All Episodes

How Tom Hanks became weightless in Apollo 13. And other reasons why filmmakers choose to film in Houston, Texas

Surviving Earth: what our planet looked like thousands and even millions of years ago

California Film Commission director Colleen Bell on how Hollywood is recovering from a tough few years

Let’s Play Ball and the Bicycle Race: two of the latest formats from EndemolShine Nederland

Atlas of the Universe: director Paul Negoescu and location manager Andrei Stehan on filming in the Romanian countryside

Crime 101: Location Manager Robert Foulkes on choosing the highs and the lows of Los Angeles for the Chris Hemsworth heist movie

One Battle after Another: supervising location manager Michael Glaser on the film’s chaotic trek across California

Passport Properties: in search of luxury, exotic and historic real estate

Adolescence: the series location manager and director of photography explain the one-take thing

Europe: Location International magazine’s senior reporter Andy Fry on location filming across Europe

UK: Location International magazine’s senior reporter Andy Fry on location filming around the UK

The City of Liverpool: why Taylor Swift and The Batman chose to shoot here

Asia: Location International magazine’s senior reporter Andy Fry on location filming across Asia

Andri Ómarsson: why James Bond chose to film in Iceland

Professor Bettany Hughes: Seven Wonders of the Ancient World

Mission: Impossible - The Final Reckoning: Supervising Location Manager, Niall O’Shea

Mission: Impossible - The Final Reckoning: how did Tom Cruise do those stunts?

E.1027 - Eileen Gray and The House by the Sea

Find Me Falling: When Harry met Cyprus

Theodosia: Egyptology in Morocco

Robert Foulkes: La La Land and Three Billboards Outside Ebbing, Missouri

Mandi Dillin: The Morning Show and Inception

Mike Fantasia: Killers Of The Flower Moon

Ian Quinn: stunt performing on location