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Get Reel with Richard Walter — 431 episodes

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Title
1

Disclosure Day

2

We Had Faces

3

Authority Means Zilch

4

The Purpose of Art and Movies

5

No Credits Is Your Best Credit

6

More on A.I.

7

Narrative in Porn - Part II

8

Narrative in Porn

9

Little Things Mean A Lot - Part II

10

Little Things Mean A Lot - Part I

11

Perfectly Imperfect

12

Art Versus Commerce

13

More Michael

14

Michael

15

Narrative Bloat

16

Writer's Block

17

Betrayal

18

Self-Respect

19

Dialog--Keep it Short

20

Best Line of Dialog Ever! The Idol Maker

21

Sight, Sound, and Integration

22

Stories Make The Rules and Not the Other Way Around

23

Women and Men--Writers and Protagonists

24

Dialog--Keep It Short

25

Art Is An Ego Trip

26

Sympathy for the Devil

27

A.I. - The Devil's Library

28

The Oscars

29

Finances for Writers

30

Blue Moon and AI

31

After the Hunt: A Kvetchfest

32

Still More on AI--The Magnificent Ambersons

33

More On (What Else?) A.I.

34

A.I. - The Good and Bad

35

Cruelty

36

Identity -- Schlindler and Malcolm

37

This And That

38

Magic

39

Train Dreams, Another Yawner

40

Assimilation

41

Magic and Rejection

42

The Biology of Narrative

43

The Importance of Art

44

Karma and the F Word

45

How Does a Writer Know It's Time To Stop for the Day?

46

Hollywood Agents

47

Writing Right or Wrong

48

Conan, Brooks, Men Writing Women Characters

49

What're You Watching, Richie?

50

Writing the Lived Experience

51

Napalm in the Morning

52

Technology and Story

53

Every Writer's Best Friend: The Delete Key

54

LGBTQIA+ Female Protagonists

55

More on A.I.

56

Invisible Artistry

57

More Regarding Novels Into Films

58

Books Into Films

59

Still More on Amateur Chic

60

More on Amateur Chic

61

What're You Watching Richie?

62

Strategies as Distractions

63

Screenwriting: Exceptions to the Rules

64

Every Screenwriter's Conundrum: Should I Update My Old Scripts?

65

Freedom of Expression and Creativity

66

Mentorship--Write to the Writer

67

Shakespeare the Plagiarist

68

Endings

69

Endings

70

More About Beginnings

71

Don't Leave Out The Magic

72

Free Speech

73

Storyteller As God

74

Assimilation

75

The Power of Story

76

Sympathy for the Devil

77

Speech Cops

78

Endings - St. Elsewhere

79

Rest in Peace, Robert Redford

80

Beginnings

81

Genre Is Wildly Over-Rated

82

Interactive Print

83

More on Long Story Short and The Empress

84

Happy Endings and Other Hollywood Myths

85

Long Story Short and The Empress

86

Writing for Money

87

Movies Are For Audiences

88

Can You Really Teach Screenwriting?

89

Appearances

90

The Business of Show

91

Trends

92

Untamed

93

The Only Thing You Know For Sure

94

Writing Versus Film Tech

95

Drawing on the Right Side of the Brain

96

Writers Kvetching, Karping, and Komplaining

97

Ellipses and Assimilation

98

Assimilation

99

Squid Games Etc.

100

Sex, Violence, and Cover Pages

101

What Are the Odds Of Greatness?

102

Film Education in the Digital Era

103

Feces As Entertainment

104

Not Dialect But Dialogue

105

The Art of Trash

106

Want Your Screenplay to Get Made? Write to the Writer

107

The Dreaded Dreadful Auteur Theory

108

The Studio and Art Spiegelman--Disaster is My Muse

109

Experimental Film

110

Artificial Intelligence and Film

111

Movie Trends

112

Falwell

113

My Fifteen Minutes of Fame

114

Original Movies V. Adaptations

115

Should I Hire An Editor?

