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Painter Suzy Spence spent 35 years making work in New York before trading the city for a sprawling Vermont studio - and she never stopped being radical. In this conversation, we dig into her summer show at the Bundy Museum, the feminist politics woven into equestrian imagery, and why the best paintings should be, in her words, hopefully indescribable.Explore Suzy's work: https://suzyspence.com/ Join our free art newsletter:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://mailchi.mp/seen/waitlist⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ ⁠⁠https://www.instagram.com/watchseenart⁠⁠About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

This week on Have You Seen?, Carrie sits down with photographer Anastasia Samoylova - a Russian-born, Miami-based artist who has spent 15 years building one of the most distinctive bodies of work in contemporary photography, largely by refusing to be intimidated by anything.They talk about Ana's project pairing her contemporary Florida images with Walker Evans's archive, which landed her a show at the Metropolitan Museum of Art. About what it means to photograph a place that owes its entire identity to images of itself. About publishing as a woman in a field that is still overwhelmingly male. And about the simple but radical approach that has opened almost every door in her career: just ask, and have no expectations about the answer.Explore Ana's work: https://www.anasamoylova.com/ Join our free art newsletter:⁠⁠⁠⁠ ⁠⁠⁠⁠https://mailchi.mp/seen/waitlist⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ ⁠https://www.instagram.com/watchseenart⁠About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Damian Elwes spends years researching each painting, piecing together fragments of photographs and historical evidence to recreate the exact studios where masterpieces were made. He's probably the only person alive who's visited every Picasso studio and every Matisse studio. And he sometimes teaches art historians things they don't know about the artists they study.In this conversation, we explore his reluctant journey from Harvard playwriting student to forensic art historian, the detective work behind each painting, and what he's discovered about Picasso, Frida Kahlo, Yayoi Kusama, Damien Hirst, and more.These aren't just paintings of rooms—they're portraits of creativity itself.Artists Discussed:Pablo Picasso | Henri Matisse | Frida Kahlo | Jean-Michel Basquiat | Damien Hirst | Yayoi Kusama | David Hockney | Rose Wylie | Keith Haring | Georgia O'Keeffe | Donald JuddThanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠https://seen.art⁠⁠⁠).Join our free newsletter and become an art insider:⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠.

Syd Carpenter has spent fifty years expanding what clay can hold and now she's expanding beyond clay altogether. With a major retrospective at the Woodmere Art Museum and three additional exhibitions on view, Carpenter is having the kind of moment most artists dream of. But talk to her for five minutes and you realize she's not looking back. She's still inventing.In this episode, Syd talks about choosing art over medicine, the teacher who gave her space to become herself, why she rejects the idea that her identity gives her a special connection to clay, and how her garden has quietly shaped everything she makes. She's funny, direct, and deeply generous and her story is exactly the kind of thing you want to hear right now.Explore Syd's recent exhibitions:https://www.sju.edu/maguire-art-museum/exhibitions/syd-carpenter https://www.ursinus.edu/live/profiles/10435-syd-carpenterhttps://woodmereartmuseum.org/experience/exhibitions/planting-in-place-time-and-memoryJoin our free newsletter and become an art insider:⁠⁠⁠⁠ ⁠⁠⁠https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenartAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

