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the Curb — 420 episodes · page 1 of 5
Natalia Laska on her tender and gentle documentary The Piano Tuner
Jared Nicholson and Ben Lawrence on their documentary Aftermath
Whose right to write? Kuba Dorabialski on Agata the Writer
Hell on Earth is here and now in The Glorious Dead
Arlo Dean Cook on capturing decades of one of Australia’s greatest bands on film with Jebediah: Are We OK?
EStéphane Demoustier on the battle between vision and reality in The Great Arch
Meet the film festival programmers who want you to submit your film shot on a Honda Odyssey rear view camera
ETom Kerby on setting the foundation for Aussie filmmakers to embrace their own voices with the Adelaide Independent Film Festival
Madison Dell'Aquila on the foundation of Heretica and how to force change in the Australian film & TV industry
EAlexandre Koberidze on the mysterious, magical realism of his film Dry Leaf
Ken Kwapis pays tribute to true originals with his delightful and genuine documentary We Are The Shaggs
Mitchell Withers & Sofia Viegas on the pride of their tender short film For the Boys
EMitch Brown on finding a safe space to share his story with the short film For the Boys
Chouwa Liang on finding empathy for AI relationships with her documentary Replica
Producer Blayke Hoffman on the importance of listening to women with the impactful documentary Silenced
Tony Jones on embedding empathy in the animal testing documentary Sentient
James Hunter & Lucy Lovegrove on building the atmospheric horror film The Latcher
Melissa Anastasi on the poetry of existence and capturing that life on screen in her films
Adam C. Briggs on his latest experiential film Phillip Philadelphia
EJames Robert Woods on disrupting Australian cinema with the acidic comedy The Birthday Trip
ELaura Brogan Browne on starting the conversation about grooming with the powerful short film Allegedly
Unpacking Oi, Aussie voices, and queer identity on screen with Sophie Serisier & Laneikka Denne
EBrandon Daley on gambling your anxiety away with his acidic comedy $Positions
EAlana Hunt on mining the history of Western Australia through archives with Displacement and Replacement: A Remixed Narrative of Western Australia
Balancing Identities: Vonne Patiag on the lingering weight of his short film Homo
Ee-Mum Director Jess Londono on motherhood in the age of AI
A Return of the Curb Podcast
David West on breaking cinema with the hyper independent Lint
EMiley Tunnecliffe on building tangible horror in her feature film debut Proclivitas
Floodland director Jordan Giusti & producer Rachel Forbes on capturing the fate of Lismore on screen
ESophie Hyde and Aud Mason-Hyde on the queer kaleidoscope that is their stunning film Jimpa
Haydn Green on ten years of Hear My Eyes and conjuring sensory experiences by combining films with new live music compositions
Lucy Coleman on centering fearless stories about women in modern Australian cinema and TV
Damien Power on the brotherly rivalry of his docu-drama short Return of the Champ
ETuesday Tuesday director Lianne Mackessy on honouring the lives of people living with dementia in her short film
Addition Director Marcelle Lunam and lead Teresa Palmer on bringing Toni Jordan’s book to life on screen
Stellan Skarsgård on Sentimental Value
Óliver Laxe & Kanding Ray on the sonic tension of Sirāt
Giles Chan on literalising emotions in Jellyfish & Interview
Geraldine Hakewill on voicing Lucy in the adaptation of Shaun Tan's Tales from Outer Suburbia
The Blue Trail director Gabriel Mascaro on his ode to living a full life in your older years
The Mastermind director Kelly Reichardt on the importance of art that represents home
EEmmanuel Courcol on the universality and emotion of My Brother's Band (En Fanfare)
Shaun Tan on the journey of bringing Tales from Outer Suburbia to life as an ABC animation series
Old Habits documentarian Alfie Faber on the gay liberation journey of The Sydney Order of Perpetual Indulgence
EA Silent Rebellion co-director Kitale Wilson on working with his father on collaborative exploration and storytelling
Director Lynette Wallworth on expanding her exploration of the death experience with Edge of Life
Director Pauline Clague unpack a circus family's hidden legacy with The Colleano Heart
A new look the Curb
Yurlu | Country director Yaara Bou Melhem on honouring the legacy of Maitland Parker and the grace that resides in her essential documentary
