All Episodes

317: Sounding Professional Doesn't Mean Generic, Boring, Or "Overproduced" - Domi Schreiber (MyKungFu)

316: What Great Drummers Do Differently - Michi Dreilich

315: Why Most Bands Never Finish Their Album - Fabian Valentini (Max im Parkhaus)

314: Can Recording Studios Be Sustainable? Why Michael Buschka Is Building His Studio Differently.

313: How Legendary Rock Records Are Made - Kyle Hoffmann (NRG Recording Studios)

312: "Can We Really Produce Our Own Album Start To Finish?" (Steady Drops Case Study)

311: Making Decisions & Serving The Song | How ninnyliver Created Their Debut Album

310: This Podcast Is About To Change - The Beginning Of A New Chapter For TSRB

309: From 30 Demo Songs to A Finished Record That Matters - Swallow's Rose

308: Two Backing Vocal Approaches Every Self-Recording Artist Needs To Know

307: 6 Home Studio Mistakes We Made Early On (And What We’d Do Differently Today)

306: How We Recorded Drums For A Punk Rock Record (Swallow's Rose - Full Drum Production Walkthrough)

305: These 5 Low-End Mixing "Rules" Are Killing Your Mix

304: Are You Learning From Audio Pros Or YouTubers? (The Mixing Advice That Actually Matters)

303: The Music Production Process (Steps 6-10): Clean Up Your Session, Enhance The Performance, Mix And Finish Your Song!

302: The Music Production Process (Step 5): Capturing Magic - How To Record Strong Takes That Actually Move People

301: The Music Production Process (Step 4): Recording Setup & Sound Check: How To Capture Great Tones At The Source

300: The Music Production Process (Step 3): Pre-Production - Why Most Home Recordings Fail Before Recording Even Starts

299: The Music Production Process (Step 2): Choosing The Right Gear For The Project Without Wasting Money

298: The Music Production Process (Step 1): Build a Rock-Solid Foundation Before You Record

297: Connor Daniel (Avril Lavigne, Yellowcard, Simple Plan) On Modern Rock Production, Working At A High-End Studio, And Making Killer Records On A Bedroom Setup

296: The 10-Step-Process That Every Record Goes Through

295: Why Your Records Don’t Sound the Way You Want (Real Talk for Self-Recording Artists)

294: 5 Proven Songwriting Tricks To Make Your Chorus Hit Harder

293: Give Us 30 Minutes And We'll Fix Most Of Your Reverb Problems

292: Small Mix Tweaks, Big Results - Real-World Recording & Mixing Lessons That You Can Use Today

291: Music Marketing Real Talk With Jesse Cannon - How To Actually Get Your Music Heard

290: Afraid to Release Your Music? Here’s What’s Really Holding You Back

289: Lessons From Real Recording Sessions and Coaching Projects

288: Danny Gomez: From Brian May to Dirty Boy Pedals - Turning Obsession Into Opportunity

287: “I Don’t Have Enough Time” - How To Actually Make Time For Your Music (Even With A Busy Life)

286: The Top 10 Plugins We Can't Live Without

285: Bringing Your Music To The Live Stage: Click track? Backing Tracks? 100% Live And Free?

284: Inside Van Holzen’s New Album: Self-Producing "SOLANG DIE ERDE SICH DREHT"

283: The Only Gear That Actually Matters (Monitoring Explained)

282: The "Audio Nomad" Ady Parzentny: Building A Unique Career In Music Production, Van Life & Finding Home

281: Put Your Producer Hat On! Bold Recording Decisions = Exciting Music.

280: Raw vs Polished Recordings (Stop Missing The Point - Here’s What Actually Matters)

279: From Rough Demo To Killer Song (Pre-Production & Songwriting Deep Dive)

278: The #1 Beginner Mistake In Music Production (Stop Doing This!)

