All Episodes

Scott Peeples, "How Many Roads: A Life of Bob Dylan" (Reaktion, 2026)

Jehnie Burns on Mixtape Culture

Christopher Campo-Bowen, "Visions of the Village: Ruralness, Identity, and Czech Opera" (Oxford UP, 2025)

Elijah Wald, "Rock ‘N’ Roll: A Very Short Introduction" (Oxford UP, 2026)

Stacey Copeland, "Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork" (U Michigan Press, 2026)

Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025)

Yiddish Tangos and Klezmer Mambos

Brad Tolinski and Chris Gill, "Blow by Blow: The Jeff Beck Story" (Da Capo, 2026)

George Grella, "Minimalist Music" (Bloomsbury, 2026)

Alexandre Frenette, "Blame the Intern: On (Not) Breaking Into the Creative Economy" (Princeton UP, 2026)

A.D. Carson, "Owning My Masters (Mastered): The Rhetorics of Rhymes & Revolutions" (U Michigan Press, 2026)

Caste and Music with T.M. Krishna

Philip Norman, "Mr. Moonlight: Brian Epstein and the Making of the Beatles" (Da Capo Press, 2026)

Introducing Periodically: A UC Press Journals Podcast with Journals Director David Famiano

Hamsa Stainton and Anna Lee White, "Sanskrit Hymns Across Traditions: Studying Stotras" (Routledge, 2026)

Street Level: HUD at 60

Olivia Rodrigo Blends Past and Present in Her New Album

James O'Leary, "The Middlebrow Musical: Between Broadway and Opera in 1940s America" (Oxford UP, 2025)

Anna Harwell Celenza, "On the Record: Music that Changed America (Norton, 2026)

Shikha Jhingan, "The Female Playback in Bombay Cinema: Voice, Body, Technology" (Wayne State UP, 2025)

Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021)

Mary R. Lanni, "Using Nursery Rhymes with Today’s Kids: Their Legacy and Evolution" (Bloomsbury, 2026)

Andrea Zarafshon Moore, "Audible Loss: New Music and the Crisis of Memory" (Fordham UP, 2025)

Shane Breaux, "Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns" (Routledge, 2026)

Samuel Markind, "Music Between Your Ears: How Musical Engagement Powers the Human Brain" (JHU Press, 2025)

The YIVO Sound Archive at 40: A Celebration

Henry T. Drummond, "The Cantigas de Santa Maria: Power and Persuasion at the Alfonsine Court" (Oxford UP, 2024)

Mary Lucia, " What Doesn't Kill Me Makes Me Weirder and Harder to Relate To" (U Minnesota Press, 2025)

Nicholas Tochka, "The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties" (Bloomsbury, 2026)

Deirdre Loughridge & Thomas Patteson, "The Museum of Imaginary Musical Instruments" (Reaktion, 2026)

Brook Flagg, "I Go There with You: The U2 Sites of Southern California, from Significant to Sacred" (Nine Criteria, 2025)

The Barton Brothers, Mickey Katz, and Others: Yiddish-English Bilingual Parody Songs

Daphne A. Brooks, "Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince" (Duke UP, 2026)

David Arditi, "Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok" (Anthem Press, 2026)

Peter Richardson, "Brand New Beat: The Wild Rise of Rolling Stone Magazine" (U California Press, 2026)

Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026)

Marty Friedman with Jon Wiederhorn, "Dreaming Japanese" (Permuted Press, 2024)

Melissa Auf der Maur, "Even the Good Girls Will Cry: A '90s Rock Memoir" (DaCapo, 2026)

The 50th Anniversary Tour of Patti Smith's Horses: A Conversation with Caryn Rose

Martha Feldman, "Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome" (Zone Books, 2026)

Mike Huguenor, "Elvis Is Dead, I'm Still Alive: The Story of Asian Man Records" (Clash, 2026)

Jewface: “Yiddish” Dialect Songs of Tin Pan Alley

Podcast Intellectuals Podcast Panel #1 with Benjamen Walker and Fanny Gribenski

Austin McCoy, "Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made" (Atria/One Signal, 2026)

Ani DiFranco and Lauren Coyle Rosen, "The Spirit of Ani: Reflections on Spirituality, Feminism, Music, and Freedom" (Akashic Books, 2026)

Ailbhe Kenny, "Music Refuge: Living Asylum through Music" (Oxford UP, Press 2025)

Maurice Rafael Magaña, "Cartographies of Youth Resistance: Hip-Hop, Punk, and Urban Autonomy in Mexico" (U California Press, 2020)

Michael Glover Smith, "Bob Dylan as Filmmaker: No Time to Think" (McNidder and Grace, 2026)

Stephen Stacks, "The Resounding Revolution: Freedom Song After 1968" (U Illinois Press, 2025)

Marc Masters, "High Bias: The Distorted History of the Cassette Tape" (UNC Press, 2023)

Paul Rees, "Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986" (De Capo, 2026)

Ian Gittins, "The Cure: A Perfect Dream" (Gemini Books, 2025)

Areum Jeong, "K-Pop Fandom: Performing Deokhu from the 1990s to Today" (U Michigan Press, 2026)

Matti Friedman, "Who by Fire: Leonard Cohen in the Sinai" (Spiegel & Grau, 2022)

Bill Kopp, "What's the Big Idea: 30 Great Concept Albums" (Hozac, 2025)

Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)

163* The Drama of Celebrity with Sharon Marcus (JP)

Justin L. Mann, "Breaking the World: Black Insecurity and the Horizons of Speculation" (Duke UP, 2026)

M. Hinds and J. Silverman, "Johnny Cash International: How and Why Fans Love the Man in Black" (U Iowa Press, 2020)

Kay Dickinson, "Fernando: A Song by ABBA" (Duke UP, 2025)

Ben Ratliff, "Run the Song: Writing About Running About Listening" (Graywolf Press, 2025)

Christopher Lynch, "Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth" (Oxford UP, 2025)

Lukas Foss: A "New American Music Series" Gallatin Lecture, April 15, 1982

Vanessa Díaz and Petra R. Rivera-Rideau, "P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance" (Duke UP, 2026)

"Plenty for All: The Art of Rick Fröberg" (Akashic Books, Ltd., 2016)

Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)

Caitlin Vincent, "Opera Wars: Inside the World of Opera and the Battles for Its Future" (Simon and Schuster, 2026)

Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)

Andy Cowan, "B-Side: A Flipsided History of Pop" (Headpress, 2023)

Jane Eisner, "Carole King: She Made the Earth Move" (Yale UP, 2025)

Max Brzezinski, "Under Pressure: A Song by David Bowie and Queen" (Duke UP, 2025)

Renee Lapp Norris, "Opera Parody Songs of Blackface Minstrels (1844–1860)" (A-R Editions, 2025)

Jibola Fagbamiye and Conor McCreery, "Fela: Music Is the Weapon" (Amistad Press, 2025)

Marc Sommers, "We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone" (U Georgia Press, 2023)

Sharon White Rewires Disco

Michael Brown, "Eyeliner’s Buy Now" (Bloomsbury 2025)

Lucy Caplan, "Dreaming in Ensemble: How Black Artists Transformed American Opera" (Harvard UP, 2025)

James Brown's War on Disco

Springsteen’s "Nebraska" as a Political, Sonic, and Personal Document

Strings of Identity: The Horse-Head Fiddle and Mongolian Identity in China (with Ying Song)

Anand, "The Notbook of Kabir: Thinner than Water, Fiercer than Fire" (India Viking, 2025)

Cosima Clara Gillhammer, "Light on Darkness: The Untold Story of the Liturgy" (Reaktion Books, 2025)

Disco's Revenge

A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia

Greg Soden, "Unscripted Moments: Conversations with Propagandhi (2020-2025)" (Earth Island Books, 2025)

Delia Casadei, "Risible: Laughter without Reason and the Reproduction of Sound" (U California Press, 2024)

Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)

Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)

Nancy Newman, "Songs and Sounds of the Anti-Rent Movement in Upstate New York: Including Twenty-Two New Settings of Period Tunes" (SUNY Press, 2025)

Arnar Eggert Thoroddsen, "Icelandic Pop: Then, Today, Tomorrow, Next Week" (Reaktion Books, 2025)

Michael T. Bertrand, "Southern History Remixed: On Rock 'n' Roll and the Dilemma of Race" (UP Florida, 2024)

Signal Award Re-Release: Lost Women of Disco

Darren Mueller, "At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz" (Duke UP, 2024)

Chris Dalla Riva, "Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves" (Bloomsbury, 2025)

Jason Schneider, "That Gun in Your Hand: The Strange Saga of Hey Joe' and Popular Music's History of Violence" (Anvil Press, 2025)

John R. Davis, "Keep Your Ear to the Ground: A History of Punk Fanzines in Washington, DC" (Georgetown UP, 2025)

John Minton, "Folk Music and Song in the WPA Ex-Slave Narratives" (UP of Mississippi, 2025)