This week, Carrie is joined by Dan Webb, a Seattle-based woodcarver whose work has been astonishing her for 20 years. Dan creates sculptures that seem impossible: hands emerging from raw timber, Mylar balloons carved from wood that say "I love you" and actually mean it, gestures frozen in material older than nations.We discuss his fifth exhibition at Greg Kucera Gallery, "Yespalier," and explore why he's dedicated himself to an ancient craft in a contemporary art world, what it means to carve through 300-year-old trees, and how he finds beauty and agency within the structures that constrain us.Represented by Greg Kucera Gallery, Dan's work is in collections including the Smithsonian, Seattle Art Museum, and Tacoma Art Museum.If you've ever wondered whether contemporary art can be both technically masterful and conceptually profound, both beautiful and meaningful—this conversation is for you.Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Artist and LA resident Richelle Rich joins Carrie to debrief on what turned out to be a landmark week for art in Los Angeles. Fresh from days of fairs, openings, and yes, a lot of driving, Richelle gives us her honest account of Frieze LA and the constellation of events that surround it.They talk about why this year felt so different from last year's emotionally charged, post-wildfire edition; what it means for LA to transform, however briefly, into a truly international art city; and whether the energy of one extraordinary week can carry a creative community through the other fifty-one.Richelle shares the works that stopped her in her tracks: a quietly devastating Gillian Wearing self-portrait, a tower of broken pencil points that took real courage to show at a fair, and a series of abstract paintings that made a noisy room go still. She also makes the case for why art fairs, commerce and all, are ultimately good for artists and reveals the one thing she bought.Plus: the new fairs shaking up the LA art week calendar, why Butter might be the most radical fair model in America right now, the impossible choices that come with navigating a city the size of LA, and what Frieze still needs to do better.One word for Frieze LA this year? Richelle doesn't hesitate: joy.Join our free art newsletter:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Shop Harold Feinstein Estate Prints: https://www.carrie-scott.com/shop?category=Harold+FeinsteinCarrie sits down with Judith Thompson as she shares the intimate story of her husband, legendary photographer Harold Feinstein - a man who didn't just capture beauty, he taught people how to see it and live it.While his contemporaries focused on grit, Harold turned his lens toward joy. His philosophy? "When your mouth drops open, click the shutter." His teaching? "Your life is your canvas." His key word? "Yes."From their serendipitous meeting through astrology to preserving his legacy after his death in 2015, Judith reveals the man behind iconic images of Coney Island, intimate family moments, and stunning flower portraits.Discover why Harold's work continues finding new audiences daily, why his students call him a "life teacher," and how creativity itself can be an act of liberation.Guest: Judith Thompson, Director of the Harold Feinstein ArchiveThanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram, @watchseenart.About Behind The SeenTheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

Artist Laurie Frick makes portraits without faces. Instead, she transforms personal data into tactile artworks made from wool felt, leather, and sandblasted glass. A former tech executive who spent 20 years in Silicon Valley, Frick has been tracking herself obsessively—sleep patterns, location data, heart rate—since the early 2000s. In this conversation, she shares her radical vision: that surveillance could become a tool for self-knowledge, what Google executives told her when she pitched them this idea, and why medieval Sienese art holds the key to understanding our data-saturated future.Explore Laurie's work: https://www.lauriefrick.com/Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Sponsored by Arthur Analytics.Join for free: https://www.arthuranalytics.com/seenartWhat happens when someone from finance marries into an art collecting family and decides the industry desperately needs better infrastructure? You get Arthur Analytics—the platform that's consolidating auction data, exhibition histories, gallery sales, and art fair previews into what can only be described as the art world's Bloomberg terminal.In this conversation, Carrie sits down with James Crichton, founder of Arthur Analytics. James isn't trying to make art more like finance. He's trying to make information more accessible so collectors feel confident, advisors work more efficiently, and galleries can reach buyers without paying 20% commissions.Whether you're a collector, advisor, dealer, or just art-curious, this conversation will change how you think about art market data.Thanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram, @watchseenart.About Behind The SeenTheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

Art advisor Tina Corinteli joins Carrie from Doha to give us the unfiltered take on Art Basel's experimental new format. No traditional booths. Museum-style flow. All costs covered. Sounds dreamy, right?Tina breaks down what really happened: the stunning presentations (Sadie Coles!), the sales situation (complicated), and whether galleries would return if Basel wasn't footing the bill. Plus, she reveals what this fair was actually designed to do—and spoiler: it's not about moving inventory.Highlights include a never-before-seen Alex Katz selling for $3.6M, epic desert installations, and Tina's brutally honest quick-fire round where she calls it "glamorous" and "symbolic" in the same breath.If you've been curious about what's happening with Art Basel Qatar, this is the conversation you need to hear.Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Create your free Auctionet account and explore 80 action houses from your couch: https://auctionet.com/?utm_source=instagram&utm_medium=organic_social&utm_campaign=SeenWhat if the box of action figures in your parents' attic could fund a house deposit?In this episode of Behind the Seen, Carrie Scott sits down with Kayleigh Davies, a toy specialist with Auctionet with 15 years of experience in the auction world. Kayleigh stumbled into her dream career by accident—walking into a glowing auction house filled with toys and knowing instantly "this is where I belong."But this isn't just a conversation about nostalgia. It's about a fundamental shift in how we think about value.While the art world focuses on overlooked painters and undervalued movements, the collectibles market has quietly exploded. Pop culture departments that didn't exist at major auction houses a decade ago are now selling handwritten lyrics, concert memorabilia, and vintage toys for record-breaking prices. What was once dismissed as "just plastic" is now funding real estate purchases.Kayleigh reveals how childhood Transformers have funded house deposits, why the pop culture market exploded, and what you should check in your attic before it's too late. Plus: the surprising gender gap in toy collecting and the 1920s bangle that still haunts her.Thanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram, @watchseenart.About Behind The SeenTheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

