All Episodes
The Last Mixed Tape — 157 episodes
Fontaines D.C. ‘Marianne’: Nowhere Left to Escape
Phoebe Bridgers’ Lost Weekend: The Sound of Living Through This
Was David Bowie a Fascist? The Thin White Duke
U2’s Sunday Bloody Sunday | This Is Not a Rebel Song
After Brat | Charli XCX’s Music, Fashion, Film
Gilla Band, Mental Health and the Sound of Modern Ireland
Why Julian Casablancas Refuses to Shut Up | The Strokes, Gaza & Political Speech
Phoebe Bridgers’ Lost Boys: The Machine Killing Us
The Continued Fall of Róisín Murphy
Why Gen Z Loves The Cure | Olivia Rodrigo, Robert Smith & Music Discovery
Why Ireland Still Sings Viva la Quinta Brigada | Christy Moore, Anti-Fascism & the Belfast Riots
AI Ozzy and the Death of Endings
CMAT Just Said What Most Pop Stars Won’t
How Irish Music Helped Break the Catholic Church’s Power
Why Artists Are Scared To Change | Charli XCX, Rock Music & Authenticity in the Streaming Era
Beyond Gender: The Real Meaning of Running Up That Hill
Fenian: Language, Identity & Kneecap’s Most Political Album
Who Gets Banned From Eurovision? Politics, Boycotts & the 2026 Crisis
Why Female Pop Stars Still Have to Do More | Bieber vs Sabrina Carpenter at Coachella
Ali Ghamsari’s Power Plant Protest: Music, Risk, and War in Iran
Kanye West, Bully & The Rebirth of the Author
Kneecap in Cuba: Music, Politics, and the Backlash
Rosalía’s Lux Tour and the Art of Pop Performance
Is Skinty Fia the First Great Irish Album of the 21st Century?
Peaky Blinders and the Genius of “Wrong” Music | The Immortal Man Soundtrack
Should Ireland Boycott Israel? Culture, Sport & The Politics of Participation
U2, Gaza, and the Politics of Days of Ash
Bad Bunny’s Super Bowl Halftime Show and the Politics of Love
Bad Bunny’s Super Bowl Halftime Show & America’s Cultural Battleground
Pop Music, ICE & the Silence of Refusal
The “Difficult” Woman in Music
Sinéad O’Connor’s “Black Boys on Mopeds” and the Stories Power Tells
Capitalism Colonises Culture: How Music Lost Its Value
David Bowie, Blackstar, and the Art of Disappearing
Phil Lynott, Old Town & the Meaning of Belonging
How John Lennon Turned a Christmas Song Into a Performance Art
Why CMAT’s Euro Country is the Album of 2025
Musicians Fighting Fascists: Why 2025 Changed Everything
Pink Floyd, Syd Barrett & the Grief Behind Wish You Were Here
Kneecap’s ‘No Comment’: The Final Word
Charli XCX, John Cale & the Gothic Reinvention of ‘House’
Ghost Town: Then & Now – From The Specials to Lankum
Rosalía “Berghain”: When Pain Becomes Art
Róisín Murphy and the Fragility of Allyship
Who Owns America’s Stage? Bad Bunny & The Super Bowl Reaction
Why the Right and Record Labels Want to Replace Artists with AI
House of Guinness: How the Soundtrack Saved It
Mo Chara Walks Free: What the Kneecap Trial Means for Art & Free Speech
Fascists Can’t Dance
Kate Bush’s Wuthering Heights Is the Best Brontë Adaptation
Kneecap’s Imperial Phase: What Sayōnara Says About Irish Culture
CMAT’s Euro-Country: The Right Artist at the Right Time
Florence + The Machine: The Witch Returns
U2, Sarajevo and Gaza: When Music Speaks Out And When It Doesn’t
For Those I Love: Carving the Stone & Confronting Toxic Masculinity
Up De Flats, Sheriff Street, and the Sound of Resistance – Five Years of Gemma Dunleavy
CMAT, Euro-Country & the Ghosts of the Celtic Tiger