In The Life of a Showgirl, Taylor Swift Addresses Love, Glamour, and Grit

Audrey Golden, "Shouting Out Loud: Lives of the Raincoats" (Da Capo Press, 2025)

Árni Heimir Ingólfsson, "Music at World's End: Three Exiled Musicians from Nazi Germany and Austria and Their Contribution to Music in Iceland" (SUNY Press, 2025)

Emília Barna, "Working in Music on the Semi-Periphery: Local Cultural Production and Global Capitalism" (CEU Press, 2025)

Disco Sucks

Árni Heimir Ingólfsson , "Jón Leifs and the Musical Invention of Iceland" (Indiana UP, 2019)

Christa Anne Bentley et al, eds., "Taylor Swift: The Star, The Songs, The Fans" (Routledge, 2025)

Sahan Jayasuriya, "Don't Say Please: The Oral History of Die Kreuzen" (Feral House, 2025)

Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)

James Campion, "Revolution: Prince, the Band, the Era" (Backbeat Books, 2025)

Night at the Baths

From Stonewall to Studio 54

Joelle Kidd, "Jesusland: Stories from the Upside Down World of Christian Pop Culture" (ECW Press, 2025)

Cary Baker, "Down On The Corner: Adventures in Busking & Street Music" (Jawbone Press, 2025)

Disco's "Latin Tinge"

Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)

Inna Faliks, "Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage" (Backbeat Books, 2023)

Richard Mainwaring, "What the Ear Hears (And Doesn't): Inside the Extraordinary Everyday World of Frequency" (Sourcebooks, 2022)

"Swiz" (Akashic Books, 2025)

Robert Fitzgerald, "Hardcore Punk in the Age of Reagan: The Lyrical Lashing of an American Presidency" (UNC Press, 2025)

A Spatial History of Disco

Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)

Bradley Morgan, "Frank Zappa's America" (LSU Press, 2025)

Gavin Williams, "Format Friction: Perspectives on the Shellac Disc" (U Chicago Press, 2024)

Jess Reia, "Urban Music Governance: What Busking Can Teach Us about Data, Policy and Our Cities" (Intellect, 2025)

Charlotte Bentley, "New Orleans and the Creation of Transatlantic Opera, 1819–1859" (U of Chicago Press, 2022)

Brian Fauteux, "Music in Orbit: Satellite Radio in the Streaming Space Age" (Univ of California Press, 2025)

Lost Women of Disco

Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)

Megan Volpert, "Why Alanis Morissette Matters" (University of Texas Press, 2025)

Triauna Carey, "The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance" (Lexington Books, 2024)

Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)

Andrew S. Berish, "Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse" (U of Chicago Press, 2025)

Shain Shapiro, "This Must Be the Place: How Music Can Make Your City Better" (Watkins Media Limited, 2023)

Jasper Waugh-Quasebarth, "Finding the Singing Spruce: Musical Instrument Makers and Appalachia's Mountain Forests" (West Virginia UP, 2023)

Love Saves the Day: On the 1970s New York Club Scene

Rhythm, Exorcism, and Confrontation with Lexi Eikelboom

Shayna M. Silverstein, "Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria" (Wesleyan UP, 2024)

Maya J. Berry, "Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons" (Duke UP, 2025)

Michael Broyles, "Revolutions in American Music: Three Decades That Changed a Country and Its Sounds" (Norton, 2024)

Frederick Reece, "Forgery in Musical Composition: Aesthetics, History, and the Canon" (Oxford University Press, 2025)

Leah Lax, "Not From Here: the Song of America" (Pegasus Elliot MacKenzie, 2024)

Niko Stratis, "The Dad Rock That Made Me a Woman" (University of Texas Press, 2025)

antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)

Gwynne Kuhner Brown, "William L. Dawson" (University of Illinois Press, 2024)

Snotty Punk Bands and Ancient Aliens with Timothy Deane-Freeman

Colleen Renihan, John Spilker, and Trudi Wright eds., "Sound Pedagogy: Radical Care in Music" (University of Illinois Press, 2024)

Live from the Underground: A History of College Radio

Matthew Restall, "On Elton John: An Opinionated Guide" (Oxford UP, 2025)

Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025)

Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)

Mike Miley, "David Lynch’s American Dreamscape: Music, Literature, Cinema" (Bloomsbury, 2025)

Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)

John Lee Hooker Jr., "From the Shadow of the Blues: My Story of Music, Addiction, and Redemption" (Rowman & Littlefield, 2025)

Liz Pelly, "Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist" (Atria, 2025)

Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025)

Yuma Hampejs and Marcel Schulze, "Electronic Body Music" (Mionaetti, 2024)

Alexandra Birch, "Hitler’s Twilight of the Gods: Music and the Orchestration of War and Genocide in Europe" (U Toronto Press, 2025)

Maurice Jackson, "Rhythms of Resistance and Resilience: How Black Washingtonians Used Music and Sports in the Fight for Equality" (Georgetown UP, 2025)

Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025)

Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025)

Warren Zanes: Rockstar Biographer

Julie Malnig, "Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s" (Oxford UP, 2023)

Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)

Koen Galle, "Fuse, Thirty Years of Making Noise" (AfterClub, 2024)

Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024)

Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)

Radha Kapuria and Vebhuti Duggal, "Punjab Sounds: In and Beyond the Region" (Routledge, 2024)

Lauren E. Osborne, "Hearing Islam: The Sounds of a Global Religious Tradition" (Routledge, 2024)

John Cage: Echoes of the Anechoic

Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)

Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)

Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)

Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024)

Paul Lisicky, "Song So Wild and Blue: A Life with the Music of Joni Mitchell" (HarperOne, 2025)

Sonic AI

Tiziano Manca, "Before Sound: Re-Composing Material, Time, and Bodies in Music" (Transcript Verlag, 2023)

The Soundworld of Harriet Tubman

Joseph Straus, "Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians" (Routledge, 2024)

Hildegard Westerkamp: A Life in Soundscape Composition

Katie Beisel Hollenbach, "The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom" (Oxford UP, 2024)

Jeff Gomez, "There Was No Alternative: Generation X, AIDS, and the Making of a Classic Nineties Record" (McFarland, 2023)

Samantha Ege, "South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene" (U Illinois Press, 2024)

Thanks to Life: A Biography of Violeta Parra

Neil Fox, "Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music" (Bloomsbury, 2024)

Robert Dayton, "Cold Glitter: The Untold Story of Canadian Glam" (Feral House, 2024)

Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023)

Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)

In One Ear, Out The Other

I. Augustus Durham, "Stay Black and Die: On Melancholy and Genius" (Duke UP, 2023)

Fela Kuti and the Black Atlantic

Andrew David Field, "Rocking China: Music Scenes in Beijing and Beyond" (Earnshaw Books, 2023)

Johny Brown, "Corpse Flower" (Skill, 2024)

Awfully Viral

Toby Manning, "Mixing Pop and Politics: A Marxist History of Popular Music" (Repeater, 2024)

Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)

Kathleen A. Abromeit and Dyani Sabin, "Music Information Literacy: Inclusion and Advocacy" (Library Juice Press, 2024)

Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)

Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)

Joy White, "Like Lockdown Never Happened: Music and Culture During Covid" (Repeater, 2024)

Seth Rogovoy, "Within You Without You: Listening to George Harrison" (Oxford UP, 2024)

Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)

David Suisman, "Instrument of War: Music and the Making of America's Soldiers" (U Chicago Press, 2024)

Margaret Mehl, "Music and the Making of Modern Japan: Joining the Global Concert" (Open Book, 2024)

Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)

Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)

Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)

Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)

Lisa Nielson, "Music and Musicians in the Medieval Islamicate World: A Social History" (Bloomsbury, 2021)

R. Murray Schaffer (1933-2021), Part 2

John Duffus, "Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars" (Blacksmith Books, 2024)

David Rowell, "The Endless Refrain: Memory, Nostalgia, and the Threat to New Music" (Melville House, 2024)

R. Murray Schafer (1933-2021), Part 1

Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)

On Listening In

Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)

Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)

Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)

Boris Adjemian, "The Brass Band of the King: Armenians in Ethiopia" (Bloomsbury, 2024)

For Some Odd Reason

Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)

Voice of Yoko

Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)

Francesco Lotoro, "The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last" (Headline, 2024)

Forest Listening Rooms

Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)

Grant Olwage, "Paul Robeson's Voices" (Oxford UP, 2023)

The Political Evolution of Taylor Swift

A Life Based on an Experiment

Trevor Boffone, "TikTok Broadway: Musical Theatre Fandom in the Digital Age" (Oxford UP, 2024)

Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)

Yiu Fai Chow et al., "It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong" (Palgrave Macmillan, 2024)

Mark Blake, "Dreams: The Many Lives of Fleetwood Mac" (Pegasus Books, 2024)

What is Radio Art?

Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)

Steve Moriarty, "Mia Zapata and the Gits: A True Story of Art, Rock and Revolution" (Ferel House, 2024)

The Sounds of Silents

Soar and Chill

Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

Gavin Steingo, "Interspecies Communication: Sound and Music Beyond Humanity" (U Chicago Press, 2024)

Franz Nicolay, "Band People: Life and Work in Popular Music" (U Texas Press, 2024)

Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024)

Jim Higgins, "Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground" (Trouser Press, 2024)

Resonant Grains

Sheila Curran Bernard, "Bring Judgment Day: Reclaiming Lead Belly's Truths from Jim Crow's Lies" (Cambridge UP, 2024)

Robyn Hitchcock, "1967: How I Got There and Why I Never Left" (Akashic Books, 2024)

40 Years of Purple Rain: What to Make of the Movie/Album in 2024

Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)

Emily Wilbourne, "Voice, Slavery, and Race in Seventeenth-Century Florence" (Oxford UP, 2023)

Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)

AI and Music: The Future is Here (featuring "There I Ruined It")

Danielle Antoinette Hidalgo, "Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism" (Lexington, 2023)

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

Jake Johnson, "The Possibility Machine: Music and Myth in Las Vegas" (U Illinois Press, 2023)

On Michael Jackson: A Lecture by Margo Jefferson

A Drummer's Tale

Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)

Christopher T. Conner and David R. Dickens, "Electronic Dance Music: From Deviant Subculture to Culture Industry" (Rowman & Littlefield, 2023)

Laura Davis-Chanin and Liz Lamere, "Infinite Dreams: The Life of Alan Vega" (Backbeat Books, 2024)

Screwed and Chopped

Timothy P. Storhoff, "Harmony and Normalization: US-Cuban Musical Diplomacy" (UP of Mississippi, 2020)

Corey J. Miles, "Vibe: The Sound and Feeling of Black Life in the American South" (U Mississippi Press, 2024)

Matthew D. Morrison, "Blacksound: Making Race and Popular Music in the United States" (U California Press, 2024)

Tara López, "Chuco Punk: Sonic Insurgency in El Paso" (U Texas Press, 2024)

Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)

Daniel Rachel, "Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation" (Akashic Books, 2024)

Ryan White, "Springsteen: Album by Album" (Palazzo Editions, 2024)

Bodie A. Ashton, "The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society" (Bloomsbury, 2024)

Ears Racing

Dirty Rat

Rob Drew, "Unspooled: How the Cassette Made Music Shareable" (Duke UP, 2023)

James A. Cosby, "Rock Music, Authority and Western Culture, 1964-1980" (McFarland, 2024)

Douglas L. Reside, "Fixing the Musical: How Technologies Shaped the Broadway Repertory" (Oxford UP, 2023)

Denise Von Glahn, "Circle of Winners: How the Guggenheim Foundation Composition Awards Shaped American Music Culture" (U Illinois Press, 2023)

Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023)

Kristin M. Franseen, "Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson" (Clemson UP, 2023)

Dana Gorzelany-Mostak, "Tracks on the Trail: Popular Music, Race, and the US Presidency" (U Michigan Press, 2023)

Miriam Piilonen, "Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human" (Oxford UP, 2024)

Adele Oliver, "Deeping It: Colonialism, Culture & Criminalisation of UK Drill" (404 Ink, 2023)

Joseph M. Thompson, "Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism" (UNC Press, 2024)

Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023)

Edward Dusinberre, "Distant Melodies: Music in Search of Home" (U Chicago Press, 2022)

Richard Beaudoin, "Sounds As They Are: The unwritten music in classical recordings" (Oxford UP, 2024)

Sam McPheeters, "Mutations: Twenty Years Embedded in Hardcore Punk" (Barnacle Book, 2020)

Caste, Music, and Microinequities with Supriya Subramani

Stephen Lee Naish, "Music and Sound in the Films of Dennis Hopper" (Routledge, 2024)

Radha Kapuria, "Music in Colonial Punjab" (Oxford UP, 2023)

Coretta M. Pittman, "Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries" (UP of Mississippi, 2022)

Micajah Henley, "The Clash's Sandinista!" (Bloombury, 2024)

Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)

Judith Tick, "Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song" (Norton, 2023)

David Savran, "Tell It to the World: The Broadway Musical Abroad" (Oxford UP, 2024)

Reading Taylor Swift as a Cultural and Political Text

Priyanka Basu, "The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia" (Routledge, 2023)

Amy Coddington, "How Hip Hop Became Hit Pop: Radio, Rap, and Race" (U California Press, 2023)

Roseen Giles, "Monteverdi and the Marvellous: Poetry, Sound, and Representation" (Cambridge UP, 2023)

Joseph Cone, "Seeing Opera Anew: A Cultural and Biological Perspective" (Routledge, 2023)

Steve Ferzacca, "Sonic City: Making Rock Music and Urban Life in Singapore" (NUS Press, 2021)

Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022)

Kunal Purohit, "H-Pop: The Secretive World of Hindutva Pop Stars" (HarperCollins, 2023)

John Howland, "Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music" (U California Press, 2021)

Richard T. Rodríguez, "A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad" (Duke UP, 2022)

Bryce Henson, "Emergent Quilombos: Black Life and Hip-Hop in Brazil" (U Texas Press, 2023)

Mark Guarino, "Country and Midwestern: Chicago in the History of Country Music and the Folk Revival" (U Chicago Press, 2023)

Murray Forman and Mark V. Campbell, "Hip Hop Archives: The Politics and Poetics of Knowledge Production" (Intellect, 2023)

Michael O'Malley, "The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music" (U Chicago Press, 2022)

Aaron Carnes, "In Defense of Ska: The Ska Now More Than Ever Edition" (Clash Books, 2023)

Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023)

Adriana Helbig, "ReSounding Poverty: Romani Music and Development Aid" (Oxford UP, 2023)

Aniefiok Ekpoudom, "Where We Come From: Rap, Home & Hope in Modern Britain" (Faber and Faber, 2024)

Katherine Rye Jewell, "Live from the Underground: A History of College Radio" (UNC Press, 2023)

Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023)

Elizabeth Eva Leach, "Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders" (Cornell UP, 2023)

Ralph H. Craig, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)

Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)

Walter Greason and Tim Fielder, "The Graphic History of Hip Hop" (NYC Department of Education, 2023)

Howie Singer and Bill Rosenblatt, "Key Changes: The Ten Times Technology Transformed the Music Industry" (Oxford UP, 2023)

Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)

Michelle R. Scott, "T.O.B.A. Time: Black Vaudeville and the Theater Owners' Booking Association in Jazz-Age America" (U Illinois Press, 2023)

Lawrence Sherman and Dennis Plies, "Every Brain Needs Music: The Neuroscience of Making and Listening to Music" (Columbia UP, 2023)

Mark Davidson and Parker Fishel, "Bob Dylan: Mixing Up the Medicine" (Callaway, 2023)

Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)

Ramsey Lewis and Aaron Cohen, "Gentleman of Jazz: A Life in Music" (Blackstone, 2023)

Ina Rupprecht, ed., "Persecution, Collaboration, Resistance: Music in the ‘Reichskommissariat Norwegen’ (1940–45)" (Waxmann Verlag, 2020)

Greil Marcus, "Folk Music: A Bob Dylan Biography in Seven Songs" (Yale UP, 2022)

Warren Zanes, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' (Crown, 2023)

Brigid Cohen, "Musical Migration and Imperial New York: Early Cold War Scenes" (U Chicago Press, 2022)

Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)

Gary Tomlinson, "The Machines of Evolution and the Scope of Meaning" (Zone Books, 2023)

Ralph H. Craig III, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)

A Deep Dive into Olivia Rodrigo's "Guts"

Michael Kaler, "Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead" (Duke UP, 2023)

Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)

Michael Custodis, "Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45" (Waxmann Verlag, 2021)

Jennifer Saltzstein, "Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History" (Oxford UP, 2023)

Jason Lamb, "NoMeansNo: From Obscurity to Oblivion, an Oral History" (PM Press, 2024)

Stephen B. Armstrong, "I Want You Around: The Ramones and the Making of Rock 'n' Roll High School" (Backbeat Books, 2023)

Adam Blum et al., "Here I'm Alive: The Spirit of Music in Psychoanalysis" (Columbia UP, 2023)

Paul Crenshaw, "Melt with Me: Coming of Age and Other '80s Perils" (Ohio State UP, 2023)

Scott Creney and Brigette Adair Herron, "The Story of the B-52s: Neon Side of Town" (Palgrave Macmillan, 2023)

Sheldon Birnie, "Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001" (‎Eternal Cavalier Press, 2015)

Kiana Fitzgerald, "Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music" (Running Press Adult, 2023)

Jonathan Mael, "Harlem World: How Hip Hop's Super Showdown Changed Music Forever" (Johns Hopkins UP, 2023)

Kimberly Mack, "Living Colour's Time's Up" (Bloomsbury, 2023)

