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Get Reel with Richard Walter — 445 episodes

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Title
1

More On Inflection

2

Inflection Vs. Text

3

More on A.I.

4

Art's Worst Enemy

5

Guilt and Goals

6

The Large Doll Area

7

Do You Really Like It?

8

Avoid Stereotypes

9

Audiences Are Not Stupid But Smart

10

How Movies Cure Cancer

11

Sympathetic Bad Guys

12

Inflection Versus Text

13

Screenwriting and the Middle East

14

Thomas Edison and Screenwriting

15

Disclosure Day

16

We Had Faces

17

Authority Means Zilch

18

The Purpose of Art and Movies

19

No Credits Is Your Best Credit

20

More on A.I.

21

Narrative in Porn - Part II

22

Narrative in Porn

23

Little Things Mean A Lot - Part II

24

Little Things Mean A Lot - Part I

25

Perfectly Imperfect

26

Art Versus Commerce

27

More Michael

28

Michael

29

Narrative Bloat

30

Writer's Block

31

Betrayal

32

Self-Respect

33

Dialog--Keep it Short

34

Best Line of Dialog Ever! The Idol Maker

35

Sight, Sound, and Integration

36

Stories Make The Rules and Not the Other Way Around

37

Women and Men--Writers and Protagonists

38

Dialog--Keep It Short

39

Art Is An Ego Trip

40

Sympathy for the Devil

41

A.I. - The Devil's Library

42

The Oscars

43

Finances for Writers

44

Blue Moon and AI

45

After the Hunt: A Kvetchfest

46

Still More on AI--The Magnificent Ambersons

47

More On (What Else?) A.I.

48

A.I. - The Good and Bad

49

Cruelty

50

Identity -- Schlindler and Malcolm

51

This And That

52

Magic

53

Train Dreams, Another Yawner

54

Assimilation

55

Magic and Rejection

56

The Biology of Narrative

57

The Importance of Art

58

Karma and the F Word

59

How Does a Writer Know It's Time To Stop for the Day?

60

Hollywood Agents

61

Writing Right or Wrong

62

Conan, Brooks, Men Writing Women Characters

63

What're You Watching, Richie?

64

Writing the Lived Experience

65

Napalm in the Morning

66

Technology and Story

67

Every Writer's Best Friend: The Delete Key

68

LGBTQIA+ Female Protagonists

69

More on A.I.

70

Invisible Artistry

71

More Regarding Novels Into Films

72

Books Into Films

73

Still More on Amateur Chic

74

More on Amateur Chic

75

What're You Watching Richie?

76

Strategies as Distractions

77

Screenwriting: Exceptions to the Rules

78

Every Screenwriter's Conundrum: Should I Update My Old Scripts?

79

Freedom of Expression and Creativity

80

Mentorship--Write to the Writer

81

Shakespeare the Plagiarist

82

Endings

83

Endings

84

More About Beginnings

85

Don't Leave Out The Magic

86

Free Speech

87

Storyteller As God

88

Assimilation

89

The Power of Story

90

Sympathy for the Devil

91

Speech Cops

92

Endings - St. Elsewhere

93

Rest in Peace, Robert Redford

94

Beginnings

95

Genre Is Wildly Over-Rated

96

Interactive Print

97

More on Long Story Short and The Empress

98

Happy Endings and Other Hollywood Myths

99

Long Story Short and The Empress

100

Writing for Money

101

Movies Are For Audiences

102

Can You Really Teach Screenwriting?

103

Appearances

104

The Business of Show

105

Trends

106

Untamed

107

The Only Thing You Know For Sure

108

Writing Versus Film Tech

109

Drawing on the Right Side of the Brain

110

Writers Kvetching, Karping, and Komplaining

111

Ellipses and Assimilation

112

Assimilation

113

Squid Games Etc.

114

Sex, Violence, and Cover Pages

115

What Are the Odds Of Greatness?

