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All Episodes

Get Reel with Richard Walter — 418 episodes

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Title
1

Michael

2

Narrative Bloat

3

Writer's Block

4

Betrayal

5

Self-Respect

6

Dialog--Keep it Short

7

Best Line of Dialog Ever! The Idol Maker

8

Sight, Sound, and Integration

9

Stories Make The Rules and Not the Other Way Around

10

Women and Men--Writers and Protagonists

11

Dialog--Keep It Short

12

Art Is An Ego Trip

13

Sympathy for the Devil

14

A.I. - The Devil's Library

15

The Oscars

16

Finances for Writers

17

Blue Moon and AI

18

After the Hunt: A Kvetchfest

19

Still More on AI--The Magnificent Ambersons

20

More On (What Else?) A.I.

21

A.I. - The Good and Bad

22

Cruelty

23

Identity -- Schlindler and Malcolm

24

This And That

25

Magic

26

Train Dreams, Another Yawner

27

Assimilation

28

Magic and Rejection

29

The Biology of Narrative

30

The Importance of Art

31

Karma and the F Word

32

How Does a Writer Know It's Time To Stop for the Day?

33

Hollywood Agents

34

Writing Right or Wrong

35

Conan, Brooks, Men Writing Women Characters

36

What're You Watching, Richie?

37

Writing the Lived Experience

38

Napalm in the Morning

39

Technology and Story

40

Every Writer's Best Friend: The Delete Key

41

LGBTQIA+ Female Protagonists

42

More on A.I.

43

Invisible Artistry

44

More Regarding Novels Into Films

45

Books Into Films

46

Still More on Amateur Chic

47

More on Amateur Chic

48

What're You Watching Richie?

49

Strategies as Distractions

50

Screenwriting: Exceptions to the Rules

51

Every Screenwriter's Conundrum: Should I Update My Old Scripts?

52

Freedom of Expression and Creativity

53

Mentorship--Write to the Writer

54

Shakespeare the Plagiarist

55

Endings

56

Endings

57

More About Beginnings

58

Don't Leave Out The Magic

59

Free Speech

60

Storyteller As God

61

Assimilation

62

The Power of Story

63

Sympathy for the Devil

64

Speech Cops

65

Endings - St. Elsewhere

66

Rest in Peace, Robert Redford

67

Beginnings

68

Genre Is Wildly Over-Rated

69

Interactive Print

70

More on Long Story Short and The Empress

71

Happy Endings and Other Hollywood Myths

72

Long Story Short and The Empress

73

Writing for Money

74

Movies Are For Audiences

75

Can You Really Teach Screenwriting?

76

Appearances

77

The Business of Show

78

Trends

79

Untamed

80

The Only Thing You Know For Sure

81

Writing Versus Film Tech

82

Drawing on the Right Side of the Brain

83

Writers Kvetching, Karping, and Komplaining

84

Ellipses and Assimilation

85

Assimilation

86

Squid Games Etc.

87

Sex, Violence, and Cover Pages

88

What Are the Odds Of Greatness?

89

Film Education in the Digital Era

90

Feces As Entertainment

91

Not Dialect But Dialogue

92

The Art of Trash

93

Want Your Screenplay to Get Made? Write to the Writer

94

The Dreaded Dreadful Auteur Theory

95

The Studio and Art Spiegelman--Disaster is My Muse

96

Experimental Film

97

Artificial Intelligence and Film

98

Movie Trends

99

Falwell

100

My Fifteen Minutes of Fame

101

Original Movies V. Adaptations

102

Should I Hire An Editor?

103

The Professor's Favorite Movies

104

Why Isn't Streaming Great?

105

Conclave: My Film Review

106

Writers: Get Out of Your Own Way

107

Diversity and Casting

108

Where's Heinz?

109

Stop Worrying About People Stealing Your Ideas

110

Genre-Schmenre

111

Intellectual Property--Can I Write a Book or Make a Movie About You Without Your Permission?

112

Good Guys vs Bad Guys

113

Intellectual Property - Copyright and Credits

114

Movies and Snobbery

115

Hollywood: An Egomaniac With An Inferiority Complex

116

The End of Adversity

117

Melody and Story

118

The Brutalist

119

Who Is The First Creator in Film - The Writer, Director, or Producer?

120

The Oscars - Theatres Vs. Streaming

121

Oscars 2025 Edition!

122

Processing Criticism

123

Dealing With Criticism

124

Emelia Perez - What's Real and What's Reel?