277: Auditioning 15 Limiters?! Mastering Talk with Slatin

276: Creating Music For Wandering Souls - The Journey Of The Grand Caravan (Case Study Interview With Adam Croft)

275: Why Your Vocals Don’t Sit Right in the Mix (And How to Fix It)

274: Finish Songs Fast or Let Them Sit? (Raw Emotion VS Refining Over Time)

273: Cabs Matter More Than Amps - The Fastest Way To Level Up Your Guitar And Bass Tones

272: How Jason W. Taylor Is Making His Rock'n'Roll Dreams Come True, Despite Being A Busy Entrepreneur And Dad

271: "Everyone Is Sounding The Same" - Creative Guitar Tone Techniques That Will Make You Stand Out

270: Let Them Know You Exist - Content Marketing For Musicians and Producers (With Warren Huart)

269: From Jam Space Demo To Polished, Massive Sounding DIY Release - With Markus and Alex from Arcware (Case Study)

268: From Cringe To Connection: Overcome Writer's Block And Start Writing Better Lyrics

267: Matt Boudreau - Real Talk, Insights And Lessons From 30 Years Of Studio Experience, Dolby Atmos

266: Snare drum sound deep dive - snare choice, mic balance and EQ (with audio examples)

265: Breaking Free from Musical Genres - The Emotional Core of Music Creation

264: This Is How Much We've Spent On Our Own Education - And What We Got Out Of It (Full Breakdown)

263: The Hidden Power of Song Key: Better Vocals, Better Vibe

262: Why Your Song Feels Off: The Truth About Tempo, Timing & Groove

261: The Ultimate Guide To Kick Drum EQ (With Audio Examples)

260: AI Update - Are Audio Skills No Longer Needed Now? Have Mixing Engineers Been Replaced?

259: What Self-Recording Artists Are REALLY Struggling With

258: "I'm not a professional musician or producer" - Does this mean your art isn't worth it?

257: Why you should learn to record yourself (even if you're not making your own records)

256: How To Make Unique And Authentic Records - With Ulf Blomberg (Hoborec)

255: Self-Recording Syndicate Member Fergal Nash on Finding His Sound, Gaining Confidence, and Releasing His Best Work (Case Study Interview)

254: How Self-Recording Syndicate Member Eugen Ruzickij is Helping Guitar Players Write Their Own Songs (Case Study Interview)

253: Shaping Your Drum Attack And Punch With Compression

252: Big Update Episode: Here's What's New At The Self-Recording Band In 2025

251: Rok Gulič (Ollo Audio) - Mixing On Headphones

250: The Secret Power Of Limitations In Home Studio Production

249: How To Keep Things Fresh And Not Repeat Yourself

248: Six Ways To Improve Your Mixing Workflow (Live Workshop At Studioszene 2024)

247: Get It Right At The Source (Live Workshop At Studioszene)

246: This Will Help You Understand Snare Drum EQ

245: This Will Help You Understand Kick Drum EQ

244: It's All About The Song - How Manelito Turned His Passion And Talent Into A Career (Case Study Interview)

243: Here's What Our Most Successful Students Do

242: How We Get a Solid, Punchy Low End In Our Mixes

241: Moritz Enders Interview: The Benefits And Challenges Of Analog Mixing

240: Julia Borelli Interview - Workflow, Plugins & Mixing Techniques

239: Warren Huart Interview - How To Stay Creative In The Studio

238: Level Matching Reference Tracks Against Your Mix (Q&A)

237: Meet Team TSRB! Studioszene 2024 Recap with Manel Espinosa Berenguer, Thomas Krottenthaler, Malcom Owen-Flood & Benedikt Hain

236: The Truth About Mixing With Plugin Presets

235: 10 Feet Saved The Record - Move The Mic & Listen, Don't Assume

234: How To Get A Dirty, Aggressive Vocal Sound

233: AI Mixing Is Coming! Do You Still Need Mixing Skills?

232: Do This And Your Mixes Will Improve - Guaranteed

231: What Are "Size" & "Depth" In Music Production?