116

Film Education in the Digital Era

117

Feces As Entertainment

118

Not Dialect But Dialogue

119

The Art of Trash

120

Want Your Screenplay to Get Made? Write to the Writer

121

The Dreaded Dreadful Auteur Theory

122

The Studio and Art Spiegelman--Disaster is My Muse

123

Experimental Film

124

Artificial Intelligence and Film

125

Movie Trends

126

Falwell

127

My Fifteen Minutes of Fame

128

Original Movies V. Adaptations

129

Should I Hire An Editor?

130

The Professor's Favorite Movies

131

Why Isn't Streaming Great?

132

Conclave: My Film Review

133

Writers: Get Out of Your Own Way

134

Diversity and Casting

135

Where's Heinz?

136

Stop Worrying About People Stealing Your Ideas

137

Genre-Schmenre

138

Intellectual Property--Can I Write a Book or Make a Movie About You Without Your Permission?

139

Good Guys vs Bad Guys

140

Intellectual Property - Copyright and Credits

141

Movies and Snobbery

142

Hollywood: An Egomaniac With An Inferiority Complex

143

The End of Adversity

144

Melody and Story

145

The Brutalist

146

Who Is The First Creator in Film - The Writer, Director, or Producer?

147

The Oscars - Theatres Vs. Streaming

148

Oscars 2025 Edition!

149

Processing Criticism

150

Dealing With Criticism

151

Emelia Perez - What's Real and What's Reel?

152

Emelia Perez and the Oscars

153

The Two Principles That Guarantee Screenwriting Success

154

Tis the Season - Let's Talk About the Oscars

155

Song Lyrics

156

Finding the Right Word

157

Adapting Short Stories and Video Games

158

Adaptations

159

Language and Snobbery

160

Dialogue... Less is More

161

The Delete Key Is Every Writer's Best Friend

162

Art, Adventure, Life, and Boredom

163

Violence and Tushies

164

Artificial Intelligence Paradise

165

Why Women Are Better Writers Than Men

166

Film and Artificial Intelligence

167

Adaptation - Don't Do It!

168

Overwriting Character Descriptions

169

Novels and Screenplays and How to Turn One Into the Other and Back Again

170

The Two Most Important Rules for Writers' Finances

171

The Write Way and The Wrong Way

172

Anora--The New Worst Movie Ever

173

There Are Patterns in Film - Can You Spot Them?

174

Sex, Violence, and Bambi

175

Let's Talk About Vaginas in Movies

176

Immigration, Diversity, and American Film

177

In Screenwriting, Story Is Everything

178

Screenwriting With Your Audience In Mind

179

My Livestream - Part 2!

180

My Livestream - Part 1

181

Truth and Authenticity in Film

182

Cringing When I See "Based on a True Story"

183

George Lucas the Experimentalist

184

A Dirty Word in Hollywood: Experiment

185

Never Underestimate the Loudness of Silence

186

Mood Is Doom Spelled Backward

187

Angry Queries

188

How Not to Get a Film Agent

189

Attention!

190

Let's Talk About Query Letters

191

Intellectual Property and Paranoia

192

Intellectual Property

193

Hooray for Hollywood

194

Leave Your Brain Outside the Theatre

195

Art Versus Entertainment - Don't Let It Be A False Dichotomy

196

The Personal Screenplay

197

How Many Pages Should You Read Before Quitting a Book?

198

Changes and Endings

199

Free Parking, Rejection, and Screenwriting

200

Reel Versus Real

201

Screenplay Beginnings--Must a Script Explode on Page One?

202

Too Many Screens

203

Nudity in Movies

204

Will You Read My Screenplay?

205

Why Titanic Is Good But Not Great

206

When Writing Love Stories, Don't Make This Mistake

207

How to Deal with Rejection

208

A Rare Thing in Film: Engaging the Audience

209

How to Write Strong Beginnings

210

The True First Artist in Film

211

The Unsold Script

212

Remember, Screenwriters: You'll Catch More Flies With Honey

213

Praise Versus Kvetching

214

Smoking and Integration

215

Want to Get An Agent? Write to the Writer!

