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All Episodes

VSM: Music Experts — 423 episodes

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Title
1

Robert Estrin: Why Piano Teachers Start With C Major And Why It's a Mistake - From the Music Expert

2

Robert Estrin: Why Perfect Intervals are Perfect: Unlock the Key! - From the Music Expert

3

Robert Estrin: 4 Proven Techniques to Instantly Improve Your Piano Playing - From the Piano Expert

4

William Fitzpatrick: A Teacher Lineage: Henri Temianka - From the Violin Expert

5

Robert Estrin: What is the Most Common Note in Music? - From the Music Expert

6

Robert Estrin: How to Feel Dotted Rhythms in Music - From the Music Expert

7

Robert Estrin: What Are Double Stemmed Notes in Music? - From the Music Expert

8

William Fitzpatrick: A Teaching Lineage: Jules Boucherit - From the Violin Expert

9

Robert Estrin: How to Use Tempo as a Powerful Practicing Tool - From the Music Expert

10

William Fitzpatrick: A Teacher Lineage - Joachim - From the Violin Expert

11

Robert Estrin: How Mozart Broke the Rules and Changed Music Forever - From the Music Expert

12

Robert Estrin: How to Identify Musical Chords by Ear - From the Music Expert

13

Robert Estrin: Should You Use the Pedal When Playing Bach? - From the Piano Expert

14

Robert Estrin: I Practiced So Hard My Fingers Bled — Here’s What I Learned - From the Music Expert

15

Robert Estrin: Piano Fingering Tips for Better Performance - From the Piano Expert

16

Robert Estrin: How to Figure Out Rhythms: Counting - From the Music Expert

17

Robert Estrin: What Does Opus Mean in Music? - From the Music Expert

18

Robert Estrin: Why Rhythm is the Most Important Element in Music - From the Music Expert

19

William Fitzpatrick: A Teacher Lineage: Dorothy DeLay - From the Violin Expert

20

Robert Estrin: Can You Name These Famous Piano Pieces in 10 Seconds? - From the Music Expert

21

Robert Estrin: What if Beethoven had YouTube? - From the Music Expert

22

Robert Estrin: How to Identify Notes By Ear on The Piano - From the Music Expert

23

Robert Estrin: How Beethoven Revolutionized Classical Music - From the Music Expert

24

Robert Estrin: Do Some People Not Have to Practice? - From the Music Expert

25

Robert Estrin: Hidden Gems of the Grammy Museum – An Inside Tour - From the Music Expert

26

Robert Estrin: Why You Must Think in Words When You Practice - From the Music Expert

27

Robert Estrin: VSM: Is It Better Than Traditional Scores? - From the Music Expert

28

Robert Estrin: How Sleep Enhances Your Musical Learning - From the Music Expert

29

Robert Estrin: Variable Practice: Why Exact Repetitions May Not Be the Best Goal - From the Music Expert

30

Fabrizio Ferrari: Virtual Sheet Music Reimagined - From the Tips and Insights From The Music Room Expert

31

Robert Estrin: The Best Practice Method According to Science: Interleaved Practice - From the Music Expert

32

Robert Estrin: Why You Sound Great in Practice but Struggle When Performing - From the Music Expert

33

Robert Estrin: The Secret to Learning Music Faster: Take More Breaks - From the Music Expert

34

Robert Estrin: How to Use the Metronome to Greatest Effect - From the Music Expert

35

Robert Estrin: The Power of Focus in Practice - From the Music Expert

36

Robert Estrin: The Attention Mistake Every Pianist Makes - From the Piano Expert

37

Fabrizio Ferrari: Speech and Lyrics Transcription with AI - From the Tips and Insights From The Music Room Expert

38

Robert Estrin: Why Is There No G-Sharp Major Scale? - From the Music Expert

39

Fabrizio Ferrari: What is a Sheet Music Membership - From the Tips and Insights From The Music Room Expert

40

Robert Estrin: What is the Secret of Music? - From the Music Expert

41

Fabrizio Ferrari: How Well Do You Know Music Theory? - From the Tips and Insights From The Music Room Expert

42

Robert Estrin: Faster Sight-Reading: The One CRITICAL STEP You’re Missing - From the Music Expert

43

Robert Estrin: Is practicing thought control? - From the Music Expert

44

Fabrizio Ferrari: What is High-Quality Sheet Music - From the Tips and Insights From The Music Room Expert

45

Robert Estrin: A Journey Through Piano Technique: Finding Your Own Path - From the Piano Expert

46

Robert Estrin: How Mozart Broke the Rules - From the Music Expert

47

Robert Estrin: Are There Musical Geniuses Like Mozart Alive Today? - From the Music Expert

