Mint Podcast by Adam Levy cover art

All Episodes

Mint Podcast by Adam Levy — 524 episodes

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Title
1

Inside the Buz Ecosystem: How $BUZ is Empowering Onchain Growth

2

How Layer3 Is Transforming User Engagement Onchain ft. Brandon Kumar

3

Introducing Blueprint by Bello

4

Going Viral Onchain

5

A Deep Dive on the Lens Network with Stani Kulechov and Alex Gluchowski

6

Alex Masmej Talks $DEGEN: Fueling Drakula's Growth and the Onchain Creator Economy

7

Chintan Turakhia: The Rise of Crypto Super Apps

8

Why The Web3 Creator Economy Needs Coinbase's Base Protocol ft. Jesse Pollak

9

Web3 Marketing's Next Big Thing: Mass Messaging Across Wallets with Shane Mac

10

Duality Unleashed: A Special Episode with DJ Daniel Allan

11

Shorts | John Crain: Rewarding Experiences With SuperRare DAO

12

Shorts | PplPleasr: The Importance of Familiarity in Art

13

Shorts | Morkeeth & Micheal Traore: Securities Laws Around Music NFTs

14

Shorts | Daniel Allan, Cooper Turley, & BlockchainBrett: Responsibilities That Come With Raising $1M

15

Shorts | Zack Guzman: Reinventing the Distribution Model

16

Shorts | Blond:ish: Innovating Plastic-Free Vinyl

17

From Joshua Tree to Web3: How LNRZ DAO is Changing the Game for Musicians

18

Shorts | Christina Beltramini: Followers vs. Collectors

19

Shorts | Sam Sends: Web3's TikTok Equivalent

20

Shorts | Aidan Musnitzky: Why Artists Should Choose Spinamp

21

Shorts | Chase Chapman: Growth Since Joining DAOs

22

Shorts | PplPleasr: What's Next For PplPleasr?

23

Shorts | Zack Guzman: Comparing a Web2 and Web3 Consumer

24

Shorts | Jacob: Creating Content Worth Collecting

25

Shorts | Daniel Allan, Cooper Turley, & BlockchainBrett: Artists Following Daniel Allans Path

26

Shorts | Gami: What's Next for Gnars DAO

27

Shorts | John Crain: SuperRare DAO

28

Shorts | Matt Medved & Sam Hysell: Why NFTs Are the Answer

29

Shorts | Farokh: UGC as Assets

30

Building a Future of Digital Identity and Ownership for Creators

31

Shorts | Morkeeth & Micheal Traore: The Rihanna Music NFT Drop

32

Shorts | Jacob: Web2 Distribution

33

Shorts | Lucas Campbell: Biggest W in Content Creation

34

Inspiring Sustainable Practices through Music: Blond:ish's Bioplastic Vinyl Compilation

35

Shorts | Morkeeth & Micheal Traore: Pricing NFTs

36

Shorts | Daniel Allan, Cooper Turley, & BlockchainBrett: Changing the Game for Independent Artists

37

Shorts | PplPleasr: Features in Hollywood Films

38

Shorts | Morkeeth & Micheal Traore: Motivation for Using NFTs

39

Shorts | John Crain: Further Exploring Primary NFT Sales

40

Shorts | Aidan Musnitzky: Every Interaction Becoming a Collect

41

Shorts | Zack Guzman: Integrating Collectors

42

Shorts | Morkeeth & Micheal Traore: Thesis for a Crypto-Enabled Music Industry

43

Shorts | Sam Sends: Who is Sam Sends?

44

Shorts | Daniel Allan, Cooper Turley, & BlockchainBrett: The Artist Seed Round

45

Shorts | Jacob: The Evolution of Open Editions

46

Shorts | Christina Beltramini: What Can Web3 Fix About Web2?

47

The Rise of Writing NFTs and Collectible Content with Nick Hollins

48

Shorts | PplPleasr: What Emotions Does Your Art Evoke?

49

Shorts | Matt Medved & Sam Hysell: The Future of Digital Ads

50

Shorts | Lucas Campbell: Writing a DeFi Newsletter

51

Shorts | Morkeeth & Micheal Traore: TikTok Users Shaping the Music Industry

52

Shorts | Daniel Allan, Cooper Turley, & BlockchainBrett: How Daniel is Using the $1M

53

Shorts | Jacob: Starting the Open Edition Trend

54

Shorts | Morkeeth & Micheal Traore: Why Should Someone Feel Entitled to Their Own Media?

55

Shorts | Matt Medved & Sam Hysell: Creating Content Worth Collecting

56

Shorts | Zack Guzman: Will Web3 Affect Traditional Media Gatekeepers?

57

Exploring the Web3 Creator Economy: Insights from ETHDenver

58

Shorts | Daniel Allan: What Goes Into Raising $1M?

59

Shorts | Christina Beltramini: Creating Content Worth Collecting

60

Shorts | Lucas Campbell: What Collecting Means in Web3

61

Transforming Audiences into Communities with Reka from Guild.xyz

62

Shorts | PplPleasr: What is PleasrDAO?

