All episodes
Making A Chart Hit - SUPER-Hi
Mastering For Streaming
Things We Loved In June 2023
Atmos For Music
Fix It In The Mix
Extended track Widths In Pro Tools 2023.6
Writing To Picture
The New Mac Pro
Things We Loved In May
What Makes A Radio Hit?
The Future Of The Recording Studio
Songwriting And Production With Greig Watts of DWB
Workflow, workflow, workflow!
Things We Loved In April 2023
NAMM 2023!
Stian Aagedal of Acon Digital
Things We Loved In March 2023
Avid's New Sonic Drop
Eve Audio
Pro Tools Features We'd Like To See in 2023
Things We Loved In February 2023
Polar Patterns
Mixers Discuss 'The Great Level Mix-Off'
How Do We Use Headphones In 2023?
Things We loved In January 2023
Stock Plugins - What Do You Use?
Mix Secrets
Mac Studio - 2 Buyers Discuss Their Experience
Craig Bauer on Synchro Arts' RePitch
3 Assistant Engineers From London Studios Talk About Their Roles
Review Of 2022
Tom and Freddy From Nugen Audio
Podcasting
Things We Loved In November 2022
Francois Quereuil and David Toomey from Avid
Andy Bensley and Eric Horstmann From Genelec
Bob Brown of Evergreen Audio Design Group
Things We Loved In October 2022
Mattias and Rikk from Toontrack
Headphone Mixes And The New MBOX Studio
Tracking A Band
Things We Loved In September 2022
Henrik and Saf From Antares
Post Production Special August 2022
Things We Loved In August 2022
How To Protect Your Hearing As An Audio Professional
What Is A Producer In 2022?
Are Small Brands Better?
Interfaces Which Changed The World
Things We Loved In July 2022
Music Production In The 1980s
Matthew Collings From Krotos
Things We Loved In June 2022
Elk Audio - Low Latency Collaboration Over The Internet
Andy and Steve From Audient On Consoles and Interfaces
What happened at WWDC 2022
Vocal Production Special
Weird Jungle Mastering Collective
Things We Loved In May 2022
Colin McDowell Of McDSP
Steve And William's Converter Shootout
Mixing With Mike Exeter and Dom Morley
Things We Loved In April 2022
Nir Averbuch From Sound Radix
Daniel Rowland from LANDR
Andrew Scheps and Bounce Factory
Things We loved In March 2022
Mac Studio & Studio Display First Look
Thomas Koritke and Iain Horrocks From e-instruments
Tim Carroll from Focusrite
Things We Loved In February 2022
Is AI Going To Replace The DAW?
Songwriting Round Table
Things We Loved In January 2022
Albums - Still Relevant In 2022?
How Does Working In Post And Music Differ?
Interviews From The Archive - Andy Munro On Studio Acoustics & Room Treatment
Review of 2021
Podcast Extra Interviews From The Archive - Steven Slate
Interviews From The Archive - Steve Genewick On Music Production
Interview From The Archives - Phil Dudderidge On Early Days Of Focusrite
New Products Of November 2021 - Hits and Misses
Intention In Mixing
Dolby Atmos For Music
Interview With Justin Webster Of The Cargo Cult
What do Music Editors Do?
Loudness For Streaming Services - Discussed
New Products For October 2021 - Experts Give Their Verdicts
Songwriting arranging and production
Clients - Do We Get What We Charge For?
Recording Acoustic Instruments And Musicians
Experts Discuss New Studio Stuff We Love!
Some Things Are Still Better Outside The Box - Experts Discuss
Are Apple Silicon Native DAWs The Future?
Should We Worry About Audio We Won't Hear?
Is One DAW Enough For The Modern Studio?
Thinking Of Building A Studio? Check This Out
Experts Talk Dialogue Editing For Film, TV, And Radio
What Is The Future Of Computer Audio?
Do Our DAWs Do What We Need Them To?