All Episodes
Without Pictures — 87 episodes
Approaches to Form, Hugo Häring
Towards a Picturesque Architecture, Martin Steinmann
The Grammar of Antiquity, John Summerson
The Essentials of Classicism, John Summerson
Heavenly Mansions: An Interpretation of the Gothic, John Summerson
Adolf Loos and the problem of ornament, Reyner Banham
Aldo Rossi's Gallaratese Housing, Peter St John
All Buildings are Beautiful, Adam Caruso
Architecture Beyond Creation, Pier Vittorio Aureli
Architecture and Counterrevolution, Pier Vittorio Aureli
From Eclecticism to Doubt, Eileen Gray and Jean Badovici
Sigurd Lewerentz and the Dilemma of the Classical, Colin St John Wilson
Urban Artifacts and a Theory of the City, Aldo Rossi
Roof of Air, Porch of the Maidens, Camille Paglia
Alberti's Approach to Antiquity in Architecture, Rudolf Wittkower
The Getty, Joan Didion
Building Materials, Adolf Loos
The Common and the Production of Architecture, Pier Vittorio Aureli
Shell, Cladding, Lining, Adam Caruso
Reclaiming Modernism, Ilka and Andreas Ruby
On the Edge of the Ordinary, Irenee scalbert
Platforms and Plateaus, Jorn Utzon
Means to an End: the Rise and Fall of the Architectural Project of the City, Pier Vittorio Aureli
A Note on the Work of Kersten Geers and David Van Severen, Pier Vittorio Aureli
The Aesthetics of Proportion, Umberto Eco
The Medieval Aesthetic Sensibility, Umberto Eco
Against Interpretation, Susan Sontag
The Castellated Home, Kenneth Frampton
H&DeM, The Tate Gallery Modern, Tony Fretton
The Birth of the Renaissance, Jacques Le Goff
Urban Villa Type, Jonathan Sergison
The Red House, Tony Fretton
Venturi's First, Oliver Lütjens, Thomas Padmanabhan
Dark Alcoves, Hidden Niches, and Cozy Corners, Maggie Kelly, 2011
Alvar Aalto: Type vs Function, Alan Colquhoun
More Money, Less Work by Pier Vittorio Aureli
The Monument in the Field, Pier Vittorio Aureli
Learning from Architecture, On the approach to Research, Pier Vittorio Aureli
Working with Tolerance, Stephen Bates & Jonathan Sergison
A Spectacle of Deepest Harmony, Pier Vittorio Aureli
After Diagrams, Pier Vittorio Aureli
First the Kitchen: Then the Facade, Nicholas Bullock
Educating the Masses: Socialist Realist Art, Boris Groys
In Hilberseimer’s Footsteps, Pier Vittorio Aureli
On the Table, Stephen Bates
The Logic of the Plan, Frank Lloyd Wright
Mannerism and Modern Architecture, Colin Rowe
Discourse on Method part 2, Rene Descartes
Notes on Le Corbusier's La Tourette Monastery, Pier Vittorio Aureli & Maria S. Giudici
Up Against the Wall: Colin Rowe at La Tourette, Anthony Vidler
La Tourette, Colin Rowe
Ancient Architecture - Peter Markli
Peter Markli, The Labour of the Eye, by Marcel Meili
The Urban Villa - Oswald Mathias Ungers
Meaning and Tradition, Henco Bekkering
On Typology by Rafael Moneo
Shifting Foundations Tamar Shafrir
Platforms, Pier Vittorio Aureli
Geopolitics of the Ideal Villa, Pier Vittorio Aureli
The Comfort of Strangeness, Adrian Forty
Different Modernities, Adam Caruso
Working on the Ruins of Superdutch, Pier Vittorio Aureli
A Day at the Beach, Lutyens Padmanabhan
But Today We Collect Ads, Alison & Peter Smithson
Order, Heinrich Tessenow
From New Objectivity to Contemporary Realism, On Diener and Diener
Typical Plan, Rem Koolhaas
Looking Back Without Anger, Leon Krier
The Third Typology, Anthony Vidler
Counter-planning from the kitchen, Maria S. Giudici
Obstruction, Aureli, Geers, Tattara, Van Severen
Rookeries and Model Dwellings, Robin Evans
Accidentalism, Josef Frank
The Cube, Sol LeWitt
Scamozzi is Almost Alright, Kersten Geers
From Normality to Abstraction: Diener & Diener's Recent Work, Wilfried Wang
The New City (excerpt), Ludwig Hilberseimer
Learning from the European City, Roger Diener & Johnathan Sergison
Room Non-Room, Florian Beigel & Philip Christou
Vernacular Classicism - Alan Colquhoun
Living from the Centre, Stephen Bates
Separations and Connections, Heinrich Tessenow
Ornament, Heinrich Tessenow
Cleanliness or Purity in Industrial Products, Heinrich Tessenow
The Thickness of Paint, Jonathan Woolf
The Autonomy of House Design, Kazuo Shinohara
What Does it Mean to Live Today, Peter Markli