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Title
1

The Best Closed Back Headphones for the Recording Studio (Under $200) [2025 Edition]

2

There's a WRONG Way to Produce Music (FIGHT ME!)

3

Mix Breakdown: The Killers, "Mr Brightside"

4

Hybrid Mixing Interview with Phil Weinrobe

5

ROC.am Interview on In-The-Box Mixing, Atmos Mixing & more

6

Marc Urselli Interview on Microphones & Mic Techniques (U2, Foo Fighters, Nick Cave, John Zorn)

7

Mixing with Reverb: Richard Furch Interview on Reverb Techniques [Prince, Jay-Z, The Weeknd]

8

Hip Hop Mixing: Jason "Cheese" Goldberg Interview [NBA YoungBoy, Tyler The Creator, Travis Scott]

9

Clipping Vs. Limiting: A Comprehensive Guide [How, When and Why to Use Each]

10

Mix Masters: The Secrets of Andy Wallace's Sound

11

Best Modeling Mics Compared! (UAD vs Antelope vs Slate Comparison)

12

Music Demos: Most Important Step or Relic of the Past?

13

Mix Masters: The Secrets of Michael Brauer's Sound

14

Best Headphones for Mixing: $400 & Under [2024]

15

Is Spotify Audio Quality a Problem? (...And is there a service that's better for artists?)

16

Ideal Rock Mixes? (Mix Breakdown of Audioslave)

17

Analyzing the Biggest Sleeper Hit in History [Mix Lessons from Glass Animals "Heat Waves"]

18

What Makes a Mix Addictive? ["All The Small Things": Lessons from Blink 182]

19

Mix Masters: The Secrets of Steve Albini's Sound

20

Mix Masters: The Secrets of Chris Lord-Alge's Sound [CLA Analyzed]

21

You Need a Mixing ROADMAP

22

Mix Masters: The Secrets of Tchad Blake's Sound [Analog Tones with Digital Tools]

23

Mix Masters: The Secrets of Serban Ghenea's Sound

24

My Top Reference Mixes (...And how to choose your own)

25

The Beatles Studio Sounds with Modern Gear

26

How to Use Reference Mixes (The RIGHT WAY)

27

Can You Have a Talent for Mixing?

28

Will A.I. Musicians and Mixers Steal Your Job? (...Or save it?)

29

I'm a Mastering Engineer. Ask Me Anything.

30

What Makes this Mix Great? Tame Impala: "The Less I Know The Better"

31

Mastering the Car Check: How to Get Great Mixes Everywhere

32

Mix Breakdown: Soundgarden "Black Hole Sun"

33

Mix Breakdown: Britney Spears "Toxic"

34

Best New Audio Gear of 2024: NAMM Edition

35

Mix Breakdown: Pharrell Williams "Happy"

36

What (Almost) Everyone Gets Wrong About Sampling Rates

37

Why Your Mix Sounds OK, But FEELS WRONG.

38

Mixing Masterclass with Jeff Ellis [Doja Cat, d4Vd, Frank Ocean]

39

MixCon Q&A and Interviw with Joel Hamilton [Tom Waits, Black Keys, Highly Suspect, Sparklehorse]

40

MixCon Q&A with GRAMMY-Winning Mixer Nic Hard

41

MixCon Q&A with GRAMMY-Winning Mastering Engineers of Lurssen Mastering

42

MixCon Q&A with Sylvia Massy [Tool, Johnny Cash, Red Hot Chili Peppers]

43

How to EQ EVERYTHING: A FREE Comprehensive Guide

44

Joel Wanasek Interview: Rediscovering Analog, Mastering Yourself & Ignoring Bad Advice

45

Chris Selim Interview: Studio Moves That Matter, Best DAWs, Faith and Music

46

The Best Headphones for Mixing and Mastering (ALL Models Compared)

47

Venus Theory Interview: The Present and Future of Music Production

48

Music Production & Mixing Channels RANKED: Best and Worst?

