All Episodes
The Bulwark Goes to Hollywood — 299 episodes
A Witness to Film History
How Copyright Law Is Being Used to Squelch Speech
Life Is a Highway: The Terror of ‘It Ends’
How the FCC Is Trying to Silence Trump Critics
'Sugar' Examines a Different Side of Los Angeles
Which Directors Have the Most Hollywood Juice?
Can Subsidies Bring Film Production Back to the USA?
How the Screen Has Changed Us
Comcast and NBC Universal Are Breaking Up: What Does That Mean?
The Increasing Entanglements of Hollywood and AI
The Mount Rushmore of TV
The Wild West of 1980s Movie Financing
Bringing 'Day of the Dead' Back to Life
Three Movies to Prep For Our Viral Apocalypse
Turning Sex and Dragons Into Streaming Money
The Top Ten War Movies
Summer Movie Preview!
The Fan-Driven Distribution Company
Lou Diamond Phillips's Riveting New Film
What America Loses if WB and Paramount Merge
'The Christophers': Emotionally Authentic Art
The Cross-Country Making of 'Forrest Gump'
How America Learned to Stop Worrying and Love Gambling
Can Every Movie Make Money?
Larry McMurtry: Man of the West
Ethan Suplee and the Challenge of Getting Nasty
'Sirāt' and Finding Community in the End of the World
How Three Friends Saved, and Destroyed, Hollywood
Oscar-Nominated Doc Exposes Alabama's Brutal Prisons
Read All About 'The Late, Great Hannibal Lecter'
'Good Luck, Have Fun, Don't Die' Screenwriter on Our Desolate AI Future
The Last Action Director
2026 Oscar Nominations: A 'Sinners' Paradise?
Chuck Klosterman on his new book, 'Football.'
An Age of Cultural Stagnation
Sitting Shiva for Rob Reiner
What Might Netflix Do with WB's Live Experiences?
Netflix Buying WB Means Reduced Competition
Sticking with 'Family'
A 'Fast and Furious' Guide to the Economics of Hollywood
Printing the Legend: The surprising political 'The Man Who Shot Liberty Valance.'
The Eternal Relevance of 'Network'
What 'A House of Dynamite' Gets Right About Nuclear War
Delroy Lindo Deserves a Dang Oscar
Crafting an Iconic Horror Movie Mask
How Orwell Helps Us Remember Truth
How an MTV Prank Helps Explain the Internet
How Movies Can Better Prep Us for the AI Threat
Why 'Haunted Hotel' Is the Perfect Spooky Season Show
'Andor' and the Accelerationist Moment
Does America Need a Film Tax Credit?
How an Alamo Founder Is Reinventing Theaters—Again
The Wild Career of 'Weapons' Star Toby Huss
Ron Howard: The Most Underrated Major Director?
Can 'The Naked Gun' Save Hollywood Comedies?
The Society-Deforming Spectacle of Jubilee
Why Anime Is Taking Over Pop Culture
How 'Sovereign' Tackles a Cult with Compassion
Is 'F1' a Hit? How Do We Even Judge That?
How Zombies Can Help Explain Political Theory
You Can Make a Movie with Your Phone
Why Productions Are Fleeing Los Angeles
How the Studios Are (Quietly) Using AI
A Life in Music
Clothing 'The Last of Us'
One Family's Journey Through Hollywood
How David Mamet Made His First Film in 12 Years
The Hidden Art of 'Secret Mall Apartment'
Hollywood Should Rely Less on Overseas Box Office
The Economics of Indie Distribution
Hollywood Imagery's Impact on Politics
Bringing Memories of 'Warfare' to Life
Dystopian Mediocrity
The Low Culture That Brought Us to Trump
The 2000 Election That Changed America (with Jonathan Gruber)
How to Build Your Own Movie Library
The 2025 Stunt Awards!
How to Help Veterans Returning Home
SNL At 50
How to Make a Microbudget Movie
Documenting Horror
How Tariffs Will Make Movies More Expensive
Why Is Gaming Underperforming Expectations?
Revisiting 'Inglourious Basterds'
Awards Season in Flux
The Fascinating Legacy of 'Yacht Rock'
Everything There Is to Know About Star Wars
Bringing Novels Into the Internet Age
The Copyrighted Material Being Used to Train AI
Comcast Is Spinning Off Its Cable Assets: What Does that Mean?
Melding Video Games and TV Shows
The Christmas Movie Industrial Complex
Alfred Hitchcock, Master of Fear and Desire
The Four Horsemen of the Media Apocalypse
A Second Look at 'Caligula'
The Movie Donald Trump Doesn't Want You to See
Why Is It So Hard to Find Something to Watch on Streaming?
Devo's Groundbreaking Work
How Social Media Is Warping Our Sense of Everything
The Death of a Community
Will Rogers and the American Spirit
John Magary on the Art of Editing
The Social Media Trap for Teens
Disney's Future Is the Past
Brad Thor's World of Intrigue
Documenting the Rise of Nazism
Ryan Faughnder on Paramount's Big Changes
Jennifer Esposito on 'Fresh Kills'
Nielsen's Ratings Evolution
Documenting 'How to Rob a Bank'
We're All 'Theatre Kids'
Celebrating Bruce Willis
Don't Panic About Movie Theaters (Yet)
Bobby Miller on his film, 'The Cleanse,' finally getting a Blu-ray release.