116

The Professor's Favorite Movies

117

Why Isn't Streaming Great?

118

Conclave: My Film Review

119

Writers: Get Out of Your Own Way

120

Diversity and Casting

121

Where's Heinz?

122

Stop Worrying About People Stealing Your Ideas

123

Genre-Schmenre

124

Intellectual Property--Can I Write a Book or Make a Movie About You Without Your Permission?

125

Good Guys vs Bad Guys

126

Intellectual Property - Copyright and Credits

127

Movies and Snobbery

128

Hollywood: An Egomaniac With An Inferiority Complex

129

The End of Adversity

130

Melody and Story

131

The Brutalist

132

Who Is The First Creator in Film - The Writer, Director, or Producer?

133

The Oscars - Theatres Vs. Streaming

134

Oscars 2025 Edition!

135

Processing Criticism

136

Dealing With Criticism

137

Emelia Perez - What's Real and What's Reel?

138

Emelia Perez and the Oscars

139

The Two Principles That Guarantee Screenwriting Success

140

Tis the Season - Let's Talk About the Oscars

141

Song Lyrics

142

Finding the Right Word

143

Adapting Short Stories and Video Games

144

Adaptations

145

Language and Snobbery

146

Dialogue... Less is More

147

The Delete Key Is Every Writer's Best Friend

148

Art, Adventure, Life, and Boredom

149

Violence and Tushies

150

Artificial Intelligence Paradise

151

Why Women Are Better Writers Than Men

152

Film and Artificial Intelligence

153

Adaptation - Don't Do It!

154

Overwriting Character Descriptions

155

Novels and Screenplays and How to Turn One Into the Other and Back Again

156

The Two Most Important Rules for Writers' Finances

157

The Write Way and The Wrong Way

158

Anora--The New Worst Movie Ever

159

There Are Patterns in Film - Can You Spot Them?

160

Sex, Violence, and Bambi

161

Let's Talk About Vaginas in Movies

162

Immigration, Diversity, and American Film

163

In Screenwriting, Story Is Everything

164

Screenwriting With Your Audience In Mind

165

My Livestream - Part 2!

166

My Livestream - Part 1

167

Truth and Authenticity in Film

168

Cringing When I See "Based on a True Story"

169

George Lucas the Experimentalist

170

A Dirty Word in Hollywood: Experiment

171

Never Underestimate the Loudness of Silence

172

Mood Is Doom Spelled Backward

173

Angry Queries

174

How Not to Get a Film Agent

175

Attention!

176

Let's Talk About Query Letters

177

Intellectual Property and Paranoia

178

Intellectual Property

179

Hooray for Hollywood

180

Leave Your Brain Outside the Theatre

181

Art Versus Entertainment - Don't Let It Be A False Dichotomy

182

The Personal Screenplay

183

How Many Pages Should You Read Before Quitting a Book?

184

Changes and Endings

185

Free Parking, Rejection, and Screenwriting

186

Reel Versus Real

187

Screenplay Beginnings--Must a Script Explode on Page One?

188

Too Many Screens

189

Nudity in Movies

190

Will You Read My Screenplay?

191

Why Titanic Is Good But Not Great

192

When Writing Love Stories, Don't Make This Mistake

193

How to Deal with Rejection

194

A Rare Thing in Film: Engaging the Audience

195

How to Write Strong Beginnings

196

The True First Artist in Film

197

The Unsold Script

198

Remember, Screenwriters: You'll Catch More Flies With Honey

199

Praise Versus Kvetching

200

Smoking and Integration

201

Want to Get An Agent? Write to the Writer!

202

Climate Change and Screenwriting

203

What's Changed and What's Remained the Same In Movies

204

The Two Biggest Changes in Film

205

Weinstein, Spacey... Let's Dispel the Myth of Mean Old Hollywood

206

Animation and Horror

207

The Status of the Observer

208

Excellent Versus Good

209

The Ideal Training for Hollywood

210

The Worst Movie I Ever Saw

211

Stereotypes in Movies - Use Them Or Ditch Them?