63

Shorts | Sam Sends: Thesis On Tokenized Media

64

Shorts | Aidan Musnitzky: The Vision for Spinamp

65

Shorts | Matt Medved & Sam Hysell: Updates On nft now Since the Last Episode

66

Shorts | Farokh: How Do You Stay Motivated?

67

Shorts | Gami: Aligning with Nouns

68

Shorts | John Crain: NFT Marketplace Wars

69

Shorts | Roberto Nickson: The Trillion Dollar Question

70

Shorts | Diana Chen: Early Days of Rehash

71

Shorts | Jacob: Spear Heading the Web3 Creator Economy

72

Shorts | Lucas Campbell: How Did University Help You Get Your Start in Crypto?

73

Shorts | Zack Guzman: Media Companies as DAOs

74

Shorts | Sam Sends: Favorite Item in Your Wallet

75

How Royalty-Backed NFTs are Challenging the Music Industry

76

Shorts | PplPleasr: Dealing With Split Community Ideas

77

Shorts | Roberto Nickson: Starting Metav3rse

78

Shorts | John Crain: Launching $RARE

79

Shorts | Chase Chapman: Creating Content in Web3

80

Shorts | Peter Saputo: Getting into Web3

81

Shorts | Farokh: Turning Consumers into Collectors

82

Shorts | Robin Schmidt: Creative Process for Content

83

Shorts | Roberto Nickson: Web2 Creators vs. Web3 Creators

84

Shorts | John Crain: The Role of Creator Royalties

85

Web3 Music Artist Daniel Allan Just Raised $1,000,000 and Here’s Why

86

Shorts | Peter Saputo: What's Next for Peter?

87

Shorts | Sam Sends: The Benefits of Owning Your Content

88

Shorts | Christina Beltramini: The Value of Having Control Over Your Online Identity

89

The Future of Digital Advertising and Tokenized Media with nft now

90

Shorts | Diana Chen: Bear Market Opportunities

91

Shorts | Chase Chapman: Media DAOs

92

Shorts | Sam Sends: Audience Interoperability

93

Shorts | John Crain: Getting into NFTs and Starting SuperRare

94

Shorts | Gami: Finding Your Role in a Community

95

Shorts | Sam Sends: Will Youtube Get into Web3?

96

Shorts | Christina Beltramini: Accelerating Content Distribution in Web3

97

Shorts | Robin Schmidt: Simplifying Complex Subjects

98

Shorts | PplPleasr: What Goes into Great Storytelling

99

Shorts | Farokh: Tips for Getting into Web3

100

Design, Distribution, and Tokenized Media: Insights from Jacob of Zora

101

Shorts | Charlie Durbin: Roles at Decent.xyz

102

Shorts | Diana Chen: Podcast NFTs

103

Shorts | Zack Guzman: Composability in Web3

104

Beyond Followers: Building a Community of Collectors with Chase Chapman

105

Shorts | Peter Saputo: Understanding Platforms for Music NFTs

106

Shorts | Christina Beltramini: Empowering Curators with Lens

107

Shorts | Chase Chapman: Collectors vs. Followers

108

Shorts | Roberto Nickson: The Media Industry as a Whole

109

Shorts | Sam Sends: Content & Podcast NFTs

110

Shorts | PplPleasr: Challenges Running the Shibuya Operation

111

Shorts | TK: Getting into Music and Web3

112

Shorts | Gami: Trust vs. Verify

113

Shorts | Peter Saputo: Are 1 of 1s Dead?

114

Eth Denver 2023: Day 1 Recap

115

Shorts | Robin Schmidt: Finding a Creative Voice in Web3

116

Shorts | Christina Beltramini: Onboarding Your Audience On to Lens Protocol

117

Shorts | Lucas Campbell: Patronage Based vs Ownership Based

118

Shorts | Chase Chapman: Balancing Creating Content in Web3

119

Shorts | Diana Chen: Web2 vs Web3 is Wrong

120

Creator Royalities and NFT Marketplace Wars ft. John Crain of SuperRare

121

Shorts | Peter Saputo: Tips For Artists Getting into Web3

122

Shorts | PplPleasr: How Will NFTs Change the Way We Interact With Content?

123

Shorts | Chase Chapman: Building a Better Internet

124

Shorts | Roberto Nickson: Is it Worth Collecting a Podcast Episode?

125

Shorts | Gami: Joining Nouns DAO

126

Shorts | Lucas Campbell: Podcast Monetization in Web2 vs. Web3

127

Shorts | Robin Schmidt: Founding BasedAF Media

128

Shorts | Charlie Durbin: Use Cases For Rentable NFTs

129

Shorts | Sam Sends: The Entrepreneurial Path

130

How Web3 Enables a New Era of User-Generated Content ft. Christina Beltramini

131

Shorts | Peter Saputo: Having a Collectors Group Chat

132

Shorts | Diana Chen: Web3 Social Thesis

133

Shorts | PplPleasr: Routine for Practicing Creativity

134

The Current State of DAOs in the Bear Market

135

Shorts | Lucas Campbell: Monetizing As a Web3 Creator

136

Shorts | Charlie Durbin: Ideal Creator to Use Rentable NFTs

137

Shorts | Peter Saputo: Understanding the Evolution of Music NFTs

138

Shorts | Charlie Durbin: The Bull Case for Rentable NFTs

139

Shorts | Roberto Nickson: How Does Web3 Challenge Web2 Metrics?

