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All Episodes

Scriptnotes Podcast (.mp3) — 442 episodes · page 3 of 5

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Title
201

Fan Fiction and Ghost Taxis

202

David Mamet and the producer pass

203

What is good writing?

204

The job of writer-producer

E
205

Sexy But Doesn’t Know It

206

Franchises and Final Draft

207

The one with Jason Bateman and the Game of Thrones guys

208

The Script Graveyard

209

Ocean’s 77

210

Fun with Numbers

211

Room, Spotlight and The Big Short

212

Raiders of the Lost Ark

213

Random Advice 2015

214

Scriptnotes Holiday Show 2015

E
215

Feel the Nerd Burn

216

The Batman in the High Castle

217

Only haters hate rom-coms

E
218

Whiplash, on paper and on screen

E
219

Confusing, Unlikable and On-The-Nose

220

Live from Austin 2015

E
221

Nobody Knows Anything (including what this quote means)

222

Writers Rooms, Taxes, and Fat Hamlet

223

The One Where Aline’s Show Debuts

224

Features are different

225

Campaign statements and residual statements

226

Rewrites and Scheduling

227

PG13: Blood, Boobs and Bullcrap

E
228

Clerks and recreation

229

NDAs and other acronyms

230

Diary of a First-Time Director

231

The International Episode

232

One-Handed Movie Heroes

233

How to Not Be a Jerk

234

How descriptive audio works

E
235

Why movies have reshoots

236

Everything but the dialogue

237

The One with Alec Berg

238

No one makes those movies anymore

239

Nobody Eats Four Marshmallows

240

Everyman vs. Superman

E
241

How would this be a movie?

242

The 200th Episode Live Show

243

Second Draft Doldrums

244

Back to 100

E
245

How do bad movies get made?

246

The long and short of it

247

Writing for Hollywood without living there

248

Poking the bear

249

How writing credits work

250

You can’t train a cobra to do that

251

The Deal with Scripped.com

252

This Is Working

253

Uncluttered by Ignorance

254

Midseason Finale

255

The Coyote Could Stop Any Time

256

The Rules (or, the Paradox of the Outlier)

257

Malcolm Spellman, a Study in Heat

E
258

Go Set a Spider-Man

259

The Deal with the Gravity Lawsuit

260

The One with Rebel Wilson and Dan Savage

261

INT. THE WOODS – NIGHT

262

Bad Teachers, Good Advice and the Default Male

263

The Conflict Episode

264

Doing, not thinking

265

Cutting Pages and Fixing Holes

266

Advice to a First-Time Director

267

Twelve Days of Scriptnotes

268

Hacks, Transference and Where to Begin

269

The Perfect Reader

270

Franz Kafka’s brother, and the perfect agent

271

Finishing a script, and the Perfect Studio Executive

272

Lotteries, lightning strikes and twist endings

273

Descending Into Darkness

274

Austin Forever

275

The Tentpoles of 2019

276

Critics, Characters and Business Affairs

277

Toxic Perfection Syndrome

278

Guardians of the Galaxy’s Nicole Perlman

279

Ghost

280

Luck, sequels and bus money

281

A Cheap Cut of Meat Soaked in Butter

282

A Screenwriter’s Guide to the End of the World

283

The Mystery of the Disappearing Articles

284

Putting a price on it

285

Threshers, Mergers and the Top Two Boxes

286

Summer Re-run: Psychotherapy for Screenwriters

287

Two Writers, One Script

288

Making Things Better by Making Things Worse

289

Selling without selling out

290

The Rocky Shoals (pages 70-90)

291

Secrets and Lies

292

Yes, screenwriting is actually writing

293

The Long-Lost Austin Three Page Challenge

294

From Debussy to VOD

295

To Chase or To Spec

296

Wet Hot American Podcast

297

Q&A from the Superhero Spectacular

298

The Summer Superhero Spectacular

E
299

Photoplays and archetypes

300

The Angeles Crest Fiasco

E