Chris Molanphy, "Old Town Road" (Duke UP, 2023)

Jonathan Leal, "Dreams in Double Time: On Race, Freedom, and Bebop" (Duke UP, 2023)

Gregory Cahill, "The Golden Voice: The Ballad of Cambodian Rock's Lost Queen" (Life Drawn, 2023)

A Better Way to Buy Books

Andrew Chan, "Why Mariah Carey Matters" (U Texas Press, 2023)

The Philosophy of Music and the Attunement of the Soul

John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)

Anna Kathryn Grau and Lisa Colton, "Female-Voice Song and Women's Musical Agency in the Middle Ages" (Brill, 2022)

Bonnie Gordon, "Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds" (U Chicago Press, 2023)

Una McIlvenna, "Singing the News of Death: Execution Ballads in Europe 1500-1900" (Oxford UP, 2022)

John Brackett, "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" (Duke UP, 2023)

Chuyun Oh, "K-pop Dance: Fandoming Yourself on Social Media" (Routledge, 2022)

Polyphony

Nicholas Tochka, "Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America" (Oxford UP, 2023)

Andy Cowan, "B-Side: Pop History Via Its Greatest B-Sides, 1917-2017" (Headpress, 2023)

Rich Deakin, "Grebo!: The Loud & Lousy Story of Gaye Bykers on Acid and Crazyhead" (Headpress, 2021)

Howard Fishman, "To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse" (Dutton, 2023)

William Perrine, "Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego" (Billingsgate Media, 2023)

Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)

Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)

Michael Gray, "Song & Dance Man: The Art of Bob Dylan-Vol. 1 Language & Tradition" (FM Press, 2023)

Roy Christopher, "Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism" (MIT Press, 2022)

Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)

Paul Metsa and Rick Shefchik, "Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece" (U Minnesota Press, 2023)

Andrew Snyder, "Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro" (Wesleyan UP, 2022)

Robin James, "The Future of Rock and Roll: 97X WOXY and the Fight for True Independence" (UNC Press, 2023)

Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)

Heather Augustyn, "Rude Girls: Women in 2 Tone and One Step Beyond" (2023)

Mark LeVine, "We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World" (U California Press, 2022)

Sebanti Chatterjee, "Choral Voices: Ethnographic Imaginations of Sound and Sacrality" (Bloomsbury, 2023)

John Klaess, "Breaks in the Air: The Birth of Rap Radio in New York City" (Duke UP, 2022)

Mark Goodall, "Gathering of the Tribe: A Companion to Occult Music on Vinyl" (Headpress, 2022)

Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)

Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)

Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)

Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)

Rachel Anne Gillett, "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris" (Oxford UP, 2021)

Celeste Day Moore, "Soundscapes of Liberation: African American Music in Postwar France" (Duke UP, 2021)

Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)

David Rothenberg, "Whale Music: Thousand Mile Songs in a Sea of Sound" (Terra Nova Press, 2023)

Geoff Harkness, "DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas" (Columbia UP, 2023)

Wolfgang Marx, "I Don't Belong Anywhere: Gyorgy Ligeti At 100" (Brepols Publishers, 2022)

Trent Walker, "Until Nirvana's Time: Buddhist Songs from Cambodia" (Shambhala, 2022)

Rose Marshack, "Play Like a Man: My Life in Poster Children" (U Illinois Press, 2023)

Nicolas Collins on Leonardo Music Journal’s 20th Anniversary

Hugh Hodges, "The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes" (PM Press, 2023)

Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)

Error, Ego, Humility and Music: A Discussion with Tony Monaco

Margaret Hall, "Gemignani: Life and Lessons from Broadway and Beyond" (Applause Books, 2022)

Dan DiPiero, "Contingent Encounters: Improvisation in Music and Everyday Life" (U Michigan Press, 2022)

Cassette Culture in Modern Egypt: A Conversation with Andrew Simon

Jen B. Larson, "Hit Girls: Women of Punk in the USA, 1975-1983" (Feral House, 2022)

Pete Millwood, "Improbable Diplomats: How Ping-Pong Players, Musicians, and Scientists Remade US-China Relations" (Cambridge UP, 2022)

Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)

Lauron J. Kehrer, "Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance" (U Michigan Press, 2022)

Making Meaning Episode 11: Living Music

Nic Brown, "Bang Bang Crash: A Memoir" (Counterpoint, 2023)

Making Meaning Episode 8: Gifts of Belonging

Steven Hyden, "Long Road: Pearl Jam and the Soundtrack of a Generation" (Hachette Books, 2022)

Deep Cuts: Classic Rock and Hair Metal with Professor and Guitarist Jesse Kavadlo

Nick Seaver, "Computing Taste: Algorithms and the Makers of Music Recommendation" (U Chicago Press, 2022)

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

Maria Sonevytsky, "Wild Music: Sound and Sovereignty in Ukraine" (Wesleyan UP, 2019)

Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)

Dick Weissman, "Bob Dylan's New York: A Historic Guide" (SUNY Press, 2022)

Richard Aquila, "Rock & Roll in Kennedy's America: A Cultural History of the Early 1960s" (Johns Hopkins UP, 2022)

Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)

Albert Glinsky, "Switched On: Bob Moog and the Synthesizer Revolution" (Oxford UP, 2022)

Siv B. Lie, "Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France" (U Chicago Press, 2021)

Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)

Comedies of 'Fair Use': Lewis Hyde on Owning Art and Ideas

What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin

Craig Seymour, "Luther: The Life and Longing of Luther Vandross" (2017)

Tom McLeish, "The Poetry and Music of Science: Comparing Creativity in Science and Art" (Oxford UP, 2021)

Fearghus Roulston, "Belfast Punk and the Troubles: an Oral History" (Manchester UP, 2022)

Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries

Catherine Bateson, "Irish American Civil War Songs: Identity, Loyalty, and Nationhood" (Louisiana UP, 2022)

Philip Nanton, "Riff: The Shake Keane Story" (Papillote Press, 2022)

Natasha Lasky, "Britney Spears's Blackout" (Bloomsbury, 2022)

Norm Cohen et al., "An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century" (A-R Editions, 2021)

Mary Channen Caldwell, "Devotional Refrains in Medieval Latin Song" (Cambridge UP, 2022)

Bridget Kies and Megan Connor, "Fandom, the Next Generation" (U Iowa Press, 2022)

Elliott H. Powell, "Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music" (U Minnesota Press, 2020)

Gregor Gall, "The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion" (Manchester UP, 2022)

Bradley Morgan, "U2's the Joshua Tree: Planting Roots in Mythic America" (Backbeat Books, 2021)

Meredith Schweig, "Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan" (U Chicago Press, 2022)

Guthrie P. Ramsey, "Who Hears Here?: On Black Music, Pasts and Present" (U California Press, 2022)

Nancy November, "String Quartets in Beethoven's Europe" (Academic Studies Press, 2022)

Ross Cole, "The Folk: Music, Modernity, and the Political Imagination" (U California Press, 2021)

Larisa Kingston Mann, "Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022)

John F. Lyons, "Joy and Fear: The Beatles, Chicago and the 1960s" (Permuted Press, 2020)

Charles Sawyer, "B. B. King: From Indianola to Icon: A Personal Odyssey with the 'King of the Blues'" (Schiffer Publishing, 2022)

Mark Burford, "Mahalia Jackson and the Black Gospel Field" (Oxford UP, 2019)

Nina Sun Eidsheim, "The Race of Sound: Listening, Timbre and Vocality in African American Music" (Duke UP, 2019)

Stevie Van Zandt, "Unrequited Infatuations: A Memoir" (Hachette Books, 2022)

Emily Bingham, "My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song" (Knopf, 2022)

Steve Adelman, "Nocturnal Admissions: A Nightlife Memoir" (Santa Monica Press, 2022)

Eldritch Priest, "Earworm and Event: Music, Daydreams, and Other Imaginary Refrains" (Duke UP, 2022)

Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)

Marissa R. Moss, "Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be" (Henry Holt, 2022)

Adam Abraham, "Attack of the Monster Musical: A Cultural History of Little Shop of Horrors" (Bloomsbury, 2022)

Mark Clague, "O Say Can You Hear?: A Cultural Biography of the Star-Spangled Banner" (Norton, 2022)

Aniket De, "The Boundary of Laughter: Popular Performances Across Borders in South Asia" (Oxford UP, 2022)

Will Birch, "Cruel to Be Kind: The Life and Music of Nick Lowe" (Da Capo Press, 2019)

Antonio C. Cuyler, "Access, Diversity, Equity and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the US" (Routledge, 2020)

Michael Elliott, "Have a Little Faith: The John Hiatt Story" (Chicago Review Press, 2021)

M. I. Franklin, "Sampling Politics: Music and the Geocultural" (Oxford UP, 2021)

Ellis Jones, "DIY Music and the Politics of Social Media" (Bloomsbury, 2020)

Leah Kardos, "Blackstar Theory: The Last Works of David Bowie" (Bloomsbury, 2022)