140

Shorts | Diana Chen: Why Should Someone Collect Podcast NFTs?

141

Shorts | Roberto Nickson: Metav3rse's Content Strategy

142

Shorts | Gami: The Overlap Between Expression Sessions and Creating Content Worth Collecting

143

Shorts | Robin Schmidt: New World of Entertainment

144

Exploring the World of Media Legos and Video NFTs with Sam Sends

145

Shorts | PplPleasr: Navigating Creative Road Blocks

146

Shorts | Farokh: Platform Media Legos

147

Shorts | Andre Benz: Ethos Behind Web3 Music

148

Exploring the Future Impact of Rentable NFTs on the Creator Economy

149

Shorts | TK: What to Expect From TK in the Near Future

150

Shorts | Aidan Musnitzky: Recommendation Algorithms On Music Streaming Platforms in Web3

151

Shorts | Robin Schmidt: Understanding The Full-Time Fan

152

Shorts | Gami: Bringing Nouns to Life in Rio de Janeiro

153

Shorts | Roberto Nickson: Web3 Internet Culture

154

Shorts | Farokh: Building Audiences On Social Media

155

Shorts | Dawson Botsford: Did You Consider Getting Acquired When Starting Earnifi?

156

Shorts | Andre Benz: How Do You Scale Curation?

157

Shorts | TK: Highlights That Surpass Meeting Will Smith

158

Balancing One-of-One Releases and Edition Drops: Peter Saputo's Take on Web3 Music Success

159

Shorts | Gami: In What Ways Does NounsDAO Align With Personal Beliefs?

160

Shorts | Lucas Campbell: Bankless Podcast NFTs

161

Shorts | PplPleasr: How Will Blockchain Tech Impact Funding for Projects

162

The Future of Where Podcasters Meet Crypto

163

Shorts | Zack Guzman: The Coinage Co-Ownership Model

164

Shorts | Robin Schmidt: Creating Content Worth Collecting

165

Shorts | Andre Benz: Understanding the Value of Web3 Drops

166

Shorts | Joe Vezzani: Evolution of the Web3 Social Landscape

167

Shorts | BlockchainBrett: The Potential of Exclusive Content

168

Shorts | Farokh: Tokenizing Different Forms of Content

169

Shorts | TK: The Best Way to Learn is to Teach

170

Shorts | Lucas Campbell: Biggest Challenges Web3 Creators Face

171

Shorts | Erick Calderon: The Importance of Taste-Making as a Curator

172

The 3rd Pillar of the Creator Economy

173

Shorts | Roberto Nickson: Should Content Be CC0'd?

174

Shorts | Cooper Turley: Building a Music Audience in Web3

175

Shorts | Aidan Musnitzky: Content Worth Paying For

176

How PplPleasr Uses NFTs to Supercharge the Art of Storytelling

177

Shorts | Michael Blau: Web2 Fan Vs Web3 Fan

178

Shorts | Farokh: Web3's Equivalent of a Web2 Follower

179

Shorts | TK: The Transition From Traditional to Web3 Music

180

Shorts | Farokh: Summing Up the Last 12 Months of the Bear Market

181

Shorts | Lucas Campbell: Splitting Tokenized Content

182

Shorts | Roberto Nickson: Reusing Creator Content

183

Shorts | Aidan Musnitzky: Challenges and Design Inspiration While Launching Spinamp

184

Shorts | TK: Eternal Garden

185

Shorts | illaDaProducer: Collecting Music NFTs

186

Decoding the Intersection of Skating and DAOs with Gami of GnarsDAO

187

Shorts | Michael Blau: Origin Story of x0r

188

Shorts | TK: TK's Journey to Success

189

Shorts | Lucas Campbell: Converting Viewers into Collectors

190

TK’s Web3 Music Journey: From Passion to Profession

191

Shorts | Roberto Nickson: Are You Bullish on Web3 Social?

192

Shorts | Zack Guzman: Collecting Content

193

Shorts | Fvckrender: Do Web3 Communities Favor Smaller Artists?

194

Shorts | Aidan Musnitzky: Exciting New Ideas for Spinamp

195

Shorts | Farokh: Tokenizing Different Forms of Content

196

Shorts | Lucas Campbell: Content Remixing

197

Shorts | Roberto Nickson: Content Scarcity and Supply Balance

198

Shorts | Farokh: Best Practices for Creators and Companies Using Crypto to Monetize Their Audience

199

Shorts | William Bailey: Aggregating Onchain Assets into One Index

200

How Web3 is Changing the Landscape of Social Media Monetization

201

Shorts | Zack Guzman: Will Traditional Media Companies Adapt to the Web3 Landscape?