230: 6-Figure Production Budget VS DIY Home Recording. Can You Get Even Close? With Blake Beckmann (Stepa)

229: Learning To Record And Mix Is Hard And Overwhelming? Listen To This. (I Sent This Message To A Struggling Artist)

228: Building A Team To Make A Unique Self-Produced Indie Rock Record - With Phillip Cronin (On The Radio)

227: Josh Rogosin (Tiny Desk Concerts, Global Sound Concerts)

226: How To Reduce Or Remove Noise From Your Recordings (And How To Avoid It In The First Place)

225: Ady Parzentny (Hit The Road Music Studio)

224: The 5 Biggest Recording Mistakes I've Seen This Week

223: It’s way more than just a recording session: The record making process - start to finish - Pt II (Back To Basics Mini Series Part III)

222: It’s way more than just a recording session: The record making process - start to finish (Back To Basics Mini Series Part II)

221: Brendan Dekora (Trent Reznor, Foo Fighters, Atticus Ross, Steven Wilson, Muse, Crosses)

220: Why "DIY-Recording" Doesn't Work (And Most DIY-Productions Suck) - Back To Basics Mini Series Part I

219: We're back! Here's what happened, what to expect from this podcast in the future, and what we can all learn from this.

218: Pre-Pro, The Modern Role Of The Mix Engineer, Remote Production And Referencing (On "Pro Audio Perspectives" - With Brendan Dekora)

217: Dan Korneff & Luke DeLalio (Korneff Audio, Pierce the Veil, Paramore, Papa Roach, Breaking Benjamin, Sleeping With Sirens, My Chemical Romance)

216: Ken Lewis & Dom Rivinius (Mixing Night Audio, Taylor Swift, Kanye, Bruno Mars, Drake, BTS, Alicia Keys, Eminem)

215: "Everyone on your team should care as much as you" - Carl Bahner on finding the right collaborators and building your brand as a producer

214: DIY Recording VS Pro Studio Production - How Wet Future Made Both Work And What It Really Takes To Make A Great (DIY-)Record

213: Noise Perfected: Making No-Compromise Records That Stand The Test Of Time - With Sam Pura

212: Songwriting & Sync Licensing Deep Dive - With Lars Deutsch

211: Multitrack Recorder VS Computer + DAW

210: NAMM 2024 Recap Pt II - Great People, Great Gear, Great Takeaways For You

209: NAMM 2024 Recap Pt I - Great People, Great Gear, Great Takeaways For You

208: How To Make The Kick Drum Work In Your Mix - Pt. II

207: How To Make The Kick Drum Work In Your Mix - Pt. I

206: A.I. Talk: The Tools We're Using, Thoughts On The Future Of A.I. In Music Production, And Why We're Not Afraid Of It

205: Get Better Takes Faster Through Comping On The Fly

204: Grammy Nominated Producer & Mixing Engineer Jacob Hansen

203: Here's How We Help Our Students, How The Free Calls Work And Why You Have To Apply If You Want To Work With Us

202: The Three Ways To Make An Outstanding Record

201: Dual Mono VS Stereo - Gain Full Control Over Your Stereo Image By Setting Up Your Compressors The Right Way

#200: Mario Radetzky on producing Blackout Problems - "Riot" and using Ableton Live to blend rock and electronic production elements

#199: Producing Brootal Metal Records with Kristian Kohle (Benighted, Powerwolf, Aborted, Crematory)

#198: Walk Into Any Recording Studio & Make It Work

#197: Building Your Own Studio Hardware with Martin Zobel - Analog Vibes

#196: Jaycen Joshua – Award Winning Producer (Beyonce, Miley Cyrus, Michael Jackson) - Studioszene 2023

#195: Ady Parzentny – Travelling Music Producer (Hit The Road Music Studio) - Studioszene 2023

#194: Chris Yetter (Audioscape) Interview - Studioszene 2023

#193: Warren Huart Interview - Studioszene 2023, Hamburg

#192: The Biggest Home Recording Mistakes We've Seen This Month - Part 2 (Vocal Layers, Comping, MIDI & DI)

#191: The Biggest Home Recording Mistakes We've Seen This Month - (Overheads & Clipping)

#190:What Is The Essence Of Your Song?