John M. Shaw, "Following the Drums: African American Fife and Drum Music in Tennessee" (UP of Mississippi, 2022)

Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)

Jeff Hayton, "Culture from the Slums: Punk Rock in East and West Germany" (Oxford UP, 2022)

Hanan Hammad, "Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt" (Stanford UP, 2022)

Caryn Rose, "Why Patti Smith Matters" (U of Texas Press, 2022)

Tony Perman, "Signs of the Spirit: Music and the Experience of Meaning in Ndau Ceremonial Life" (U Illinois Press, 2020)

Jennifer Lin, "Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China" (Temple UP, 2022)

Alexandra Apolloni, "Freedom Girls: Voicing Femininity in 1960s British Pop" (Oxford UP, 2021)

Xinling Li, "Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap" (Palgrave Macmillan, 2019)

Jessica Lipsky, "It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution" (Jawbone, 2021)

Mattin, "Social Dissonance" (MIT Press, 2022)

Christopher Silver, "Recording History: Jews, Muslims, and Music Across Twentieth-Century North Africa" (Stanford UP, 2022)

John Luther Adams, "Silences So Deep: Music, Solitude, Alaska" (FSG, 2020)

Kira Thurman, "Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms" (Cornell UP, 2021)

Andrew Simon, "Media of the Masses: Cassette Culture in Modern Egypt" (Stanford UP, 2022)

Edward Anthony Avery-Natale, "Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia" (Lexington, 2016)

Mark Anthony Neal, "Black Ephemera: The Crisis and Challenge of the Musical Archive" (NYU Press, 2022)

Judith Lochhead et al., "Sound and Affect: Voice, Music, World" (U Chicago Press, 2021)

Nikita Braguinski, "Mathematical Music: From Antiquity to Music AI" (Focal Press, 2022)

Stephen Deusner, "Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers" (U Texas Press, 2021)

Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)

Stan BH Tan-Tangbau et al., "Jazz in Socialist Hà Nội: Improvisations Between Worlds" (Routledge, 2022)

Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)

Richard Stamz and Patrick A. Roberts, "Give 'em Soul, Richard!: Race, Radio, and Rhythm and Blues in Chicago" (U Illinois Press, 2010)

Mike Errico, "Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter" (Backbeat Book, 2022)

Alejandro Nava, "Street Scriptures: Between God and Hip-Hop" (U Chicago Press, 2022)

Rebecca Dowd Geoffroy-Schwinden, "From Servant to Savant: Musical Privilege, Property, and the French Revolution" (Oxford UP, 2022)

Guangtian Ha, "The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China" (Columbia UP, 2021)

J. Lorenzo Perillo, "Choreographing in Color: Filipinos, Hip-Hop, and the Cultural Politics of Euphemism" (Oxford UP, 2020)

Computational Creativity

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

Aaron Cohen, "Move On Up: Chicago Soul Music and Black Cultural Power" (U Chicago Press, 2019)

Nancy Barile, "I'm Not Holding Your Coat: My Bruises-And-All Memoir of Punk Rock Rebellion" (Bazillion Points, 2021)

Amanda D. Lotz, "Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars" (MIT Press, 2021)

Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)

Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)

Kenneth Partridge, "Hell of a Hat: The Rise of '90s Ska and Swing" (Pennsylvania State UP, 2021)

Yana Stainova, "Sonorous Worlds: Musical Enchantment in Venezuela" (U Michigan Press, 2021)

Richard Brent Turner, "Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism" (NYU Press, 2021)

On Punk Rock and Religious Identity

Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

Rebecca Cypess, "Women and Musical Salons in the Enlightenment" (U Chicago Press, 2022)

Michael Spitzer, "The Musical Human: A History of Life on Earth" (Bloomsbury, 2021)

Kate Guthrie, "The Art of Appreciation: Music and Middlebrow Culture in Modern Britain" (U California Press, 2021)

Daudi Abe, "Emerald Street: A History of Hip Hop in Seattle" (U Washington Press, 2020)

Deirdre Ní Chonghaile, "Collecting Music in the Aran Islands: A Century of History and Practice" (U Wisconsin Press, 2021)

K. Stephen Prince, "The Ballad of Robert Charles: Searching for the New Orleans Riot Of 1900" (UNC Press, 2021)

Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)

Mike McCartney, "Mike McCartney's Early Liverpool" (Genesis Publications, 2021)

Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)

Tim Smolko and Joanna Smolko, "Atomic Tunes: The Cold War in American and British Popular Music" (Indiana UP, 2021)

Uwe Schütte, "Kraftwerk: Future Music from Germany" (Penguin, 2021)

Vicki L. Brennan, "Singing Yoruba Christianity: Music, Media, and Morality" (Indiana UP, 2018)

James Lapine, "Putting It Together: How Stephen Sondheim and I Created 'Sunday in the Park with George'" (FSG, 2021)

William Sites, "Sun Ra's Chicago: Afrofuturism and the City" (U Chicago Press, 2021)

John Fenn and Lisa Gilman, "Handbook for Folklore and Ethnomusicology Fieldwork" (Indiana UP, 2019)

Katie Rios, "This Is America: Race, Gender, and Politics in America's Musical Landscape" (Lexington Books, 2021)

Bruce Iglauer and Patrick A. Roberts, "Bitten by the Blues: The Alligator Records Story" (U Chicago Press, 2018)

I'm Possible: A Conversation with Tuba Professor Dr. Richard White

Michael Stewart Foley, "Citizen Cash: The Political Life and Times of Johnny Cash" (Basic Books, 2021)

Olga Rodríguez-Ulloa and Rodrigo Quijano, "Punk! Las Américas Edition" (Intellect, 2022)

Vivian Kirkfield, "Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe" (Little Bee Books, 2020)

Jake Johnson, "Lying in the Middle: Musical Theater and Belief at the Heart of America" (U Illinois Press, 2021)

Carol J. Oja and Charles Garrett, "Sounding Together: Collaborative Perspectives on U. S. Music in the 21st Century" (U Michigan Press, 2021)

Rosa Hawkins and Steve Bergsman, "Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups" (UP of Mississippi, 2021)

Stan BH Tan-Tangbau and Quyền Văn Minh, "Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội" (UP of Mississippi, 2021)

David Sulzer, "Music, Math, and Mind: The Physics and Neuroscience of Music" (Columbia UP, 2021)

David Politzer, “The Physics of Banjos” (Open Agenda, 2021)

Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)

Marcia Pally, "From This Broken Hill I Sing to You: God, Sex, and Politics in the Work of Leonard Cohen" (Bloomsbury, 2021)

Mary Talusan, "Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During US Colonization of the Philippines" (UP of Mississippi, 2021)

Sonia Gollance, "It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity" (Stanford UP, 2021)

John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)

Nina Kraus, "Of Sound Mind: How Our Brain Constructs a Meaningful Sonic World" (MIT Press, 2021)

Sunhee Koo, "Sound of the Border: Music and Identity of Korean Minority Nationality in China" (U Hawaii Press, 2021)

Nolan Gasser, "Why You Like It: The Science and Culture of Musical Taste" (Flatiron Books, 2019)

Daniel K. L. Chua and Alexander Rehding, "Alien Listening: Voyager's Golden Record and Music from Earth" (Zone Book, 2021)

Adam Lehrer, "Communions" (Hyperidean Press, 2021)

Hiromu Nagahara, "Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents" (Harvard UP, 2017)

Andrea Warner, "Buffy Sainte-Marie: The Authorized Biography" (Graystone Books, 2018)

Samantha Durbin, "Raver Girl: Coming of Age in the 90s" (She Writes Press, 2021)

Raphael Cormack, "Midnight in Cairo: The Divas of Egypt's Roaring 20s" (Norton, 2021)

William Robin, "Industry: Bang on a Can and New Music in the Marketplace" (Oxford UP, 2021)

David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)

Caroline A. Kita, "Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater" (Indiana UP, 2019)

Adesola Akinleye, "(Re:) Claiming Ballet" (Intellect Books, 2021)

Alex E. Chávez, "Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño" (Duke UP, 2017)

Peter Toohey, "Hold On: The Life, Science, and Art of Waiting" (Oxford UP, 2020)

Joseph L. Clarke, "Echo's Chambers: Architecture and the Idea of Acoustic Space" (U Pittsburgh Press, 2021)

Aaron Cometbus and Scott Satterwhite, "A Punkhouse in the Deep South: The Oral History Of 309" (UP of Florida, 2021)

Mike Dines et al., "The Punk Reader: Research Transmissions from the Local and the Global" (Intellect, 2019)

Anne Bogart, "The Art of Resonance" (Methuen Drama, 2021)

Panayotis F. League, "Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora" (U Michigan Press, 2021)

Shayna Maskell, "Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983" (U Illinois Press, 2021)