48

Robert Estrin: How Much Freedom Is There in Musical Performance? - From the Music Expert

49

Robert Estrin: How Can You Tell if a Student Is Talented? - From the Music Expert

50

Robert Estrin: It’s Not Important How Much You Practice - From the Music Expert

51

Robert Estrin: What Makes Great Music? - From the Music Expert

52

Robert Estrin: What Makes a Great Teacher: Interview with William Fitzpatrick - From the Music Expert

53

Robert Estrin: Will Playing by Ear Hurt Your Classical Playing? - From the Music Expert

54

Robert Estrin: Do You Need a Practice Checklist? - From the Music Expert

55

Robert Estrin: How Many Levels of Pianissimo Are There? - From the Music Expert

56

Robert Estrin: Why You Must Peak Later in Your Phrases - From the Music Expert

57

Robert Estrin: How to Solidify Rhythms - From the Music Expert

58

Robert Estrin: Should You Follow Metronome Markings in Your Music? - From the Music Expert

59

Robert Estrin: Can You Hear the Difference Between Mozart and Beethoven? - From the Music Expert

60

Robert Estrin: Musical Test: How Good is Your Ear? - From the Music Expert

61

Robert Estrin: How to Practice Reading Pieces - From the Music Expert

62

Robert Estrin: Student of Robert Estrin: Bijan Taghavi – Jazz Artist - From the Music Expert

63

Robert Estrin: Avoiding a Trainwreck in Your Musical Performance - From the Music Expert

64

Robert Estrin: All Beats are NOT Created Equal - From the Music Expert

65

Robert Estrin: How Much Music Should You Keep in Shape? - From the Music Expert

66

Robert Estrin: How to Keep Pieces in Your Memory - From the Music Expert

67

Robert Estrin: Why Do You Need Urtext Editions? - From the Music Expert

68

Robert Estrin: 2 Essential Tools for Musicians - From the Music Expert

69

Robert Estrin: Do You Have Trouble Playing for People? - From the Music Expert

70

Robert Estrin: Will AI and The Singularity Transform Music? Ray Kurzweil's Vision - From the Music Expert

71

Robert Estrin: Musical Solutions to Technical Problems - From the Music Expert

72

Robert Estrin: How to find Motivation to Practice the Piano (or any other instrument) - From the Music Expert

73

Robert Estrin: What Is the Most Important Aspect of Music? (It's Not Pitch!) - From the Music Expert

74

Robert Estrin: Faster is Not Louder - From the Music Expert

75

Robert Estrin: How to Take Your Phrases Further in Music - From the Music Expert

76

Robert Estrin: Magical Practicing Tool: Extreme Repetition - From the Music Expert

77

Robert Estrin: The Importance of Relaxation in Playing Music - From the Music Expert

78

Robert Estrin: What Does It Mean to Be Musical? - From the Music Expert

79

Robert Estrin: How Much Should You Stick To Routine in Your Practice? - From the Music Expert

80

Robert Estrin: How to Practice Tempo Changes With the Metronome - From the Music Expert

81

Robert Estrin: Why Playing Fast Is Easier Than Playing Slowly - From the Music Expert

82

Robert Estrin: What are Minor Scales? - From the Music Expert

83

Robert Estrin: How to Play With Rubato - From the Music Expert

84

Robert Estrin: The Magic Formula for Key Signatures - From the Music Expert

85

Robert Estrin: What is a Major Scale? - From the Music Expert

86

Robert Estrin: 17 Year Old Virtuoso Violinist: Andrea Cicalese - From the Music Expert

87

Robert Estrin: How to Stay Engaged in Your Musical Performance - From the Music Expert

88

Robert Estrin: What 2 Instruments Do You Have to Study in Conservatory? - From the Music Expert

89

Robert Estrin: What is a Chord? - From the Music Expert

90

Robert Estrin: How to Feel Dotted Rhythms - From the Music Expert

91

Robert Estrin: Assembly Line Practicing - From the Music Expert

92

Robert Estrin: How Failure Breeds Success in Music - From the Music Expert

93

Robert Estrin: Why Your Music Must Have a Pulse - From the Music Expert

94

Robert Estrin: How Much Should You Mark Up Your Score? - From the Music Expert

95

Robert Estrin: Great Music is Storytelling - From the Music Expert

96

Robert Estrin: My First Recital - From the Music Expert

97

Robert Estrin: What is the Most Productive Practice Routine? - From the Music Expert

98

Robert Estrin: How to Practice With a Metronome - From the Music Expert

99

Robert Estrin: Why it's So Hard to Start in The Middle of a Piece - From the Music Expert