49

Soundproofing Small Studios: The Essential Guide

50

The Controversy Around Dolby Atmos: Hype Vs. Hate

51

What Does a Music Producer REALLY Do?

52

Soft Skills for Producers, Engineers & Musicians, Or: "How To Win Fans and Influence Gatekeepers"

53

Audio Engineer Salaries & Jobs in 2023: How and Where Do They Make Their Money?

54

The Ultimate Guide to FINISHING the MIX

55

How Long Does it Take? (To MIX like a Pro?)

56

Why Audio Gear Advice SUCKS. (A Buyer's Guide)

57

BEST of NAMM 2023 (Audio Nerds ONLY.)

58

Thriving in Music With Hearing Damage: How to Beat Tinnitus & Hearing Loss (w Jack Rubinacci)

59

Top 10 Ways To Get Better at Mixing, Faster

60

10 Weird Things Your Studio Needs

61

Rick Rubin's Top 10 Insights for Music Producers (...Read between the lines.)

62

How to Get Your Music Heard on YouTube

63

All the WEIRD Compressor Controls You Never Figured Out.

64

The Ultimate Guide to Studio Monitors (...How to pick the PERFECT speakers for your studio.)

65

Meters Made Simple (See Your Sound, Better.)

66

The Secrets to Getting Your Mixes to Translate, Everywhere, Everytime

67

5 Lazy Habits That Are Quietly Killing Your Mixes.

68

Top 10 Reasons You Don't Have a Music Career (…Here's What's Holding You Back in Music and Audio.)

69

Mixing Q&A with GRAMMY-Winning Mixer Chris Tabron [Beyoncé, The Strokes, Erykah Badu, Rick Rubin]

70

Mixing Q&A with Multi-Platinum Mixer Ronald Prent [Rammstein, Depeche Mode, Celine Dion, Def Leppard, Manowar]

71

Mixing Q&A with Diamond-Selling Mixer Richard Furch [Prince, Jay-Z, Frank Ocean, The Weeknd]

72

Mixing Masterclass with Joe Chiccarelli [Beck, U2, The White Stripes, The Killers, Morrissey]

73

Mixing Q&A with Catherine Marks [St. Vincent, Foals, The Killers, Interpol, Wolf Alice]

74

"Beat a Grammy-Winning Mixer with Stock Plugins??" Ask Me Anything! MixCon Q&A Episode with Justin Colletti

75

Top 3 Reasons Your Low End SUCKS (...And what to do about it.)

76

Top 5 Hip Hop Mixing Mistakes (...This is why your beats don't bang.)

77

Top 10 Rock Mixing Mistakes (...Why your tracks don't sound badass.)

78

Which Effects Should Come FIRST in Mixing?

79

The MOST IMPORTANT thing in Mixing (isn't what you think it is...)

80

There Are ONLY 5 Ways to Make Money in Music

81

The 7 Deadly Sins of Mixing ("The mastering engineer's pet peeves")

82

How LOUD You Listen To Your Mix Matters! (The "magic" number?)

83

The ONLY 4 Ways to Get Your Music Heard (...Or: how real artists actually get fans and listeners)

84

Why You SHOULDN'T Learn Mastering

85

Avoid The #1 Mastering Mistake (How Revisions SHOULD Work.)

86

The 5 Most Common Compression Mistakes You'll Make

87

"Fixing It In The Mix". If you're gonna try, here's how to do it.

88

Best 21st Century Record Release Strategies For Getting Your Music Heard

89

Top 10 Reasons Your Mix SUCKS.

90

How to Compress EVERYTHING: A FREE Comprehensive Guide

91

How to Get More Work in Mixing and Music Production

92

Is Music Streaming Worth it for Musicians?

93

10 Worst Pieces of Common Mixing Advice

94

Why it's so hard to make money in music. (And what to do about it.)

95

Are There Objectively Good Mixing Techniques?

96

The 4 Main Mix "Shapes" (...what's the frequency curve of your mixes?)