Artist Rob Strati drops antique plates onto rocks and transforms them into stunning art that explores memory, colonial history, and the power of repair. When his mother-in-law's cherished chinoiserie plate shattered, he saw opportunity instead of loss—extending the imagery beyond the fragments to create something profound.In this conversation, Rob reveals his mesmerizing process, why people cry when they see his work, and how breaking porcelain can be an act of dismantling hierarchy. His art speaks to our fragmented moment, proving that sometimes the most beautiful stories emerge from what's broken.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠⁠https://seen.art⁠⁠⁠⁠).Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Learn more about Esther Kim Varet: https://www.estherkimvaret.com/This week, Carrie chats with Esther Kim Varet—co-founder of Various Small Fires, the gallery with locations in LA, Seoul, and Dallas—to discuss her journey from opening a gallery at 24 (inspired by a chance $60,000 payday at an art fair) to running for Congress in Orange County.Yes, she's the real-life inspiration behind the gallery owner character in HBO's Girls. But this conversation goes far deeper than pop culture moments. Esther talks about building an empire in an industry not designed for someone who looks like her, the lessons she learned from art world legend Mary Boone, and why "fake it till you make it" actually works in contemporary art.Then we come to the pivot point: Why would someone at the top of the art world walk away to run for Congress? As the daughter of North Korean refugees who started with $400 and a shiitake mushroom farm in Texas, Esther explains her urgent mission to fight authoritarianism, protect free speech, and ensure her kids inherit a democracy worth living in. She's not just changing the art world anymore—she's fighting for the future.Thanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram,⁠ @watchseenart⁠.About Behind The SeenThe Behind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

This week, Carrie Scott sits down with artist Wilma Woolf. Wilma is a Virtual Artist working in London. In 2020 she completed a Masters in Fine Art at Central Saint Martins, graduating with a Distinction. She has exhibited her work at The Tate Modern, V&A and at Richard Saltoun Gallery in Mayfair with a solo exhibition centred around her installation, Domestic. In 2022 Woolf was invited to the Houses of Parliament to display her work Domestic, which was then discussed by MP Rosie Duffiled in a House of Commons debate. She has recently been interviewed by Art Newspaper and displayed her work "I Collected You Carefully" at the Richard Saltoun Gallery alongside an artist talk chaired by Hettie Judah, art critic and guardian journalist. Her latest exhibition was at the V&A in April 2024 as part of the 'Feminist Futures' exhibition. Woolf's core concern is the extrapolation of political injustices told through data, collected testimonials and the communication of this through artistic means.Integral to the meaning of her work is the making process. Her works are often memorialistic in nature and are both labour and research intensive. Through this making process she fulfils a personal devotional need to pay tribute to people whose lives have been affected and interrupted by injustice. Woolf's work is noted for being repetitive, organised and often comprising of grids or grid like structures. It is multi-disciplinary in its approach, incorporating installations, sculptural and 2D work, through diverse materials such as concrete, photography, glass, light and ceramics.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠⁠https://seen.art⁠⁠⁠⁠).Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.

This week, Carrie Scott interviews artist Richelle Rich. What does Margaret Thatcher have to do with Mr. Whippy ice cream? And why does it matter to contemporary art?Listen to this episode to find out. Working from her vine-covered studio in Santa Monica, Richelle is finally looking back at the Isle of Wight—the small island where she grew up. Her current work explores systems of power through unexpected objects: ice cream, chalk cliffs, and folklore. She's investigating the urban legend that Margaret Thatcher invented soft-serve ice cream as an entry point to the intersection of personal and political history.We talk about her decade traveling with an inflatable sex doll as her alter ego, creating a giant floral installation spelling "cunt" in the California desert, and why she prefers subversive ambiguity over overt political messaging—except when it comes to abortion rights.But this goes beyond art. We get honest about motherhood and creative practice—making art from dirty nappies during postpartum depression, raising teenage boys who understand privilege without guilt, and feeling like a wild horse being broken in even with help and privilege.We explore "escape velocity" from island culture, becoming more politically active in LA than she ever was in London, and how our generation of women is partnered with the first generation of men figuring out modern fatherhood with no roadmap.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠⁠https://seen.art⁠⁠⁠⁠).Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.

In this episode of the Seeing series, curator Carrie Scott sits down in studio with Joel Mesler . In this deeply personal conversation, Joel opens up about the end of his abandonment issues, why he deliberately chooses discomfort, and what it really means to create permission for others to feel. As an introvert who holds office hours at galleries, he embodies fascinating contradictions—and his radical honesty about parenting, art market strategies, and personal healing makes this one of our most destabilizing interviews yet. What happens when you sit down with an artist whose work demands genuine vulnerability from everyone in the room? Listen to find out. Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠https://seen.art⁠⁠⁠).Join our free newsletter and become an art insider:⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠).