100

Robert Estrin: How Fast is Allegro? How Loud is Forte? - From the Music Expert

101

Robert Estrin: Are Pickups Measures? - From the Music Expert

102

Robert Estrin: Grace Notes that Aren't Grace Notes - A Piano Lesson with Robert Estrin - From the Music Expert

103

Robert Estrin: Musical Stress Test - From the Music Expert

104

Robert Estrin: Does Staccato Mean Short? - From the Music Expert

105

Robert Estrin: Should You Learn the Hardest Part of a Piece First? - From the Music Expert

106

Robert Estrin: How You can Stay Passionate about Classical Music - From the Music Expert

107

Robert Estrin: What Can You Do With a Piece You Have Learned? - From the Music Expert

108

Robert Estrin: The Danger of Looping Music in Practice - From the Music Expert

109

Robert Estrin: Should You Learn a Piece of Music From the End to the Beginning? - From the Music Expert

110

Robert Estrin: The Importance of Stage Presence - From the Music Expert

111

Robert Estrin: The Importance of Engagement in Musical Performance - From the Music Expert

112

Robert Estrin: How to Make Corrections in Your Playing - From the Music Expert

113

Robert Estrin: Performance Anxiety: You Believe What You Say to Yourself - From the Music Expert

114

Robert Estrin: Why the Score is like the Musician's Gospel - From the Music Expert

115

Robert Estrin: Talent VS. Musical Intelligence - From the Music Expert

116

Robert Estrin: Why You Shouldn't Learn Music One Line at a Time - From the Music Expert

117

Robert Estrin: What’s the Difference Between Sforzando and Forte? - From the Music Expert

118

Robert Estrin: Improve Your Sight Reading by Looking at Chunks of Music - From the Music Expert

119

Mickylee: 7th Arpeggios in One Position on the Guitar - From the Jazz Guitar Expert

120

Robert Estrin: Brahms and Ravel VS Tchaikovsky and Beethoven - From the Music Expert

121

Robert Estrin: Did Classical Musicians Ever Play from Lead Sheets? - From the Music Expert

122

Robert Estrin: TEACHER RANT: What Makes a Great Teacher - From the Music Expert

123

Adrian Casas Lupercio: How to finish a piece - The cut off - From the Conducting Expert

124

Mickylee: 6 Ways to Play Scales on the Guitar - From the Jazz Guitar Expert

125

Robert Estrin: Can a Dotted Note Get the Beat? - From the Music Expert

126

Robert Estrin: How to Keep Your Review Pieces on Performance Level - From the Music Expert

127

Robert Estrin: What Is Anti-Practicing and Are You Doing it? - From the Music Expert

128

Robert Estrin: Performing VS Practicing - From the Music Expert

129

Mickylee: Tension Over Shell Voicings - From the Jazz Guitar Expert

130

Robert Estrin: Is Music Subjective? What Do You Hear? - From the Music Expert

131

Robert Estrin: What is the Most Important Musical Form of All Time? The Sonata - From the Music Expert

132

Robert Estrin: How Long Should it Take to Learn a Piece of Music? - From the Music Expert

133

Adrian Casas Lupercio: Battle of the Bands - From the Conducting Expert

134

Robert Estrin: How Did The Great Composers Create So Much Music? - From the Music Expert

135

Mickylee: How to Play Shell Voicings on Guitar - From the Jazz Guitar Expert

136

Robert Estrin: How to Play with the Metronome - From the Music Expert

137

Robert Estrin: How to Tell if a Piece is in a Major or Minor Key - From the Music Expert

138

Robert Estrin: Does Music Need to be Loud to be Good? - From the Music Expert

139

Mickylee: Guitar Positions Explained - From the Jazz Guitar Expert

140

Robert Estrin: How Practicing Slower Will Get You There Faster - From the Music Expert

141

Robert Estrin: How Music Creates Emotion - From the Music Expert

142

Robert Estrin: The Secret of Film Music - From the Music Expert

143

Adrian Casas Lupercio: Warm up for conductors - From the Conducting Expert

144

Mickylee: How to Rearrange Jingle Bells - From the Jazz Guitar Expert

145

Robert Estrin: Does Music Need to Have Melody? - From the Music Expert

146

Robert Estrin: How to Make it in Music: Part 2 - From the Music Expert

147

Robert Estrin: Getting into a State of Flow With Your Music - From the Music Expert

148

Robert Estrin: Happy Accidents in Music - From the Music Expert

149

Adrian Casas Lupercio: Should I listen to a recording? - From the Conducting Expert

150

Robert Estrin: Can You Tell the Difference Between Mozart and Beethoven? - From the Music Expert

151

Robert Estrin: What is a Fugue? - From the Music Expert

152

Adrian Casas Lupercio: Ultimate Beat Patterns - From the Conducting Expert

153

Robert Estrin: Creepy Music: It's What You Don't Hear! - From the Music Expert

154

Robert Estrin: How Technology has Completely Changed Music - From the Music Expert