97

Great Songs with Bad Mixes?

98

A Much Better Way to Release Albums in 2022. Plus: Using YouTube as a Musician (with Josh Turner)

99

My Biggest Mistakes in the Studio

100

Loudness Targets for Mastering (...It's not what the streaming services tell you.) FIXED AUDIO

101

"Mix Matching" and "Master Mimicking" (The best ways to get better, fast)

102

How to Use Frequency Analyzers (The Right Way)

103

Is Quantity Better than Quality in Music Production? Producer Hyperbits on his Path to 50M+ Streams

104

Legendary Grunge Producer Jack Endino on Recording, Mixing, Mastering and "Setting Himself on Fire"

105

Bad Arguments for Super High Resolution Audio, Rebutted!

106

Mix Bus Processing: How to Compress, EQ, Limit and More (...Without Destroying Your Mix)

107

Making Money in Music with Brands (ft. Tommy Zee)

108

Gain Staging Demystified (...How To Set Ideal Levels for Recording and Mixing)

109

How Much Does Gear Matter in the Studio?

110

Releasing Good Music Isn't Enough (To Get You Noticed)

111

How To Master Albums (...Full of Very Different Sounding Tracks)

112

Two Secrets for HUGE Sounding Mixes

113

The Most Important Frequency Ranges for EQing Kick and Bass

114

Better Editing Can Improve Your Mixes More Than Compression or EQ

115

Is Your Mix Just Different, or Actually Better? Here's How to Tell

116

The Most Overrated Studio Gear (and the Most Underrated)

117

The Secret Science of Stacking Compressors

118

How to Parallel Compress EVERYTHING: A Comprehensive Guide

119

3 Key Takeaways from Producer and Electronic Artist TAETRO

120

3 Key Mixing Takeaways from 7X GRAMMY-Winner Brian Vibberts

121

3 Key Takeaways from Award-Winning Mixer on Mixing Soundtracks and Orchestral Elements

122

Top 3 Insights from Multi-Platinum Mixer Koen Heldens

123

Top 3 Music Production Insights from Tom Holkenborg (aka Junkie XL)

124

Top 3 Takeaways from Grammy-Winning Mixer Quentin "Q" Gilkey

125

The Top 5 EQ Myths, Busted!

126

You're Not Automating Your Mix Enough!

127

For a Career in Music, You Need Lots of Little Victories

128

Dial In Your Effects BEFORE You Mix?

129

How to Get More Stereo WIDTH in Your Mixes

130

How Your Ears Will Lie To You (And What to Do About It)

131

Why Pre-Production is the Key to Great Records

132

How to Mix Your Own Tracks (And Why You Maybe Shouldn't)

133

Mixing From Scratch Isn't the Only Way (A More Modern Approach to Mixing)

134

A Much Better Way to Talk About Sound (What do "Warm" and "Punchy" Really Mean??)

135

Top 10 Reasons Not to Become an Audio Engineer

136

Why Super High Resolution Audio Makes No Sense

137

How to Deal with Mix Revisions (Should They Cost Extra?)

138

Does Dither Really Matter?

139

Everything You Wanted to Know About Sidechain Compression (...but were afraid to ask)

140

How to Use Saturation on the Mix & Master Bus

141

The 6 Most Common Mix Problems (And How to Fix Them)

142

1 Big Tip for Much Better EQing

143

1 Big Tip for Much Better Masters (...And Mixes!)

144

How Much Should a Mix Cost?

145

Should You Pursue Your Passion into a Music or Audio Career?

146

How & Why to Use the RATIO Control on Your Compressor

147

Pre-Fader vs Post-Fader Reverb and Effects

148

Preparing for Mastering: What Files (And Levels) Do I Need to Send to the Mastering Engineer?

149

How to Make Your Studio or Music Work into a Real Business (Not a "Job")

150

Don't Release an Album... Do This Instead!