202

Shorts | Lucas Campbell: Lessons Learned from the OP Airdrop to Apply to the Next Project

203

Shorts | Aidan Musnitzky: What's Restricting Other Forms of Content From Taking Off?

204

Unpacking the Future of Tokenized Media and NFTs for Content Creators

205

Shorts | Roberto Nickson: Where Media Intersects With Web3

206

Shorts | Dawson Botsford: The Future of Bankless Labs

207

Shorts | Aidan Musnitzky: Will Web3 Fix Today's Major Music Streaming Platforms?

208

Shorts | Daniel Allan & Reo Cragun: Traditional Record Labels vs. Web3

209

Shorts | VÉRITÉ: Three Types of Music NFTs

210

Shorts | Zack Guzman: The Lack of Truth From Media Companies About SBF

211

Shorts | Dan Romero: How Do You See Clients for Farcaster Evolving?

212

Shorts | Aidan Musnitzky: Why Should Artists Choose Spinamp?

213

Shorts | Adam Levy: Getting Your First 1000 True Fans in Web3

214

Exploring Spinamp: The Future of Music Streaming and Mobile Collection

215

Shorts | Zack Guzman: How Will Decentralized Tech Change the Way We Handle IP/Ownership in Web3?

216

Shorts | Daniel Allan & Reo Cragun: Biggest Challenges While Creating 'Criteria'

217

Shorts | Sidney Swift: The Traits of an Outstanding Community Manager

218

Web3's Impact on Content Creation and the Future of Tokenized Media

219

Shorts | VÉRITÉ: Where Do You Get Your Business Mindset?

220

Shorts | Xcelencia: Are Labels Turning into Creative Hedge Funds?

221

Shorts | Grady: Will the Major Record Labels Invest in DAOs or Create Their Own?

222

Shorts | Adam Levy: Platforms to Help Kick Off Your Creative Journey in Web3

223

Shorts | Zack Guzman: How Will Web3 Solve the Challenges Media Faces

224

Shorts | David Greenstein: Lessons Learned at Sound.xyz Since Season 2

225

Shorts | Zack Guzman: Balancing Creating Good Content and Not Getting Lost in NFT Sauce

226

Shorts | Mark de Clive-Lowe: The Buy Back Crowdfund

227

Exploring the Future of Media in Web3 with Zack Guzman of Coinage Media

228

Shorts | Sidney Swift: Web2 Music vs. Web3 Music

229

Shorts | William Bailey: Converting Listeners to Collectors

230

Shorts | Grady: Parallels Between the Crypto and Music Industries

231

Shorts | Queen George: Collector vs. Listener

232

Shorts | Alex Masmej: The Value of Free NFTs

233

Shorts | Alec King: Publishing Your First NFT

234

Shorts | Dawson Botsford: Getting acquired by Bankless

235

Shorts | Reo Cragun & Daniel Allan: Influencing Other Web3 Artists

236

Shorts | Xcelencia: How to Get Started in Web3 as a Creator

237

Shorts | William Bailey: Music NFTs in 2022

238

Shorts | Dan Romero: Defining the Success of a Web3 Creator

239

Shorts | Dada Boipela: The End Goal of Capturing High Quality Moments Digitally

240

Shorts | Reo Cragun & Daniel Allan: The Intersection of Web3 and Live Music

241

Shorts | Dawson Botsford: The Most Difficult Part of Bringing Earnifi to Life

242

Shorts | !llMind: Why do Beats, Loops, and Sample Packs Need to be Onchain?

243

Shorts | VÉRITÉ: How Do You Generate Value for Collectors?

244

Shorts | Grady: The Future of Music in Web3

245

Shorts | Dayo Adeosun: Monetization On Youtube vs. Glass

246

Shorts | Mark de Clive-Lowe: Why Web3 is the Perfect Medium for Releasing Music

247

Shorts | Reo Cragun & Daniel Allan: Writing the Playbook for the Largest Music NFT Project 'Criteria'

248

Shorts | Will Collier: Web2 Fan vs. Web3 Fan

249

Shorts | Tyson Battistella: What Does it Mean to Be a Data-Informed Creator?

250

Shorts | IllaDaProducer: Finding Purpose in Crypto and Web3

251

Shorts | Queen George: Releasing an EP in Web3

252

Shorts | Alex Masmej: Thesis on Web3 Social

253

Shorts | Erik Reppel: Artificial Intelligence and Machine Learning's Role in Web3

254

Shorts | Matt Alston: The Evolution of Bonfire

255

Shorts | Anatoly Yakovenko: How Should Creators Leverage Onchain Data

256

Shorts | Black Dave: The Value in Free NFTs

257

Shorts | Dawson Botsford: Will Web3 Take Over Web2's Notification and Communication Layer?

258

Shorts | Adam Levy: Lessons Learned Dropping Podcast NFTs

259

Shorts | Reo Cragun & Daniel Allan: How Do the Next Generation of Students Become Collectors?