212

Jerking Off vs Making Love

213

An Underrated Book on Screenwriting: Plots and Characters

214

Civil War: My Thoughts

215

Two Threes

216

Pain In Narrative

217

Brainy Writers Must Never Forget: The Heart Is Smart

218

Reel Versus Real

219

Great Protagonists are Dreadful People

220

Identity and Community

221

This and That

222

What I've Been Watching, Loving, and Loathing Lately

223

How to Get the Script Reader to Not Reject Your Screenplay

224

How to Get the Script Reader to Not Reject Your Screenplay

225

Implication Versus Expression

226

Imply vs Express

227

In Film, Entertainment is Not a Dirty Word

228

Seven Dirty Words in Hollywood

229

Screenwriters and Distractions

230

Goals and Guilt

231

My Thoughts on Oppenheimer

232

Encountering Jack London in the Waiting Room

233

Novel vs Screenplay

234

I've Just Published a Book!

235

We Are Trained to Write Too Much - Throw More Away

236

Screenwriters - Learn to Throw It Away

237

That Time I Pretended Not to Be the Author of My Own Novel

238

Naivety is the Writer's Friend

239

A Trio of Triumvirates - Part II

240

Trio of Triumvirates

241

Want a Free Copy of My New Book?

242

Whatever You Do, Make Your Screenplay Personal -- Like Star Wars

243

In Hollywood You Start from the Top and Work Your Way Down

244

The Key to Great Screenwriting? Being a Human

245

Writing Rule #1: There Are No Rules

246

Creativity and Patterns

247

Creativity and Patterns

248

Hamas, Israel, and Screenwriting

249

Big Money

250

Screenwriters- Get Out of Your Own Way

251

Testicles and Freedom of Speech

252

How to Wreck Your Writing Career - Part 6

253

How to Wreck Your Writing Career - Part 5

254

How to Wreck Your Writing Career - Part III

255

Some More Ways to Wreck Your Writing Career

256

Various Ways to Wreck Your Writing Career

257

Here's Another Handy Trick If You Want More Action in Your Screenplay: Give Your Actors Something to Do

258

Here's a Handy Trick If You Want More Action in Your Screenplay

259

Should Screenwriters Still Use Gender Specific Names in 2024?

260

It Is the Movie's Job to Keep the Audience Awake, Not the Other Way Around

261

Is Your Intelligence Not Helping Your Writing Career? Instead of Smart, Try Stupid

262

Big Chill, American Graffiti, and the Collective Protagonist

263

Dialogue Versus Dialect

264

What "Da Jewz by Da Hood" Can Teach Us About Diversity in Screenwriting

265

Is It Time for a Writer-Owned Netflix?

266

What the Writer's Strike Means for Writers

267

First the Writers, Then the Actors

268

The Writer Strike Is Over-- But the Actors Soldier On

269

The WGA Strike Is Over

270

Why American Films Are More Successful Internationally Than Other Countries

271

Beyond black, white, gay, straight, old, young, rich, poor... we need diversity in film.

272

Screenwriters Know the Truth: Different Is Better

273

Attention Deficit Is Here to Stay

274

The Best Dialogue is No Dialogue

275

Novel vs Screenplay

276

Identities: Intersectionality or Taxonomy?

277

What Is the Value of Screenwriting?

278

The Biggest Mistake Screenwriters Make: Writing Far Too Much

279

Authenticity Is Massively Overrated in Screenwriting

280

My Review of Barbie, and Why It's Okay to Hate Movies

281

Let's Talk About Barbies and Vaginas

282

My Opening Thoughts on Oppenheimer

283

Actor Ronald Reagan's Advice to Screenwriters

284

What Font Should I Use for My Screenplay?

