All Episodes

Gregory Sholette, "The Art of Activism and the Activism of Art" (Lund Humphries, 2021)

Annie-B Parson, "The Choreography of Everyday Life" (Verso, 2022)

Paula Serafini, "Creating Worlds Otherwise: Art, Collective Action, And (Post)Extractivism" (Vanderbilt UP, 2022)

Olúfemi Táíwò, "Against Decolonization: Taking African Agency Seriously" (Hurst, 2022)

Stephen F. Auth, "Pilgrimage to the Museum: Man's Search for God Through Art and Time" (Sophia Institute Press, 2022)

Alex Nathanson, "A History of Solar Power Art and Design" (Routledge, 2021)

Mrill Ingram, "Loving Orphaned Space: The Art and Science of Belonging to Earth" (Temple UP, 2022)

Jennifer L. Allen, "Sustainable Utopias: The Art and Politics of Hope in Germany" (Harvard UP, 2022)

Pamela N. Corey, "The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia" (U Washington Press, 2021)

On Japanese Buddhist Art

Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)

Jos van Beurden, "Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium" (Amsterdam UP, 2022)

Karen Archey, "After Institutions" (Les presses du réel, 2022)

Selene Wendt, "Beyond the Door of No Return: Confronting Hidden Colonial Histories Through Contemporary Art" (The Africa Institute and Skira, 2021)

Julia Walker, "Berlin Contemporary: Architecture and Politics After 1990" (Bloomsbury, 2021)

Andrea Karnes, "Women Painting Women" (Delmonico Books, 2022)

Sara Farrington, "The Lost Conversation: Interviews with an Enduring Avant-Garde" (53rd State Press, 2021)

Jarrod Hore, "Visions of Nature: How Landscape Photography Shaped Settler Colonialism" (U California Press, 2022)

Heide Hinrichs and Jo-Ey Tang, "Shelf Documents: Art Library as Practice" (Royal Academy of Fine Arts in Antwerp, 2021)

Kajri Jain, "Gods in the Time of Democracy" (Duke UP, 2021)

Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)

Cole Roskam, "Designing Reform: Architecture in the People's Republic of China, 1970-1992" (Yale UP, 2021)

Katharine A. Burnett and Monica Carol Miller, "The Tacky South" (LSU Press, 2022)

Monuments

Nicole Erin Morse, "Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art" (Duke UP, 2022)

Matt Reingold, "Reenvisioning Israel Through Political Cartoons: Visual Discourses During the 2018-2021 Electoral Crisis" (Lexington, 2022)

Andrew Witt, "Formulations: Architecture, Mathematics, Culture" (MIT Press, 2022)

Naman P. Ahuja, "Marg Magazine: Readings on the Temple"

Ashley Remer and Tiffany Isselhardt, "Exploring American Girlhood through 50 Historic Treasures" (Rowman and Littlefield, 2021)

Ben Davis, "Art in the After-Culture: Capitalist Crisis and Cultural Strategy" (Haymarket Books, 2022)

Peter Hughes, "A History of Love and Hate in 21 Statues" (Aurum Press, 2021)

Biscuit Art

Mary Wellesley, "Hidden Hands: The Lives of Manuscripts and Their Makers" (Riverrun, 2021)

Jasmina Tumbas, "I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism" (Manchester UP, 2022)

Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)

Kuba Szreder, "The ABC of the Projectariat: Living and Working in a Precarious Art World" (Manchester UP, 2021)

Elena Tajima Creef, "Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives" (U Illinois Press, 2022)

Lilianne Milgrom, "L' Origine: The Secret Life of the World's Most Erotic Masterpiece" (Girl Friday Books, 2021)

Wanda M. Corn, "Georgia O'Keeffe: Living Modern" (Prestel Publishing, 2017)

Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)

Yi Gu, "Chinese Ways of Seeing and Open-Air Painting" (Harvard UP, 2021)

Sherri Irvin, "Immaterial: Rules in Contemporary Art" (Oxford UP, 2022)

Hentyle Yapp, "Minor China: Method, Materialisms, and the Aesthetic" (Duke UP, 2021)

Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)

Joshua Citarella, "Politigram and the Post-Left" (Blurb, 2021)

Fleur Watson, "The New Curator: Exhibiting Architecture and Design" (Routledge, 2021)

Andrew Shortland and Patrick Degryse, "When Art Isn’t Real: The World's Most Controversial Objects under Investigation" (Leuven UP, 2022)

Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)

Realism

On Nibiiro Art, the Dalai Lama, and Buddhism

Amanda Phillips, "Sea Change: Ottoman Textiles Between the Mediterranean and the Indian Ocean" (U California Press, 2021)

Christopher J. Gilbert, "Caricature and National Character: The United States at War" (Pennsylvania State UP, 2021)

Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)

Catherine McCormack, "Women in the Picture: What Culture Does with Female Bodies" (Norton, 2021)

Elizabeth Oyler and Katherine Saltzman-Li, "Cultural Imprints: War and Memory in the Samurai Age" (Cornell UP, 2022)

Mike Watson, "The Memeing of Mark Fisher: How the Frankfurt School Foresaw Capitalist Realism and What to Do about It" (Zero Books, 2021)

Paddy Docherty, "Blood and Bronze: The British Empire and the Sack of Benin" (Hurst, 2022)

Sandra Johnston, et al., "Actional Poetics-Ash She He: The Performance Actuations of Alastair MacLennan, 1971-2020" (Intellect, 2022)

Samuel J. Redman, "Prophets and Ghosts: The Story of Salvage Anthropology" (Harvard UP, 2021)

Glenda E. Gilmore, "Romare Bearden in the Homeland of His Imagination: An Artist's Reckoning with the South" (UNC Press, 2022)

The Problem with Museums: A Conversation with Georgina Adam and Nizan Shaked

Computational Creativity

The Future of Statues: A Conversation with Alex Von Tunzelmann

Michael Mackenzie, "Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance" (Peter Lang, 2019)

Paul Geary, "Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants" (Intellect Books, 2022)

What Remains: Textiles from Tuol Sleng

Emmelyn Butterfield-Rosen, "Modern Art and the Remaking of Human Disposition" (U Chicago Press, 2021)

Ayelet Zohar and Alison J. Miller, "The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity" (Routledge, 2021)

Lisa Reilly, "The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition" (Cambridge UP, 2020)

Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)

Charles Dellheim, "Belonging and Betrayal: How Jews Made the Art World Modern" (Brandeis UP, 2021)

Paul R. Deslandes, "The Culture of Male Beauty in Britain: From the First Photographs to David Beckham" (U Chicago Press, 2021)

Hilton Judin, "Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital" (Routledge, 2021)

Anadelia Romo, "Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia" (U Texas Press, 2022)

Autonomous Work of Art

Josef Benson and Doug Singsen, "Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels" (UP of Mississippi, 2022)

David Maroto, "The Artist's Novel: A New Medium" (Mousse, 2020)

Manu Pillai, "False Allies: India’s Maharajahs in the Age of Ravi Varma" (Juggernaut, 2021)

Aura

Lucy Donkin, "Standing on Holy Ground in the Middle Ages" (Cornell UP, 2022)

Abigail Susik, "Surrealist Sabotage and the War on Work" (Manchester UP, 2021)

Erin L. Thompson, "Smashing Statues: The Rise and Fall of America's Public Monuments" (Norton, 2022)

Hannah Star Rogers, "Routledge Handbook of Art, Science, and Technology Studies" (Routledge, 2021))

Ilan Kelman, "Antarcticness: Inspirations and Imaginaries" (UCL Press, 2022)

Eiren L. Shea, "Mongol Court Dress, Identity Formation, and Global Exchange" (Routledge, 2020)

On Japanese Buddhist Art

Elayne Oliphant, "The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris" (UChicago Press, 2021)

Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)

On Bushi Sculpting, Filmmaking, and "Carving the Divine"

Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)

Nadir Lahiji, "Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou" (Routledge, 2021)

Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)

Edward Tyerman, "Internationalist Aesthetics: China and Early Soviet Culture" (Columbia UP, 2021)

Sarah-Neel Smith, "Metrics of Modernity: Art and Development in Postwar Turkey" (U California Press, 2022)

Celia Stahr, "Frida in America: The Creative Awakening of a Great Artist" (St. Martin's Press, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

3.3 In the Editing Room with Ruth Ozeki and Rebecca Evans (EH)

Michael Merrill, "Louis Kahn: The Importance of Drawing" (Lars Muller Publishers, 2020)

Anneka Lenssen, "Beautiful Agitation: Modern Painting and Politics in Syria" (U California Press, 2020)

Candace M. Keller, "Imaging Culture: Photography in Mali, West Africa" (Indiana UP, 2021)