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The Self-Recording Band, 326 episodes. Page 3 of 4.

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201

#125: How To Find The Right Vocal Mic

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#124: When And How To Use Multiband Compression

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#123: Your Sick Guitar Tone Could Ruin Your Mix

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#122: Pitch Is Key - Avoid The Amateur "Out-Of-Tune" Sound With These 10 Tuning & Intonation Hacks

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#121: "Art Is An Expression Of Life - So Go And Experience Some Life!"

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#120: These Are Our Mix Bus Chains

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#119: Why We Mix Into A Mix Bus Chain (This Is Not Mastering!)

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#118: Trevor Reilly (A Wilhelm Scream) - Behind The Scenes Of Making A Professional DIY Record

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#117: Mic Placement Quick Start Guide

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#116: Your Audio Knowledge Could Be The Reason Why Your Records Don’t Sound Great

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#115: Need More Low End? How To Fix A Thin Sounding Bass Recording

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#114: Do You Really Know Your Guitar Cab (or IRs)?

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#113: Your Guitar And Bass Tone Is In Your Hands

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#112: What You Need BEFORE Releasing New Music | Generating Release Assets

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#111: How To Make Drum Samples "Invisible" In The Mix And Blend Perfectly With Your Real Kit

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Should You Buy Our New Mixing Course "Mixes Unpacked"? (Your Questions, Answered!)

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#110: The Real Reason For Why You Should Do Pre-Production

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#109: Do You Have A Mixing Process? Here's How We Approach Our Mixes.

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#108: Q&A: Editing - How To Hear Performance Problems And Solve Them

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#107: How Long Does It Take To Produce A Song?

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#106: What Are Your Music Goals Really Worth To You?

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#105: How To Create Massive Drum Room Sounds From Small Room Recordings

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#104: Building A Recording Chain To Capture Better And Bolder Tracks - Without Expensive Analog Gear

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#103: How To Choose The Right Guitar Amp(s) For Your Project

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#102: How To Get Things Done As A Band

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#101: Widening Tools Are Not The Secret To Getting Super Wide Mixes

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#100: Meet Our Amazing Community - Celebration Episode

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#99: Why Your Snare Sounds Like Sh*t And What To Do About It

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#98: Convenience & Efficiency vs. Quality - Can We Have It All?

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#97: Why You Don't Need A Huge Sounding Room For Your Home Studio

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#96: How Time Stretching Tools Like Elastic Audio Can Save Or Ruin Your Recordings

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#95: You Need To Stop Buying Gear

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#94: The Problem(s) With YouTube Channels, Blogs And Podcasts On Recording Music

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#93: Q&A - Mixing/Mastering In A Bad Room, Kick Drum PA Feedback, Guitar Pickups

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#92: Q&A - Priorities, Committing, Gear, Live Recording & Snare Sound

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#91: Q&A - Mixing Workflow, Headphones, Vocals, Drums & DIY Mastering

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#90: How To Add Extra Impact & Excitement To Rock Songs With Bass Drops, Snare Bombs, Risers, Synths & Post-Production FX

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#89: Level Up Your Production Quality Through Hiring (Remote) Session Musicians

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#88: Why "Don't Mix With Your Eyes" Is Bad Advice That's Slowing You Down

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#87: Super Hacks - Part 2 (Mixing)

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#86: Unlock Your Voice's Full Potential And Record Better Vocals - With Matt Ramsey

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#85: Super Hacks - Part 1 (Recording)

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#84: Organize Your Projects Like A Pro

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#83 - Offset Vision (Interview Episode/Case Study)

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#82 - Wet Future (Interview Episode/Case Study)

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#81: Your Mixes Need More Automation

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#80: What We Use In Our Vocal Chains (And Why We Use It)

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#79: Audio To MIDI - How It's Done And When You Should Use It

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#78: How To Use Panning To Get Wide, Exciting & Balanced Mixes

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#77: Apple Spatial Audio & Dolby Atmos - Is This The End Of Stereo?

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#76: Q&A: What Is Saturation And How Do You Use It?