In this episode, artist Richard Phillips sits down with Carrie Scott to talk everything from his meteoric rise after being featured on Gossip Girl, to being 'cancelled' and the abrupt closure of his show at Gagosian. From his unconventional creative process and willingness to destroy seemingly finished works to why he believes today's artists are creating from a place of fear - Richard reminds us that we can't always believe what we hear or see on the internet.Richard Phillips is an American artist known for large-scale photorealistic paintings that often depict women sourced from fashion magazines and gossip publications. After receiving his BFA from Massachusetts College of Art in 1984 and MFA from Yale School of Art in 1986, Phillips worked as an art handler at the Guggenheim Museum before establishing his painting career. His glossy, hyperrealistic style transforms mass media imagery into fine art, with the artist stating that "fashion is not separate from art" when describing his approach to appropriating commercial source material.From Carrie: "Perhaps my expectations were low. But I left so happy to have met this man, and indeed happy to have seen his work in person. His facility, and agenda are both extraordinary. His art speaks to the complexities of modern life, exploring themes of celebrity, consumerism, and the intersection of art and popular culture. And I think the art world needs Richard right now. Even if we don’t really want to look at how ugly that side of things can be." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠https://seen.art⁠⁠).Join our free newsletter and become an art insider:⁠⁠ https://mailchi.mp/seen/waitlist⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠ https://www.instagram.com/watchseenart⁠⁠).

In this episode, Carrie sits down with Berto Herrera, an American artist and former U.S. military member now based in Germany, who brings a unique perspective to exploring themes of identity, power, and technology through multidisciplinary work. Trained at Parsons and involved early in his career with Los Angeles's influential art collective Box Eight, he worked for a decade as an art director at Adidas before returning to fine art. His practice spans installations, photography, painting, and digital works, driven by philosophical reflections on humanity and addressing themes of consumerism, late-capitalism, corporatism, and cultural identity, with all of his work since his first exhibition in 2006 centered on dismantling and examining subtle cultural biases that shape societal dynamics.From Carrie: "Berto Herrera's work might not be overtly political or totally autobiographical, but we talk about both those things in our interview. He's constantly trying to raise awareness around things that matter to him, but also that should matter to all of us. Issues around surveillance and racism and military force, these are big things, and he puts them in his work so vividly, but he does it under the veil of beauty."Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠https://seen.art⁠⁠⁠).Join our free newsletter and become an art insider:⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠).

In this week's episode of Behind the Seen, Carrie Scott sits down with the art world's favourite YouTuber and art educator: James Payne from Great Art Explained. What happens when a self-proclaimed "worst artist in history" becomes one of the world's most beloved art educators? Meet James Payne, the mastermind behind Great Art Explained - the YouTube channel that's quietly revolutionized how we think about art.In this conversation, James reveals the beautifully accidental journey that led him from giving tours to North American students to creating 15-minute videos that have captivated nearly 2 million followers. We dive into his "sleepy voice" that sends people to sleep (and he loves it), why he never shows his face on camera, and how a tweet from Stephen Fry changed everything.But this isn't just about YouTube success - it's about democratizing art. James breaks down his mission to make art accessible to everyone, from art experts to "that 15-year-old boy in Wisconsin" he keeps in mind with every video. No art speak, no gatekeeping, just pure passion translated into the clearest, most compelling language possible.We explore the myths James debunks in his new book - from Georgia O'Keeffe's flowers (spoiler: Stieglitz was the problem) to Rodin's factory-made sculptures, and why Monet getting France's first speeding ticket actually matters for understanding his work. Plus, the three-year research journey that nearly broke him but resulted in something he's never been more proud of.This is a masterclass in turning expertise into accessibility, following your gut, and proving that the best educators aren't always academics - sometimes they're passionate tour guides who stumbled into something extraordinary during lockdown.Perfect for: Art lovers, educators, content creators, anyone who's ever felt intimidated by the art world, and people who believe culture should be for everyone.Featured: James Payne's new book "Great Art Explained: How to Look at Art and Understand It" - out October 2nd (UK) / October 14th (US & worldwide)Grab your copy: https://amzn.to/4nLZFzp Thanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram, @watchseenart.About Behind The SeenTheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