Champagne Supernova, Oasis and the Moment Before Everything Changed
No Nostalgia, No Mercy: Why Clipse’s New Album Hits Harder Than Ever
Bob Vylan, Censorship & the Fight for Protest Music at Glastonbury 2025
The Night Sinéad O’Connor Ripped Up the Pope & Refused to Stay Silent
Kneecap, Mo Chara & The Irish Voice Britain Still Can’t Silence
Fontaines D.C., Blindboy & Ireland’s Lost Generation | In the Modern World
Francis Bacon & Why Gilla Band Might Be the Most Influential Band of the 21st Century
Kanye West, Through the Wire & the Problem of Loving Art by Problematic Artists
The Stage Vs The State: Kneecap, Mo Chara & The Criminalisation of Art
Ghosts in the Reverb: Maria Somerville’s Luster and the Rise of Irish Dream Pop
ANSEO: Redefining Irishness Through Music
Kneecap, Glastonbury & the Cost of Speaking Out
Kneecap, Coachella, and Speaking Truth - Why Protest Music Still Matters
Escaping the Dream: Lana Del Rey’s Henry, Come On & Bluebird Explained
Bon Iver’s SABLE, fABLE: A Beautiful Epilogue in Sound
Drake’s ‘Nokia’ and the Kendrick-Sized Shadow
I Was WRONG About CMAT – Now I Can’t Stop Listening
Hold Me, Thrill Me: U2’s Darkest Fame Anthem
You Haven’t Found Your Favorite Artist Yet: How Chappell Roan’s Pink Pony Club Found Its Audience
Peter Gabriel & Kate Bush – Don’t Give Up: The Perfect Duet & Its Lasting Impact
Fontaines D.C., It’s Amazing To Be Young, & The Irish Reinvention of Britpop
Kendrick Lamar’s Super Bowl Performance: A Trojan Horse in Plain Sight
Kendrick Lamar’s Super Bowl Moment: Proving Hip-Hop Is High Art
Marianne Faithfull & Metallica: The Haunting Voice Behind The Memory Remains
David Lynch’s Crazy Clown Time: The Soundtrack to His Surreal World
Manic Street Preachers - From Generation Terrorists to Critical Thinkers
David Bowie’s Berlin Era: The Story Behind Heroes and His Reinvention
Is ‘Stay (Faraway, So Close!) U2’s Best Song?
Why Fontaines D.C. Starburster is my Favourite Song 2024
How Shane MacGowan, Kirsty MacColl & The Pogues Changed the Sound of Christmas Forever
Irish Artists in 2024 - Taking on the Tories, Fighting Fascism & Standing With Palestine
Kendrick Lamar GNX Review - The Imperial Phase and the Zeitgeist
Father John Misty Mahashmashana Review - The ID, the Ego, and what’s next
Linkin Park From Zero Album Review
Tyler, the Creator Chromakopia Review - A Portrait of the Artist as a Young Man
Bob Dylan, A Complete Unknown & Artistic Identity
Bon Iver ‘Sable’ Review - Introversion & Expression
Silverbacks ‘Easy Being A Winner’ Album Review - Angular Agit-pop mets Literary Lyricism
The Last Dinner Party & Gig Safe Spaces, Orla Gartland Everybody Needs A Hero Review & more
“Painting Your Own Reality” - Gemma Hayes Blind Faith Album Review & New Irish Playlist Picks
The Great Hype Debate, Julie Dawson Album Review & New Irish Music
Gurriers Come & See through the lens of Hunter S. Thompson’s Fear & Loathing In Las Vegas
Working Class Voices In Music & Oasis Definitely Maybe 30 Years On
Oasis Reunion: Music As More Than Nostalgia
Fontaines D.C. ‘Romance’ Album Review via Du Cubisme
“One From The Heart” - Tim Chadwick Pulverise Album Review
U2’s Achtung Baby, Fontaines D.C & Sonic Sea Changes
This Machine Surrounds Hate… - Dundalk & The Mary Wallopers protest the far-right
All Together Now 2024 Preview & Must See Irish Acts
AI: Tool or Content Factory?