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#75: The One Engineering And Mixing Skill That Will Give You 80% Of The Results

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#74: Interview Episode With Grammy Nominated Producer And Mix Engineer Jacob Hansen

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#73: The 5 Key Ingredients Of A Big And Punchy Drum Sound

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#72: Speed Writing Challenge: Record A Brand-New Demo After Every Session

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#71: Reamping Deep Dive - Get The Most Out Of Your Guitar Amp AFTER You've Recorded The Perfect Take

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#70: Collaboration Best Practices - How To Make Sure That Others Can Work On Your Song

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#69: Building A Home Studio On A Budget - Part 2

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#68: Building A Home Studio On A Budget - Part 1

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#67: EQ Deep Dive – Learn To Use Equalizers With Confidence

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#66: Software Configuration Explained - How To Set Up Your DAW

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#65: How To Translate The Sound In Your Head Into Your Recordings

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#64: Recording A Live Band - How To Deal With Bleed And Get The Most Out Of The Room Sound

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#63: Sidechaining Explained - The Hidden Feature That's Become Indispensable In Modern Music Production Tools

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#62: Noise Gates - How They Can Help Clean Up Audio And Creatively Shape The Sound Of Your Recording

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#61: What Compression Really Does To Your Music And Why You Need To Understand It

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#60: What MIDI Actually Is, How It Works And What You Can Do With It

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#59: Is Your Recording Good Enough? How To Avoid Common Mistakes, Meet The Minimum Requirements & Aim For Professional Standards - Pt. 3

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#58: Is Your Recording Good Enough? How To Avoid Common Mistakes, Meet The Minimum Requirements & Aim For Professional Standards - Pt. 2

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#57: Is Your Recording Good Enough? How To Avoid Common Mistakes, Meet The Minimum Requirements & Aim For Professional Standards - Pt. 1

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#56: How Much Does It Cost To Make A Record?

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#55: The Complete, Step-By-Step System To Make A Killer Record As A Self-Recording Band

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#54: How To Use (And Choose) Reference Tracks To Improve Your Productions

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#53: Doubling Guitars And Vocals (Why, When And How To Record Doubles)

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#52: How Impulse Responses Help You Improve Your Guitar Tones And Workflow

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#51: Why Are You Making This Record?

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#50: Recording Workflow Hacks - Supercharge Your Creativity, Speed Up The Process And Discover New Possibilities

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#49: Home Studio Acoustics And Room Treatment - With Jesco Lohan (acousticsinsider.com)

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#48: Create Content That Connects - With John McLucas

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#47: Guitar Setup And String Choice With Diego Casillas

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#46: Finish Your Music Projects With These 4 Expert Tips

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#45: Happy Holidays! (And Thank You!)

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#44: Why Your Tracks Need Editing

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#43: How Tight Is Tight Enough?

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#42: Creative Recording Techniques - Unconventional Ways Of Creating And Capturing Unique, Exciting Sounds

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#41: Backups And Archiving - Protect Your Art And Save Yourself Time, Frustration And Money

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#40: Click vs No Click - Find the Best Approach For Your Project And Learn The Different Ways To Use A Click Track

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#39: Get Your Low End Right From The Start (It's Not Just A Mixing Issue)

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#38: "What Should I Buy - Digital Mixer Or Dedicated Interface?" (Plus Bonus Content: Get Featured On The Podcast)

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#37: If You‘re About To Mix Your Next Record Yourself, Listen To This! You Might Be Hurting Your Band.

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#36: Make Better Decisions (And Better Sounding Records) With Proper, Intentional Gain Staging

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#35: Drum Overheads Are Not Just Cymbal Mics

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#34: „Should I Record Flat And Dry Tracks Or Compress And EQ On The Way In?“

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#33: Bass Amp vs DI (How To Choose The Right Approach And Gear For Capturing Your Dream Bass Tone)

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#32: How To Make Amp Sims And Kemper Profiles Work (They Can Sound Just As Good As "Real" Amps)

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#31: Make Your Chorus POP With These 5 Vocal Arrangement And Production Tricks

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#30: What Makes A Great Production? The Answers To: "How Do I Know If It Sounds Good?" And "What Should I Actually Listen For?"

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#29: "How Do You Develop A Unique Drum Sound?" (We Got This Interesting Question - So We Answered)

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#28: Track Your Progress - The Mindset, Strategy, Tactics And Tools You Need To Stay On Top Of Your Project

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#27: The Pitfalls Of Being Overly Obsessive While Tracking - How Being Too Hard On Yourself And Your Bandmates Can Negatively Affect Performances And Relationships

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