151

Do You Need Multiple Versions Of Your Master for Streaming Services, Vinyl and More?

152

Why I Stopped Stealing Music (and Plugins) and How It Helped My Career

153

Dealing with "Problem" Mix Clients Who Have "Demo-itis"

154

The 2 Most Important Factors in Studio Success (Happy Thanksgiving... Episode 100!)

155

How to Get More Depth In Your Mixes

156

"Rich Kids in the Music Industry": Is Money Really What Makes Success in Music?

157

How to Fail Your Way to Better Mixes

158

The 2 Biggest Mix Balance Mistakes

159

The 2 Biggest Reverb Mistakes

160

To Succeed in the Studio, Should You Diversify Skills or Niche Down?

161

Top 3 Mixing Insights from Michael Brauer

162

Top 3 Mix Takeaways from Maria Elisa Ayerbe (4x GRAMMY Nominee)

163

Top 3 Mix Strategies from Jacquire King (3x GRAMMY-winner)

164

3 Top Mixing Mindsets from Jimmy Douglass' MixCon Masterclass

165

3 Major Takeaway's from Luca Pretolesi's MixCon Masterclass

166

How to Use Low Cut Filters

167

Don't Call Them "Mastering Engineers", Call Them This Instead

168

How Many Mics Do You Really Need to Record Drums?

169

Do you Have G.A.S? (Gear Acquisition Syndrome)

170

How Long Should it Take To Mix a Song? And How Long to Master a Track?

171

Overcoming Analog Audio Envy

172

The Biggest Reason Most Albums Go Nowhere

173

Advice for Studio Assistants in the 21st Century

174

How To Avoid Audio Snake Oil

175

Multiband Compression Vs. Dynamic EQ

176

Music Publishing and Artist Management with Ben O'Connell of Songtrust.

177

Dana Nielsen on Mics, Making the Most of Mixing from Home, Remote Recording & More

178

How Much Does Talent Really Matter?

179

How do you know if your mixes are good enough?

180

Is Mixing REALLY That Important?

181

Should You Compress & EQ Your Mix Bus Or Leave it For Mastering?

182

Why You Need a SYSTEM for Mixing

183

How Loudness Will Lie to You: All About Level-Matching Music

184

The Art of Mixing Hip Hop Records, with Koen Heldens [XXXTentacion, Dr. Dre, Timbaland]

185

Mastering Gone Bad! Why I Don't Trust Cheap Mastering Engineers

186

Are YouTube Videos Making Your Audio Skills Worse?

187

Thom Russo on Rick Rubin, Winning 16 GRAMMYs & Latin Music Production.

188

Should You Mix Your Own Recordings? Should You Master Your Own Mixes?

189

BONUS Livestream Q&A Episode: Successfully Doing Audio in a Downturn

190

The Problem with Going to School for Audio, Music & The Arts

191

EQ Mindset: Boosting vs. Cutting

192

Using EQ to Perfect Your Room and Speakers (w Martins Popelis of Sonarworks)

193

Should You Take Out Debt to Build Up Your Studio?

194

How to Finish Your Mixes Faster

195

Ask These Questions Early for Better Recordings

196

This Is What Separates Successful Musicians & Producers From Everyone Else

197

The Most Important Pieces of Gear In the Studio

198

The Problem with DIY

199

What is Mid-Side Processing? When, Why & How to Use It

200

Is There Such a Thing as "TOO MUCH" Studio Time? Probably.

201

How to Finish Your Mix BEFORE Your Start It

202

How to Pick the RIGHT Studio Monitors

203

Don't Release an Album! Do This Instead.

204

"Honing In" — 1 Key Strategy for Much Better Mix Balances

205

SHOULD You Get a Sub for your Studio?