Documenting January 6
On the Great Albert Brooks
The Fall and Rise of 'Scarface'
Is David Ellison Hollywood's Great Hope?
The Art of Costume Design
From 'Funny or Die' to Western Neo-Noirs
The Best and the Worst of Streaming 2023
Bringing 'Lousy Carter' to Life
The 2024 Stunt Awards!
What Does a Film Commissioner Do?
'Beetlejuice: The Musical,' Indie Film, and Life on the Road
The Nelms Brothers Talk 'Red Right Hand'
Richard Rushfield's Hollywood Field Guide
Julian Schlossberg Returns to Tell More Hollywood Tales!
How Piracy Persists on the Internet
What Did Peak TV Let Escape from 'Pandora's Box'?
Sundance at 40
How 'The Family Plan' Became a Hit for Apple
What's Next in 'The Streaming Wars'
Francis Ford Coppola, Visionary
Whit Stillman on 'Metropolitan,' a Christmas Movie
The Year in the Box Office
From Nicolas Coppola to Nicolas Cage
Charlie Chaplin's Life in Exile
Why You Can Finally Watch 'Moonlighting' on Streaming
Stopping Piracy Before It Starts
How What We Watch Defines Us
Zoey Ashe's Life in the (Future) Panopticon
How Siskel and Ebert Got Their Thumbs
How 'Airplane!' Changed Comedy Forever
What the Writers Gained By Striking
The Lines that Define our Lives
Fantasy Culture and the Flight from Reality
Data Transparency Is a Double-Edged Sword
Erotic Thrillers: Unsung Heroes of Home Video
The Rise and Fall of the Brothers Warner
Why We Need to Know What’s Failing
How to Start a Film Studio in 2023
How 2023's Oddest Box Office Hit 'Paid It Forward'
Hollywood's Hopes in China Are Fading
Netflix's Soft Earnings and the 'Barbenheimmer' Juggernaut
What If Evel Knievel Had Run for President?
Hollywood's Perfect Storm
A Decade of Big Muscles and Bigger Egos
New Doc Examines How Vets Are Recruited by Militias
How Universal Found a Brand-New Customer
Just Don't Call it 'Reality' TV
Tribeca and the Evolution of the Film Festival
The Data that Determines What We Watch
How Much Free Work Do Writers Do to Get Paid Work?
Is the Superhero Boom Officially Over?
How Do You Bring the (Fake) Real Pete Davidson to Life?
What's to Come in 'The Streaming Wars'
Going to the Movies: Still the Best Value Around
Summer Box Office Preview
Will the WWE-UFC Merger Amp Up the Streaming Arms Race?
Are Video Games the New Comic Books?
How Theatrical Exhibition Helps Stave Off Piracy
Can the Drive-In Survive?
The Best Stunts of 2022, Rewarded
The Drama Behind Hollywood's Biggest Night
Will the WGA Strike? Can It Afford Not To?
David Thomson on the Magic of Acting
Theater: You Can Get Rich, But Making a Living Is Hard
Shawn Ryan on Past WGA Negotiations and the Evolving Business
Producer Dean Devlin Goes (Back) to Space
PaleyFest's Secret Weapon: Love
Scientifically Measuring Movie Love
The Science of High Frame Rate, Explained
The Ten Biggest Hollywood Fiascoes of 2022
How Spider-Man Conquered Hollywood
Disney's Parks Make Tons of Money — But Are They in Trouble?
How 'The Northman' Transported Us Back in Time
What's the Deal with 'Seinfeld'?
How the Business of Box Office Has Changed Over the Last 15 Years
The Past, Present, and Future of the Romcom
Who Won the Summer—and Who Lost?
Does the 'Perfect Sound' Exist?
How Cult Classic 'John Dies at the End' Kicked Off a Literary Career
How 'Orphan: First Kill' Beat Expectations
China's Looming Threat to the World of Gaming
The NFL: Ratings King
How to Write a Best-Selling Political Book
How Anime Can Help Save Theaters
Freedom of Expression Under Assault
Meet the (One-Time) 7th-Most-Powerful Man in Wrestling
Why Do Streamers Care About More than Eyeballs?
Convention Life with the Creator of Effin' Birds
Harvey Weinstein's Enablers
'John Wick,' Gun-Fu, and the Art of Oral History
Ron Shelton on the Struggle to Get 'Bull Durham' Made
Summer Movies Are Back—But Is Trouble on the Horizon?
What's Up at the Mouse House?
How to Design an Iconic Movie Mask
Stop Stealing Movies!
Goodbye, Norm Macdonald
Where Are the Kids Movies?
Summer Movie Preview! 'Top Gun,' Dinos, and Buzz Lightyear, Oh My.