Sophie Somerville invites you to become Fwends with her delightful feature film debut
Maggie Miles & Trisha Morton-Thomas on honouring the remarkable homecoming of a legend with Journey Home, David Gulpilil
SXSW Sydney Interview: Adrian Ortega, Sarah Nicolazzo & Max Nappo on their familial drama Westgate
Kiah Roache-Turner on his WW2 shark flick Beast of War and how Spielberg made him shoot it in Australia
From All Sides writer-director Bina Bhattacharya on giving space for multiracial and bisexual stories on screen
ESUFF Interview: Julie Pacino on her dark fairytale I Live Here Now
Lesbian Space Princess producer Tom Phillips on ushering in a new era of Aussie comedy
Samuel Van Grinsven on honouring the weight of grief with his latest film Went Up the Hill
Sydney Underground Film Festival Director Nathan Senn on Fucktoys, Take48 shorts, and more
Jessica Husband and Ethan Finch on their short film Zombie and balancing creativity and corporate filmmaking
Filmmaker Kaite Fitz on conjuring emotionality of being seen with her short film Smoke
Filmmaker Frank Mosley on the lovely weird worlds of OBEX, Quantum Cowboys, and more
EFilmmaker David Robinson-Smith on masculinity, his Letterboxd four, and the new wave of Australian filmmakers
MIFF Missive: Iron Winter & Romería
MIFF Interview: 'Art is labour' - Jung Jae-il on the job of composing for Parasite
MIFF Interview: Shalom Almond on putting humanity at the core of Songs Inside
Cinematographer Matthew Chuang on his method of capturing authenticity in films like Jimpa and Of an Age
MIFF Interview: William Jaka and Fraser Pemberton on dismantling the class system with their short film Faceless
Artist Suri Chan on bringing her truth to life in her poetry
MIFF Interview: Lorin Clarke on sharing her dad with the world in But Also John Clarke
Bethany Bruce on producing one of best documentaries of 2025 Make it Look Real
MIFF Interview: Domini Marshall and Josie Baynes on the searing drama Howl
Grant Hardie on the birth of Monster Pictures Studios
Maja Ajmia Yde Zellama on creating examples of healthy masculinity with Têtes Brulées
Amy Wang on her fun and chilling feature debut Slanted
Melbourne International Film Festival Interview: Denise Fernandes on her film Hanami
Documentarian Rosie Jones on the cross-culture collaboration in Abebe Butterfly Song
Richard Moore on the visceral nature of Stelarc Suspending Disbelief
Storm Warning | New Extremity Collection | The Fall Umbrella Release Review
From the World of John Wick: Ballerina How to Train Your Dragon | Dangerous Animals
Daniel Bibby, Miah Madden & Mitchell Bourke take us Half Past Midnight with their short film
Nadine Whitney Reviews Jane Austen Wrecked My Life & The Materialists
Harley Hefford and Luke Thomas on embedding creativity into Collingwood with Trainscendence
Sydney Film Festival Interview: Gabrielle Brady on the art of liberating the viewer's gaze in The Wolves Always Come at Night
Sydney Film Festival Interview: Zoe Pepper on the dark housing-crisis comedy delight that is Birthright
EArchie Hancock & Jack Zimmerman on giving space to unsaid stories in The Conversation
St Kilda Film Festival Interview: Kat Dominis on building the award-winning short film Unspoken
Sydney Film Festival: Amalie Atkins on the warm hug of a film that is Agatha's Almanac
Sydney Film Festival Interview: Sean Byrne, Jai Courtney, and Hassie Harrison on the bloody brutality of Dangerous Animals
Sydney Film Festival Interview: Ellis Park director Justin Kurzel on being in the orbit of Warren Ellis
Sydney Film Festival Interview: Tony Gardiner and Lachlan Marks on the bloody and bonkers short DIY
EAndy Johnston on the tenderness of male affection in Coming & Going
EThe Cinema Within director Chad Freidrichs on Walter Murch and the power of editing
Director Matthew Rankin on the kindness that sits at the core of Universal Language
Conservationist Isabella Tree on the power of inviting nature back into your world as shown in the documentary Wilding
Archie Lush, Alex Power & Mark Zanosov on building the simmering heat of their Freo-shot short Blunt
Genevieve Bailey on the importance of Always Listening to stories of struggles with mental health
Karan Kandhari and Radhika Apte on the hilariously aggressive punk film Sister Midnight
Robert Connolly talks about bringing Nicolas Cage to the salty sea of The Surfer
EJacob Richardson on heading to Greece for his feature film debut The Aegean