285

How Many Drafts Of My Screenplay Should I Write?

286

Screenwriting Format: How Many Pages Should My Script Be?

287

How to Format a Screenplay

288

How to Know Your Screenplay's Theme

289

Is It Time to Stop Screenwriting Scenes in Restaurants?

290

Is It Time to Stop Screenwriting Scenes in Restaurants?

291

If I Could Re-Name My Book on Screenwriting, I'd Call It "Appearances"

292

No I Will Not Read Your F*****g Screenplay

293

Dialogue

294

Guilt and Goals: Use Both On Your Screenwriting Journey

295

A Reckoning Is Coming for Privilege in Public Education

296

The F-Word

297

Screenwriters Rarely Get the Credit They Deserve

298

Spoilers - Part I

299

AI and Film

300

Should Writers Fear Artificial Intelligence?

301

The New Dead Ringers Doesn't Work

302

Hate Speech in Films

303

How to Sell a Screenplay

304

How to Sell a Screenplay

305

How Do I Protect My Screenwriting Ideas?

306

What Screenwriters Must Learn from Cult Leaders

307

The Absolute, Irrefutable, Undeniable #1 Rule for Screenwriting in Hollywood

308

"Cinema" vs Film

309

In Screenwriting, Goals Are Your Enemy

310

In Screenwriting, Imperfect is Perfect

311

Personal Pronouns and Gender in Screenwriting

312

Three Rules for Creating Singular Characters

313

Ideas Are Overvalued

314

Context Is Everything - Part 2

315

There Are Two Movies That Depict the Same Scene With Absolute Opposite Goals

316

The Love Story in Titanic Doesn't Work

317

History is a Story

318

Can't Break Into Hollywood? Save the Rage for the Page

319

Being a Celebrity Has Its Downsides

320

Character V. Story

321

The "Best" Movies of 2022

322

How Authentic Should My Screenplay Be?

323

When Writing Screenplays, Don't Try to Teach a Lesson--Just Tell a Good Story

324

Script Stuck? Take Out the Improvements

325

Want to Read My Hate Mail?

326

The New N-Word

327

Writing Mistakes That Amateur Screenwriters Make - Part II

328

Writing Mistakes That Amateur Screenwriters Make - Part I

329

Genre Shmenrah

330

The Greatest Film of All Time - Part II

331

The Greatest Film of All Time - Really?

332

The Top 100 Films of All Time - Part II

333

The Top 100 Films of All Time - Part I

334

How to Be a Professional Screenwriter

335

Is Writer's Block Real?

336

Why See a Movie Twice?

337

What Is the Ultimate Purpose of Storytelling, If There Is One?

338

A Key to Great Screenwriting: Keep It Personal

339

Three Cheers for Judas Iscariot

340

Should We Ban Smoking in Movies?

341

What Peace In the Middle East Can Teach Us About Screenwriting

342

Should I Reverse-Engineer My Screenplay Around an Ending, a Scene, or an Emotion?

343

One of the Biggest Amateur Screenwriting Mistake: Making Your Villains Villainous

344

How Much Technology Does a Screenwriter Really Need?

345

Are Commercial Movies Pure Garbage?

346

How to Nail a Query Letter to Agents

347

Should I Write My Next Screenplay By Hand?

348

How the Discovery of Cosmic Background Radiation Can Help Screenwriters

349

Is Citizen Kane Actually a Great Movie?

350

Beginnings, Middles, and Ends

351

The Process Is What Separates screenwriters from Screenwriters

352

Are High Concept Ideas Overrated?

353

Screenwriters: Nothing Is Better Than Something

354

Finance 101 for Writers

355

Film Dialogue Shouldn't Sound Like Real Life

356

Whether You're A Writer, Director, or Actor... Little Things Mean a Lot

357

As A Screenwriter, Is "Save the Cat" Worth Following?

358

Can You Really Teach Screenwriting?

