All Episodes
Mischief and Mastery — 56 episodes
Letting the Work Stay Playful | Victoria Salazar on Sound, Curiosity, and Crossing Mediums
Staying With the Work | Kyle Anne Grendys on Responsibility, Process, and Letting a Film Grow
Color Is a Language | Xanthe Brown on Taste, Translation, and Creative Authority
A Practice Beyond Permission | Brynley Halverson on Writing, Identity, and Creating Without Being Chosen
Let the Music Lead | Yuxin Lu on Emotional Scores, Instinct, and Writing What Feels True
Mischief and Mastery Minisode | When In Doubt, Read: 13 Books to Build Your Creative Compass
Leave Before You Break | Dashawna Wright on Burnout, Reinvention, and Starting Over in LA
When the Room Comes Alive | Jordan Gleaves on Craft, Courage, and the Charge of Live Performance
Being Yourself Is a Muscle | Ilse Zacharias Rivera on Creative Permission and Doing It Anyway
The Sight Unseen | Shawn Antoine II on Family, Faith, and Rebuilding Memory Through Film
Curiosity Over Control | Jack C. Newell on Chicago Grit and Creative Reinvention
After the Burnout | Demma Strausbaugh on Creative Recovery and Learning to Trust Yourself Again
Joy Is the Point | Edwina Luokkala-Burckhardt on Performance, Patience, and Making Work That Loves You Back
The Story That Wouldn’t Let Her Go | Sanicole Young on Purpose, Pressure, and Creative Persistence
Three Jobs in One Body | Lillian Frances on Pop Stardom, Production, and Teaching the Next Wave
Finish the Film (Even With a Hamster in Your Head) | Jerry S. Gonzalez on Weird Shorts and Big Spooky Dreams
At Depth, the Good Stuff Happens | Tony Scott-Green on Focus, Flow, and Creative Time
The Spite Project That Sparked a Feature | Daisy Allen on Roller Babiez, Writing, and Creative Fuel
Fail Fast, Dream Big | Erica Duffy on Reinvention, Mentorship, and Building Midwest Film
Finishing Strong | C. Ryan Stemple on Post, Pivots, and Producing Your Own Films
Let Go of the Frame | Isaac Izzy White on Cinematography, Control, and the Cost of Doing It All
The Project That Broke Her Heart | Emily Lape on Delayed Grief, Creative Survival, and Letting the Work Find You
Get Good on Your Own Terms | Rob Spera on Reps, Subtext, and Making Your Own Path
I Don’t Want to Be a Brand | Tuxford Turner on Ambition, Burnout, and Being Yourself
Sexy, Subversive, and Stuck | Jim Vendiola on Trust, Taste, and Creative Haunting
What If You’re the Right One for the Role? | Katie Bellantone on Panic Weeks, ASMR, and Embracing Your Weird
It Doesn’t Have to Be Good Yet | Mary Tilden on Drafts, Dialogue, and Making Room for Play
Creative Work Is People Work | Jamie Kreppein on Film as Care, Leadership Without Ego, and Saying Yes to the Hard Stuff
What If Prestige TV and Instagram Had a Baby? | CJ Arellano on Going Viral, Making Art, and Knowing What’s Worth Keeping
Build the Whole Building | Troy Pryor on Ecosystems, Ownership, and Creating What’s Missing
Make It Look Expensive | Shelby Gamble on Scrappy Sets, Queer Grit, and Getting the Shot Anyway
You’re Not Too Late | Julia Relova on Scarcity, Saying No, and Starting Anyway
Nothing Big Has to Happen | Katherine Quinn on Small Stakes, Stillness, and Writing What’s True
Make It Yours or Don’t Bother | Ryan Satterfeal on Acting, Audacity, and Why Specificity Wins
Staying Seen Without Selling Out | Ruth Kaufman on Saying No, Showing Up, and Still Loving the Work
Build What You’d Want to Come Back To | Colin Parker on Taste, Chemistry, and Leading with Intention
This Scene Could Go Sideways | Andrea Zile Bish on Tone, Trust, and the Unscripted Work of Directing
Stop Writing for the Audience—Start Telling the Truth | Jordan Tragash on Structure, Discomfort, and the Unraveling
Write the Cult, But Make It Believable | Jennie McMurtry on Story, Risk, and Rewriting the Villain
The Edit Is Where You Lose Your Mind (and Maybe Find the Movie) | Kyle Leland on Structure, Fear, and Finishing
Make the Set Safe First | George Ellzey Jr. on Creative Burnout, Boundaries, and Leading with Care
The Joke That Scares You | Rey Tang on Risk, Recognition, and Writing Toward Surprise
You Are the Infrastructure: Remsy Atassi on Indie Film, Audience Building, and Real-World DIY
What Does Your Voice Sound Like? Tim Corpus on Creating and Composing Music Without Losing Yourself
When Showing Up Feels Pointless, Do It Anyway | Jorge Salas on Auditions, Adaptability, and Building the Work Brick by Brick
Follow the Butterfly | Alex Rembold on Quitting the Job, Starting the Jam, and Finding Joy in the Weird
You Don’t Have to Wait to Be Professional | Madelynn Wierda on Trusting Yourself Before They Tell You You’re Ready
What If Story Didn’t Require Conflict? Donald Conley on Empathy, Tension Without Trauma, and Stories Without Villains
The Film Stalled—Then We Started Over | Cassidy Tee & Kristina Mercado on First Chair
Let the First Pancake Burn | Emma Palizza on Starting Messy and Laughing Anyway
You Don’t Need Permission | Shane Dresch on Making It Work Without a Big Budget, a Full Crew, or a Perfect Plan
What If You Didn’t Push So Hard? Elissa Wolf on Curiosity, Casting, and Letting the Work Breathe
Armin Korsos on Momentum, Documentaries, and Saying Yes Too Soon (On Purpose)
The Premiere’s Over | Jon Silver on Burnout, Festivals, and Letting Go
Nobody Prepares You for This Part: Imani Davis on Finishing a Film, Podcasting and Figuring Out the Rest
Welcome to Mischief & Mastery with Mishu Hilmy