All Episodes
Contrabass Conversations — 1,000 episodes · page 5 of 10
765: Michael Kurth on composition
764: Brent Edmondson on composing for Netflix
763: Paul Thompson on developing his YouTube Channel
762: Jon McCullough-Benner on The Auditioning Bassist's Tool Kit
761: Zach VanderGraaff on teaching general music during a pandemic
760: Garrett Hope on Dorico and portfolio careers
759: Susan Cahill on reimagining senior recitals
758: Trevor Jones on the cost of college
757: David White on music school vs real world experience
756: Brandi Disterheft on Surfboard and NYC life
755: Jeremy Watt on pandemic projects and auditioning later in life
754: Kris Funn on life in the greatest city in America
753: Bobby Scharmann on leveling up on YouTube
752: James Newcomb and Jason talk podcasting and business
751: Alison Rayner on a life in jazz
750: Scott Pingel and Metallica
749: Mike Bullock on the experimental bass scene
748: Luke Stewart on the Washington, DC music scene
747: Daniel Spreadbury on next-generation music notation
746: Nicholas Walker on benefits of remote teaching
745: Heiri Kaenzig on jazz and World Music
744: Networked Music Performance with Michael Dessen, Mark Dresser, and Jan Stoltenberg
743: Do We Need Music School with Jason Haaheim
742: An Impossible Choice with Zach Finkelstein and Dana Lynne Varga
741: Derrick Hodge on Color of Noize
740: Linda May Han Oh on her artistic journey
739: Jeff Picker on creating his own genre
Christopher Still launches Honesty Pill podcast
Adam Booker and Miles Brown on new ISB youth competition
738: Ian Hallas on four auditions for the same ensemble
737: Musicians for the World
736: Fumi Tomita on playing jazz and academia
735: Chris Lightcap on forging a path in jazz
Creating a Discover Double Bass Course - a look inside my process
734: Heidi Kay Begay of Flute 360 podcast
733: Alan Lewine on Sephardic Treasures
732: Tomoya Amori of AKDuo
731: Katie Thiroux launches The Hump
730: Deep Tones for Peace with Mark Dresser and William Parker
729: Jon Liebman on developing For Bass Players Only
728: Ian Allison on finding his niche
727: Alyssa Peterson on launching a podcast
726: Jason Haahiem on how to actually improve
725: Richard Myron on early music
724: Jonathan Haskell reflects on new directions
723: T. Alan Stewart on his musical journey
722: Andrea Beyer on auditions and teaching
721: Gahlord Dewald on water tank acoustics
720: Giovanni Sanguineti on visual composition
719: Olivier Babaz on The Creative Improvisor
718: Brendan Fitzgerald on audition prep
717: Josh Skinner on the Lionel Hampton Jazz Festival
716: Christian Dillingham on joining the Indiana University faculty
715: Sam Morel on bass making
714: Stephen P. Brown on flipping your approach
713: Annie Bosler and Trevor Jones
713: Rob Kassinger and Trevor Jones: The Scholarship Roadmap
712: James Day and Trevor Jones: The Scholarship Roadmap
711: The Scholarship Roadmap with Trevor Jones
710: Dan Turkos on crowdfunding during a crisis
Johnny Hamil on Bassists 4 Bassists
709: Helen Svoboda on her solo album
708: Chris Fitzgerald on jujitsu and bass
Bonus: Sara Neilson, Online Beginner Bass Camp
707: Susanna Klein on Practizma
706: Tom Walley on staying active during quarantine
705: Hans Roelofsen and Rudolf Senn on bass duo adventures
704: Bill Rinehart and Jaime Slutzky on online learning
703: Abo Gumroyan on taking chances
702: Mary Javian on career development
701: Carlos Barriento and Opportunity Music Project
700: Drew Gress on jazz, birdwatching, and creativity
699: Marcos Machado on Tao of Bass Volume 2
698: Miles Perkin on extended techniques
697: Susan Cahill on staying inspired under quarantine
696: Jaromir Honzak on the Czech jazz scene
695: Andrew Goins on the Texas Online Bass Camp
694: Ryan Roberts on podcasting
693: Elisa Janson Jones on online learning
692: Elsen Price on diverse projects
691: Hugh Sung on online teaching
690: Morgan Daly of ContraCover
689: Dmitry Gorodetsky on reinventing himself
688: Christian Fabian on a life in jazz
687: Eleanor Martindale on RCR Bass Camp
686: Dennis Whittaker on Incredibly Useful Exercises
685: Barry Lieberman on retirement and bass legends
684: Kieran Hanlon on Bass Fest and Eccles
683: Valentina Ciardelli on arranging
682: Lizzie Burns on chamber music and community engagement
681: Gary Karr and his Influence
680: Working as a Jazz Bassist
679: Ranaan Meyer on COVID-19 and staying positive
678: Inside America's Major Orchestras
677: Bass Gear Geek-out
676: Working With the Jazz Greats
675: Improv and Learning in Jazz
674: Developing Your Sound
673: What Makes a Teacher Great?
672: Stephen Newton on composition