226: ISB 2017 Convention Preview
225: Nicholas Walker on musical influences, performing, and Domaine Forget
224: Peter Tambroni on Student-Centered Teaching and Life Planning
223: Katie Ernst on Singing, Jazz Bass, and Creativity
222: Lucy and the Count: Love Dreams from Transylvania
221: Brandon McLean on audition strategies
220: Gabe Katz on switching from music performance to education
219: Gjorgji Cincievski on arranging, multi-meter, and life in paradise
218: Arnold Schnitzer on dirty jobs, ergonomic basses, and maker competitions
217: Jerry Fuller on early music, creativity, and business world lessons
216: Todd Coolman on jazz bass lines, recording projects, and classical foundations
215: Robin Kesselman on audition strategies, injury recovery, and bow arm practicing
214: Terry Plumeri tribute
213: Leon Bosch - the Sherlock Holmes of the double bass
212: Real Men Don't Rehearse with Justin Locke (from the archives)
211: Madeleine Crouch on managing the ISB, organizing conventions, and innovating online
210: Jeremy Attanaseo plays the Prokofiev Quintet
209: Joe Conyers on Curtis, being yourself, and musical entrepreneurship
208: Guy Tuneh on transcriptions, live performance, and musical curiosity
207: Claus Freudenstein on heavy metal, minibasses, and arranging
206: Auditioning for Music Schools
205: Trevor Jones on musical pit work, scheduling creativity, and finding balance
204: Tips for Teachers with Peter Tambroni
203: Adam Ben Ezra on YouTube fame, looping, and percussive techniques
202: Chuck Israels on rhythm, amplification and jazz education
201: Ira Gold on bow strokes, musical curiosity, and practicing techniques
200: Living a Fulfilling Life
199: Federico Marchesano and The Inner Bass
198: Todd Coolman new release
197: Bert Turetzky on forging new paths, compositional language, and commissioning over 300 works
196: Andrés Martín on the creative process, the composer mind, and forging a bass scene
195: Gaelen McCormick on bow strokes, Progressive Repertoire, and the Pomodoro Technique
194: Inez Wyrick on 911 bass teaching, creating artists, and teaching the whole fingerboard
193: Gary Karr on making recordings, "retired" life, and arranging Baroque music
192: Michael Klinghoffer on driving a double bass, how not to hold the bow, and directions in education
191: David Murray on the Karr sound, bow technique, and the spirit of Koussevitzky
190: Czardas with Andy Anderson - the making of an arrangement
189: Barry Green and Jeff Bradetich on the Anna's Promise Project
188: Ron Carter on technical development, an orchestral foundation, and developing the next generation of music lovers
187: Chris Threlkeld-Wiegand on working at Robertson's, building extensions, and aesthetic wood choices
186: Barrie Kolstein on making rosin, lessons learned from his father, and bass trunk technology
185: George Martin on challenging restorations, the art of varnishing, and riding horses in the English countryside
184: Nick Lloyd on the craft of bass making, building flat backs, and traveling to Pakistan
183: Susan Lipkins on crafting bows, tonal characteristics of wood, and how to choose a bow
182: Brent Edmondson on developing a satisfying career, subbing with the Philadelphia Orchestra, and gaps in music school training
181: Carlos Henriquez on playing with Wynton Marsalis, developing a creative voice, and creating effective Afro-Cuban bass lines
180: Ian Hallas on winning a Lyric Opera bass section spot, effective excerpt practicing, and routines for audition success