All Episodes

INTERVIEW: Renaissance x Punk—Sophie Laplane and James Bonas on creating Mary Queen of Scots

INTERVIEW: Christine Cox—The BalletX Model

INTERVIEW: What It Really Takes to Become a Dance Maker

REVIEW: Firebird at Dance Theatre of Harlem

REVIEW: Kyle Abraham's Cassette Vol. 1

REVIEW: At American Ballet Theater, “Othello” Reasserts Its Power—and Its Limits

REVIEW: Hurlin Ignites Ratmansky’s Firebird at ABT

INTERVIEW: Choreography As Language With Serge Laurent

INTERVIEW: The Rhythm of Memory & Kathak in The Modern Age

INTERVIEW: A Critic's Eye: Alastair Macaulay on Dance, Criticism, and the Art of Observation

INTERVIEW: Is A Showgirl Changing The Face Of Politics?

INTERVIEW: Boots Off, Dance On—Tending to The Visible and Invisible Wounds of War

INTERVIEW: Ahmad Judeh—Stateless Refugee To International Ballet Star

INTERVIEW: Claudia Hilda Multidisciplinary Cuban Artist On Her New Work "Neither Here Nor There—The Migrant Body"

INTERVIEW: NYC Ballet's Alec Knight On Balanchine's Western Symphony

INTERVIEW: The Maestro In Motion—International Ballet Conductor Garrett Keast.

Swans of Harlem & other book recs

INTERVIEW: Yuan Yuan Tan Returns: From the Buddha's Coin Toss to Lady White Snake

Gillian Murphy: A Farewell, A Bridge, A Legacy

REVIEW: Paris Opera Ballet’s Sleeping Beauty at the Bastille

REVIEW: ABT’s Giselle with Olga Smirnova at the Met

Misty Copeland Announces Retirement as Gonzalo Garcia Takes the Helm in Miami

Dance & Politics Part 2: When Ballet Broke the Color Line—and Tango Defied the Dictators

Elegance & Empire: Dance and Politics Part 1

DANCE & FASHION SERIES PART 3: Black Style. Black Movement.

Dress the Women-Undress the Men: Dance and Fashion Series Part 2

Threads of Power: Dance & Fashion Series Part 1