At the Barre with Madison Ballet Special Projects

In this episode of At the Barre, we go behind the scenes with Madison Ballet company member and emerging choreographer Ben Rose.Ben shares his unique path from competitive ballroom dance into ballet, and how that background continues to influence his creative voice. He discusses the structure of his new piece Tea for Two for Eight, built as a series of contrasting sections inspired by ballroom competitions, and his goal of highlighting both versatility and individuality within the dancers.About Ben RoseBenjamin Rose began his training in Houston at Vitacca Ballet school and The High School for the Performing and Visual Arts. After 3 Summers at Houston Ballet School, he joined the full-time day program and began studying under the direction of Andrew Murphy. After graduating he began his professional career as a Trainee with Ballet West in Salt Lake City Utah and was able to perform roles such as The Lead male in George Balanchine's Walpurgisnacht and as “The Bear” in Willem Cristianstens the Nutcracker. While he lived in Utah, he was fortunate enough to also work as a guest artist and performed not only with the University of Utah but also around the country with companies such as NorthStar Ballet in Alaska, Nevada Ballet Theater in Las Vegas, AVA Ballet in Reno, and Queen City Ballet in Helena, Montana.  From there he moved to Denver where he joined the studio company at Colorado Ballet and performed with Feel the Movement, a contemporary dance project based out of Denver led by Director Edgar Page. He then moved to Iowa and began dancing at Ballet Des Moines directed by Serkan Usta. After living in Iowa, Ben moved to San Antonio to dance for Ballet San Antonio under the direction of Sofiane Sylve. He was promoted to soloist his first season with company and danced in roles such as Basillio in Don Quixote, The Nutcracker Prince in The Nutcracker, and Bottom in Midsummer Night's Dream. On top of his career as a ballet dancer Ben is also a professional ballroom dancer competing in International Latin.INSTAGRAM: https://www.instagram.com/mynameisben10/See Tea for Two for Eight by Ben in Innovation II @ Overture Center Promenade Hall May 8-10, 2026🎟️ madisonballet.org/innovation-iiJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsQuestions/comments? Email us at [email protected] COVER PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928BEN HEADSHOT: Lexia Frank Photography

In this episode of At the Barre, we go behind the scenes with Madison Ballet apprentice and emerging choreographer Gianna DeMassioIn her first season with the company, Gianna shares her journey from a competition dance background to discovering her passion for ballet and how she unexpectedly fell in love with choreography during her training.We also dive into her choreographic process for Innovation II, where she premieres a new work titled Memento Vivere inspired by a meaningful moment while dancing in Italy. The work is centered around the passage of time and the emotional experience of living in the present.Gianna offers insight into what it’s like to create work on her peers, how she balances her own movement voice with the established language of a company, and why she’s drawn to grounded, human-centered movement that resonates both with dancers and audiences alike.About Gianna DeMassioOriginally from upstate New York, Gianna began her ballet training at the New Paltz School of Ballet under the direction of former New York City Ballet dancers Lisa and Peter Naumann. At fifteen, she joined Pittsburgh Ballet Theater’s Full-Time program, while also attending summer programs at the Chautauqua Institute and American Ballet Theater in NYC. After graduating from high school, Gianna joined Charlotte Ballet as a trainee, where she studied with the renowned Patricia McBride and began choreographing under the mentorship of Mark Diamond. In 2020, Gianna joined the Richmond Ballet as a trainee and was promoted to their Studio Company shortly after. While dancing with Richmond Ballet, she worked with choreographers such as Jennifer Archibald and Katarzyna Skarpetowska, and performed with the company in many mainstage productions, including her favorite, George Balanchine’s Serenade. From 2023 to 2025, Gianna danced as an apprentice with Ballet Rhode Island under the direction of Kathleen Breen Combes and Yury Yanowsky. While there, she enjoyed performing in diverse repertoire, as well as choreographing her own new works for the company. Gianna is looking forward to her first season with Madison Ballet!INSTAGRAM: https://www.instagram.com/gigi.825/See Memento Vivere by Gianna in Innovation II @ Overture Center Promenade Hall May 8-10, 2026🎟️ madisonballet.org/innovation-iiJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsQuestions/comments? Email us at [email protected] COVER PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928GIANNA HEADSHOT: Lexia Frank Photography