J. P. M. Drury and S. A. M. Drury, "Rhetoric, Politics, and Hamilton: an American Musical" (Peter Lang, 2021)

Franz Nicolay, "Someone Should Pay for Your Pain" (Gibson House Press, 2021)

Mary Gauthier, "Saved by a Song: The Art and Healing Power of Songwriting" (St. Martin's Essentials, 2021)

Robin Wallace: Inspired By Beethoven

Caseen Gaines, "Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way" (Sourcebooks, 2021)

Janaki Bakhle, "Two Men and Music: Nationalism in the Making of an Indian Classical Tradition" (Oxford UP, 2005)

Angela Williams, "Hip Hop Harem: Women, Rap and Representation in the Middle East" (Peter Lang, 2020)

Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)

Mark A. Johnson, "Rough Tactics: Black Performance in Political Spectacles, 1877-1932" (UP of Mississippi, 2021)

Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)

Diana Deutsch, “Believing Your Ears: Examining Auditory Illusions” (Open Agenda, 2021)

Joseph Curtin, “The Science of Siren Songs: Stradivari Unveiled” (Open Agenda, 2021)

Jessica Hopper, "The First Collection of Criticism by a Living Female Rock Critic" (MCD x Fsg Originals, 2021)

Pablo Palomino, "The Invention of Latin American Music" (Oxford UP, 2020)

Andrew F. Jones, "Circuit Listening: Chinese Popular Music in the Global 1960s" (U Minnesota Press, 2020)

Cynthia J. Becker, "Blackness in Morocco: Gnawa Identity Through Music and Visual Culture" (U Minnesota Press, 2020)

Brooke McCorkle Okazaki, "Shonen Knife’s Happy Hour" (Bloomsbury, 2020)

Kate Kennedy, "Dweller in Shadows: A Life of Ivor Gurney" (Princeton UP, 2021)

Ruth Ahnert et al., "The Network Turn: Changing Perspectives in the Humanities" (Cambridge UP, 2021)

Candace Bailey, "Unbinding Gentility: Women Making Music in the Nineteenth-Century South" (U Illinois Press, 2021)

Jonathan Wright and Dawson Barrett, "Punks in Peoria: Making a Scene in the American Heartland" (U Illinois Press, 2021)

Benjamin Steege, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought" (U Chicago Press, 2021)

Jeanne Pitre Soileau, "Yo' Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children's Folklore and Play" (UP of Mississippi, 2016)

Assaf Shelleg, "Theological Stains: Art Music and the Zionist Project" (Oxford UP, 2020)

Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)

Katherine K. Preston, "George Frederick Bristow" (U Illinois Press, 2020)

Richard Thompson, "Beeswing: Losing My Way and Finding My Voice 1967-1975" (Algonquin Books, 2021)

David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)

Claudrena N. Harold, "When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras" (U Illinois Press, 2020)

Mark Mordue, "Boy On Fire: The Young Nick Cave" (HarperCollins, 2020)

Douglas W. Shadle, "Antonín Dvořák's New World Symphony" (Oxford UP, 2021)

W. Patrick McCray, "Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture" (MIT Press, 2020)

Axel Englund, "Deviant Opera: Sex, Power, and Perversion on Stage" (U California Press, 2020)

Louis Menand, "The Free World: Art and Thought in the Cold War" (FSG, 2021)

Women Singer-Songwriters of 1970s Japan: A Discussion with Satoko Naito

Benjamin Piekut, "Henry Cow: The World Is a Problem" (Duke UP, 2019)

K. E. Goldschmitt, "Bossa Mundo: Brazilian Music in Transnational Media Industries" (Oxford UP, 2019)

Makis Solomos, "From Music to Sound: The Emergence of Sound in 20th and 21st-century Music" (Routledge, 2019)

David Monod, "Vaudeville and the Making of Modern Entertainment, 1890–1925" (UNC Press, 2020)

Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)

Amit Chaudhuri, "Finding the Raga: An Improvisation on Indian Music" (NYRB, 2021)

Maureen Mahon, "Black Diamond Queens: African American Women and Rock and Roll" (Duke UP, 2020)

Philip Auslander, "In Concert: Performing Musical Persona" (U Michigan Press, 2021)

Tara T. Green, "Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song" (Ohio State UP, 2018)

Bill Nowlin, "Vinyl Ventures: My Fifty Years at Rounder Records" (Equinox, 2021)

Regina N. Bradley, "Chronicling Stankonia: The Rise of the Hip-Hop South" (UNC Press, 2021)

W. David O. Taylor, "Glimpses of the New Creation: Worship and the Formative Power of the Arts" (Eerdmans, 2019)

Anne Searcy, "Ballet in the Cold War: A Soviet-American Exchange" (Oxford UP, 2020)

Sibbie O'Sullivan, "My Private Lennon: Explorations from a Fan Who Never Screamed" (Mad Creek Books, 2020)

Monique M. Ingalls, "Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community" (Oxford UP, 2018)

Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)

Amanda Ann Klein, "Millennials Killed the Video Star: MTV's Transition to Reality Programming" (Duke UP, 2021)

M. I. Devine, "Warhol's Mother's Pantry: Art, America, and the Mom in Pop" (Mad Creek Books, 2020)

Richard C. Jankowsky, "Ambient Sufism: Ritual Niches and the Social Work of Musical Form" (U Chicago Press, 2021)

Tyler Sonnichsen, "Capitals of Punk: DC, Paris, and Circulation in the Urban Underground" (Palgrave MacMillan, 2019)

Nate Chinen, "Playing Changes: Jazz for the New Century" (Vintage, 2019)

David A. Less, "Memphis Mayhem: A Story of the Music That Shook Up the World" (ECW Press, 2020)

Rebecca Hope Dirksen, "After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti" (Oxford UP, 2020)

Gascia Ouzounian, "Stereophonica: Sound and Space in Science, Technology, and the Arts" (MIT Press, 2021)

J. DeLapp-Birkett and Aaron Sherber, "Appalachian Spring: Original Ballet Version" (A-R Edtions, 2019)

B. Brian Foster, "I Don't Like the Blues: Race, Place, and the Backbeat of Black Life" (UNC Press, 2020)

Njoroge M. Njoroge, "Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean" (UP of Mississippi, 2016)

Evan Rapport, "Damaged: Musicality and Race in Early American Punk" (UP of Mississippi, 2020)

Luc Sante, "Maybe the People Would Be the Times" (Verse Chorus Press, 2020)

Daphne A. Brooks, "Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound" (Harvard UP, 2021)

Robert L. Stone, "Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community" (U of Mississippi Press, 2020)

Dan Moller, "The Way of Bach: Three Years with the Man, the Music, and the Piano" (Simon and Schuster, 2020)

Oliver Craske, "Indian Sun: The Life and Music of Ravi Shankar" (Hachette, 2020)

Paul O. Jenkins, "Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World" (West Virginia UP, 2020)

Ray Allen, "Jump Up!: Caribbean Carnival Music in New York City" (Oxford UP, 2019)

Jillian C. Rogers, "Resonant Recoveries: French Music and Trauma Between the World Wars" (Oxford UP, 2021)

Kimberly Mack, "Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White" (U Mass Press, 2020)

Andrea Bohlman, "Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland" (Oxford UP, 2020)

Daniel M. Harrison, "Live At Jackson Station: Music, Community, and Tragedy in a Southern Blues Bar" (U South Carolina Press, 2021)

David Chaffetz, "Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou" (Abbreviated Press, 2019)

Gerry Smyth, "Sailor Song: The Shanties and Ballads of the High Seas" (U Washington Press, 2020)

Ari Y. Kelman, "Shout to the Lord: Making Worship Music in Evangelical America" (NYU Press, 2018)

Anthony Valerio, "Before the Sidewalk Ended: A Walk with Shel Silverstein" (Daisy H. Productions, 2020)

Sophia Chang, "The Baddest Bitch in the Room" (Catapult, 2020)

Mark James Porter, "Ecologies of Resonance in Christian Musicking" (Oxford UP, 2020)

Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)

Laurent Fintoni, "Bedroom Beats & B-Sides: Instrumental Hip-Hop & Electronic Music at the Turn of the Century" (Velocity Press, 2020)

R. Garofalo, E. T. Allen, A. Snyder, "Honk!: A Street Band Renaissance of Music and Activism" (Routledge, 2019)

N. Mclaughlin and J. Braniff, "How Belfast Got the Blues: A Cultural History of Popular Music in The 1960s" (Intellect, 2020)

Tony Bolden, "Groove Theory: The Blues Foundation of Funk" (UP of Mississippi, 2020)

Timothy Hampton, "Bob Dylan: How the Songs Work" (Zone Books, 2020)

George Musgrave, "Can Music Make You Sick?: Measuring the Price of Musical Ambition" (U Westminster Press, 2020)

Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)

Billy Coleman, "Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865" (UNC Press, 2020)

Felicia Angeja Viator, "To Live and Defy in LA: How Gangsta Rap Changed America" (Harvard UP, 2020)