216

Climate Change and Screenwriting

217

What's Changed and What's Remained the Same In Movies

218

The Two Biggest Changes in Film

219

Weinstein, Spacey... Let's Dispel the Myth of Mean Old Hollywood

220

Animation and Horror

221

The Status of the Observer

222

Excellent Versus Good

223

The Ideal Training for Hollywood

224

The Worst Movie I Ever Saw

225

Stereotypes in Movies - Use Them Or Ditch Them?

226

Jerking Off vs Making Love

227

An Underrated Book on Screenwriting: Plots and Characters

228

Civil War: My Thoughts

229

Two Threes

230

Pain In Narrative

231

Brainy Writers Must Never Forget: The Heart Is Smart

232

Reel Versus Real

233

Great Protagonists are Dreadful People

234

Identity and Community

235

This and That

236

What I've Been Watching, Loving, and Loathing Lately

237

How to Get the Script Reader to Not Reject Your Screenplay

238

How to Get the Script Reader to Not Reject Your Screenplay

239

Implication Versus Expression

240

Imply vs Express

241

In Film, Entertainment is Not a Dirty Word

242

Seven Dirty Words in Hollywood

243

Screenwriters and Distractions

244

Goals and Guilt

245

My Thoughts on Oppenheimer

246

Encountering Jack London in the Waiting Room

247

Novel vs Screenplay

248

I've Just Published a Book!

249

We Are Trained to Write Too Much - Throw More Away

250

Screenwriters - Learn to Throw It Away

251

That Time I Pretended Not to Be the Author of My Own Novel

252

Naivety is the Writer's Friend

253

A Trio of Triumvirates - Part II

254

Trio of Triumvirates

255

Want a Free Copy of My New Book?

256

Whatever You Do, Make Your Screenplay Personal -- Like Star Wars

257

In Hollywood You Start from the Top and Work Your Way Down

258

The Key to Great Screenwriting? Being a Human

259

Writing Rule #1: There Are No Rules

260

Creativity and Patterns

261

Creativity and Patterns

262

Hamas, Israel, and Screenwriting

263

Big Money

264

Screenwriters- Get Out of Your Own Way

265

Testicles and Freedom of Speech

266

How to Wreck Your Writing Career - Part 6

267

How to Wreck Your Writing Career - Part 5

268

How to Wreck Your Writing Career - Part III

269

Some More Ways to Wreck Your Writing Career

270

Various Ways to Wreck Your Writing Career

271

Here's Another Handy Trick If You Want More Action in Your Screenplay: Give Your Actors Something to Do

272

Here's a Handy Trick If You Want More Action in Your Screenplay

273

Should Screenwriters Still Use Gender Specific Names in 2024?

274

It Is the Movie's Job to Keep the Audience Awake, Not the Other Way Around

275

Is Your Intelligence Not Helping Your Writing Career? Instead of Smart, Try Stupid

276

Big Chill, American Graffiti, and the Collective Protagonist

277

Dialogue Versus Dialect

278

What "Da Jewz by Da Hood" Can Teach Us About Diversity in Screenwriting

279

Is It Time for a Writer-Owned Netflix?

280

What the Writer's Strike Means for Writers

281

First the Writers, Then the Actors

282

The Writer Strike Is Over-- But the Actors Soldier On

283

The WGA Strike Is Over

284

Why American Films Are More Successful Internationally Than Other Countries

285

Beyond black, white, gay, straight, old, young, rich, poor... we need diversity in film.

286

Screenwriters Know the Truth: Different Is Better

287

Attention Deficit Is Here to Stay

288

The Best Dialogue is No Dialogue

289

Novel vs Screenplay

290

Identities: Intersectionality or Taxonomy?

291

What Is the Value of Screenwriting?

292

The Biggest Mistake Screenwriters Make: Writing Far Too Much

293

Authenticity Is Massively Overrated in Screenwriting

294

My Review of Barbie, and Why It's Okay to Hate Movies

295

Let's Talk About Barbies and Vaginas

296

My Opening Thoughts on Oppenheimer

297

Actor Ronald Reagan's Advice to Screenwriters

298

What Font Should I Use for My Screenplay?