In this episode of At the Barre, we are joined by Charlotte Junge, Company Dancer with Madison Ballet and emerging choreographer featured in this season’s Innovation II.This conversation explores Charlotte’s early dance training, her move to Boston Ballet School at just 14, and the unexpected path that led her to Madison Ballet. She also discusses how her background in multiple dance styles continues to influence her movement vocabulary today.We get a peek inside Charlotte’s choreographic process and how her piece As Above, So Below has come to life. Inspired by her relationship with her mother, Charlotte shares the beauty of exploring a deeply personal theme in a safe space with her Madison Ballet colleagues.About Charlotte JungeOriginally from Houston, TX, Charlotte Junge began her training locally, and continued her focus on classical training at the Houston Ballet Academy and The Dallas Conservatory. While at Houston Ballet, she performed in premieres of The Nutcracker: Romeo and Juliet, and Giselle by Stanton Welch AM. At The Dallas Conservatory, she performed as Clara in The Nutcracker, and won numerous awards at YAGP. In 2018, Charlotte was accepted into Boston Ballet School's Professional Division. While a student there, she had the opportunity to study with esteemed faculty including Margaret Tracey, Miranda Weese, Kathleen Mitchell, Andrea Long, and Denise Lewis. In 2022, Charlotte graduated high school, finishing her 4th year with Boston Ballet School. In 2022, she created her first professional choreographic work on the company for the Innovation program. This will be Charlotte's 4th season with Madison Ballet.INSTAGRAM: https://www.instagram.com/charjunge/See As Above, So Below by Charlotte at Innovation II @ Overture Center Promenade Hall May 8-10, 2026🎟️ madisonballet.org/innovation-iiJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsQuestions/comments? Email us at [email protected] COVER PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928CHARLOTTE HEADSHOT: Lexia Frank Photography

In this episode of At the Barre, we are joined by Sarah Martin, Company Dancer with Madison Ballet and emerging choreographer featured in this season’s Innovation II.Sarah shares her journey from early training at BalletMet to trainee programs across the country, and how the relationships she built along the way ultimately led her to Madison Ballet.We dive into Sarah’s lifelong love of choreography: from creating dances as a child to developing her third original work for Madison Ballet. She shares insight into choreographing within the company, including how collaboration, trust, and familiarity influence the studio dynamic.We also get a sneak peek at the making of her new piece, Circles in Blue, a nostalgic work set to the music of Joni Mitchell that draws on her personal memories and a deep connection to the music.About Sarah MartinOriginally from Columbus, Ohio, Sarah Martin trained at BalletMet Columbus and Pittsburgh Ballet Theatre before continuing her studies as a trainee with Charlotte Ballet and Richmond Ballet. She had the opportunity to perform multiple Balanchine works as a trainee with Richmond Ballet, including Who Cares? and Divertimento No. 15.Since joining Madison Ballet in 2019, Sarah has appeared in classical works such as Paquita, Birthday Variations, The Nutcracker, and A Midsummer Night’s Dream.  She has been able to work with choreographers such as Ja Malik, Richard Walters, Stephanie Martinez, Marika Brussel, Alia Kache, and Yury Yanowsky. In addition to performing, she teaches dance and yoga and continues to explore choreography. She enjoys being involved in the Madison dance community.INSTAGRAM: https://www.instagram.com/smint4thewin/See Circles in Blue by Sarah at Innovation II @ Overture Center Promenade Hall May 8-10, 2026🎟️ madisonballet.org/innovation-iiJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsQuestions/comments? Email us at [email protected]: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

In this episode of At the Barre, we are joined by Eric Stith, Company Dancer with Madison Ballet and emerging choreographer featured in this season’s Innovation II.Eric shares his unconventional path into ballet and how he found his way back to the art form after almost stepping away completely due to burnout.We dive into Eric’s evolution as a choreographer, including the moment he discovered his artistic voice and what it means to create work that reflects both his movement influences and his identity as a queer Black artist. He opens up about the creative process behind his new piece, Genesis 1:3, a deeply personal work honoring his grandfather’s life.Eric also gives us a behind-the-scenes look at what it’s like choreographing on your fellow company members, how he builds trust with fellow dancers, and the balance between structure and spontaneity in the creative process.About Eric Stith IIIBorn in Virginia Beach, Virginia, Eric started training at the age of 7 at The Old Donations Center for the Gifted and Talented and then transferred to The Governor’s School for the Arts. While training, he was a part of the film Dancing on the Shoulders of Giants filmed by WHRO. At age 19, Eric started his professional career in the Second Company of Charlotte Ballet under the direction of Christopher Stuart.After joining Madison Ballet in 2023, Stith has performed in many illustrious works choreographed by Artistic Director Ja'Malik including Duo Amore, Hallelujah Junction and Rhapsody in Blue. He also has performed in works by prestigious choreographers Richard Walters, Yury Yanowsky, Stephanie Martinez,Tamisha A. Guy, and Alia Kache.Eric has worked to find his choreographic voice starting with Charlotte Ballet’s Choreographic Lab in 2022. In 2023, Eric created a work for Eisenhower Dance Detroit’s New Dance Fest. In Madison, he choreographed for Madison Ballet’s Innovation Program, Isthmus Dance Collective's Bike Path and the Paw de Chat Fundraising event.INSTAGRAM: https://www.instagram.com/eric_stithiii/See Innovation II @ Overture Center Promenade Hall May 8-10, 2026🎟️ madisonballet.org/innovation-iiAttend a Madison Ballet Special Projects Ballet Storytime🩰📚https://www.madisonballetspecialprojects.com/eventsJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsQuestions/comments? Email us at [email protected]: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