#189: Warren Huart (Produce Like A Pro, Aerosmith, Ace Frehley, The Fray, Ramones) - Special Interview Episode

#188: Songwriter Dewi Thompson on Leveling Up His Audio Skills in The Self Recording Syndicate (Case Study)

#187: Are You Using Mix Bus Compression?

#186: Do You Need An External Mic Preamp?

#185: Combining Guitar Tones and Doubling Guitar Tracks

#184: My 2023 Mixing Template

#183: Why Basic Audio Editing Skills Are Essential For Cleaning Up Your Tracks

#182: Drum Limiting: Using Limiters, Clippers and Saturation for a Powerful Drum Sound

#181: Hans-Martin Buff (Prince, Peter Gabriel, Scorpions)

#180: Jill Zimmermann (Alice Cooper, July Talk, Three Days Grace, Alexisonfire)

#179: The Art of Snare Compression: Boost Impact and Clarity In Your Mix

#178: Nailing Your Snare Sound Using EQ - Deep Dive

#177: Wayne Coulson On Producing Unique Alt Rock & Indie Pop Records (Case Study)

#176: How To Record A Live Show - Pro Tips for Capturing the Heart and Soul of Your Band's Performance

#175: Expand Your Interface And Get More Inputs/Outputs - ADAT & SPDIF Explained

174: How To Create Backing Tracks For Your Live Shows (And Why Stems Are Not Tracks)

#173: Do You Really Know What These Audio Terms Mean?

#172: Creation vs Craft - What We Learned From Rick Rubin's Book "The Creative Act" And Why You Should Read It

#171: Flo Reithofer On Producing Heavy Records, Staying True To The Artist's Vision And Being A Life-Long Student (Case Study)

#170: Case Study: Robin & Clint (Roobey Records, Snakes In The Pit) On Starting A Studio, The Importance Of Focus And Becoming Confident In Your Work

#169: This is What Separates Pro Quality Productions From Amateur Demos

#168: Producer/Drummer Lucas McKinnon On Remote Session Drumming, Drum Production, Creative Collaboration And Getting The Perfect Foundation For Your Song

#167 - Top Down Mixing - The Easy Way To Fast And Musical Results?

#166 - How Bus Processing Can Help Your Mixes Sound More Cohesive & Polished

#165: The Fun Factor: How To Find Joy In The Creative Process And Rekindle Your Passion For Music Production

#164: Playing "Real" Drums vs Programming Drums - How About Both?

#163: I Need A Better Process For Tracking!

#162: Capture The Soulful Melodies Of Your Piano: Pro Tips for Crafting Mesmerizing Recordings With Acoustic Or Virtual Pianos

161: Maximize Your Studio Time: Essential Practice Techniques To Help You Crush Your Recording Session

#160: Home Recording 101 - If We Were To Start Over In 2023, This Is What We Would Do (And Buy) - Part III

#159: Home Recording 101 - If We Were To Start Over In 2023, This Is What We Would Do (And Buy) - Part 2

#158: Home Recording 101 - If We Were To Start Over In 2023, This Is What We Would Do (And Buy) - Part 1

#157: The Biggest Home Recording Mistakes We've Seen This Month

#156: What Is A Music Producer?