125

Emelia Perez and the Oscars

126

The Two Principles That Guarantee Screenwriting Success

127

Tis the Season - Let's Talk About the Oscars

128

Song Lyrics

129

Finding the Right Word

130

Adapting Short Stories and Video Games

131

Adaptations

132

Language and Snobbery

133

Dialogue... Less is More

134

The Delete Key Is Every Writer's Best Friend

135

Art, Adventure, Life, and Boredom

136

Violence and Tushies

137

Artificial Intelligence Paradise

138

Why Women Are Better Writers Than Men

139

Film and Artificial Intelligence

140

Adaptation - Don't Do It!

141

Overwriting Character Descriptions

142

Novels and Screenplays and How to Turn One Into the Other and Back Again

143

The Two Most Important Rules for Writers' Finances

144

The Write Way and The Wrong Way

145

Anora--The New Worst Movie Ever

146

There Are Patterns in Film - Can You Spot Them?

147

Sex, Violence, and Bambi

148

Let's Talk About Vaginas in Movies

149

Immigration, Diversity, and American Film

150

In Screenwriting, Story Is Everything

151

Screenwriting With Your Audience In Mind

152

My Livestream - Part 2!

153

My Livestream - Part 1

154

Truth and Authenticity in Film

155

Cringing When I See "Based on a True Story"

156

George Lucas the Experimentalist

157

A Dirty Word in Hollywood: Experiment

158

Never Underestimate the Loudness of Silence

159

Mood Is Doom Spelled Backward

160

Angry Queries

161

How Not to Get a Film Agent

162

Attention!

163

Let's Talk About Query Letters

164

Intellectual Property and Paranoia

165

Intellectual Property

166

Hooray for Hollywood

167

Leave Your Brain Outside the Theatre

168

Art Versus Entertainment - Don't Let It Be A False Dichotomy

169

The Personal Screenplay

170

How Many Pages Should You Read Before Quitting a Book?

171

Changes and Endings

172

Free Parking, Rejection, and Screenwriting

173

Reel Versus Real

174

Screenplay Beginnings--Must a Script Explode on Page One?

175

Too Many Screens

176

Nudity in Movies

177

Will You Read My Screenplay?

178

Why Titanic Is Good But Not Great

179

When Writing Love Stories, Don't Make This Mistake

180

How to Deal with Rejection

181

A Rare Thing in Film: Engaging the Audience

182

How to Write Strong Beginnings

183

The True First Artist in Film

184

The Unsold Script

185

Remember, Screenwriters: You'll Catch More Flies With Honey

186

Praise Versus Kvetching

187

Smoking and Integration

188

Want to Get An Agent? Write to the Writer!

189

Climate Change and Screenwriting

190

What's Changed and What's Remained the Same In Movies

191

The Two Biggest Changes in Film

192

Weinstein, Spacey... Let's Dispel the Myth of Mean Old Hollywood

193

Animation and Horror

194

The Status of the Observer

195

Excellent Versus Good

196

The Ideal Training for Hollywood

197

The Worst Movie I Ever Saw

198

Stereotypes in Movies - Use Them Or Ditch Them?

199

Jerking Off vs Making Love

200

An Underrated Book on Screenwriting: Plots and Characters

201

Civil War: My Thoughts

202

Two Threes

203

Pain In Narrative

204

Brainy Writers Must Never Forget: The Heart Is Smart

205

Reel Versus Real

206

Great Protagonists are Dreadful People

207

Identity and Community

208

This and That

209

What I've Been Watching, Loving, and Loathing Lately

210

How to Get the Script Reader to Not Reject Your Screenplay

211

How to Get the Script Reader to Not Reject Your Screenplay

212

Implication Versus Expression

213

Imply vs Express

214

In Film, Entertainment is Not a Dirty Word

215

Seven Dirty Words in Hollywood

216

Screenwriters and Distractions

217

Goals and Guilt

218

My Thoughts on Oppenheimer

219

Encountering Jack London in the Waiting Room

220

Novel vs Screenplay

221

I've Just Published a Book!

222

We Are Trained to Write Too Much - Throw More Away

223

Screenwriters - Learn to Throw It Away

224

That Time I Pretended Not to Be the Author of My Own Novel

225

Naivety is the Writer's Friend

226

A Trio of Triumvirates - Part II

227

Trio of Triumvirates

228

Want a Free Copy of My New Book?

229

Whatever You Do, Make Your Screenplay Personal -- Like Star Wars

230

In Hollywood You Start from the Top and Work Your Way Down

231

The Key to Great Screenwriting? Being a Human

232

Writing Rule #1: There Are No Rules

233

Creativity and Patterns

234

Creativity and Patterns

235

Hamas, Israel, and Screenwriting

236

Big Money

237

Screenwriters- Get Out of Your Own Way

238

Testicles and Freedom of Speech

239

How to Wreck Your Writing Career - Part 6

240

How to Wreck Your Writing Career - Part 5

241

How to Wreck Your Writing Career - Part III

242

Some More Ways to Wreck Your Writing Career

243

Various Ways to Wreck Your Writing Career

244

Here's Another Handy Trick If You Want More Action in Your Screenplay: Give Your Actors Something to Do

245

Here's a Handy Trick If You Want More Action in Your Screenplay

246

Should Screenwriters Still Use Gender Specific Names in 2024?