299

How Many Drafts Of My Screenplay Should I Write?

300

Screenwriting Format: How Many Pages Should My Script Be?

301

How to Format a Screenplay

302

How to Know Your Screenplay's Theme

303

Is It Time to Stop Screenwriting Scenes in Restaurants?

304

Is It Time to Stop Screenwriting Scenes in Restaurants?

305

If I Could Re-Name My Book on Screenwriting, I'd Call It "Appearances"

306

No I Will Not Read Your F*****g Screenplay

307

Dialogue

308

Guilt and Goals: Use Both On Your Screenwriting Journey

309

A Reckoning Is Coming for Privilege in Public Education

310

The F-Word

311

Screenwriters Rarely Get the Credit They Deserve

312

Spoilers - Part I

313

AI and Film

314

Should Writers Fear Artificial Intelligence?

315

The New Dead Ringers Doesn't Work

316

Hate Speech in Films

317

How to Sell a Screenplay

318

How to Sell a Screenplay

319

How Do I Protect My Screenwriting Ideas?

320

What Screenwriters Must Learn from Cult Leaders

321

The Absolute, Irrefutable, Undeniable #1 Rule for Screenwriting in Hollywood

322

"Cinema" vs Film

323

In Screenwriting, Goals Are Your Enemy

324

In Screenwriting, Imperfect is Perfect

325

Personal Pronouns and Gender in Screenwriting

326

Three Rules for Creating Singular Characters

327

Ideas Are Overvalued

328

Context Is Everything - Part 2

329

There Are Two Movies That Depict the Same Scene With Absolute Opposite Goals

330

The Love Story in Titanic Doesn't Work

331

History is a Story

332

Can't Break Into Hollywood? Save the Rage for the Page

333

Being a Celebrity Has Its Downsides

334

Character V. Story

335

The "Best" Movies of 2022

336

How Authentic Should My Screenplay Be?

337

When Writing Screenplays, Don't Try to Teach a Lesson--Just Tell a Good Story

338

Script Stuck? Take Out the Improvements

339

Want to Read My Hate Mail?

340

The New N-Word

341

Writing Mistakes That Amateur Screenwriters Make - Part II

342

Writing Mistakes That Amateur Screenwriters Make - Part I

343

Genre Shmenrah

344

The Greatest Film of All Time - Part II

345

The Greatest Film of All Time - Really?

346

The Top 100 Films of All Time - Part II

347

The Top 100 Films of All Time - Part I

348

How to Be a Professional Screenwriter

349

Is Writer's Block Real?

350

Why See a Movie Twice?

351

What Is the Ultimate Purpose of Storytelling, If There Is One?

352

A Key to Great Screenwriting: Keep It Personal

353

Three Cheers for Judas Iscariot

354

Should We Ban Smoking in Movies?

355

What Peace In the Middle East Can Teach Us About Screenwriting

356

Should I Reverse-Engineer My Screenplay Around an Ending, a Scene, or an Emotion?

357

One of the Biggest Amateur Screenwriting Mistake: Making Your Villains Villainous

358

How Much Technology Does a Screenwriter Really Need?

359

Are Commercial Movies Pure Garbage?

360

How to Nail a Query Letter to Agents

361

Should I Write My Next Screenplay By Hand?

362

How the Discovery of Cosmic Background Radiation Can Help Screenwriters

363

Is Citizen Kane Actually a Great Movie?

364

Beginnings, Middles, and Ends

365

The Process Is What Separates screenwriters from Screenwriters

366

Are High Concept Ideas Overrated?

367

Screenwriters: Nothing Is Better Than Something

368

Finance 101 for Writers

369

Film Dialogue Shouldn't Sound Like Real Life

370

Whether You're A Writer, Director, or Actor... Little Things Mean a Lot

371

As A Screenwriter, Is "Save the Cat" Worth Following?