In this episode of At the Barre, we are joined by Andrea Yorita, stager for Caili Quan’s work Dignity in Restraint, featured in Madison Ballet’s upcoming ChoreographHER program.Andrea offers a behind-the-scenes look at what it means to restage a contemporary ballet work and how she balances the original choreographer’s vision with the individuality of new dancersWe dive into Caili Quan’s creative approach, exploring how her collaborative, dancer-centered process fosters both freedom and authenticity in the studio. Andrea discusses how Dignity in Restraint, originally created for film, translates to the stage, and how its human, relational qualities allow audiences to connect deeply, even without a traditional narrative.About Andrea YoritaAndrea Yorita is from Irvine California, where she received her classical ballet training at Academy of Dance and graduated as a Gillespie Scholar with a BFA in Dance Performance from the University of California. Originally trained under the Royal Academy of Dance (R.A.D.) syllabus, Andrea has completed all Vocational R.A.D. exams with Distinction, as well as received the Solo Seal Award. In 2008, Andrea competed as a finalist in the Genee International Ballet Competition in Toronto, Canada. She has participated in the National Choreographers Initiative, as an apprentice, and the Traverse City Dance Project. Andrea was a 2016 Dance Finalist for the Clive Barnes Award. She joined BalletX in 2012 and spent 11 seasons with the company, touring nationally and internationally while working with a multitude of choreographers. She is a former Adjunct Associate Professor at the University of the Arts. She is a freelance artist and co-founder of the Sonder Space in Philadelphia.About Caili QuanCaili Quan is a New York-based choreographer who danced with BalletX from 2013 to 2020. She has created works for Ballet West, BalletX, Vail Dance Festival, The Juilliard School, American Repertory Ballet, Sacramento Ballet, USC Glorya Kaufman School of Dance, School of American Ballet, Flight Path Dance Project, and Ballet Academy East.With BalletX she performed new works by Matthew Neenan, Nicolo Fonte, Gabrielle Lamb, Penny Saunders, Trey McIntyre, and danced at Jacob’s Pillow Dance Festival, Belgrade Dance Festival, and DEMO by Damian Woetzel at the Kennedy Center. She served as an Artistic Partnership Initiative Fellow and a Toulmin Creator at The Center for Ballet and the Arts at NYU. Mahålang, a short documentary that wove familial conversations of her Chamorro Filipino upbringing on Guam with scenes from BalletX’s Love Letter, was shown at the Hawai’i International Film Festival, CAAMFest, and the Dance on Camera Festival at Lincoln Center. She recently choreographed her first musical, Guys & Dolls, for Opera Saratoga under the direction of Mary Birnbaum. Caili was a 2022 Artist-in-Residence at the Vail Dance Festival, a 2023 Artist in Residence at USC Glorya Kaufman School of Dance, and an Arnhold Creative Associate at The Juilliard School.See “Dignity in Restraint” by Caili LIVE in ChoreograpHER April 3-5, 2026🎟️ madisonballet.org/choreographerJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsREGISTER FOR BALLET 101: https://www.madisonballet.org/school/open-divisionCreditsCOVER PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren Thompson