155

Robert Estrin: The Secret of Music: Randomness Vs. Order - From the Music Expert

156

Robert Estrin: How to Make it in Music (Or Any Other Field) - From the Music Expert

157

Robert Estrin: How to Teach Music Lessons Online to Children and Adults - From the Music Expert

158

Adrian Casas Lupercio: What is Score Studying - From the Conducting Expert

159

Robert Estrin: Should You Learn Your Music by Ear? - From the Music Expert

160

Robert Estrin: Do You Have to Analyze a Piece of Music in Order to Memorize It? - From the Music Expert

161

Robert Estrin: Don't Find Your Mistakes, Find the Corrections - From the Music Expert

162

Adrian Casas Lupercio: How to Make an Ensemble Start Playing - From the Conducting Expert

163

Robert Estrin: Why You Must Find Your Place in the Score When You Make a Mistake - From the Music Expert

164

Robert Estrin: Tempo Must be the Lowest Common Denominator - From the Music Expert

165

Robert Estrin: How Mistakes in Performance are Like Driving on Ice - From the Music Expert

166

Robert Estrin: Does Music Have to Have Emotion - From the Music Expert

167

Robert Estrin: Playing From the Score Versus Playing from Memory - From the Music Expert

168

Adrian Casas Lupercio: What Not to Wear as a Conductor - From the Conducting Expert

169

Robert Estrin: The Importance of Death in Music - From the Music Expert

170

Robert Estrin: Do You Have to Follow Dynamics in Musical Scores? - From the Music Expert

171

Robert Estrin: Finding the Vehicle for Your Music - From the Music Expert

172

Robert Estrin: How to Transpose Music to Any Key - From the Music Expert

173

Adrian Casas Lupercio: How to Become a Conductor - From the Conducting Expert

174

Robert Estrin: What is Music? - From the Music Expert

175

Robert Estrin: The Importance of Quiet in Music - From the Music Expert

176

Robert Estrin: How Do You Compose A Cadenza? - From the Music Expert

177

Robert Estrin: What Influence Does Classical Music Have on Modern Popular Song? - From the Music Expert

178

Adrian Casas Lupercio: The Beat - Part 2 - From the Conducting Expert

179

Robert Estrin: Why You Must be Present in Your Music - From the Music Expert

180

Robert Estrin: Dropping Pieces from your Repertoire - From the Music Expert

181

Robert Estrin: How Can You Hear Lower than Human Hearing? - From the Music Expert

182

Robert Estrin: What Makes Mozart So Special? - From the Music Expert

183

Robert Estrin: Developing a Wide Range of Tone with Your Instrument - From the Music Expert

184

Adrian Casas Lupercio: The Baton - From the Conducting Expert

185

Robert Estrin: 3 Ways of Performing Music - From the Music Expert

186

Robert Estrin: Can You Compose Music Without Being Able to Read Music? - From the Music Expert

187

Robert Estrin: Is Juilliard the Best Music School in the World? - From the Music Expert

188

Robert Estrin: Who is the Greatest Composer of All Time? - From the Music Expert

189

Adrian Casas Lupercio: The Beat - From the Conducting Expert

190

Robert Estrin: Did Wagner And Debussy Hate Each Other? - From the Music Expert

191

Robert Estrin: What is the Meaning of a Musical Life? - From the Music Expert

192

Robert Estrin: Why You Must Have Rhythmic Tension in Your Music - From the Music Expert

193

Adrian Casas Lupercio: What is conducting? - From the Conducting Expert

194

Robert Estrin: Why Crying is Essential for Your Musicianship - From the Music Expert

195

Robert Estrin: Technique vs Musicality - From the Music Expert

196

Robert Estrin: How Richard Wagner Influenced Atonality in Music - From the Music Expert

197

Robert Estrin: Is Classical Music Relaxing? - From the Music Expert

198

Robert Estrin: Are Musicians Antisocial? - From the Music Expert

199

Robert Estrin: The Importance of Walking Around a Concert Hall - From the Music Expert

200

Robert Estrin: Augmented Reality in Concert Halls - From the Music Expert

201

Robert Estrin: Is the Music Industry Imploding? - From the Music Expert

202

Robert Estrin: Do Performers Make Mistakes? - From the Music Expert

203

Robert Estrin: Should You Learn the Notes of a Piece First? - From the Music Expert

204

Robert Estrin: Should You Play Music Exactly as Written? - From the Music Expert

205

Robert Estrin: Is There Editing in Classical Recordings? - From the Music Expert

206

Robert Estrin: Did Classical Composers Make Mistakes? - From the Music Expert

207

Robert Estrin: 3 Reasons to Play Music by Ear, Interview with Scott Houston, The Piano Guy - From the Music Expert