Callum Orr The Trials Of Knowing Album Review and Playlist Picks
Idles, Banksy & Glastonbury 2024 - Performance as an Act of Protest
The “Why?” of Lankum’s Live in Dublin Review
5 Stand Out Irish Albums of 2024, so far…
Kneecap Fine Art Album Review - "A future Irish classic, but..."
Niamh Regan Come As You Are Review, New Music From Ailsha, AE Mak, April, Fangclub and more
Forbidden Fruit 2024 Preview, Ro Yourell Album Review, New Music From Maria Kelly, Rooue and more
Childish Gambino and the Concept of Artist/Performer, Elephant Album Review and New Irish Music
Steve Albini and the unsung heroes, Villagers That Golden Time Album Review and CMAT, Milk and More
Unpaid Labour In The Music Industry, Lemoncello Album Review and Playlists
Taylor Swift and the Allure of Lore, Sick Love Champagne Review, and more
Pillow Queens Name Your Sorrow Review, Fontaines D.C. Return plus Kynsy, Rooue and more
Melts Field Theory Album Review, His Fathers Voice, Aimee Cuffe, April, Fee Gray and More
Virgins Nothing Hurt And Everything Was Beautiful Review, Plus Playlist Carlsbad, Pastiche and more
Finished Is Better Than Perfect? Fears Affinity Album Review, New Music from the Irish Music Scene
The Good, The Bad and The Ugly of Art, Niamh Bury Yellow Roses Album Review, Playlist Picks
Irish Acts Boycott SXSW, Fight Like Apes Cover Black Boys On Mopeds, Havvk To Fall Asleep Review
Reporting from the Choice Music Prize 2023, Anamoe Drive Breakfast In Bed Review and more
Thoughts on Bat For Lashes The Dream of Delphi and The Count of Monte Playlisto Rides Again
Idles Tangk Review plus Trophy Wife, Houseplants & more
Driven Snow A Kind of Dreaming Review and the Count of Monte Playlisto Returns!
10 Years of The Last Mixed Tape, Reviews of Twin Headed Wolf, Jazzy, Lemoncello & more
Meerkat Music Moments, Gemma Hayes & Alternative Festivals
NewDad Madra Album Review and Playlist Picks
Choice Music Prize Reflections And Eurovision Dreams
Sprints Debut Album Letter to Self Review And Irish Music Scene Reflections
TLMT's Favourite Live Music Photos and Moments 2023
TLMT’s Song of the Year 2023, Shane MacGowan Tribute and End of Year Playlist
TLMT’s Top 10 Irish Albums of the Year
The Last Mixed Tape Podcast - Sinéad White
The Last Mixed Tape Podcast - Lucy Foster
TLMT Podcast Albums Of The Decade, Girl Band At Vicar Street And More
TLMT Podcast | Pixies, Tebi Rex, Girl Band, Murder Capital And More
TLMT Podcast Haim, Angel Olsen, Bat For Lashes, Tandem Felix
The Last Mixed Tape Podcast: whenyoung, Lizzo, the National & more
The Last Mixed Tape Podcast Just Mustard, Fontaines, Whenyoung
TLMT Podcast Jenny Lewis, The Japanese House, Sharon Van Etten live at Vicar Street And More
TLMT Podcast Sharon Van Etten, Maggie Rogers, Beruit
TLMT Podcast End Of Year Wrap Up 2018
TLMT Podcast - O Emperor & Lisa O'Neill
TLMT Podcast - Villagers, Saint Sister & We Cut Corners
TLMT Podcast | Desert Island Playlist
TLMT Podcast Stand Out Songs of 2018 so far
TLMT Podcast | Kanye West 'Ye', the Chromatics, Chvrches & more
The Last Mixed Tape Podcast Childish Gambino This Is America Analysis Special
The Last Mixed Tape: Sleep Thieves, BARQ, Melts, Thumper, Le Galaxie
The Last Mixed Tape Podcast: Paddy Hanna, David Kitt And Montauk Hotel
The Last Mixed Tape Podcast: The Altered Hours, Beauty Sleep, Laoise, Ryan Vail and more
The Last Mixed Tape Podcast: Dream Wife, Soccer Mommy, Slow Riot, Whenyoung
The Last Mixed Tape Podcast: The GO! Team, Paddy Hanna, David Byrne & more