260

Shorts | Sidney Swift: Tips On Finding Your First 100 Community Members

261

Shorts | Daniel Allan: Deciding Whether a Body of Work is an EP or an Album

262

Shorts | Richard Chen: What Does a Crypto-Enabled Music Industry Look Like?

263

Shorts | Rantum: How to Become a More Data-Informed Creator

264

Shorts | Erick Calderon: How Do You Use Onchain Data?

265

Shorts | Dan Romero: The Current State of Web3 Social

266

Shorts | Stani Kulechov: The Current State of Music NFTs

267

Shorts | Michael Blau: How to Use Blockchain Data to Your Benefit

268

Shorts | Natalia Murillo: How Far is Web3 From Going Mainstream?

269

Web3 Music Mavericks: Daniel Allan and Reo Cragun Talk Collaboration and Their New Project 'Criteria

270

Shorts | Jenil Thakker: The Evolution of Token Airdrops in Web3

271

Shorts | Alex Svanevik: The Future of DeFi & NFTs

272

Shorts | Ellie Farrisi: Macro Problem Solving With Bello

273

Shorts | Annika Rose: Exploring the Evolution of the Artist-Fan Connection in Web3

274

Shorts | BlockchainBrett: What Content is Worth Collecting?

275

Shorts | Tyson Battistella: What Did We Mess Up in Web2 That is Being Fixed in Web3?

276

Shorts | Adam Levy: Deciding What's Gated and What's Not

277

Shorts | Joe Vezzani: Common Pitfalls While Using Data to Make Decisions

278

Shorts | Dawson Botsford: Becoming the Web3 Notification Tool

279

Shorts | Aaron Mcdonald: Taking Web3 Mainstream

280

Shorts | Daniel Allan & Matt Alston: Minting on Curated Marketplaces vs. Individual Site

281

Shorts | TYCHO: What Does Open-Source Mean in TYCHO's Community?

282

Shorts | Sridhar Ramaswamy: Data Access in Web3 vs. Web2

283

Shorts | Dawson Botsford: Getting Acquired By Bankless

284

Shorts | Joe Vezzani: Onchain Data vs. Offchain Data

285

Shorts | BlockchainBrett: Creating Through the Bear Market

286

Shorts | Ellie Farrisi: Privacy in Web3

287

Dawson Botsford and the Acquisition of Earnifi’s $150M Airdrop Tool

288

Shorts | Alex Svanevik: How Creators Should Utilize Onchain Data

289

Shorts | Reo Cragun: The Current State of Music x Crypto

290

Shorts | Adam Levy: Sponsorship NFTs

291

Shorts | Jenil Thakker: How Is the Bear Market Affecting the Web3 Creator Economy?

292

Shorts | Tyson Battistella: How Zora Uses Onchain Data

293

Shorts | Joe Vezzani: Navigating Through the Bear Market

294

Shorts | Steve Aoki: WAGMI Even in This Bear Market

295

Shorts | Stani Kulechov: Designing a Web3 Social Network

296

Shorts | David Greenstein: The Next Chapter of Music NFTs

297

Shorts | Sridhar Ramaswamy: How Web3 Will Disrupt the $68.1 Billion Dollar Advertising Industry

298

Shorts | Adam Levy: Creating Unique Content Experiences Using Onchain data

299

Shorts | Gaby Goldberg: Curation in Web3

300

Shorts | Natalia Murillo: Creating New Mechanisms for Participation

301

Shorts | BlockchainBrett: Converting Web2 Viewers into Web3 Collectors

302

Shorts | Alex Svanevik: Thesis On Music NFTs

303

Shorts | Cooper Turley: Is the End Goal to Build a Trustless Music Industry Using Crypto?

304

Shorts | Heno.: Tips For Artists Entering Web3

305

Shorts | BlockchainBrett: The Content NFT Life Cycle

306

Shorts | Patrick Rivera: What Does Going Viral Look Like in Web3?

307

Content NFTs.

308

Shorts | Anatoly Yakovenko: Where Should Creators Be Focusing Their Energy In the Bear Market?

309

Shorts | Dan Romero: Incentives for Developers to Build On Top of Farcaster

310

Shorts | Erik Reppel: Pros and Cons of Having Everything Onchain

311

Shorts | a16z's Nass: What's It Like Working at Facebook's Crypto Team?

312

Shorts | Patrick Rivera: Why Would Someone Collect a Writing NFT?

313

Shorts | Dan Romero: Unlocking The Power of Your Web3 Social Graph

314

Shorts | Gaby Goldberg: How Do Web3 Platforms Build Stickiness?

315

Shorts | Black Dave: Methods Used For Creating Experiences Around NFT Drops

316

Shorts | Annika Rose: Strategies For Onboarding Fans Into Web3

317

Shorts | Hildebert: What's Missing in Web3?

