All episodes

Alex Gibney’s ‘Musk’ and the politics of getting a movie seen

Inside the great Netflix shakeup

Veteran marketing executive Gerry Rich on surviving Hollywood’s worst bosses

Van Dyke Parks on Brian Wilson, Hollywood, and the authority of failure

Malcolm McDowell on the director who changed his life

Sharon Horgan finds the comedy in 'Youth'

Hollywood goes to Washington for a tax break

How new will the new ‘60 Minutes’ feel?

Lilly Wachowski remembers 30 years of ‘Bound’

After ‘Tiger King,’ Eric Goode goes deeper into the reptile world

Desi Lydic ‘Foxsplains’ her rise to the top of fake news

How Hannah Einbinder hacked it out in Hollywood

Lilly Wachowski reimagines the studio system (Pt 1)

The quirky alchemy of Widow’s Bay

Hunting for the next hit YouTube IP

Documentary filmmakers facing the threat of litigation

Emmy nominations surprises and predictions

Alexandria Stapleton on chronicling the rise and reckoning of Sean Combs

John Carney on pop stars, movie stars, and Power Ballad

David Koepp on trying to ‘not screw up’ Disclosure Day

Former FTC Commissioner wants to stop the Paramount-Warner merger

Eric Kripke responds to critics of the ‘The Boys’ finale

Jack Thorne on ‘Adolescence,’ ‘Lord of the Flies,’ and his autism

Courtney Kemp on Netflix series ‘Nemesis’ and diversity in Hollywood

William Shatner & Neil deGrasse Tyson think ‘The Universe is Absurd’ (Part Two)

William Shatner & Neil deGrasse Tyson think ‘The Universe is Absurd’

Kirk Jones and Robert Aramayo on the making of ‘I Swear’

Ben McKenzie’s Crypto Warning: ‘Everyone Is Lying to You for Money’

Riz Ahmed on bringing 'Hamlet' into the modern world

Drew Goddard shoots for the stars with ‘Project Hail Mary’

Oscar winners victory lap: Autumn Durald Arkapaw & Joachim Trier

A demanding first week for Disney CEO Josh D’Amaro

A human conversation with the producers of ‘The AI Doc: Or How I Became an Apocaloptimist’

Tilly Norwood creator defends her controversial synthetic character

A check-in with SAG-AFTRA president Sean Astin

Kleber Mendonça Filho on ‘The Secret Agent’ and taking a stand

Oscar-nominated cinematographer Autumn Durald Arkapaw on ‘Sinners’

Palme d’Or winner Jafar Panahi on ‘It Was Just an Accident’ and returning to Iran under legal threat

Steamrollers, record breakers, and late surges: Inside the 2026 Oscar nominees

Alexandria Stapleton on chronicling the rise and reckoning of Sean Combs

Tom Freston on building MTV during cable’s wild west years

‘Sentimental Value’ director Joachim Trier is begging Netflix to embrace movie theaters

SPECIAL PREVIEW: Joachim Trier on 'Sentimental Value'

Tim Blake Nelson on balancing acting, directing, writing, and his novel ‘Superhero’

Hollywood in 2026: Disney’s next CEO, industry tariffs, and Netflix vs. YouTube

Megabanter 2025: Hollywood’s unraveling year of crises, consolidation, and AI

Vince Gilligan wants the audience to decide what ‘Pluribus’ is about

Everything you need to know about the Warner Bros. sale (so far)

Celine Song on confronting the cost of love in ‘Materialists’

Digging into ‘Wake Up Dead Man’ with Rian Johnson and Ram Bergman

Shawn Levy talks ‘Stranger Things,’ ‘Star Wars,’ & studio shakeups

Judd Apatow’s memoir reflects a lifetime as a ‘Comedy Nerd’

‘The Alabama Solution’ filmmakers on exposing America’s prison crisis

Brad Falchuk on life, death, and ‘Famous Last Words’

How would a Netflix-owned Warner Bros. operate?