206

Your Record May Suck Unless Do THIS [SSP048]

207

Top Tips for MUCH Better Low End [SSP047]

208

Unpaid Studio Work? When to Work for Free and When Not To [SSP046]

209

How to Build ANY Kind of Studio for Just $5,000 [SSP045]

210

The Very Best Places to Learn Audio & Music Production [SSP044]

211

Learn to Actually HEAR Compression

212

EQ Before or After Compression? Plus: Multi-band Compression Principles [SSP042]

213

Money For Your Music: Earning Revenue from Sync Licensing for Film, TV, Games, Commercials & More [SSP041]

214

Live Sound vs The Studio — with Marc Urselli [SSP040]

215

The Secrets of Mix Bus Compression... Demystified! [SSP039]

216

Advanced Compression Techniques: Parallel, Sidechain and Serial Compression

217

Breaking Through Music Production Plateaus, ft. Ian Temple of Soundfly

218

This is What Happens When You Learn an Instrument [SSP036]

219

Getting Better, Faster at Music and Audio (Practice vs Talent in the Music Business) [SSP035]

220

Are You an Amateur or a Professional Musician? How to Tell. [SSP034]

221

Reading Meters vs. Reading People: Empathy & Art in Music Production with Nicolas Vernhes [SSP033]

222

Making Major Music Hits: The Importance of Artist Development with Mark Needham [SSP032]

223

The Future of the Loudness Wars, A.I. in Music Production, 360 Sound, and more [SSP031]

224

The Most Important Tool In Your Studio Might Just Be Your Reference Mixes.

225

"Your Audio is Amazing and Nobody's Happy!" [SSP029]

226

Adding Color to Your Sounds with Maor Appelbaum [SSP028]

227

Staying Creative While Having a Life, with John Congleton [SSP027]

228

Growing a Bigger Better Studio, with Joel Hamilton [SSP #026]

229

Don't Be Afraid of Recording Your Effects! With Nic Hard [SSP #025]

230

What Matters MOST In Any Mix: The 80/20 Rule Of Audio Engineering [SSP #024]

231

Studio Business and the Craft of Mixing with Manny Marroquin [SSP #023]

232

Q&A: Monitoring Levels, Brauer Mix Buses, Landing Audio Jobs and More [SSP #022]

233

Audio Engineer Salaries and Jobs: How Much Do They Earn? [SSP #021]

234

Overcoming the Fears of Mixing with Michael Brauer [SSP #020]

235

The Independent Musician's Guide to Investing [SSP #019]

236

What (Almost) Everybody Gets Wrong About Bit Depth

237

Growing a (Massive) Music Fanbase on YouTube with Scott Bradlee of Postmodern Jukebox [SSP#017]

238

The Realities of Hip Hop & Music Production with Paul Willie Green Womack [SSP #016]

239

Producers, Musicians: Make $1000s More Each Year By Doing your Taxes Properly [SSP #015]

240

Do Sample Rates Really Matter? How to Make the Choice (With Science!) [SSP #014]

241

21st Century Music Business with Ariel Borujow [Keys N Krates, Galantis, CID] (SSP #013)

242

Better Ways to Produce Music with Ben H. Allen [Deerhunter, Gnarls Barkley, Animal Collective] (SSP#012)

243

Should you Go to School for Audio, Music, or Other Arts? [SSP #011]

244

What Makes a Hit Song? The Stats Behind Music's Biggest Tracks [SSP #010]

245

How to Make (and Keep) More Money in the Music and Studio Business [SSP #009]

246

A Step-by-Step Guide to Getting Powerful Drum Sounds in the Mix with Mike Major [#008]

247

Networking and Landing New Clients with Eyal Levi [007]

248

Getting Your Music Mastered? What You Need to Know with Joe Lambert [006]

249

Q&A: Setting Compressor Release, Mastering Loudness & Levels and More [005]

250

A Better Way to EQ, Better Way to Compress & Better Way to Reverb [004]

251

Making Albums: How Much Does it Really Cost, and How Long Will it Take? [Podcast 003]

252

What is Mastering and Is it Really Necessary? [#002]

253

Studios, Freelancers: How Much Should You Charge?? [#001]