318

Shorts | Adam Levy: The Web3 Playbook for Creators

319

Shorts | David Greenstein: Macro Events Occuring in Web3 Music

320

Shorts | Erick Calderon: Learning to Code and Starting Art Blocks

321

Shorts | Annika Rose: The Importance of Blockchain Data For Crypto-Native Music Artists

322

Shorts | Aaron Mcdonald: Understanding the Power of Your Web3 Social Graph

323

Using POAPs to Sell Out a Music NFT Drop

324

Shorts | Stani Kulechov: Vision For Web3 Social

325

Shorts | Ellie Farrisi: Why We Started Bello

326

Shorts | Tyson Battistella: Building Developer Communities at Zora

327

Building the Intelligence Layer for Web3 at Bello

328

Shorts | MP: What Role Do Curated Registries Play in the Creator Economy?

329

Shorts | Adam Levy: Levy's 3 Tips For Web3 Creators

330

Shorts | Cooper Turley: The Web3 Playbook for Music Artists

331

How To Build Your Web3 Community Using Free NFTs

332

Shorts | Rantum: My Mental Model For Understanding On-Chain Data

333

Shorts | Heno.: Social Justice in Web3

334

Shorts | Anatoly Yakovenko: Things That Can Only Be Built On Solana

335

The Intersection of Social Justice and Web3 with Heno.

336

Shorts | Reo Cragun: Where Does Crypto Fit Into Touring and Live Performances?

337

Shorts | Scott Hansen & Matt Jones: Audience Interoperability in Web3

338

Shorts | Erick Calderon: Pivotal Decisions Made for Growing Art Blocks

339

Shorts | Gaby Goldberg: Giving Away NFTs For Free?

340

Shorts | Aaron Mcdonald: What it Means to Own Your Audience in Web3

341

A Deep Dive into the Mind of Web3’s Consumer Savant

342

Shorts | Stani Kulechov: Unlocking the Power of Social Capital With Lens Protocol

343

Shorts | David Greenstein: Successful Strategies for New Artists Dropping On Sound.xyz

344

Shorts | Alex Masmej: What's Apple's Game Plan in Web3?

345

Rewriting The Music Industry: Web3 Protocols, Marketplaces, and Fandom

346

Shorts | Jenil Thakker: The Meaning of Participation For an Independent Creator in Web3

347

Shorts | Hildebert: Creator Royalties in Web3

348

Blockchain Data’s Role in the Web3 Creator Economy

349

Shorts | Dan Romero: Centralized vs. Decentralized Social on Farcaster

350

From Coinbase Employee #20 to Building Farcaster with Dan Romero

351

Shorts | Natalia Murillo: The Competition For Engagement in Web3

352

Shorts | Sridhar Ramaswamy: Web2 Search Versus Web3 Search

353

Paradigm Placed A Multi-Million Dollar Bet On n.xyz And Here’s Why

354

Shorts | Stani Kulechov: How Creators Make Money On Lens Protocol

355

The Creator’s Ultimate Guide to Web3 Social

356

Shorts | Erick Calderon: The Importance of Having NFTs Fully On-Chain

357

Shorts | Joe Vezzani: What it Means to Own Your Data in Web3

358

How to Leverage Social Media Data in Crypto

359

Shorts | Scott Hansen & Matt Jones: The Roadmap for TYCHO's New Open-Source Community

360

A Deep Dive into TYCHO’s Open-Source Community

361

Shorts | Cooper Turley: Creators Need to Think and Act Like Startups

362

Shorts | Richard Chen: Measuring the Success of a Community

363

Richard Chen on Venture Capital and Data-Driven Community Building

364

Shorts | Reo Cragun: How to Use Data as a Music Artist

365

Reo Cragun: The Journey as an Independent Artist in Web3

366

Shorts | Alex Svanevik: DeFi Brought the Capital, NFTs Brought the People

367

Shorts | Black Dave: The Future of Renting NFTs

368

Black Dave’s Mental Model on Designing Experiences for Collectors

369

Shorts | MP: How Crypto Creators Should Use On-chain Data

370

Shorts | Tyson Battistella: Building Ideas Beyond Zora

371

Shorts | David Greenstein: Curation on Sound.xyz

372

Shorts | Jenil Thakker: The Evolution of Airdrops

373

Tools for Executing Airdrops with Coinvise

374

Shorts | Rantum: Community Interoperability in Web3

375

Rantum’s Mental Model for Analyzing Blockchain Data

376

Shorts | Anatoly Yakovenko: Why aren't Apple and Google taking web3 seriously?

377

Shorts | Cooper Turley: The Value of Ownership

378

Coop Records Just Raised $10 Million

379

Shorts | Natalia Murillo: How Scalable is Centering Access Around Money In Web3?

380

Turning Web2 Consumers into Web3 Contributors With Nati From Koop

381

Shorts | Gary Vee: Tips For Creators Building Web3 Communities

382

Shorts | Tyson Battistella: What Is a Hyperstructure?

383

How To Quit Working For Coinbase and Build Your Own NFT Marketplace

384

Shorts | Aaron Mcdonald: How Do You Build Stickiness in Web3?