Aziz Ansari on turning bad luck into 'Good Fortune'

Noam Tibon on rescuing his family from Hamas in Barry Avrich’s ‘The Road Between Us’

A “Smashing” chat with Benny Safdie

Mike Figgis on chronicling the chaos of ‘Megalopolis’

How affiliate pressure and FCC rhetoric put Kimmel on ice

THR’s Executive Awards Editor shares Emmy predictions

Runway founder Cristóbal Valenzuela wants Hollywood to embrace AI

‘KPop Demon Hunters’ slays at the box office

‘Shrinking’ co-creator & star Jason Segel: Live From KCRW HQ

Paramount leadership announces a knockout deal for UFC rights

‘Severance’ cinematographer Jessica Lee Gagné talks moving into the director’s chair

‘Platonic’ creators Francesca Delbanco & Nick Stoller love it when you hate watch

Will Paramount produce a PSA (or many) for the Trump admin?

Barry Diller calls out studios for reckless misinformation

Hollywood legend Barry Diller opens up via ‘Who Knew?’

Larry Charles offers a glimpse into his storied career via new memoir ‘Comedy Samurai’

Food > fights: Phil Rosenthal on ‘Somebody Feed Phil’

GLAAD CEO discusses LGBTQ inclusivity in film; Disney and Universal sue over AI plagiarism

Adam Arkin on ‘Poker Face’ and nepo baby narratives; Warner Bros Discovery announces a split

Seth Meyers on politics and dad jokes; David Zaslav’s problematic paycheck

Kevin Goetz explains the art of test screening; A big holiday at the box office

‘Pee-wee As Himself’ director Matt Wolf on really getting to know Paul Reubens; The Media’s appeasement to the President abounds

Ramy Youssef on why ‘#1 Happy Family USA’ had to be animated; WBD puts the ‘HBO’ back in ‘HBO Max’

Donald Trump threatens Hollywood tariffs; ENCORE: Director Edward Berger talks ‘Conclave’

Titus Welliver talks ‘Bosch: Legacy’; The Trump administration amplifies aggression towards public media

Filmmaker Jared Hess on leaning into his oddball humor for ‘A Minecraft Movie’; An alarming personnel shake up at ‘60 Minutes’

Daryl Hannah on documenting her husband Neil Young in the concert film ‘Coastal’; The FCC sets its sights on MSNBC

SPECIAL PREVIEW: Daryl Hannah on her Neil Young doc 'Coastal'

Michael Shannon on his directorial debut ‘Eric LaRue’; What role will tariffs play in Hollywood?

Studios bet big at CinemaCon; Entertainment Union Coalition president Rebecca Rhine explains how to ‘Keep California Rolling’

ENCORE: Albert Brooks + Rob Reiner on their HBO doc; How is Hollywood accommodating content creators?

Documentarian Alex Gibney’s tips for keeping up the good fight (and more); Big shifts for UTA + Village Roadshow

Director Lesli Linka Glatter on her enviable life in television; Pay no attention to Disney’s ‘Snow White’ remake

‘Muslim Matchmaker’ creator Smriti Mundhra on representation; Breaking down the boost in Oscar viewership

‘Emilia Pérez’ songwriters on sparking debates; What’s next for James Bond and Star Wars?

Pamela Anderson on second chances and ‘The Last Showgirl’; The Murdoch empire keeps unraveling

A chat with the directors of ‘Wallace and Gromit: Vengeance Most Fowl’; Why Disney is dialing back on DEI

SPECIAL PREVIEW: Songwriters Camille & Clément Ducol on 'Emilia Pérez'

Jesse Eisenberg on finding the humor in ‘A Real Pain’; FCC battles CBS over Kamala Harris interview transcript

Producer Marc Platt talks 20+ years of ‘Wicked’; Ad for Texas production hits Hollywood when its down

Analyzing the Oscar noms w/ THR’s Scott Feinberg; Netflix has a strong Q4

ENCORE: ‘Sing Sing’ director Greg Kwedar models pay equity; This Week’s Banter: Hollywood turns on LA Mayor Karen Bass

Brady Corbet and Mona Fastvold on ‘The Brutalist'; Big swings and shake ups at Warner Bros

'Nosferatu' writer-director and Focus Features chairman on their long partnership; Inside the Blake Lively–Justin Baldoni feud

Kim Masters and Matt Belloni banter listener questions in mailbag episode of ‘The Business’