In this episode of At the Barre, we are joined by Ilana Goldman, Professor of Dance and Director of the BFA program at Florida State University, as well as an accomplished dancer, choreographer, and educator.Ilana shares her journey from early dance training and her time at Juilliard to a wide-ranging performance career with companies including Oakland Ballet, Sacramento Ballet, Cedar Lake Contemporary Ballet and Trey McIntyre Project, before transitioning into academia and choreography.This conversation centers on her new work for Madison Ballet’s ChoreographHER, And Everything Is Still…, set to music by Andy Scott. Originally inspired by a short piece she created at Florida State, Ilana expands the work into a larger, multi-sectional piece that explores musicality, spatial design, and the architecture of movement.Throughout the episode, Ilana offers insight into her creative process and how she worked with the “genius in the room” to create a work that reflects the dancers’ personalities and strengths. Ultimately, her work embraces the idea that dance can mean many things at once, leaving space for audiences to bring their own interpretations to what they see on stage.About Ilana GoldmanIlana Goldman is a dancer, choreographer, filmmaker, and educator. She served as Choreographer in Residence of Metro D.C.’s Bowen McCauley Dance (2018–2019) and Artist-in-Residence at Glacier National Park (2022). She has choreographed works for Sacramento Ballet first and second companies, New York Theatre Ballet, ARC Dance Seattle, Tallahassee Ballet, Black Rock City Ballet, Santa Cruz Ballet Theatre, Perry-Mansfield, Shenandoah University, Missouri State University, Florida State University, and University of Washington, among others. Her work was selected for performances at Brooklyn’s Dumbo Dance Festival and the Boston Contemporary Dance Festival.She performed professionally as a principal dancer with Oakland Ballet and Sacramento Ballet, as a member of Cedar Lake Contemporary Ballet and Trey McIntyre Project, and as a guest artist with Alonzo King LINES Ballet.See “And Everything Is Still…” by Ilana LIVE in ChoreograpHER April 3-5, 2026🎟️ madisonballet.org/choreographerJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsUPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performancesREGISTER FOR BALLET 101: https://www.madisonballet.org/school/open-divisionQuestions/comments? Email us at [email protected] PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

In this episode of At the Barre, we are joined by Endalyn Taylor Outlaw, Dean of Dance at the University of North Carolina School of the Arts and guest choreographer for Madison Ballet’s ChoreographHER.Endalyn shares her journey from a creative childhood in Chicago to an acclaimed career with Dance Theatre of Harlem and on Broadway, to her evolution into a choreographer and educator.This conversation centers on her work It’s the Thing with Feathers. Inspired by Emily Dickinson’s poem Hope is the Thing with Feathers, the piece explores the varied ways hope can show up in our lives, with movement functioning almost as its own character. Set to a dynamic score by Nils Frahm, the piece reflects Endalyn’s interest in blending classical and contemporary vocabularies while creating an expressive, human-centered experience.Throughout the episode, Endalyn also shares her perspective on the role of academia in the dance world, as both a space for experimentation and a bridge to the professional sphere.About Endalyn Taylor OutlawDancer, choreographer, and educator Endalyn T. Outlaw (née Taylor) is the dean of the  School of Dance at UNCSA. She has held the positions of director of Dance Theatre of Harlem (DTH) School in New York — a company she joined in 1984, becoming a principal dancer in 1993 — and director of the Cambridge Summer Art Institute in Massachusetts. Her extensive administrative, artistic and academic career is steeped in ballet pedagogy and she has created an eclectic body of choreographic works.Outlaw excels at restaging ballets, having performed many of the classics and having worked with luminaries in the field including DTH founder Arthur Mitchell, British-American ballet dancer and choreographer Frederick Franklin, director and choreographer of LINES Ballet Alonzo King, American dancer and choreographer Agnes de Mille, and director and choreographer of Garth Fagan Dance and “The Lion King,” Garth Fagan. She has performed on Broadway and stages all over the world, including as an original cast member of Tony Award-winning Broadway productions of “The Lion King,” “Aida,” and “Carousel.”See “It’s the Thing with Feathers” by Endalyn LIVE in ChoreograpHER April 3-5, 2026🎟️ madisonballet.org/choreographerJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsUPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performancesQuestions/comments? Email us at [email protected] PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