#155: Understanding Loudness In Mastering (LUFS, RMS And How Loud It Actually Needs To Be)

#154: The Anatomy of a Bass Guitar Tone

#153: Record And Mix Anywhere - The Ultimate Headphone Setup

#152: From Demo Quality To Pro Sounding Releases - Greg Bohemen (Interview/Case Study)

#151: Why Your Reverbs Don't Work

#150: We Answer Your Mixing Questions

#149: Together Is Better - The Value Of Masterminds, Events And Being An Active Part Of The Music Community

#148: How To Make Your DIY-Productions Stand Out In 2023 And Beyond

#147: How To Use One Shot Drum Samples

#146: Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect

#145: Building Arrangements With The Mix In Mind (Part 2)

#144: Building Arrangements With The Mix In Mind (Part 1)

#143: Make Better Records Faster By Asking Better Questions

#142: How To Identify Time Signatures And Note Values (Every Producer Needs To Know This) - With Thomas Krottenthaler

#141: Get The Most Out Of The Plugins You Have (Challenge)

#140: Don't Believe These 5 Myths About Music Production

#139: De-Essing & Sibilance Control Deep Dive

#138: Reviving The "Australian Rock Songwriter Sound" From A Home Studio - With Collidastate (Interview/Case Study)

#137: Can You Get "World-Class Mastering In Minutes?" With Jay Maas (Maastr.io)

#136: Making No-Compromise, Premium Drum Samples - With Dave Piatek (Room Sound)

#135: How To Soundproof Your Studio - With Wilson Harwood

#134: Who's Your Audience?

#133: The Vocal Effects We Use In Our Recording And Mixing Templates

#132: Make Your Singer Sound & Feel Like A Star - The Perfect Headphone Mix

#131: Live Recording VS Overdubs

#130: How To Add Energy And Vibe Transparently With Parallel Compression

#129: Master File Formats - What You (Don't) Need To Worry About

#128: Producing A Dark Pop Song (Behind The Scenes) - With Chris Eriksen (Skov.)

#127: Let's Talk About Reaper (or at least, that was the plan... :)) - With Myk Robinson

#126: How To Prepare And Export MIDI Files For Mixing

#125: How To Find The Right Vocal Mic

#124: When And How To Use Multiband Compression

#123: Your Sick Guitar Tone Could Ruin Your Mix

#122: Pitch Is Key - Avoid The Amateur "Out-Of-Tune" Sound With These 10 Tuning & Intonation Hacks

#121: "Art Is An Expression Of Life - So Go And Experience Some Life!"

#120: These Are Our Mix Bus Chains

#119: Why We Mix Into A Mix Bus Chain (This Is Not Mastering!)

#118: Trevor Reilly (A Wilhelm Scream) - Behind The Scenes Of Making A Professional DIY Record

#117: Mic Placement Quick Start Guide

#116: Your Audio Knowledge Could Be The Reason Why Your Records Don’t Sound Great

#115: Need More Low End? How To Fix A Thin Sounding Bass Recording

#114: Do You Really Know Your Guitar Cab (or IRs)?

#113: Your Guitar And Bass Tone Is In Your Hands

#112: What You Need BEFORE Releasing New Music | Generating Release Assets

#111: How To Make Drum Samples "Invisible" In The Mix And Blend Perfectly With Your Real Kit

Should You Buy Our New Mixing Course "Mixes Unpacked"? (Your Questions, Answered!)

#110: The Real Reason For Why You Should Do Pre-Production

#109: Do You Have A Mixing Process? Here's How We Approach Our Mixes.

#108: Q&A: Editing - How To Hear Performance Problems And Solve Them

#107: How Long Does It Take To Produce A Song?

#106: What Are Your Music Goals Really Worth To You?

#105: How To Create Massive Drum Room Sounds From Small Room Recordings

#104: Building A Recording Chain To Capture Better And Bolder Tracks - Without Expensive Analog Gear

#103: How To Choose The Right Guitar Amp(s) For Your Project

#102: How To Get Things Done As A Band

#101: Widening Tools Are Not The Secret To Getting Super Wide Mixes

#100: Meet Our Amazing Community - Celebration Episode

#99: Why Your Snare Sounds Like Sh*t And What To Do About It

#98: Convenience & Efficiency vs. Quality - Can We Have It All?

