All Episodes
Novel writing step-by-step — 79 episodes
a_Audio—recording quotes 41 through 50
a_Audio—recording quotes 25 through 40
a_Audio—recording quotes 14a through 24
72–TAOS—Chapter 11
71–TAOS—10G—conclude chapter 10
70–TAOS—10F—Continuing chapter 10
69–TAOS—10E—continue chapter 10
68–TAOS—10D—Values in conflict—It’s a wonderful life
a_Audio--recording quotes 1 through 13
67–TAOS—10C—Scene-writing technique—The first sentence
66–TAOS—10B—Scenes
65–TAOS—10A—Scene construction and Symphonic dialogue
64–TAOS—9F—final part of chapter 9–Social fantasy scene
63–TAOS—9E—Continuing chapter 9–love story scene weave
62–TAOS—9E—continue chapter 9, crosscut scene weave
61–TAOS—9D—continue Detective scene weave
60–TAOS—9C—Detective crime scene weave
59–TAOS—9B—continuing chapter 9
58–TAOS—9A—chapter 9–Scene weave
57–TAOS—8J—completing chapter 8
56–TAOS—8I—continuing chapter 8
55–TAOS—8H—continuing chapter 8
54–TAOS—8G—continuing chapter 8
53–TAOS--8F--continuing chapter 8
52–TAOS—8E—continuing chapter 8
51–TAOS—8D—continuing chapter 8
50–TAOS—8C—continuing chapter 8 on plot
49—TAOS—8B—Creating an organic plot
48–TAOS—8A—Plot
47–TAOS—7F—Creating symbols—Writing exercise #6
46--TAOS--7E--Symbol technique: reversing the symbol web
45–TAOS—7D—Symbolic objects
44–TAOS—7C—continuing symbols
43-TAOS—7B—Symbolic characters
42–TAOS—6N—finish writing exercise #5
43–TAOS—7A—Symbol web
41–TAOS—6M—Creating the story world—Writing exercise 5
40–TAOS—6L—finish story world through structure—analysis of Ulysses
39–TAOS—6K—continue Story world through structure
38–TAOS—6J—Story world through structure
37–TAOS—6I—How the story world and hero develop together & Time in the story world
36–TAOS—6H—Connecting the world to the hero’s overall development
35–TAOS—6G—Big to small things & Passageways between worlds
34–TAOS—6F—Story world technique
33–TAOS—6E—Man-made spaces
32–TAOS—6D—Detailing the story world—Natural settings
31–TAOS—6C—The arena of the story
30–TAOS—6A—Story world—Finding the story world in the designing principle
29–TAOS—5G—outlining the moral argument—writing exercise 4
28--TAOS--5F--continue Variants of Moral Argument
27--TAOS--5E--variants of moral arguments--through wuthering heights
27--TAOS--5E--variants of moral arguments--through wuthering heights
26--TAOS--5D--Theme through structure
25--TAOS--5C--Splitting the theme into oppositions
24--TAOS—5B—Finding the theme line in the designing principle
23--TAOS—5A—Moral Argument
22--TAOS--4G--Creating your characters--Writing exercise #3
21--TAOS—4F–Building Conflict
20--TAOS—4E–Creating your hero, step 3: desire & step 4: the opponent
19--TAOS—4D–Creating change in your story
18--TAOS—4C–Creating your hero
17--TAOS—4B–Love stories
15--TAOS--3G--New Equilibrium & How to use the 7 steps--writing exercise #2
16--TAOS—4A–first part; to Love Stories
14--TAOS—3F–Self-revelation
13--TAOS—3E–Battle
12--TAOS—3D–Plan
11--TAOS—3C–Opponent
10--TAOS—3B–Desire
9--TAOS—3A–Weakness and need
8--TAOS—2B–Developing your premise. ten steps
7--TAOS—2A–Premise--What is the premise?
6--TAOS—1F–writing your story
5--TAOS—1E–story movement
4--TAOS—1D–the story body
3--TAOS—1C–the story
2--TAOS—1B–the teller and the listener
1--TAOS--Introduction
Lesson 3–Isolating your story kernel