All episodes
'Broadway Will Not Look The Same'
Inside Disney Theatrical’s Global Restart
Broadway's COVID Expert on Returning to Theater Safely
What Theater Needs Now
How 'Pass Over' is Making 'Precedent-Level Changes' to Broadway
Blurring the Lines Between Theater and Ritual
Why 'Rent' is Still a Revolution
'In the Heights': The Cuts, The Changes, The Ropa Vieja
Launching Broadway's Future Black Leaders
The Theater Tour That Became a Movie
Making Digital Theater is Like Shooting 'Star Wars'
How Theater Makers Have Mobilized to Stop Asian Hate
BONUS: Meet the Squabbling Producers of 'Avvatar: The Musical'
The Gonzo Journalism Preserving Broadway History
How Blair Underwood Found New Colors in ‘Paradise Blue’
The Case for a New Federal Theater Project
Broadway Gave Mike Nichols His Juiciest Backstage Stories
The Oscar Winner Helping Off Broadway Find Life on Screen
From 'Slave Play' to Marvel Superhero
The New York Native Who Found Playwriting Success in L.A.
The August Wilson Expert Who Brought 'Ma Rainey' to the Screen
Ariana DeBose Has a Date With "The Prom"
The Legacy Black Theater Transforming to Meet the Times
This Dramatic Thriller Stars Half of Broadway
Baz Luhrmann & His Broadway Team on Making 'Moulin Rouge'
Why Ashley Park Calls Darren Star the Sondheim of TV
The New Voices of Broadway
How One Entrepreneur is Making the Change She Wants to See
Theater Laid the Foundation for Kenny Ortega’s Hollywood Success
How One London Theater is Thriving During the Pandemic
Harvey Fierstein on the Timely Lessons of AIDS, Gay Rights and Bella Abzug
How Theater Meets Activism With the Broadway Advocacy Coalition
Sarah Jones' New Theater is Instagram
How One Theater Leader Practices Anti-Racism
The Overlooked Composer Who Inspired Broadway's Rising Stars
What Does Anti-Racist Theater Look Like?
Swerving to Serve a Theater Community in Lockdown
Michael R. Jackson Has Finally Accepted He’s a Composer
Lockdown Theater’s Most In-Demand Director
Brian Stokes Mitchell's Fight to Help the Whole Industry Get Better
'Moulin Rouge!,' 'King Kong' and the View from Down Under
Alex Newell is Destined for Effie
What Pandemic Theater Can Sound Like
Binge-Watching Broadway
Broadway's Always Been Edgy
How Off Broadway Copes With the Coronavirus Shutdown
Karen Olivo on 'Moulin Rouge!' and Life in the Broadway Shutdown
What Lois Smith Learned From the Greats
How 'Six' Conquered the World
Katori Hall's 'Quiet Revolution'
How 'Cambodian Rock Band' Became One of the Most Produced Plays in the U.S.
Duncan Sheik Created a Monster
Vampires, Cowboys and Stealth Diversity
"Mrs. Doubtfire," Live From BroadwayCon
Why Not Do The Crazy Thing?
What Laura Linney Learns From Bad Shows
Sometimes Theater Is Just Like Football
The Surreal Spectacle of ‘Cats,’ Explained
Lucas Hnath's Own Play Gave Him Nightmares
Let's Talk About Sex Onstage
How To Be The Most-Produced Playwright in America
Jonathan Groff Knows He’s a Spitter
Brian Cox on Shakespeare, 'Succession' and the Crisis We're In
How 'The Lightning Thief' Hopes to Open Up Broadway
The Impact of 'For Colored Girls,' Then and Now
The 'Soft Power' of Musicals to Change Minds
How 'Jagged Little Pill' Will Rock Broadway
Kristin Chenoweth Wants to Write a Broadway Musical
The Broadway Controversies and Coups of Two Acting Greats
Why Tom Hiddleston Thinks Everyone Should Play Hamlet
Derren Brown Spills His Broadway 'Secret'
How Joel Grey Made 'Fiddler' New Again
Jake Gyllenhaal is his 'Best Self' in the Theater
What Rita Rudner Learned From Broadway Greats
The Special Sauce in Broadway's 'Moulin Rouge!'
Plays for Your Ears
New List, New Leaders for The Kilroys
Audra McDonald Faces Her Fear in 'Frankie and Johnny'
How Disney Taught a Generation to Love Musicals
Why Tony Rehearsals Make James Corden Cry
Rosemary Harris' Tony Has a Typo
Bryan Cranston on the Exhausting Joys of Broadway
Santino Fontana's 'Tootsie' For Our Time
Why Aaron Sorkin Cut His Favorite Scene From 'To Kill A Mockingbird'
How John Cameron Mitchell's 'Anthem' Fits Into the Mitchellverse
Kelli O'Hara Brings #MeToo to 'Kiss Me, Kate'
The 'Dumb Joke' Hidden in 'White Noise'
'Beetlejuice' and the Biggest Taboo
Kidding Around in 'To Kill a Mockingbird'
How Phoebe Waller-Bridge Shocked Herself
The Balls-Out Theatricality of Sam Mendes
Secrets of Sound Design
Bringing 'Oklahoma!' and Alanis to Broadway
Building 'Hadestown'
Laura Benanti
Adam Shankman
Jeremy Pope
Making 'The Prom'
Ethan Hawke
Heidi Schreck