All Episodes
Independent Filmmaker's Guide | IFG — 62 episodes
A 2000+ Theatrical Screen release for "The Shift" featuring Brock Heasley and Ken Carpenter
How To Resurrect an Icon of Sexuality and Gender | The Disappearance of Shere Hite
How Independent Films Can Catch Fire with Ratings & Reviews | The Action/Horror Film HERD
HERD U.S. Premiere & Creating The Captivating Key Art with Eric Vasquez
Film Distribution | Malcolm Ingram's 30+ Year's Tales of Independent Filmmaking
Comedy Central's "Office Race"
Strike Agreement Misconceptions & Roots of A.I. Fears
The State of Horror Films | Michael Gingold | Fangoria, Rue Morgue
The Entertainment Industry's Metamorphosis: the Netflix Effect
A Happy Hour Flix podcast | It's a Mad Mad Mad Mad World with special guest Dana Snyder
What’s the difference between the AMPTP and Independent Productions?
Free Willy, Jason James Richter, and Surviving Fame | a HAPPY HOUR FLIX podcast
How to Document a Cult, Personally | The Fourth Wall
IFG Film Announcement Part 2 | It's Alive | Buke & Gase the film
IFG Film Premiere Announcement | A Listener Invitation | A New Season
The Rising Role of the Intimacy Coordinator
Working with Acting Titans like Dustin Hoffman + Sissy Spacek
How To Make a Crime Drama | American Murderer
A Shot Through The Wall | Representation On Screen
How to Cast Your Film Successfully | Prioritizing the Casting Director
Rebels Without a Crew | Insights From the Indie Horror Feature Alone With You
Capturing Collapse in Venezuela: the HBO Max Doc A La Calle
What Does Resilience Actually Look Like | Lorelei
How The Colorist Becomes a Storyteller | Documentary Filmmaking
Your Story Must Be Relevant: a Conversation with The God Committee
The "Legitimate Business" of Making a Harvey Keitel Gangster Film | Lansky
How To Create a TV Pilot With an Indie Filmmaking Mind | Timberwood
Start Planning Your Film’s Distribution & Marketing | Brainstorm Media
Your Film Is Not Done | Color Correction with Josh Bohoskey
Giving Your Film a Face For Your Audience | Key Art
Making The Film You Want Against All Odds
How to Market Your Movie Visually
Make Your Micro-Budget a Big Success: Pink Opaque
Indie Film Producer Master Class | The Film SILO
Write What You Know, Shoot What You Have: The Success of THE DJINN
How To Navigate Any Set: Actor Todd Alan Crain
How To Create A Prolific Film Career: 50 years with Steven Poster A.S.C.
How To Move From Commercials to Features: The Ghost Who Walks
Using comedy to tell meaningful stories: Jenna Laurenzo on Lez Bomb
How to Capture Authenticity in a Documentary: Justin Staple's American Rapstar
Costs That Will Kill Your Film: The Importance of the Line Producer
The 9 Day Feature Film
Horror King: Jeffrey Reddick
House of Cards, Mr. Robot and More: Jeremy Holm
Nigel Barker: Photos, Film, & Finding Your Voice
Killer Queen - From Producer To Director: Jenn Wexler
Creating a Horror Slasher: The Ranger
Make One Million Bucks Look Like Ten: Lucky Grandma
STILL HERE: A Focus On Acting
John Leguizamo Directs His First Feature: Critical Thinking
Still Here: Prioritizing Performance
Safe On Set After Covid
BlacKkKlansman Oscar Winner teams up with Empire's Trai Byers: The 24th
Making a RomCom For This Generation
Vinnie Jones: "Snatch" to Indie Producer
Returning to Film School In Covid
From Iron Man to Indie: Faran Tahir and the cast of I'll Meet You There
How A Film Survived After SXSW Vanished
How to Photograph and Film Protests
The Last Dance: From Your Living Room to Netflix
Work Better With Your Cinematographer
A Short Film That Gets Over Half A Million Views - NY RHAPSODY