How Ben Fong Torres Defined a Generation
The First Draft of (Streaming) History
Are Casual Filmgoers Finally Coming Back?
How Hollywood Trade Papers Shaped the Movies You Love
NATO Head on the Return to Theaters
Lloyd Kaufman and a Half-Century of Troma
The Nic Cage Book Every Fan Needs to Own
No One's Seen the Best Picture Frontrunners. Does It Matter?
Why the 'Head of Story' at One of Hollywood's Biggest Agencies Writes His Own
A Crucial Film to Understand Ukraine's Struggle
Would You Pay More to see 'The Batman'?
The Art of Editing
Can a Lawsuit Against WB Slow the Streaming Tide?
How to Get Your Script on The Black List
How Is Chinese Soft Power Reshaping Entertainment?
Janice Min on the Future of Entertainment Media
Programming TV's Most Beloved Festival
How Audiences Reshape the Movies You Love
'The Spine of Night' and the Business of Animation
'Spider-Man: No Way Home' Co-Writer Chris McKenna
The Greatest Movie Ever Made Hits 4K
Tim Miller and Sonny Talk 'Don't Look Up'
All I Want for Christmas Are ... HDMI Cables?
Tracking—And Recapturing—Movie Audiences
A Century of Black Cinema
Hollywood Goes to War: The Film Industry's Response to World War II
'The Beta Test' Director Jim Cummings on Indie Life
What Does a 'Buy' Button Really Mean in the Digital Age?
Netflix's Big Week
The Business of Sports Ads
Scott Eyman on Daryl F. Zanuck and 20th Century Fox
Scott Tobias on the Business of Film Criticism
Rod Lurie Part 2: 'The Outpost'
Rod Lurie on Breaking Into the Biz
CinemaCon in Twilight
Jake Tapper on Afghanistan War Classic 'The Outpost'
Zak Penn on 'Free Guy,' Writing Villains, and the Fate of 'PCU'
Matthew Belloni on the Changing Ways Hollywood Gets Paid
Clayton Childress Explains How Taste and Status Reinforce Each Other
Ray Subers on Polling Moviegoers
John Mass on the Future of Content
Ryan Faughnder on How Valuable You Are (to Streaming Companies)
Richard Rushfield on the Latest Hollywood News
James White on Restoring Movies for Arrow Films
Summer Reading!
James Emanuel Shapiro on Cannes and the Business of Film Festivals
Jonathan Taplin on Working With Dylan, Scorsese, and the Rolling Stones
Frank Pallotta on the MGM/Amazon Deal, F9 in China, and the Summer Movie Season
Eddie Muller on TCM, Film Noir, and the HFPA's Charitable Work
Jon Finkel on 1996's sports movies and athletes on sports cinema
Jesse Nelson of Diabolik DVD Discusses the Boutique Blu-ray Biz
Chris Fenton on China, the Oscars, and the MCU
Nicholas Jarecki on 'Crisis,' Opioids, Releasing a Movie During COVID, and Armie Hammer
Megan Ganz on 'Mythic Quest' and Comedies in the Covid Age
Richard Rushfield on Scott Rudin, Bad Boss, and More!
David Thomson on His 'History of Movie Directors'
Sean O'Connell on the Grassroots Efforts to #ReleaseTheSnyderCut
Tom Shone on Christopher Nolan
Mike Malloy on the Business of Blu-ray Supplements
Scott Feinberg on the Business of Hollywood Awards Season
Abraham Riesman on the Rise (and Fall) of Stan Lee
Harold Mintz on the Past, Present, and Future of CinemaScore
Alan Zilberman on life as a critic during awards season
Glenn Kenny on 'Goodfellas,' Martin Scorsese, and the Business of Movie Books
Frank Pallotta on the State of Streaming
Peter Labuza on Antitrust, Hollywood, and Big Tech
Chris McKenna on 'Community' and Writing for TV and Movies
David C. Lowery on Making Money by Making Music
James Emanuel Shapiro on the Epic WB/HBO Max Brouhaha
The Nelms Brothers on 'Fatman,' Casting Mel Gibson, and Sequel Plans?
Tony Davis Returns! Why Does Your TV Look Better Than Most Theaters?
Alison Macor on screenwriting 'Top Gun' and 'Batman'
Derek Dye on Family Video and saving our video stores
Alyssa Rosenberg and Peter Suderman on post-Trump cultural coverage
Shannon Moore on Movie PR in the Age of COVID
Natalie Metzger on producing indie films in the age of COVID
Mark Graham on How to Decide What to Watch
Phil Contrino on movie theaters and cinema safety
Zack Stentz on Camp Cretaceous, Rim of the World, and Netflix
The Bulwark Goes to Hollywood With Chris Yogerst
The Bulwark Goes to Hollywood with Chris Fenton
The Bulwark Goes to Hollywood with Gerry Daly
The Bulwark Goes to Hollywood with David Guglielmo
The Bulwark Goes to Hollywood with James Shapiro
The Bulwark Goes to Hollywood with James Tager
The Bulwark Goes to Hollywood with Tony Davis
The Bulwark Goes to Hollywood with Richard Rushfield