All Episodes
Producer Points — 78 episodes
Ori Rose on Writing for V of BTS, Producing Hoodie Allen & Why Taste Is Everything
EPedro Calloni on Mixing Alex Warren, slimdan & Why He's Never Lost a Gig for Doing Too Little
Matt Huber on Mixing Julia Michaels, Valley & Why Editing Is Half the Job
EJason Strong on Producing TXT, Knox & Going Global Between K-Pop, Pop & Indie
EThe Live Drums Episode w/ Sam Pura, Scott Robinson, & Jon Graber
EDenis Kosiak on Mixing for Khalid, Tate McRae & Why Great Vocal Production Is All About Restraint
Are Artists Writing WAY Too Much? w/ Ryan Marrone, Lucas Arens & Sam SZND
EAlex Bilowitz on Co-Writing BTS's "Butter," Raising a Family & Making Pop at the Highest Level
EHow To Make It In LA w/ Kyle Reynolds, Tyler Thompson & Nate Flaks
Charlie Hickey on Guitar Tones & Making Indie Records That Hit Different
The Big AI Episode w/ Louie Diller, PJ Frantz & Stephen Conley
EEhren Ebbage on Lizzy McAlpine, Corook & Making Records That Feel as Good as They Sound
EThe Demoitis Episode w/ Scott Robinson, Lucas Arens & Pedro Calloni -- The Sickness We All Have FREE VERSION
EAndrew Tufano on Producing Sabrina Sterling, Rosie Darling & Why Being a Player Makes You a Better Producer FREE VERSION
EAuto-Tune… WTF?! — The Bugs, the Workarounds, and the Alternatives FREE
EIdarose on "IloveitIloveitIloveit," Making the Music for Smile 2 & Co-Writing "Glimpse of Us" FREE VERSION
ECollin Pastore & Jake Finch on Making Raw, Human-Sounding Records for boygenius, Lucy Dacus & Ashe FREE VERSION
EGian Stone on Vocal Production, "Stuck with U," and Making Pop at the Highest Level FREE VERSION
ESeason 3 Begins May 20th! Become a Producer Pal Subscriber!
Roundtable: The Future of Indie Plugin Design with Purafied & Nudist Audio
EJon Buscema on Building Devon Again’s Sound & Chasing What Inspires Him
EGavin Chops on Live Drumming, Love Language & Running Pack Records
EHow Andrew J. Gomez Made Guitars Slam for Knox & Drums Smack for John Harvie
ERoundtable: The Sync Episode!
EUnlike Pluto on “Everything Black,” Finding His Voice & Releasing 11 Albums Since 2019
EDasha’s “Austin” — Travis Heidelman on Producing Hits That Feel Alive
ERoundtable: Building a Home Studio on a Budget — With Producers Behind Sabrina Carpenter, Cameron Whitcomb & Robert DeLong
EHOLYCHILD’s Brat Pop Blueprint — Louie Diller on Creating Ahead of the Curve
EFrom Writing “Mad at Disney” to Producing “Dirty Martini” — Salem Ilese on Becoming the Artist She Needed
Artists Are Writing WAY Too Many Songs | Hot Take
EBehind the Scenes of “Sunroof”: Dazy on Viral Moments, Ableton Hacks & Drum Perfection
EJake Scott on “She Likes It” with Russell Dickerson, Minimal Production & Finding His Voice
ERoundtable: FINNEAS to Lin-Manuel Miranda: Vocal Tuning Tips from the Industry’s Best
EFrom Cameron Whitcomb to Emeline — David Schaeman on Genre-Fluid Production
EElie Rizk : Producing KESHI, Bella Poarch and Crafting Modern Pop
ERoundtable: Day One Bounce Survival Guide — Demoitis, Mixbus, & Vocals
EInside the Sonic World of POM POM: From John Legend to Suki Waterhouse
Cambo on Working with Doja Cat, Jackson Wang & Reinventing Country Music
ERoundtable: How to Co-Produce Without Killing Each Other
EHazey Eyes on Producing Jeremy Zucker & Suki Waterhouse’s Most Emotional Tracks
ELo-Fi Vibes to Folk Anthems — Sarcastic Sounds on Collaborating with Lil Wayne & David Kushner
ERoundtable: Self-Releasing Music in 2025 — What Still Works?
EJoe Pepe on MGK, Travis Barker, and Kiana Lede: Crafting Drums That Punch and Guitars That Bite
EYour Favorite Plugin is Ruining Your Mix! (Part 2)
ERyan Hunter on Sync, Cinematic Production & His Evolution from Envy on the Coast to 1st Vows
EYour Favorite Plugin is Ruining Your Mix! (Part 1)
EDaylight on Producing “Stitches,” Studio Philosophy, and Balancing Art & Career
ENevin Sastry on Producing “A Bar Song (Tipsy)” & Turning Down Med School for Music
EFalconry Breaks Down ‘numb little bug’ and the Power of Performance-Based Production
EDiamond Pistols on bbno$, Yung Gravy & the Wild Art of Sound Design
EGetting Discovered in 2025 — Tips from the Producers Behind Benson Boone, GAYLE & ITZY
EFrom ‘Shut Up and Dance’ to Benson Boone: Captain Cuts on Crafting Iconic Pop
ERoundtable: Analog vs. Digital with The Mixers Behind Death Cab, NOFX & David Kushner
ERoundtable: How To Level Up - From Bedroom Beats to Hits for Khalid, LP & David Kushner
EDelayed, Devalued, Disrespected: Why Aren’t We Getting Paid?
ERoundtable: Letting Go of Perfectionism in Music Production
ERoundtable: How the Producers Behind Powfu, Tinashe & Ella Mai Built Lasting Careers
ERoundtable: Vocal Production Secrets from the Pros Behind Sabrina Carpenter, BTS & Shawn Mendes
ERoundtable: Spotify’s Pay Cuts: What It Means for Songwriters & Producers
EDoja Cat, Oliver Tree & the Art of Controlled Chaos with Imad Royal
ECharlotte Sands to Catie Turner: Ruslan Odnoralov’s Creative Process Revealed
EFrom JP Saxe to Sabrina Carpenter: Ryan Marrone on Writing What Hurts
EFrom ‘Mad at Disney’ to Global Pop: Bendik Møller’s Melodic Journey
EPetro AP on Producing Renee Rapp, Scoring Musicals, and Embracing the Future
EDoug Schadt on Crafting Maggie Rogers’ ‘Alaska’ and Finding Beauty in the Unpolished
EFrom POWERS to LP: Mike Del Rio on Creating Music That Lasts
EBenson Boone, Bollywood, and Beyond: David Arkwright’s International Sound
ETuned to Perfection: Scott Robinson on Demi, Avril & the Art of Vocal Production
ECharli, Chainsmokers & Chappell Roan: Mike Wise on Pop Without Limits
EFrom ‘Stick Season’ to Stadiums: Gabe Simon on Producing with Heart
EViral Wisdom & Pop Precision: Alina Smith’s Blueprint for Global Hits
EBehind the Balance: Yianni AP on Mixing Kushner, Zucker & More
EGlobal Pop Architect: Lindgren on Producing BTS, Dua Lipa & BLACKPINK
EFrom half•alive to Thrice: Inside Eric Palmquist’s Sonic Lab
EFrom Struggles to Soundboards: Midi Jones's Path to Musical Success
EHeart Over Hype: How Davis Naish Crafts Emotionally-Driven Hits
EFrom "Pretty Poison" to "Beautiful Things": Evan Blair’s Pop Takeover
EProducer Points Teaser