#97: Why You Don't Need A Huge Sounding Room For Your Home Studio

#96: How Time Stretching Tools Like Elastic Audio Can Save Or Ruin Your Recordings

#95: You Need To Stop Buying Gear

#94: The Problem(s) With YouTube Channels, Blogs And Podcasts On Recording Music

#93: Q&A - Mixing/Mastering In A Bad Room, Kick Drum PA Feedback, Guitar Pickups

#92: Q&A - Priorities, Committing, Gear, Live Recording & Snare Sound

#91: Q&A - Mixing Workflow, Headphones, Vocals, Drums & DIY Mastering

#90: How To Add Extra Impact & Excitement To Rock Songs With Bass Drops, Snare Bombs, Risers, Synths & Post-Production FX

#89: Level Up Your Production Quality Through Hiring (Remote) Session Musicians

#88: Why "Don't Mix With Your Eyes" Is Bad Advice That's Slowing You Down

#87: Super Hacks - Part 2 (Mixing)

#86: Unlock Your Voice's Full Potential And Record Better Vocals - With Matt Ramsey

#85: Super Hacks - Part 1 (Recording)

#84: Organize Your Projects Like A Pro

#83 - Offset Vision (Interview Episode/Case Study)

#82 - Wet Future (Interview Episode/Case Study)

#81: Your Mixes Need More Automation

#80: What We Use In Our Vocal Chains (And Why We Use It)

#79: Audio To MIDI - How It's Done And When You Should Use It

#78: How To Use Panning To Get Wide, Exciting & Balanced Mixes

#77: Apple Spatial Audio & Dolby Atmos - Is This The End Of Stereo?

#76: Q&A: What Is Saturation And How Do You Use It?

#75: The One Engineering And Mixing Skill That Will Give You 80% Of The Results

#74: Interview Episode With Grammy Nominated Producer And Mix Engineer Jacob Hansen

#73: The 5 Key Ingredients Of A Big And Punchy Drum Sound

#72: Speed Writing Challenge: Record A Brand-New Demo After Every Session

#71: Reamping Deep Dive - Get The Most Out Of Your Guitar Amp AFTER You've Recorded The Perfect Take

#70: Collaboration Best Practices - How To Make Sure That Others Can Work On Your Song

#69: Building A Home Studio On A Budget - Part 2

#68: Building A Home Studio On A Budget - Part 1

#67: EQ Deep Dive – Learn To Use Equalizers With Confidence

#66: Software Configuration Explained - How To Set Up Your DAW

#65: How To Translate The Sound In Your Head Into Your Recordings

#64: Recording A Live Band - How To Deal With Bleed And Get The Most Out Of The Room Sound

#63: Sidechaining Explained - The Hidden Feature That's Become Indispensable In Modern Music Production Tools

#62: Noise Gates - How They Can Help Clean Up Audio And Creatively Shape The Sound Of Your Recording

#61: What Compression Really Does To Your Music And Why You Need To Understand It

#60: What MIDI Actually Is, How It Works And What You Can Do With It

#59: Is Your Recording Good Enough? How To Avoid Common Mistakes, Meet The Minimum Requirements & Aim For Professional Standards - Pt. 3

#58: Is Your Recording Good Enough? How To Avoid Common Mistakes, Meet The Minimum Requirements & Aim For Professional Standards - Pt. 2

#57: Is Your Recording Good Enough? How To Avoid Common Mistakes, Meet The Minimum Requirements & Aim For Professional Standards - Pt. 1

#56: How Much Does It Cost To Make A Record?

#55: The Complete, Step-By-Step System To Make A Killer Record As A Self-Recording Band

#54: How To Use (And Choose) Reference Tracks To Improve Your Productions

#53: Doubling Guitars And Vocals (Why, When And How To Record Doubles)

#52: How Impulse Responses Help You Improve Your Guitar Tones And Workflow

#51: Why Are You Making This Record?

#50: Recording Workflow Hacks - Supercharge Your Creativity, Speed Up The Process And Discover New Possibilities

#49: Home Studio Acoustics And Room Treatment - With Jesco Lohan (acousticsinsider.com)

#48: Create Content That Connects - With John McLucas

#47: Guitar Setup And String Choice With Diego Casillas

#46: Finish Your Music Projects With These 4 Expert Tips

#45: Happy Holidays! (And Thank You!)