372

Can You Really Teach Screenwriting?

373

The Auteur Theory Is Pure Bull$hit

374

What is the Purpose of Stories and Movies?

375

The Birmingham Cop

376

Embrace the Creative Process

377

Seven Naughty Words in Hollywood That You Should Absolutely Embrace

378

Authenticity in Film is Boring

379

Can Screenwriting Books Guide Novel Writing?

380

The Backstory to American Graffiti

381

What's the Secret to Training So Many Oscar-Winning Screenwriters?

382

Want to Write A Better Movie? Think Like a Real Estate Agent

383

How Accurate Do Screenwriters Need to Be When Writing Screenplays Based on True Stories?

384

In the Age of Mass Shootings, Should We Still Have Guns in Movies?

385

After 50 Years in Screenwriting, Here Are the Two Questions I Still Never Answer

386

Bashing Hollywood Is Wildly Overrated

387

Should Dialogue Have a Structure Like Screenplays?

388

What's More Important - Story or Theme?

389

The Delete Key Is A Writer's Best Friend

390

Should Screenwriters Read Shakespeare?

391

Overlapping Dialogue

392

Hired, Fired, Hired Again - A Hollywood Yarn About Trusting the Process

393

Adapting Your Own Screenplay As a Novel

394

A Safe Space

395

Diversity In Screenwriting

396

How I Elbowed My Way Into Hollywood -Part 2

397

How I Elbowed My Way Into Hollywood -Part 1

398

How Many Characters Should I Have in My Screenplay?

399

Do the Pentagon and CIA Fund War Films to Inculturate Americans?

400

The Two Questions I've Never Answered

401

Violence in Screenplays

402

Is It Better to Outline My Screenplay or Just Start Writing?

403

The Power of Non-Violence In Life and Movies

404

Box Office Success Versus Critical Acclaim

405

Box Office Success Versus Critical Acclaim

406

The Slap Heard 'Round the World

407

The Science of Storytelling (Part 2)

408

Is There A Science to Storytelling?

409

Should I Box Myself In By Picking A Genre Or Just Start Writing?

410

The Importance of Great Endings

411

Screenwriting Books

412

Should I Copyright My Screenplay?

413

What Is the Absolute Minimum, Maximum, and Ideal Length of a Screenplay?

414

Screenwriting Word You Need to Know: GOOYOW

415

When Execs/Producers/Directors Ruin Good Screenwriting

416

How to Ramp Up the Energy of Your Screenplay By Using Better Locations

417

The Pros and Cons of Prologues and Flashbacks in Screenwriting

418

My Screenplays Get Optioned But Never Sell. What Should I Do?

419

Stereotypes Will Ruin Your Script

420

The Worst Writing Job I Ever Had

421

How to Stay Excited While Writing Screenplays

422

Writer's Block

423

The Two Best Lines of Dialogue I've Ever Heard

424

What Was the Worst Script of 2021?

425

The Scariest Movies I Have Ever Seen

426

The Most Interesting Screenwriter I've Ever Met

427

How Can Screenwriters Avoid Leaving Out Necessary Plot Points?

428

Hollywood Hoaxes That Screenwriters Need to Know

429

How Do You Know When Your Script is Ready?

430

Should I Use the N-Word in My Screenplay?

431

Should Screenwriters Describe Characters or Leave It to Casting?

432

Should My Story Be a Novel or Screenplay?

433

Don't Let Perfection Destroy Your Screenwriting Ambitions

434

Screenwriters: You Need a Teacher

435

When To Give Up on Screenwriting

436

The Narcissism of Hollywood Screenwriters

437

If You Don't Care About What You're Writing, Why Would Anyone Else?

438

Directors Yell "Action!" Not "Description!"

439

People In Positions of Authority Don't Know What They're Talking About

440

Backup Girl

441

Zorro's Back

442

The Elevator Pitch

443

Proud Confession: I Am Sexist

444

When A Screenplay Doesn't Sell, It's Just the Beginning

445

Here's What Makes the Best Story