Skip to content
What The Hell Is Michael Jamin Talking About? cover art

All Episodes

What The Hell Is Michael Jamin Talking About? — 133 episodes · page 2 of 2

#
Title
101

031 - Do TV Writers Have An Agenda?

102

030 - To Make It In Hollywood You Have To Sell Your Soul

103

029 - Directing Voice Over Talent

104

028 - A Paper Orchestra: Stage Reading

105

027 - What It's Like To Run A Show

106

026 - Phil's First Day In The Writer's Room

107

025 - Q&A with Michael Jamin - Part 3

108

024 - Screenwriting Fallacies Depicted in Film and TV

109

023 - Creative People Need To Hear this

110

022 - Changing The Emotional Story

111

021 - The Oscars: Understanding The Film Marketplace

112

020 - Writing A Smart Show

113

019 - Q&A with Michael Jamin - Part 2

114

018 - Here's My Script... Make My Show

115

017 - Creativity

116

016 - Your Work Is Not Limited To Your Screenplays

117

015 - Should I Hire A Script Reader?

118

014 - Do You Have To Live in LA to Work in TV?

119

013 - How To Get Fired From Your First Job

120

012 - How Do I Sell My Pilot?

121

011 - Writer's Block and Inspiration

122

010 - Idea vs Execution

123

009 – Q&A with Michael Jamin

124

008 - Different Ways To Break Into Hollywood

125

Bonus - Merry Jewish Christmas

126

007 - How Do TV Writer's Rooms Work?

127

006 - Working With A Partner

128

005 - Agents & Managers

129

004 - How TV Shows Are Staffed

130

003 - How To Sell A TV Show

131

002 - Spec vs Pilot TV Episodes

132

001 - Breaking Into Hollywood

133

Introduction