In this episode of At the Barre, host Chris Farenthold, Director of Madison Ballet Special Projects, is joined by Nathalia Arja, principal dancer with Miami City Ballet and choreographer of Seven Days Walking, featured in Madison Ballet’s upcoming performance, ChoreograpHER.Natahlia shares her journey from growing up in a ballet family in Rio de Janeiro to becoming a principal dancer, and how an unexpected injury led her to discover her creative voice as a choreographer.She also discusses the inspiration behind Seven Days Walking, the process of staging the work on Madison Ballet dancers, and how choreography became a powerful outlet during a difficult period in her career.From watching birds on the beach to creating movement for an all-male cast, Nathalia offers insight into the creative impulses that shape her work and the evolving artistic language she is developing as both dancer and choreographer.About Nathalia ArjaNathalia Arja was born in Rio de Janeiro, Brazil where she began taking dance classes at the age of five at Escola de Danca Alice Arja. At 14, she began dancing with the Compania de Ballet do Rio de Janeiro. During her year with the company in Brazil, Arja also competed in and won several dance competitions where she was offered a scholarship for El Teatro Colón, El Ballet de Santiago, Joffrey Ballet School and Canada’s National Ballet School.At 15, she received a full scholarship to attend Miami City Ballet School where she trained for three years. She joined Miami City Ballet as a school apprentice in 2009 and was promoted to member of the corps de ballet in 2011. She was promoted to soloist in 2014 and principal soloist in 2016. In March 2020, Nathalia was promoted to Principal.INSTAGRAM: instagram.com/nathaliaarja​​See Seven Days Walking by Nathalia Arja LIVE in ChoreograpHER April 3-5, 2026🎟️ madisonballet.org/choreographerJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsUPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performancesQuestions/comments? Email us at [email protected]: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

In this episode of At the Barre, host Chris Fahrenthold, Director of Madison Ballet Special Projects, is joined by Ja’ Malik, Artistic and Executive Director of Madison Ballet to discuss his artistic journey, the influences that shaped his career, and the vision guiding Madison Ballet’s future.Ja’ Malik shares how his early ballet training, exposure to powerful artistic role models, and passion for choreography led him to a career both onstage and behind the scenes. The conversation also explores how Madison Ballet programs its seasons, supports diverse choreographic voices, and creates meaningful connections with the Madison community.Listeners will also get a preview of the upcoming ChoreograpHER program, coming to Madison Youth Arts Center April 3–5, 2026!About Ja’ MalikPrevious to joining Madison Ballet, Ja' Malik built a career of executing commissions from nationally-renowned dance companies and advocating for representation of Black artists. He founded and has served as Executive Director of New York City's Ballet Boy Productions, whose mission is to create pathways for young Black men to thrive in a career in dance.In 2019, Ja' Malik collaborated with Tony-nominated Camille A. Brown on choreography for The Public Theater’s 2019 production of Ntozake Shange’s For Colored Girls Who Have Considered Suicide/When The Rainbow is Enuf, and is a former member of Cleveland Ballet, Oakland Ballet, North Carolina Dance Theatre, Nathan Trice Rituals, City Dance Ensemble, Ballet Hispanico, and Ballet X. In 2003 he graduated from the first class of Joffrey Ballet School, and New School University, BFA program.INSTAGRAM: instagram.com/ja_malik_choreographer/See ChoreograpHER @ Madison Youth Arts Center Starlight Theatre April 3-5, 2026🎟️ madisonballet.org/choreographerJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsUPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performancesQuestions/comments? Email us at [email protected]: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

Welcome to the very first episode of At the Barre, A Madison Ballet Special Projects podcast!In our premiere episode, Caitlin Sloan (Strategic Advisor, MBSP) interviews Madison Ballet Special Projects Director, Chris Fahrenthold to share some insight into who we are and what we do!Key points in this episode: Chris’s background and journey into the ballet world The origin story of Madison Ballet Special Projects The mission of MBSP and how it fits within Madison Ballet’s broader work Why this work matters, and how MBSP contributes to Madison’s cultural and artistic landscape A look at our programming, from performances to community conversations What we hope audiences experience and take away from attending The importance of creating space for dialogue around dance Ways listeners can support or get involved with MBSP What to expect from future episodes of At The BarreWhether you’re a longtime ballet enthusiast or simply curious about how dance gets made, this episode offers insight into the creative process and the values guiding our work.Join the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsUPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performancesQuestions/comments? Email us at [email protected]: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928

At the Barre with Madison Ballet Special Projects is your behind-the-scenes look at the ideas, stories, and creative processes shaping Madison Ballet’s work.Hosted by Chris Fahrenthold, each episode brings our community a little closer to the dancers, choreographers, and collaborators who are making ballet in Madison right now.Whether you’re a seasoned balletomane, current or former dancer, or simply curious about how dance gets made, we warmly invite you into the room where it happens.Connect with us:WEBSITE: madisonballetspecialprojects.comINSTAGRAM: instagram.com/madisonballetspecialprojectsEMAIL: [email protected]:PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928