208

Robert Estrin: Can Music Be Created Instantly? - From the Music Expert

209

Robert Estrin: How to Memorize and Learn Music Faster - From the Music Expert

210

Robert Estrin: What's the Difference Between a Mordent and a Trill? - From the Music Expert

211

Robert Estrin: Are New Musical Classics Being Composed Today? - From the Music Expert

212

Robert Estrin: Why Can't All Music Be Profound? - From the Music Expert

213

Robert Estrin: What should musicians eat? - From the Music Expert

214

Robert Estrin: The Lost Art of Classical Improvisation - From the Music Expert

215

Robert Estrin: What Instrument Has the Most Solo Repertoire? - From the Music Expert

216

Robert Estrin: Can Weather Affect Your Music? - From the Music Expert

217

Robert Estrin: Can You Create Music in Your Sleep? - From the Music Expert

218

Robert Estrin: Does Your Mood Affect Your Music? - From the Music Expert

219

Robert Estrin: Is Socialism Good for Music? - From the Music Expert

220

Robert Estrin: How to Reach the Last Row in a Concert Hall - From the Music Expert

221

Robert Estrin: How to compose music? - From the Music Expert

222

Stephanie Lewis: Taste and Dissonance - From the Music and Education Talks Expert

223

Robert Estrin: 3 Secrets to Memorizing Music - From the Music Expert

224

Robert Estrin: How useful is Interlocking Phrases? - From the Music Expert

225

Robert Estrin: 3 Secrets of Playing Slow Music - From the Music Expert

226

Robert Estrin: What is a Tone Poem? - From the Music Expert

227

Robert Estrin: Why All Musicians Should Play the Piano - From the Music Expert

228

Robert Estrin: Letting Go of Ego in Your Music - From the Music Expert

229

Robert Estrin: The Two Types of Infinite Expression - From the Music Expert

230

Robert Estrin: Honesty in Musical Expression - From the Music Expert

231

Stephanie Lewis: Music to die for. - From the Music and Education Talks Expert

232

Rebecca Sherburn: Vocal Articulation, part 2 - From the Voice Expert

233

Stephanie Lewis: Marking criteria for teaching and learning - From the Music and Education Talks Expert

234

Rebecca Sherburn: Vocal Articulation, part 1 - From the Voice Expert

235

Stephanie Lewis: Composition for Music Teachers - From the Music and Education Talks Expert

236

Stephanie Lewis: Theory for Music Teachers - From the Music and Education Talks Expert

237

Stephanie Lewis: Practical Tasks for Music Teachers - From the Music and Education Talks Expert

238

Stephanie Lewis: Music Lessons Ingredients, part 2 - From the Music and Education Talks Expert

239

Stephanie Lewis: Music Lessons Ingredients - From the Music and Education Talks Expert

240

Rebecca Sherburn: What is Vocal Resonance? - From the Voice Expert

241

Stephanie Lewis: First School Week Survival Considerations - From the Music and Education Talks Expert

242

Stephanie Lewis: Summer Vacation Reflections for Music Teachers - From the Music and Education Talks Expert

243

Stephanie Lewis: Music and Taxes? - From the Music and Education Talks Expert

244

Stephanie Lewis: Music Education Rants - From the Music and Education Talks Expert

245

Stephanie Lewis: Musical Transformations - From the Music and Education Talks Expert

246

Rebecca Sherburn: What is Phonation in Singing? - From the Voice Expert

247

Stephanie Lewis: A Piece of Cake? - From the Music and Education Talks Expert

248

Rebecca Sherburn: Breathing Part 3 - Exhalation - From the Voice Expert

249

Stephanie Lewis: Tomorrow's World - From the Music and Education Talks Expert

250

Rebecca Sherburn: Breathing Part 2 - Inhalation - From the Voice Expert

251

Stephanie Lewis: Musical Ruts - From the Music and Education Talks Expert

252

Rebecca Sherburn: Introduction to Breathing - From the Voice Expert

253

Stephanie Lewis: Dance, Music and Expressivity - From the Music and Education Talks Expert

254

Stephanie Lewis: Music in TV ads - From the Music and Education Talks Expert

255

Rebecca Sherburn: Seated Alignment - From the Voice Expert

256

Rebecca Sherburn: Standing Alignment - From the Voice Expert

257

Stephanie Lewis: Is It Really Children's Music? - From the Music and Education Talks Expert

258

Rebecca Sherburn: How the Voice Works - From the Voice Expert

259

Stephanie Lewis: Fun! Fun! Fun! Having fun learning Music - From the Music and Education Talks Expert