385

FLUF World Founder Aaron McDonald on the Vision for a Crypto-first Metaverse

386

Shorts | Michael Blau: Psychological Thinking in Web3

387

Shorts | Erick Calderon: A Deep Dive into The Art Blocks Curation Strategy

388

From Importing Tiles to Creating Art Blocks: This is Erick Calderon

389

Shorts | Megan Lightcap: My Point of View On Social Tokens

390

Crypto Creator Economy Roundtable with Megan Lightcap of Slow Ventures

391

Shorts | David Greenstein: What Makes One Artist More Valuable Than The Other In Web3

392

Shorts | Alex Svanevik: The Current State of AI in Web3

393

Nansen.ai’s Alex Svanevik on where Big Data, DeFi, and NFTs Intersect

394

Shorts | Miguel Piedrafita: Using Web3 Primitives as Creative Tools

395

Creative Ways Creators Use Crypto and Web3 as a Tool

396

Shorts | Patrick Rivera: When Should Somebody Consider Minting Their Blog Post?

397

Shorts | Anatoly Yakovenko: How Creators Should Use On-Chain Data To Build Communities

398

Creator Economy on Solana, Data, Web3 Mobile, Crypto Retail Stores, and More

399

Shorts | MP: Why Do We Need Decentralized Token Curated Registries?

400

The Importance of Token Curated Registries in the Web3 Creator Economy

401

Shorts | a16z's Nass: Understanding the Ownership Layer for All Audio Files

402

Shorts | David Greenstein: How Crypto Fixes Music Discovery

403

Shorts | gmoney: Using Free NFTs to Build a CRM

404

Shorts | Cooper Turley: Creating Better Opportunities for Web3 Fans

405

Shorts | Erik Reppel: What does Ownership Mean in Web3?

406

Are Podcast NFTs GMI?

407

Shorts | gmoney: Pseudonymous Identity in Web3 and the Metaverse

408

Shorts | Steve Aoki: Why You Must Serve Others To Achieve Success

409

Shorts | David Greenstein: Starting Sound.xyz to Save the Music Industry

410

Shorts | Gary Vee: Macro Perspective on The Web3 Music Scene

411

Shorts | Don Diablo: The Journey to Selling NFTs at Sotheby's

412

Jenil Thakker on Understanding Membership NFTs

413

Shorts | Cooper Turley: Why The Web3 Music Industry Needs its Own Protocol

414

When to Mint an NFT on Curated Marketplaces vs. Your Personal Site

415

Crypto Cults and the Rise of Digital Nation States ft. Brett Goldstein

416

2 Important Tips for Music Artists Entering in Web3

417

Fun Ways To Use Membership NFTs ft. IBN INGLOR

418

Raising 10 Million in 24 Hours to Build Crypto’s Alpha Playground

419

How To Generate Unique Value for NFT Collectors ft. DJ Dot

420

The Traits of a Great Community Manager in Web3

421

The Great Reset: Free NFT Season Has Arrived

422

Shorts | Devin Finzer: The Next Billion Users in Web3

423

The Web3 Creator’s Guide to Blockchain Data with Erik Reppel

424

Shorts | $PLAY: #1 Tip for Surviving a Crypto Bear Market

425

Nass: From Graffiti Artist to Rebelling Web2 at a16z

426

Shorts | Gary Vee: How To Launch an NFT Project

427

Shorts | Steve Aoki: How I Got Into Web3

428

Why Collect a Writing NFT with Patrick Rivera

429

Shorts | Gary Vee: How Music Artists Should Think About NFTs

430

How gmoney Created Web3’s Hottest Club Using Free NFTs

431

Web3 Data Profiles and Smart Contract Illusions with Michael Blau (x0r)

432

Joey DeBruin on Contextualizing the DAO Landscape

433

How Crypto and Web3 Will Change Social Media Forever

434

How NFTs will Change Professional Sports with Ice Cube

435

Queen George on Releasing an EP in Web3

436

Web2 Fans vs. Web3 Fans with Will Collier

437

Ethics in Web3 with Aleyna Dogan

438

CC0 Licensing: What is it and Why it Matters

439

Liberating 1,000,000 Independent Music Artists with Sound.xyz's David Greenstein

440

illaDaProducer on Building The Web3 Incubator for Music Producers

441

Andre Benz: Runescape, Curation, and the Future of Generative Music NFTs

442

What Audience Data Can Creators Unlock in Web3 using NFTs and Tokens?

443

Mint Season 4 Recap: The World of Music NFTs

444

Matthew Chaim on Building a 77-Person Headless Music Artist

445

Creator Spotlight: Benny Conn and The Era of Generative Music

446

How Decentralized Finance Will Revolutionize The Music Industry

447

Do Music NFTs Work in Favor of Record Labels?