247

It Is the Movie's Job to Keep the Audience Awake, Not the Other Way Around

248

Is Your Intelligence Not Helping Your Writing Career? Instead of Smart, Try Stupid

249

Big Chill, American Graffiti, and the Collective Protagonist

250

Dialogue Versus Dialect

251

What "Da Jewz by Da Hood" Can Teach Us About Diversity in Screenwriting

252

Is It Time for a Writer-Owned Netflix?

253

What the Writer's Strike Means for Writers

254

First the Writers, Then the Actors

255

The Writer Strike Is Over-- But the Actors Soldier On

256

The WGA Strike Is Over

257

Why American Films Are More Successful Internationally Than Other Countries

258

Beyond black, white, gay, straight, old, young, rich, poor... we need diversity in film.

259

Screenwriters Know the Truth: Different Is Better

260

Attention Deficit Is Here to Stay

261

The Best Dialogue is No Dialogue

262

Novel vs Screenplay

263

Identities: Intersectionality or Taxonomy?

264

What Is the Value of Screenwriting?

265

The Biggest Mistake Screenwriters Make: Writing Far Too Much

266

Authenticity Is Massively Overrated in Screenwriting

267

My Review of Barbie, and Why It's Okay to Hate Movies

268

Let's Talk About Barbies and Vaginas

269

My Opening Thoughts on Oppenheimer

270

Actor Ronald Reagan's Advice to Screenwriters

271

What Font Should I Use for My Screenplay?

272

How Many Drafts Of My Screenplay Should I Write?

273

Screenwriting Format: How Many Pages Should My Script Be?

274

How to Format a Screenplay

275

How to Know Your Screenplay's Theme

276

Is It Time to Stop Screenwriting Scenes in Restaurants?

277

Is It Time to Stop Screenwriting Scenes in Restaurants?

278

If I Could Re-Name My Book on Screenwriting, I'd Call It "Appearances"

279

No I Will Not Read Your F*****g Screenplay

280

Dialogue

281

Guilt and Goals: Use Both On Your Screenwriting Journey

282

A Reckoning Is Coming for Privilege in Public Education

283

The F-Word

284

Screenwriters Rarely Get the Credit They Deserve

285

Spoilers - Part I

286

AI and Film

287

Should Writers Fear Artificial Intelligence?

288

The New Dead Ringers Doesn't Work

289

Hate Speech in Films

290

How to Sell a Screenplay

291

How to Sell a Screenplay

292

How Do I Protect My Screenwriting Ideas?

293

What Screenwriters Must Learn from Cult Leaders

294

The Absolute, Irrefutable, Undeniable #1 Rule for Screenwriting in Hollywood

295

"Cinema" vs Film

296

In Screenwriting, Goals Are Your Enemy

297

In Screenwriting, Imperfect is Perfect

298

Personal Pronouns and Gender in Screenwriting

299

Three Rules for Creating Singular Characters

300

Ideas Are Overvalued

301

Context Is Everything - Part 2

302

There Are Two Movies That Depict the Same Scene With Absolute Opposite Goals

303

The Love Story in Titanic Doesn't Work

304

History is a Story

305

Can't Break Into Hollywood? Save the Rage for the Page

306

Being a Celebrity Has Its Downsides

307

Character V. Story

308

The "Best" Movies of 2022

309

How Authentic Should My Screenplay Be?

310

When Writing Screenplays, Don't Try to Teach a Lesson--Just Tell a Good Story

311

Script Stuck? Take Out the Improvements

312

Want to Read My Hate Mail?

313

The New N-Word

314

Writing Mistakes That Amateur Screenwriters Make - Part II

315

Writing Mistakes That Amateur Screenwriters Make - Part I

316

Genre Shmenrah

317

The Greatest Film of All Time - Part II

318

The Greatest Film of All Time - Really?

319

The Top 100 Films of All Time - Part II

320

The Top 100 Films of All Time - Part I

321

How to Be a Professional Screenwriter

322

Is Writer's Block Real?

323

Why See a Movie Twice?

324

What Is the Ultimate Purpose of Storytelling, If There Is One?

325

A Key to Great Screenwriting: Keep It Personal

326

Three Cheers for Judas Iscariot

327

Should We Ban Smoking in Movies?

328

What Peace In the Middle East Can Teach Us About Screenwriting

329

Should I Reverse-Engineer My Screenplay Around an Ending, a Scene, or an Emotion?

330

One of the Biggest Amateur Screenwriting Mistake: Making Your Villains Villainous

331

How Much Technology Does a Screenwriter Really Need?