260

Robert Estrin: What are Etudes? - From the Music Expert

261

Stephanie Lewis: Musical Voyages II - From the Music and Education Talks Expert

262

Robert Estrin: What is a Plagal Cadence? - From the Music Expert

263

Robert Estrin: Why isn't 'C' called 'A'? - From the Music Expert

264

Robert Estrin: What is a Picardy Third? - From the Music Expert

265

Stephanie Lewis: Musical Voyages I - From the Music and Education Talks Expert

266

Robert Estrin: What are Parallel Intervals - From the Music Expert

267

Robert Estrin: Performer Noise During a Performance - From the Music Expert

268

Stephanie Lewis: Prodigy or Parent? - From the Music and Education Talks Expert

269

Robert Estrin: What is Breath in Music? Part 2 - Piano Demonstration - From the Music Expert

270

Robert Estrin: What is middle C? - From the Music Expert

271

Stephanie Lewis: Child-Inspired Music - From the Music and Education Talks Expert

272

Robert Estrin: What is Stretch Tuning? - From the Music Expert

273

Stephanie Lewis: Music? Career? - From the Music and Education Talks Expert

274

Robert Estrin: What is Polyphony in Music? - From the Music Expert

275

Robert Estrin: Interpretation in Classical Scores - From the Music Expert

276

Stephanie Lewis: Audience Animals - From the Music and Education Talks Expert

277

Robert Estrin: What is the Best Age to Start Music Lessons? - From the Music Expert

278

Robert Estrin: Why is There No 4/3 Time in Music? - From the Music Expert

279

Stephanie Lewis: SOS Orchestra - From the Music and Education Talks Expert

280

Robert Estrin: What is Music Pollution? - From the Music Expert

281

Robert Estrin: What is the "Easiest" Musical Instrument to Learn? - From the Music Expert

282

Stephanie Lewis: Music Literacy - From the Music and Education Talks Expert

283

Robert Estrin: Do Musicians Slow With Age? - From the Music Expert

284

Stephanie Lewis: Watch out! It's the Christmas Show - From the Music and Education Talks Expert

285

Robert Estrin: What is Classical Music? - From the Music Expert

286

Robert Estrin: The Benefits of Playing Music Too Fast - From the Music Expert

287

Robert Estrin: How to Choose a Music School - From the Music Expert

288

Stephanie Lewis: Oh No, It's the Recorder! - From the Music and Education Talks Expert

289

Robert Estrin: How do composers choose the key signature for music they are writing? - From the Music Expert

290

Stephanie Lewis: Musical Musings - From the Music and Education Talks Expert

291

Robert Estrin: Has Technology Ruined Art? Part III: Future Music - From the Music Expert

292

Robert Estrin: Has Technology Ruined Art? Part II: The Connected World - From the Music Expert

293

Robert Estrin: Has Technology Ruined Art? Part I: Technology's Impact - From the Music Expert

294

Robert Estrin: What is Ragtime Music? - From the Music Expert

295

Robert Estrin: What Makes Great Music "Great"? - From the Music Expert

296

Robert Estrin: How Do You Maintain a Musical Repertoire? - From the Music Expert

297

Robert Estrin: The RIGHT Way to Practice Music - From the Music Expert

298

Robert Estrin: What if You Disagree with Your Music Teacher? - From the Music Expert

299

Robert Estrin: How to Remain Motivated as a Musician - From the Music Expert

300

Robert Estrin: What is Perfect Pitch? - From the Music Expert

301

Robert Estrin: What if You Don't Get Accepted to a Music Conservatory? - From the Music Expert

302

Robert Estrin: How to Build a Meaningful Music Repertoire - From the Music Expert

303

Robert Estrin: Can You Learn a Piece of Music Without Ever Forgetting It? - From the Music Expert

304

Robert Estrin: How to Identify Chords in Music - Chords Part 1 - From the Music Expert

305

Robert Estrin: Are Music Skill Levels Important? - From the Music Expert

306

Robert Estrin: How to Play D.C. and D.S. in Sheet Music - From the Music Expert

307

Robert Estrin: What are Double Sharps and Double Flats? - From the Music Expert

308

Robert Estrin: Can an Adult Learn a Second Instrument? - From the Music Expert

309

Robert Estrin: Does Personality Make You a Better Musician? - From the Music Expert

310

Robert Estrin: What is Quarter Tone Music? - From the Music Expert

311

Robert Estrin: Why do they write E sharps and C flats? - From the Music Expert

312

Robert Estrin: How to Find Time to Practice Your Music - From the Music Expert

313

Robert Estrin: What Do Two Dots do to a Note? - From the Music Expert

314

Robert Estrin: What does a dot do to a note? - From the Music Expert

315

Robert Estrin: The Differences and Similarities Between Chopin and Liszt - From the Music Expert