#44: Why Your Tracks Need Editing

#43: How Tight Is Tight Enough?

#42: Creative Recording Techniques - Unconventional Ways Of Creating And Capturing Unique, Exciting Sounds

#41: Backups And Archiving - Protect Your Art And Save Yourself Time, Frustration And Money

#40: Click vs No Click - Find the Best Approach For Your Project And Learn The Different Ways To Use A Click Track

#39: Get Your Low End Right From The Start (It's Not Just A Mixing Issue)

#38: "What Should I Buy - Digital Mixer Or Dedicated Interface?" (Plus Bonus Content: Get Featured On The Podcast)

#37: If You‘re About To Mix Your Next Record Yourself, Listen To This! You Might Be Hurting Your Band.

#36: Make Better Decisions (And Better Sounding Records) With Proper, Intentional Gain Staging

#35: Drum Overheads Are Not Just Cymbal Mics

#34: „Should I Record Flat And Dry Tracks Or Compress And EQ On The Way In?“

#33: Bass Amp vs DI (How To Choose The Right Approach And Gear For Capturing Your Dream Bass Tone)

#32: How To Make Amp Sims And Kemper Profiles Work (They Can Sound Just As Good As "Real" Amps)

#31: Make Your Chorus POP With These 5 Vocal Arrangement And Production Tricks

#30: What Makes A Great Production? The Answers To: "How Do I Know If It Sounds Good?" And "What Should I Actually Listen For?"

#29: "How Do You Develop A Unique Drum Sound?" (We Got This Interesting Question - So We Answered)

#28: Track Your Progress - The Mindset, Strategy, Tactics And Tools You Need To Stay On Top Of Your Project

#27: The Pitfalls Of Being Overly Obsessive While Tracking - How Being Too Hard On Yourself And Your Bandmates Can Negatively Affect Performances And Relationships

#26: Troubleshooting - What To Do When Things Go Wrong (Part 2)

#25: Troubleshooting - What To Do When Things Go Wrong (Part 1)

#24: The Process Of Making A Record - Breaking It Down From Idea To Finished Release

#23: 10x Your Productivity And Creativity By Using Checklists And Templates

#22: Guitar Tuning And Intonation Deep Dive

#21: Spice Up Your Recordings With Creative Reamping And Unique FX

#20 - How To Record Acoustic Guitar (...And Make It Sound Great On Its Own Or In A Full Band Arrangement)

#19: How To Record Drums With Only Four Mics

#18: How DI Tracks Can Save Your Guitar Recordings

#17: Vocal Tuning Isn't Just For T-Pain

#16: Is There A Correct Order To Record In?

#15: If You're Not Doing Pre-Production, You're Missing Out!

#14: Why You Need A "Producer" (even if you're producing yourself)

#13: Understanding The Controls On Your Recording Gear

#12: Bass Tone Is More Than Just Low End

#11: 5 Essential Steps To A Pro Vocal Recording

#10: What Is Mastering? Do I Need To Have My Music Mastered?

#9: Why Drum Samples Might Even Sound MORE NATURAL Than Your Real Drums

#8: How To Make Programmed Drums Sound Big AND Natural

#7: MIDI Drums Or "Real Drums" - What's The Better Option For Your Record?

#6: How To Make The Most Out Of A Limited Recording Budget

#5: The 5 Key Ingredients Of A Great Guitar Tone

#4: How To Improve Your Recordings Big Time And Get Punchy Drums By Avoiding Phase Issues

#3: How To Move Your Band Forward Faster, Avoid Mistakes And Why You Should Absolutely Learn To Record Yourself – Benedikt Hain

#2: From Recording In His Living Room To Making Billboard Hits, Mastering For Clients From All Around The World And Working On Netflix Documentaries - Malcom Owen-Flood

#1: Can You Really Make A Record On Your Own?