332

Are Commercial Movies Pure Garbage?

333

How to Nail a Query Letter to Agents

334

Should I Write My Next Screenplay By Hand?

335

How the Discovery of Cosmic Background Radiation Can Help Screenwriters

336

Is Citizen Kane Actually a Great Movie?

337

Beginnings, Middles, and Ends

338

The Process Is What Separates screenwriters from Screenwriters

339

Are High Concept Ideas Overrated?

340

Screenwriters: Nothing Is Better Than Something

341

Finance 101 for Writers

342

Film Dialogue Shouldn't Sound Like Real Life

343

Whether You're A Writer, Director, or Actor... Little Things Mean a Lot

344

As A Screenwriter, Is "Save the Cat" Worth Following?

345

Can You Really Teach Screenwriting?

346

The Auteur Theory Is Pure Bull$hit

347

What is the Purpose of Stories and Movies?

348

The Birmingham Cop

349

Embrace the Creative Process

350

Seven Naughty Words in Hollywood That You Should Absolutely Embrace

351

Authenticity in Film is Boring

352

Can Screenwriting Books Guide Novel Writing?

353

The Backstory to American Graffiti

354

What's the Secret to Training So Many Oscar-Winning Screenwriters?

355

Want to Write A Better Movie? Think Like a Real Estate Agent

356

How Accurate Do Screenwriters Need to Be When Writing Screenplays Based on True Stories?

357

In the Age of Mass Shootings, Should We Still Have Guns in Movies?

358

After 50 Years in Screenwriting, Here Are the Two Questions I Still Never Answer

359

Bashing Hollywood Is Wildly Overrated

360

Should Dialogue Have a Structure Like Screenplays?

361

What's More Important - Story or Theme?

362

The Delete Key Is A Writer's Best Friend

363

Should Screenwriters Read Shakespeare?

364

Overlapping Dialogue

365

Hired, Fired, Hired Again - A Hollywood Yarn About Trusting the Process

366

Adapting Your Own Screenplay As a Novel

367

A Safe Space

368

Diversity In Screenwriting

369

How I Elbowed My Way Into Hollywood -Part 2

370

How I Elbowed My Way Into Hollywood -Part 1

371

How Many Characters Should I Have in My Screenplay?

372

Do the Pentagon and CIA Fund War Films to Inculturate Americans?

373

The Two Questions I've Never Answered

374

Violence in Screenplays

375

Is It Better to Outline My Screenplay or Just Start Writing?

376

The Power of Non-Violence In Life and Movies

377

Box Office Success Versus Critical Acclaim

378

Box Office Success Versus Critical Acclaim

379

The Slap Heard 'Round the World

380

The Science of Storytelling (Part 2)

381

Is There A Science to Storytelling?

382

Should I Box Myself In By Picking A Genre Or Just Start Writing?

383

The Importance of Great Endings

384

Screenwriting Books

385

Should I Copyright My Screenplay?

386

What Is the Absolute Minimum, Maximum, and Ideal Length of a Screenplay?

387

Screenwriting Word You Need to Know: GOOYOW

388

When Execs/Producers/Directors Ruin Good Screenwriting

389

How to Ramp Up the Energy of Your Screenplay By Using Better Locations

390

The Pros and Cons of Prologues and Flashbacks in Screenwriting

391

My Screenplays Get Optioned But Never Sell. What Should I Do?

392

Stereotypes Will Ruin Your Script

393

The Worst Writing Job I Ever Had

394

How to Stay Excited While Writing Screenplays

395

Writer's Block

396

The Two Best Lines of Dialogue I've Ever Heard

397

What Was the Worst Script of 2021?

398

The Scariest Movies I Have Ever Seen

399

The Most Interesting Screenwriter I've Ever Met

400

How Can Screenwriters Avoid Leaving Out Necessary Plot Points?

401

Hollywood Hoaxes That Screenwriters Need to Know

402

How Do You Know When Your Script is Ready?

403

Should I Use the N-Word in My Screenplay?

404

Should Screenwriters Describe Characters or Leave It to Casting?

405

Should My Story Be a Novel or Screenplay?

406

Don't Let Perfection Destroy Your Screenwriting Ambitions

407

Screenwriters: You Need a Teacher

408

When To Give Up on Screenwriting

409

The Narcissism of Hollywood Screenwriters

410

If You Don't Care About What You're Writing, Why Would Anyone Else?

411

Directors Yell "Action!" Not "Description!"

412

People In Positions of Authority Don't Know What They're Talking About

413

Backup Girl

414

Zorro's Back

415

The Elevator Pitch

416

Proud Confession: I Am Sexist

417

When A Screenplay Doesn't Sell, It's Just the Beginning

418

Here's What Makes the Best Story