316

Robert Estrin: How Many Musical Scales Are There? - From the Music Expert

317

Robert Estrin: How to Connect Sections of Music - From the Music Expert

318

Robert Estrin: How to Learn Musical Notes on the Staff - From the Music Expert

319

Robert Estrin: What is Atonality? - Part 2 - From the Music Expert

320

Robert Estrin: What is Atonality? - Part 1 - From the Music Expert

321

Robert Estrin: Choosing the right instrument to study - From the Music Expert

322

Robert Estrin: How loud is FFFF fortississimo? - From the Music Expert

323

Robert Estrin: Is it Ever Too Late to Switch Musical Instruments? - From the Music Expert

324

Robert Estrin: Why you Should Practice with a Metronome - From the Music Expert

325

Robert Estrin: What is the Influence of Drugs on Music? - From the Music Expert

326

Robert Estrin: What is the difference between Mozart and Beethoven - From the Music Expert

327

Robert Estrin: Should You Learn To Play Music With Your Kids? - From the Music Expert

328

Robert Estrin: How to Relax While Playing Your Musical Instrument - From the Music Expert

329

Robert Estrin: Can Diet and Exercise Affect Musical Performance? - From the Music Expert

330

Robert Estrin: What is the Mozart Effect? - From the Music Expert

331

Robert Estrin: What is Solfeggio? - From the Music Expert

332

Robert Estrin: What is the Russian School of Music? - From the Music Expert

333

Robert Estrin: What is a Chord? - From the Music Expert

334

Robert Estrin: How to Establish the Key in Music - From the Music Expert

335

Robert Estrin: How to Read Ahead in Music - From the Music Expert

336

Robert Estrin: Extraneous Motions in Musical Performances - From the Music Expert

337

Robert Estrin: When is the Best Time of the Day to Memorize Music? - From the Music Expert

338

Robert Estrin: The Psychology of Performing - Part 3: How to Cope With Stress - From the Music Expert

339

Robert Estrin: The Psychology of Performing - Part 2: Forgive Yourself - From the Music Expert

340

Robert Estrin: The Psychology of Performing - Part 1: Examining - From the Music Expert

341

Robert Estrin: Can You Strengthen Your Hands With Mechanical Devices? - From the Music Expert

342

Robert Estrin: What is Counterpoint? - From the Music Expert

343

Robert Estrin: Is it OK to Write Note Names on Your Scores? - From the Music Expert

344

Robert Estrin: Becoming a Virtuoso Musician - From the Music Expert

345

Robert Estrin: Why are Instruments in Different Keys? - From the Music Expert

346

Robert Estrin: Should You Play Famous Pieces of Music? - From the Music Expert

347

Robert Estrin: How many pieces should you practice at a time? - From the Music Expert

348

Robert Estrin: How to Develop a Sense of Beat - From the Music Expert

349

Robert Estrin: Should You Take Two Music Lessons a Week? - From the Music Expert

350

Robert Estrin: What is Minimalism in Music? - From the Music Expert

351

Robert Estrin: Can You Teach Your Own Children How to Play Music? - From the Music Expert

352

Robert Estrin: Tips for Improving Stage Presence - Talk to Your Audience - From the Music Expert

353

Robert Estrin: How to Hide Mistakes in Your Musical Performance - From the Music Expert

354

Robert Estrin: Tips for Improving Stage Presence - Take Time Between Bows - From the Music Expert

355

Robert Estrin: How to Adapt to Room Acoustics in a Musical Performance - From the Music Expert

356

Robert Estrin: Tips for Improving Stage Presence - Never Show Your Mistakes - From the Music Expert

357

Robert Estrin: Tips for Improving Stage Presence - Make Eye Contact - From the Music Expert

358

Robert Estrin: How to give a tuning note - From the Music Expert

359

Robert Estrin: Tips for Improving Stage Presence - Take Your Time - From the Music Expert

360

Robert Estrin: How to Play Music by Ear - From the Music Expert

361

Robert Estrin: What Does "Breath" in Musical Notation Mean? - From the Music Expert

362

Robert Estrin: What are double stemmed notes? - From the Music Expert

363

Robert Estrin: When Was Music First Written Down? - From the Music Expert

364

Robert Estrin: The Importance of Repeat Signs in Music - From the Music Expert

365

Robert Estrin: Should You Start Learning on an Inexpensive Instrument? - From the Music Expert

366

Robert Estrin: Should you Listen to a Piece of Music Before you Learn It? - Video 2 - From the Music Expert