Bonny H. Miller, "Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America" (U Rochester Press, 2020)

Simone C. Drake, "Are You Entertained?: Black Popular Culture in the Twenty-First Century" (Duke UP, 2020)

Joel Miller, "Memoir of a Roadie: Axl Said I made a Great Cup of Tea…" (2020)

Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)

William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)

Farzaneh Hemmasi, "Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop Music" (Duke UP, 2020)

Fabian Holt, "Everyone Loves Live Music: A Theory of Performance Institutions" (U Chicago Press, 2020)

Bethany Klein, "Selling Out: Culture, Commerce and Popular Music" (Bloomsbury, 2020)

Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)

Glenda Goodman, "Cultivated by Hand: Amateur Musicians in the Early American Republic" (Oxford UP, 2020)

Stooges Brass Band, "Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game" (U Mississippi Press, 2020)

Joanna Stingray, "Red Wave: An American in the Soviet Music Underground" (Doppelhouse Press, 2020)

M. Hinds and J. Silverman, "Johnny Cash International: How and Why Fans Love the Man in Black" (U Iowa Press, 2020)

Steven C. Smith, "Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer" (Oxford UP, 2020)

Lauren Michele Jackson, "White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation" (Beacon, 2019)

Rae Linda Brown, "Heart of a Woman: The Life and Music of Florence B. Price" (U Illinois Press, 2020)

Mack Hagood, "Hush: Media and Sonic Self-Control" (Duke UP, 2019)

Karen Patel, "The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities" (Rowman and Littlefield, 2020)

Gabriel Dattatreyan, "The Globally Familiar: Digital Hip-Hop, Masculinity, and Urban Space in Delhi" (Duke UP, 2020)

Caridad Svich, "Mitchell and Trask’s Hedwig and the Angry Inch" (Routledge, 2019

Martin James, "State of Base: The Origins of Jungle/Drum and Bass" (Velocity Press, 2020)

Sunny Stalter-Pace, "Imitation Artist: Gertrude Hoffman’s Life in Vaudeville and Dance" (Northwestern UP, 2020)

Junior Tomlin, "Junior Tomlin: Flyer and Cover Art" (Velocity Press, 2020)

Manuel Betancourt, "Judy Garland's Judy at Carnegie Hall" (Bloomsbury Academic, 2020)

Marianna Ritchey, "Composing Capital: Classical Music in the Neoliberal Era" (U Chicago Press, 2019)

Rachel Mundy, "Animal Musicalities: Birds, Beasts, and Evolutionary Listening" (Wesleyan UP, 2018)

Kendra Preston Leonard, "Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism" (Humanities Commons, 2010)

Grace Elizabeth Hale, "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" (UNC Press, 2020)

Shana Redmond, "Everything Man: The Form and Function of Paul Robeson" (Duke UP, 2020)

R. Farrugia and K. D. Hay, "Women Rapping Revolution: Hip Hop and Community Building in Detroit" (U California Press, 2020)

Kenneth Womack, "Solid State: The Story of Abbey Road and The End of The Beatles" (Cornell UP, 2019)

Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)

Dale Cockrell, "Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917" (Norton, 2019)

Stacy Wolf, "Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America" (Oxford UP, 2019)

Nick Prior, "Popular Music, Digital Technology and Society" (SAGE, 2018)

Paul Harkins, "Digital Sampling: The Design and Use of Music Technologies" (Routledge, 2019)

Forrest Stuart, "Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy" (Princeton UP, 2020)

Tyler Bickford, "Tween Pop: Children’s Music and Public Culture" (Duke UP, 2020)

Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)

Caspar Melville, "It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City" (Manchester UP, 2019)

Peter La Chapelle, "I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music" (U Chicago Press, 2019)

Jacki Apple, "Performance / Media / Art / Culture: Selected Essays 1983-2018" (Intellect Books, 2019)

Thor Magnusson, "Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions" (Bloomsbury Academic, 2019)

Richard M. Gamble, "A Fiery Gospel: The Battle Hymn of the Republic and the Road to Righteous War" (Cornell UP, 2019)

Anna Bull, "Class, Control, and Classical Music" (Oxford UP, 2019)

Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)

Kunio Hara, "Joe Hisaishi's Soundtrack for My Neighbor Totoro" (Bloomsbury Academic, 2020)

Nick Crossley, "Connecting Sounds: The Social Life of Music" (Manchester UP, 2020)

Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)

Ryan Weber, "Cosmopolitanism and Transatlantic Circles in Music and Literature" (Palgrave MacMillan, 2018)

Kyle Devine, "Decomposed: The Political Ecology of Music" (MIT Press, 2019)

K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)

Mark Katz, "Build: The Power of Hip Hop Diplomacy in a Divided World" (Oxford UP, 2019)

Jane D. Hatter, "Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice" (Cambridge UP, 2019)

Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)

Laura K. T. Stokes, "Fanny Hensel: A Research and Information Guide" (Routledge, 2019)

Richard F. Thomas, "Why Bob Dylan Matters" (Dey Street, 2017)

Lincoln A. Mitchell, "San Francisco Year Zero" (Rutgers UP, 2019)

Kathryn Conrad on University Press Publishing

J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)

Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)

William Gibbons, "Unlimited Replays: Video Games and Classical Music" (Oxford UP, 2018)

Ann Powers, "Good Booty: Love and Sex, Black and White, Body and Soul in American Music" (Dey St. Books, 2017)

Candace L. Bailey, "Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord" (U South Carolina Press, 2019)

Stephen R. Duncan, "The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground" (Johns Hopkins UP, 2018)

E. Douglas Bomberger, "Making Music American: 1917 and the Transformation of Culture" (Oxford UP, 2018)

Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)

Fernando Orejuela and Stephanie Shonekan, "Black Lives Matter and Music: Protest, Intervention, Reflection" (Indiana UP, 2018)

Vivi Lachs, "Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914" (Wayne State UP, 2018)

René Weis, "The Real Traviata: The Song of Marie Duplessis" (Oxford UP, 2015)

Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)

Su'ad Abdul Khabeer, “Muslim Cool: Race, Religion, and Hip Hop in the United States” (NYU Press, 2016)

Nancy Yunhwa Rao, "Chinatown Opera Theater in North America" (U Illinois Press, 2017)

Levi S. Gibbs, "Song King: Connecting People, Places and Past in Contemporary China" (U Hawaii Press, 2018)

Jules Evans, "The Art of Losing Control: A Philosopher's Search for Ecstatic Experience" (Canongate Books, 2017)

Discussion of Massive Online Peer Review and Open Access Publishing

Suk-Young Kim, "K-Pop Live: Fans, Idols, and Multimedia Performance" (Stanford UP, 2018)

Jennifer Ronyak, "Intimacy, Performance, and the Lied in the Early Nineteenth Century" (Indiana UP, 2018)

Nick Soulsby, "Sacrifice and Transcendence: The Oral History of Swans" (Jawbone Press, 2018)

Robin Wallace, "Hearing Beethoven: A Story of Musical Loss and Discovery" (UChicago Press, 2018)

Tim Mohr, "Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall" (Algonquin Books, 2018)

Katherine K. Preston, "Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America" (Oxford UP, 2017)

Patrick B. Mullen, "Right to the Juke Joint: A Personal History of American Music" (U Illinois Press, 2018)

McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)

John C. Hajduk, "Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960" (Lexington Books, 2018)

R. C. Romano and C. B. Potter, “Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past” (Rutgers UP,

Stephen Lee Naish, “Riffs & Meaning: Manic Street Preachers and Know Your Enemy” (Headpress, 2018)

James P. Leary, “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” (U Wisconsin Press, 2015)

Naomi André, “Black Opera: History, Power, Engagement” (U Illinois Press, 2018)

Ben Blackwell, “The Blue Series: The Story Behind the Color” (Third Man Books, 2017)

David Novak and Matt Sakakeeny, “Keywords in Sound” (Duke UP, 2015)

Rebekah J. Buchanan, “Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics” (Peter Lang, 2018)

Sandra Jean Graham, “Spirituals and the Birth of a Black Entertainment Industry” (U Illinois Press, 2018)

Charles Hughes, “Country Soul: Making Music and Making Race in the American South” (UNC Press, 2015)

Michael Ramirez, “Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town” (Rutgers UP, 2018)

Gillian M. Rodger, “Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage” (U Illinois Press, 2018)

John Gennari, “Flavor and Soul: Italian America and Its African American Edge” (U Chicago Press, 2017)

Imani Perry, “May We Forever Stand: A History of the Black National Anthem” (UNC Press, 2018)

Marc Hertzman, “Making Samba: A New History of Race and Music in Brazil” (Duke UP, 2013)

Emily Petermann, “The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction” (Camden House, 2014)

Marian Wilson Kimber, “The Elocutionists: Women, Music, and the Spoken Word” (U Illinois Press, 2017)

