All Episodes
Contrabass Conversations — 1,000 episodes · page 2 of 10
1066: Brian Powell on Stravinsky for the double bass
1065: From Choral Singing to Bass Fiddler - Nate Sabat's Musical Journey
1064: Exploring Intonation - A Double Bass Journey with Lauren Pierce
1063: Financial Strategies for Young Musicians with Trevor Jones
1062: Ali Watson - A Journey Through Jazz from London to Glasgow and Beyond
1061: From Biology to Bass - Aidan Plank's Musical Journey
1060: Mastering Auditions Through Technique and Intonation with Daniel Chiva Sanz
1059: Exploring the Rich Soundscape of Gut Strings with Ernst Glerum
1058: Into the Light with Sasha Witteveen
1057: From Naples to Berlin with Giuseppe Bottiglieri
1056: Mark Morton and his awesome books
1055: Audition prep with Brendan Fitzgerald
1054: Exploring the Rhythms of Tango with Pascale Delache Feldman, Emmanuel Feldman, and Victor Cayres
1053: Exploring Jazz Innovations with Bassist Richard Andersson
1052: Daniel Kimbro's solo album 'Carpet in the Kitchen'
1051: Alessandro Fongaro on his journey from Italy to the Netherlands
1050: Ben Ticknor on Never Come Down
1049: Renata Soares Caceres on Bass Bites
1048: Peter Dominguez on The Milt Hinton Institute for Studio Bass
1047: Mike Gaisbacher on bowmaking
1046: Sam Suggs on his double bass journey
1045: Stephanie Patterson on the value of community orchestras
1044: Robin Kesselman on Bow Speed Geography
1043: Paul Thompson on the evolution of pdbass
1042: Carlos Pino and Dana Saba on Between the Bass
1041: Peter Doubrovsky and Brandino on 5 string double basses
1040: Alejandro Arenas on jazz gigging and teaching
1039: Mark Dresser on Tines of Change
1038: Gustavo Lorenzatti on tango bass and composition
1037: Anne Luna on bluegrass bass
1036: Matt Rybicki on learning jazz bass
1035: Dominik Wagner on his double bass journey
1034: Adnata Ensemble on their bass quartet album
1033: Sam Loeck on his audition path
1032: Stephen Tramontozzi on Basso Novo
Bonus: Szymon Marciniak on The Hertl Project
1031: Lauren Pierce on Basstudes
1030: Sean Michael Casey on Progressive Orchestral Excerpts
1029: Jordyn Davis on Compose the Way
1028: Jacob Warren on his Debussy Cello Sonata transcription
1027: Mark Foley on his Double Bass Concerto
1026: The Only Girl in the Orchestra
1025: Michael Bates on Lutoslawski
1024: Hein Van de Geyn on his jazz bass journey
1023: Thoughts on 2023 and beyond
1022: Steve Husted on San Francisco, Austin, and his new album
1021: Sonia Ray on her creative double bass career
1020: Gregg Goodhart on practicing and improvement
1019: Cécile-Laure Kouassi on her EP Beaux Jours
1018: Drew Banzhaf on his audition path to the Malmö Symphony
1017: Gregg August on balancing jazz, classical, and composition
1016: Kostas Patsiotis on Greece and October
1015: Jesse Dietschi on balancing jazz and classical playing
1014: Joseph Whitt on a career as a military bassist
1013: Marty Isenberg on "The Way I Feel Inside" - Inspired by the films of Wes Anderson
1012: Phoebe Russell on Smash Your Audition
1011: Bobby Scharmann on winning an orchestra audition
1010: Lorraine Chai on music theory for young double bassists
1009: Susan Hagen on her new edition of BASSics for Bass
1008: Pete Lampe on building his own double basses
1007: Behind the scenes with Ear Trumpet Labs
1006: Abe Gumroyan freelancing chat
1005: Lauren Pierce on Scales
1004: Jacob Warren on his multi-style career
1003: Tacet No More with Joseph Conyers and Yumi Kendall
1002: Krista Kopper on excavating your creativity
1001: Gael McKeon interviews Jason
1000: Live in San Francisco with Chuck Israels, Charles Chandler, Amos Yang, and Andres Martin
999: How to bring up your energy for a performance with Louis Levitt
998: How to warm up in ANY situation (silent and effective!) with Louis Levitt
997: Arnold Schnitzer on The Handy Double Bassist
996: Change a string in record time with Louis Levitt
995: John Kennedy on teaching
994: Nick Lloyd on his bench copy of Edgar Meyer's Gabrielli double bass
993: Bill Harrison on Making the Low Notes
992: Sean O'Hara on long-term progress
991: Szymon Marciniak and Evan Mitchell on their bass and piano partnership
990: Nicole Melrose on double bass strings
989: Alexander Verster on composition and London freelance life
988: Kaelan Decman on his audition path and process
987: Jonathan Colbert on career possibilities
986: Lauren Pierce on how to learn a piece
985: Sebastiano Dessanay on 377 and multidisciplinary creativity
984: Dan McCain on Moments in Time
983: Nataly Linares on young bassist education
982: Zachary Martin and Scott Pingel on double bass restoration
981: Jason on the Touching Greatness Podcast
980: Podcast vs. Video - How I decide what format to use
979: Andy Moritz on Scale Skills for double bass
978: Are bridge adjusters a good idea on double bass?
977: Gael McKeon on building double basses
976: 6 apps that help my double bass practicing
975: Roberto Cassani of poet / shuts / clock
974: About George Bornoff with Jacob Dakon
973: Nisse Palm on Chain of Sounds
972: Exploring the universe of double bass harmonics
971: Dan Carson on his path to the Chicago Symphony bass section
970: Four winter bass events you should know about
969: Chuck Israels on his new bass and upcoming projects
968: Cole Davis - The New Simandl