359

The Auteur Theory Is Pure Bull$hit

360

What is the Purpose of Stories and Movies?

361

The Birmingham Cop

362

Embrace the Creative Process

363

Seven Naughty Words in Hollywood That You Should Absolutely Embrace

364

Authenticity in Film is Boring

365

Can Screenwriting Books Guide Novel Writing?

366

The Backstory to American Graffiti

367

What's the Secret to Training So Many Oscar-Winning Screenwriters?

368

Want to Write A Better Movie? Think Like a Real Estate Agent

369

How Accurate Do Screenwriters Need to Be When Writing Screenplays Based on True Stories?

370

In the Age of Mass Shootings, Should We Still Have Guns in Movies?

371

After 50 Years in Screenwriting, Here Are the Two Questions I Still Never Answer

372

Bashing Hollywood Is Wildly Overrated

373

Should Dialogue Have a Structure Like Screenplays?

374

What's More Important - Story or Theme?

375

The Delete Key Is A Writer's Best Friend

376

Should Screenwriters Read Shakespeare?

377

Overlapping Dialogue

378

Hired, Fired, Hired Again - A Hollywood Yarn About Trusting the Process

379

Adapting Your Own Screenplay As a Novel

380

A Safe Space

381

Diversity In Screenwriting

382

How I Elbowed My Way Into Hollywood -Part 2

383

How I Elbowed My Way Into Hollywood -Part 1

384

How Many Characters Should I Have in My Screenplay?

385

Do the Pentagon and CIA Fund War Films to Inculturate Americans?

386

The Two Questions I've Never Answered

387

Violence in Screenplays

388

Is It Better to Outline My Screenplay or Just Start Writing?

389

The Power of Non-Violence In Life and Movies

390

Box Office Success Versus Critical Acclaim

391

Box Office Success Versus Critical Acclaim

392

The Slap Heard 'Round the World

393

The Science of Storytelling (Part 2)

394

Is There A Science to Storytelling?

395

Should I Box Myself In By Picking A Genre Or Just Start Writing?

396

The Importance of Great Endings

397

Screenwriting Books

398

Should I Copyright My Screenplay?

399

What Is the Absolute Minimum, Maximum, and Ideal Length of a Screenplay?

400

Screenwriting Word You Need to Know: GOOYOW

401

When Execs/Producers/Directors Ruin Good Screenwriting

402

How to Ramp Up the Energy of Your Screenplay By Using Better Locations

403

The Pros and Cons of Prologues and Flashbacks in Screenwriting

404

My Screenplays Get Optioned But Never Sell. What Should I Do?

405

Stereotypes Will Ruin Your Script

406

The Worst Writing Job I Ever Had

407

How to Stay Excited While Writing Screenplays

408

Writer's Block

409

The Two Best Lines of Dialogue I've Ever Heard

410

What Was the Worst Script of 2021?

411

The Scariest Movies I Have Ever Seen

412

The Most Interesting Screenwriter I've Ever Met

413

How Can Screenwriters Avoid Leaving Out Necessary Plot Points?

414

Hollywood Hoaxes That Screenwriters Need to Know

415

How Do You Know When Your Script is Ready?

416

Should I Use the N-Word in My Screenplay?

417

Should Screenwriters Describe Characters or Leave It to Casting?

418

Should My Story Be a Novel or Screenplay?

419

Don't Let Perfection Destroy Your Screenwriting Ambitions

420

Screenwriters: You Need a Teacher

421

When To Give Up on Screenwriting

422

The Narcissism of Hollywood Screenwriters

423

If You Don't Care About What You're Writing, Why Would Anyone Else?

424

Directors Yell "Action!" Not "Description!"

425

People In Positions of Authority Don't Know What They're Talking About

426

Backup Girl

427

Zorro's Back

428

The Elevator Pitch

429

Proud Confession: I Am Sexist

430

When A Screenplay Doesn't Sell, It's Just the Beginning

431

Here's What Makes the Best Story