367

Robert Estrin: What are Active Tones and Restive Tones? - From the Music Expert

368

Robert Estrin: What is a Tritone? - From the Music Expert

369

Robert Estrin: Should you Play for Free? - From the Music Expert

370

Robert Estrin: How to get into a Music School - From the Music Expert

371

Robert Estrin: The Life of an Orchestral Musician - From the Music Expert

372

Robert Estrin: How to Become a Private Music Teacher - From the Music Expert

373

Robert Estrin: The Secrets of Voice Leadings in Music - From the Music Expert

374

Robert Estrin: Diminished 7th Chords, Part 2 - The Deceptive 7th - From the Music Expert

375

Robert Estrin: What is a diminished 7th chord? - From the Music Expert

376

Robert Estrin: How to Get Jobs Playing Music - From the Music Expert

377

Robert Estrin: 3 Things Every Musician Should Know - From the Music Expert

378

Robert Estrin: Are 30 Minute Music Lessons OK? - From the Music Expert

379

Robert Estrin: What is a Whole Tone Scale? - From the Music Expert

380

Robert Estrin: How to balance school and music practicing - From the Music Expert

381

Robert Estrin: Romance in Music - From the Music Expert

382

Robert Estrin: How to Setup a Home Music Studio - From the Music Expert

383

Robert Estrin: NAMM 2014 - Interview with Joel Shifflet from Piano Marvel - From the Music Expert

384

Robert Estrin: What's the NAMM show? - From the Music Expert

385

Robert Estrin: NAMM 2014 - Interview with AirTurn CEO, Hugh Sung - From the Music Expert

386

Robert Estrin: What is a Chromatic Scale? - From the Music Expert

387

Robert Estrin: What is a Pentatonic Scale? - From the Music Expert

388

Robert Estrin: What is a Minor Scale? - From the Music Expert

389

Robert Estrin: What is a Major Scale? - From the Music Expert

390

Robert Estrin: Explaining Music Intervals - Whole and Half Steps - From the Music Expert

391

Robert Estrin: The Periods of Classical Music, Part 4: The Impressionist Period - From the Music Expert

392

Robert Estrin: How to Improvise Christmas Music - From the Music Expert

393

Robert Estrin: The Periods of Classical Music, Part 3: The Romantic Period - From the Music Expert

394

Robert Estrin: The Periods of Classical Music, Part 2: The Classical Period - From the Music Expert

395

Robert Estrin: The Periods of Classical Music, Part 1: The Baroque Period - From the Music Expert

396

Robert Estrin: How to Count Rhythms in Music - From the Music Expert

397

Robert Estrin: How to keep children engaged in music lessons and practicing - From the Music Expert

398

Robert Estrin: The Importance of Music Education - From the Music Expert

399

Robert Estrin: Outgrowing a Music Teacher - From the Music Expert

400

Robert Estrin: Dealing with a Loud Audience - From the Music Expert

401

Robert Estrin: What is improvisation? - From the Music Expert

402

Robert Estrin: Dealing with failure in a musical performance - From the Music Expert

403

Robert Estrin: How to Make Practicing Music More Enjoyable - From the Music Expert

404

Robert Estrin: Is slow practice important? - From the Music Expert

405

Robert Estrin: What is a slur? - From the Music Expert

406

Robert Estrin: Should you Listen to a Piece of Music Before you Learn It? - Video 1 - From the Music Expert

407

Robert Estrin: What is a Concerto? - From the Music Expert

408

Robert Estrin: The Band-Aid approach to practicing music - From the Music Expert

409

Robert Estrin: How to Read Music Symbols - From the Music Expert

410

Robert Estrin: What is a Sonata? - From the Music Expert

411

Robert Estrin: How to Avoid Injury When Playing a Musical Instrument - From the Music Expert

412

Robert Estrin: Starting a Career in Classical Music - From the Music Expert

413

Robert Estrin: Can you be Too Old for Music Lessons? - From the Music Expert

414

Robert Estrin: Is classical music dead? - From the Music Expert

415

Robert Estrin: How to deal with Stage Fright - From the Music Expert

416

Robert Estrin: How to choose the right musical piece to study - From the Music Expert

417

Robert Estrin: What's the difference between a Composition and an Arrangement? - From the Music Expert

418

Robert Estrin: How to Simplify Musical Notation? - From the Music Expert

419

Robert Estrin: What's the difference between Allegro and Moderato? - From the Music Expert

420

Robert Estrin: How to Read a Score - Part II - From the Music Expert

421

Robert Estrin: How to Read a Score - Part I - From the Music Expert

422

Robert Estrin: Sight Reading - Part 2 - From the Music Expert

423

Robert Estrin: Sight Reading - Part 1 - From the Music Expert