Franz Rickaby, et al., “Pinery Boys: Songs and Songcatching in the Lumberjack Era” (U Wisconsin Press, 2017)

Jonathan R. Wynn, “Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport” (U of Chicago, 2015)

Jenny Natasha and Tom Boniface-Webb, “I Was Britpopped: The A-Z of Britpop” (Valley Press, 2017)

Richard Power Sayeed, “1997: The Future that Never Happened (Zed Books, 2017)

Paul C. Jasen, “Low End Theory: Bass, Bodies and the Materiality of Sonic Experience” (Bloomsbury, 2016)

Danny Goldberg, “In Search of the Lost Chord: 1967 and the Hippie Idea” (Akashic Books, 2017)

James A. Cosby, “Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll” (McFarland, 2016)

Tyina Steptoe, “Houston Bound: Culture and Color in a Jim Crow City” (U. California Press, 2015)

Melissa Hidalgo, “Mozlandia: Morrissey Fans in the Borderlands” (Headpress, 2016)

Ben Westhhoff, “Original Gangtas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap” (Hachette, 2016)

Alisa Solomon, “Wonder of Wonders: A Cultural History of Fiddler on the Roof” (Metropolitan, 2013)

David Ensminger, “The Politics of Punk: Protest and Revolt from the Streets” (Rowman and Littlefield, 2016)

Andrew Schulman, “Waking the Spirit: A Musician’s Journey Healing Body, Mind, and Soul (Picador 2016)

Michelle Cruz Gonzales, “The Spitboy Rule: Tales of Xicana in a Female Punk Band” (PM Press, 2016)

Paul Roquet, “Ambient Media: Japanese Atmospheres of Self” (U. of Minnesota Press, 2016)

Doug Bradley and Craig Werner, “We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War” (U of Massachusetts Press, 2015)

Aisha Durham, “Home With Hip Hop Feminism” (Peter Lang, 2014)

Grace Wang, “Soundtracks of Asian America: Navigating Race Through Musical Performance”

Deborah R. Vargas, “Dissonant Divas in Chicana Music: The Limits of La Onda” (U of Minnesota Press, 2012)

Patty Farmer, “Playboy Swings! How Hugh Hefner and Playboy Changed the Face of Music” (Beaufort Books, 2015)

Amber R. Clifford-Napoleone “Queerness in Heavy Metal Music: Metal Bent” (Routledge 2015)

Alex Ogg, “Dead Kennedys: Fresh Fruit for Rotting Vegetables: The Early Years” (PM Press, 2014)

Ana Marcia Ochoa Gautier, “Aurality: Listening and Knowledge in Nineteenth-Century Colombia” (Duke UP, 2014)

Christina Dunbar-Hester, “Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism” (MIT Press, 2014)

Alexander R. Galloway, “Laruelle: Against the Digital” (University of Minnesota Press, 2014)

Donald Deardorff, “Bruce Springsteen: American Poet and Prophet” (Scarecrow Press, 2014)

Rachel Clare Donaldson, “I Hear America Singing: Folk Music and National Identity” (Temple UP, 2014)

Nadine Hubbs, “Rednecks, Queers, and Country Music” (University of California Press, 2014)

Adrienne Trier-Bieniek, “Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos” (The Scarecrow Press, 2013)

Lorena Turner, “The Michael Jacksons” (Little Moth Press, 2014)

Mark Prado, “Living Colour: Beyond the Cult of Personality” (CreateSpace, 2014)

Kristin Lieb “Gender, Branding, and the Modern Music Industry” (Routledge, 2013)

Marc Myers “Why Jazz Happened” (University of California Press, 2014)

Derrick Bang, “Vince Guaraldi at the Piano” (McFarland Press, 2012)

Steve Miller, “Detroit Rock City: The Uncensored History of Rock ‘n’ Roll in America’s Loudest City” (Da Capo Press, 2013)

Marcia Alesan Dawkins, “Eminem: The Real Slim Shady” (Praeger, 2013)

Erica Cusi Wortham, “Indigenous Media in Mexico: Culture, Community, and the State” (Duke University Press, 2013)

D.X. Ferris, “Slayer 66 2/3: The Jeff and Dave Years” (6623 Press, 2013)

David Novak, “Japanoise: Music at the Edge of Circulation” (Duke UP, 2013)

Andrea S. Goldman, “Opera and the City: The Politics of Culture in Beijing 1770-1900” (Stanford UP, 2012)

James Greene Jr., “This Music Leaves Stains: The Complete Story of the Misfits” (Scarecrow Press, 2013)

Richie Unterberger, “Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia” (Jawbone, 2011)

William J. Bush, “Greenback Dollar: The Incredible Rise of the Kingston Trio” (The Scarecrow Press, 2013)

Dan LeRoy, “Paul’s Boutique” (Continuum, 2009)

Steve Bergsman, “The Death of Johnny Ace” (Dancing Traveler Publishing, 2012)

Michael Streissguth, “Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville” (It Books, 2013)

D.X. Ferris, “Reign in Blood” (Continuum, 2008)

Greg Kot, “Ripped: How the Wired Generation Revolutionized Music” (Scribner, 2009)

Howard Marshall, “Play Me Something Quick and Devilish: Old-Time Fiddlers in Missouri” (University of Missouri Press, 2012))

Steve Waksman, “This Ain’t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk” (University of California Press, 2009)

Don McLeese, “Dwight Yoakam: A Thousand Miles from Nowhere” (University of Texas Press, 2012)

Stevie Chick, “Spray Paint the Walls: The Black Flag Story” (Omnibus, 2010)

Steven Roby and Brad Schreiber, “Becoming Jimi Hendrix” (Da Capo, 2010)

Amanda Weidman, “Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India” (Duke UP, 2006)

Laina Dawes, “What are You Doing Here?: A Black Woman’s Life and Liberation in Heavy Metal” (Bazillion Points, 2012)

Matt Rahaim, “Musicking Bodies: Gesture and Voice in Hindustani Music” (Wesleyan UP, 2012)

Nathan Hesselink, “SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture” (University of Chicago Press, 2012)

Peter Benjaminson, “Mary Wells: The Tumultuous Life of Motown’s First Superstar” (Chicago Review Press, 2012)

Reiland Rabaka, “Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement” (Lexington Books, 2012)

Preston Lauterbach, “The Chitlin’ Circuit and the Road to Rock ‘n’ Roll” (W. W. Norton, 2011)

Jesse Jarnow, “Big Day Coming: Yo La Tengo and the Rise of Indie Rock” (Gotham Books, 2012)

Dave Gluck, “Rhythms of the Game: The Link Between Musical and Athletic Performance” (Hal Leonard, 2011)

Greg Prato, “Too High to Die: Meet the Meat Puppets” (Lulu, 2012)

Shawn Bender, “Taiko Boom: Japanese Drumming in Place and Motion” (University of California Press, 2012)

David Kirby, “Little Richard: The Birth of Rock ‘n’ Roll” (Continuum, 2009)

Stuart Henderson, “Making the Scene: Yorkville and Hip Toronto in the 1960s” (University of Toronto Press, 2011)

Ben Cawthra, “Blue Notes in Black and White: Photography in Jazz” (University of Chicago Press, 2011)

Reiland Rabaka, “Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement” (Lexington Books, 2011)

Andrew S. Berish, “Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s” (University of Chicago, 2012)

Sara Marcus, “Girls to the Front: The True Story of the Riot Grrrl Revolution” (Harper Perennial, 2010)

Kathy Sloane, “Keystone Korner: Portrait of a Jazz Club” (Indiana UP, 2011)

Bob Riesman, “I Feel So Good: The Life and Times of Big Bill Broonzy” (University of Chicago Press, 2011)

Matthew Delmont, “The Nicest Kids in Town: American Bandstand, Rock ‘n’ Roll, and the Struggle for Civil Rights in 1950s Philadelphia” (University of California Press, 2011)

Will Hermes, “Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever” (Faber and Faber, 2011)

Robert Pielke, “Rock Music in American Culture: The Sounds of Revolution” (2nd Edition; McFarland, 2012)

Kevin Avery, “Everything is an Afterthought: The Life and Writings of Paul Nelson” (Fantagraphics, 2011)

Alice Bag, “Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story” (Feral House, 2011)

Roberto Avant-Mier, “Rock the Nation: Latin/o Identites and the Latin Rock Diaspora” (Continuum, 2010)

Sean Wilentz, “Bob Dylan in America” (Doubleday, 2010)

Lester K. Spence, “Stare in the Darkness: The Limits of Hip-hop and Black Politics” (University of Minnesota Press, 2011)

Kevin Fellezs, “Birds of a Fire: Jazz, Rock, Funk, and the Creation of Fusion” (Duke UP, 2011)

Sheree Homer, “Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio” (McFarland, 2010)

Peter Filichia, “Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009” (Applause, 2010)

Joe Carducci, “Enter Naomi: SST, L.A. and All That…” (Redoubt Press, 2007)