Live Recordings

'Holographic Warmth' took shape as an informal studio mixtape, compiling a handful of orphaned sonic experiments and extended guitar drones that sprouted up in the restless moments between more formal projects [c. December 2018 - March 2019]. My intention was always to return to this material at a later date, with an aim to somehow "finish" it. Unfortunately, my focus was ultimately drawn to more pressing considerations and these files were left to languish on a neglected hard drive for many months. More than a year after the initial sessions that yielded these recordings, I was invited to prepare a block of original material for inclusion in a 9128.live / A Strangely Isolated Place event curated by Mysteries of the Deep. I took this as an opportunity to let some fresh air into my moldering archives and stitched together 'Holographic Warmth' in a feverish rush. In an effort to maintain the raw, exploratory character of the source material, very little editing was performed and I took a light hand with eq and gain adjustments. Andrew Weathers – my longtime collaborator and friend – was also gracious enough to master the final mix-down and smooth out some of its rougher edges. Thank you to Grant Aaron and Ryan Griffin for facilitating the release of this material. An "official" version of this release can be purchased at full resolution quality via my Bandcamp shop. Enjoy.

Full resolution audio recording of my April 2020 performance on the Decentralized Sonic Quarantine Network, featuring guitar, tape loops, and no-input mixing desk. Be safe. Stay healthy. Look after one another.

A live recording of Radere’s appearance at the 2019 Chillits Festival, an annual experimental music event that takes place in Laytonville, California. Prepared on the road as the artist traveled along the Pacific coast with his partner in the days leading up to the festival, this performance marked a major departure from Radere’s recent synth-focused works. Instead, he returned to his original instrument – the guitar – to create sweeping drones, accompanied by tape loops, dynamic no-input mixer feedback and various electronics. Available as part of the 'Alive In California, 2019' release, click the 'Buy' button to purchase. Recorded by Aaron Ballard Mastered by Andrew Weathers Gratitude & respect to Ahsan Ali, Menyui Leung + the entire Chillits 2019 team

A recording of my performance at the summer 2018 Great Circles Grit Massive, featuring sampler, live synthesis, no-input mixing desk, and vocal processing. It feels good to be home.

A recording of my performance at Deer Pile in Denver, CO on October 4th, 2013 as part of Plastic Sound Supply's release party for the 'Ultrasoft!' compilation. Audio was captured direct from the board with a Zoom H4n, with editing only being done for equalization and volume.

A live document of my performance at The Burlington in Chicago, IL earlier this year, where I shared a bill with Scott Cortez and Zelienople. Recorded using guitar, mini-cassette, laptop and electronics, this performance was captured direct from the board and only edited for length and volume. Thanks to Caleb Condit for the photo.

A recording of my performance at Spectral Rehab on October 21st, 2012. Captured direct from the board at O'Brien's Pub in Allston, MA with a Zoom H4n, the audio has only been edited for volume and equalization. Photo by Justin Snow for Anti-Gravity Bunny.

A live recording of my performance at Crane Old School in Philadelphia, PA. As part of the new event series from Inciting dubbed "The Monochrome Sequence," I shared a bill with Hero/Victim, Metasplice and Demdike Stare. Recorded using guitar, mini-cassette and pedals, the file was imported to Ableton for minor EQ adjustments and editing for length. Photo by Dan Lisowski.

Recorded live in Boulder, CO at Communikey Festival 2011. Guitar, pedals and laptop. Performing material from 'A Season In Decline' and 'Lost At Sea, I'm Never Coming Back.'

A recording of my performance supporting Xela and Black To Comm at West Philadelphia vintage boutique Younglove's. Comprised of live guitar looping, field recordings and processed percussion. Photo by John Twells.