448

The Collector’s Guide To Music NFTs: Owning vs. Patronage

449

My Web3 Creator Economy Thesis

450

The Creator's Tax Guide to Crypto, NFTs, and DAOs

451

Unlocking The Power of Dynamic NFTs with Ben Lakoff

452

Why Creators Should Build DAOs to Empower Super Fans

453

Why Creators Should Own Their Minting Smart Contracts

454

From Record Label to Web3: This is Alec King

455

Here’s How NFTs Are Enabling a Better Future for Music with Catalog

456

Why Beats, Loops, and Sample Packs Need Crypto and Web3

457

Why Cooper Turley Spent 100 ETH on Music NFTs

458

NFT Ticket Case Study: Queen George on Growth Hacking Collectors

459

How To Get Free Money To Mint Your First Music NFT

460

Redefining Music Metadata and Decentralizing Spotify with Mint Songs

461

Understanding ESG (Social) Tokens on Solana Blockchain

462

Public Goods for Creators ft. Kevin Owocki of Gitcoin

463

Steve Aoki: I’m Moving To The Aokiverse

464

Why Web3 is the Perfect Home for Creators

465

How to Buy Back Your Music Catalog From Record Labels using Cryptocurrency

466

How On-chain Generative Music Works with Beat Foundry

467

Here's Why Social Tokens Are Critical For Music Artists

468

How to Price a Song NFT

469

Charlie Crown on Music Crowdfunding Mechanics

470

Who Needs NFTs More: Hollywood Or Independent Filmmakers?

471

Grady on The Parallels Between Music and Crypto

472

Breaking Down The Infamous $OVERSTIM Journey

473

Gary Vee on 2022 Web3 Trends: Music NFTs, Social Tokens & DAOs

474

What is a Community Contribution Opportunity (CCO)?

475

This Artist Is Raising $50,000 in Crypto For His Next Album

476

NFT Afterlife: The Future of Music Fandom With Deathbats Club

477

The Next NFT Hype Will Empower Video Creators

478

Why NFTs are the Perfect Medium for Songs

479

How Social Tokens Capture the Value of African Culture

480

Using Social Tokens To Disrupt Africa's Corrupt Media Landscape

481

Paving the Path for Crypto's Mobile Mass Adoption: Marek Olszewski

482

Here's What Creators Should Know About Fractionalized NFTs

483

Betting on Culture: Why BlockchainBrett Is Buying Music NFTs

484

Why POAP's Patricio Worthalter Bid $10 million on a CryptoPunk

485

Creator Spotlight: FVCKRENDER and the Journey from Instagram to Christie’s

486

The Music Web3 Revolution: Maroon 5 DAO, NFT Concert Ticketing, and Fandom

487

Understanding DAOs: Tools, Governance, Pain Points and more

488

Ownership Reimagined: Music Labels Will Become Creative Hedge Funds

489

Psychedelics meet NFTs, the Creator Economy, and the Future of Web3 Media

490

Understanding On-Chain Identity with Crypto's Power Couple

491

When DeFi Meets The Creator Economy: Santiago R. Santos

492

Public Parks and DAOs: The Rise of Digital Cities with Alex Zhang

493

How To Build An MVC: Minimum Viable Community

494

Daniel Allan is Eating Web3: The Future For Independent Music Artists

495

Here's What Creators Should Know About Decentralized Governance

496

Crypto Mobile Apps, Governance Tokens and The Future of NFTs

497

When In Doubt, Keep Creating: Tyler Hobbs and Generative Art

498

How Crypto is Transforming Collaborations Between Brands and Creators

499

How Onchain NFT Curation Will Revolutionize Social Media

500

Why Data Synthesis is at the Core of Successful DAO Tooling

501

The Contract of a Lifetime: Why Athletes Need Social Tokens

502

The Ultimate 3 Step Funnel For Growing Your DAO with pet3rpan

503

4 Reasons Why NFTs Will Change Africa Forever

504

Turning Your Social Clout into Crypto with $ARTZ

505

How NFTs are Spawning The Rise of A Decentralized Metaverse

506

The Creator's Guide To Token-Gated Content

507

JPEG Summer: How NFTs Ushered The Mainstream Into Crypto

508

Dear Web3 Communities: Lead with a Universal Purpose That Inspires Action

509

Why Social Token Projects Should Prioritize Community Over Liquidity

510

Here's How Social Tokens Will Revolutionize The Advertising Industry

511

Cyborg Artists Use NFTs to Manipulate Their Biological State

512

How Don Diablo sold $3 Million of NFTs

513

$PLAY - Funding School Supplies & Rewarding the Youth with Crypto: Dave Young

514

$SHANK - Buy My Token, Get My Time: Peter Shankman

515

$CRIME - Crowdfunding In Web3.0 vs Web2.0: Matt Mcdonald

516

DAO Landscape with Cooper Turley

517

$FIRST - Building Token-Gated Audio Libraries: Harrison First

518

$JOW - Starbucks & Web 2.5 Platforms Are Prime For Disruption: Jeremiah Owyang

519

$1337 - Building Metawear Through Social Tokens: WhaleShark

520

$BOO - Empower Digital Communities with Social Audio: Bomani X

521

Building Web3 Portals for Creators with Coinvise: Jenil Thakker

522

$PSTL - Social Tokens Unlock Merch, Music & More

523

$ALLIE - How We Onboarded Our Audience Into Crypto: Allie Mcpherson and Mason Geysir

524

Welcome to Mint