In this episode, photographer Alexei Riboud sits down with Carrie Scott. Born into the art world yet carving his own distinctive path, Riboud shares intimate reflections on his journey, influences, and approach to photography as both art form and personal expression.Our conversation explores Riboud's fascinating relationship with photography - a medium he embraces for its ability to balance his love of solitude with meaningful connection to the world. With candid insight, he discusses growing up surrounded by artistic luminaries, trading prints with photography legends, and developing a style that honors influences while remaining distinctly his own.Alexei Riboud is an accomplished photographer born into remarkable artistic lineage as the son of sculptor/poet Barbara Chase-Riboud and renowned photographer Marc Riboud. Despite this heritage, Alexei's path to photography was not predetermined but personally discovered, leading to a distinctive visual language that balances documentary tradition with contemporary vision.His work has focused on documentary storytelling with particular interest in communities at the margins, including recent projects in Panama's Afro-Caribbean community in Colón. Riboud's approach combines the humanistic perspective reminiscent of his father's work with elements of the dynamic energy found in photographers like William Klein, whom he greatly admires.Beyond his photography, Riboud is known for his thoughtful reflections on the medium itself and its power to connect people across cultural boundaries. His work continues to evolve while maintaining a commitment to authentic visual storytelling.From Carrie: I don't mind admitting that Alexei Riboud kind of terrifies me. He comes from art world grace, really. Barbara Chase-Riboud is his mother, Marc Riboud is his father, and so his kind of understanding of art, it's pure and instinctive, right? I've studied it for years - he grew up with it. There's a different thing here. And you see that in the work for sure. He's got a fluency that it's extraordinary. But what I love about being able to interview artists is that you learn something new when you speak to them. And today I realized that actually Alexei is a photographer in spite of the fact that he was raised by artists. This wasn't something that was like a foregone conclusion and not something that maybe they even encouraged. He found photography kind of in spite of where he comes from. And again, I think you see that in the work because it's raw and honest and there's no sentimentality to it. It's just extraordinary. Like him.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠https://seen.art⁠).Join our free newsletter and become an art insider:⁠ https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠ https://www.instagram.com/watchseenart⁠).

In this episode, Kofi Perry, the 2023 Ingram Prize-winning painter, chats with Carrie Scott. Kofi's large-scale oil paintings challenge everything you think you know about classical art and contemporary identity. In this revealing conversation, Carrie Scott explores how this emerging artist bridges ancient artistic traditions with futuristic visions, creating imagined figures that feel both timeless and urgently contemporary.Kofi Perry (b. 1998, Sidon) is an American contemporary painter based in New York City and London.From Carrie: "Kofi’s paintings are a vibrant exploration of cultural identity and social issues. When we spoke, he explained how he blends abstraction and realism in his work. His pieces are colorful, intricate painting that challenges you to think about race, history, and power. His art is a bold and thought-provoking journey through identity and social commentary." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠https://seen.art⁠⁠).Join our free newsletter and become an art insider:⁠⁠ https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠⁠ https://www.instagram.com/watchseenart⁠⁠).

In this episode, Carrie Scott joins painter Jeffrey Melo in his New York studio.From Carrie: "Jeffrey's commitment to representation, particularly of Black people, is unwavering. To appreciate his work fully, it's essential to view it through the lens of Thelma Golden's "post-black" concept from the late 1990s. This vision embraces a nuanced understanding of Blackness—one that celebrates complexity, multiplicity, and individuality. It rejects monolithic identities in favor of a fluid, dynamic Black culture, filled with diverse voices and perspectives.Jeffery Melo embodies this "post-black" paradigm. His art transcends traditional boundaries, exploring intersections of race, gender, sexuality, and class. With each brushstroke, he challenges stereotypes and celebrates the richness of Black culture, illuminating stories often left in the shadows."Jeffrey is an artist whose paintings, sculptures, and murals reflect history, music, art/culture, and looks to celebrate, mourn, and bring light to the untold stories of characters in history. He uses portraits to illustrate a realness and an ability to emotionally connect with the stories one would otherwise not be as familiar with. His practice of oil paintings provides you a window into a world that could very well be your own, allowing you, the audience, to empathize with the work and the story it tells. Melo’s aim is to provide the audience with the tools to get curious, inquisitive, and accountable when considering very familiar stories being presented through unfamiliar characters. Jeffrey Melo was born in the Bronx, NY and currently resides in NYC. Melo received a BFA in Illustration from the University Of The Arts in Philadelphia.  After graduating in 2012 and moving back to New York, Melo found himself out of love and out of practice with art, which lasted through 2018. As a First Generation American of immigrant parents from the Dominican Republic, Melo was always  reminded of his identity. It wasn’t until he went to college that he discovered that who he was perceived very differently amongst his peers. His passion was reignited after a sudden shift in the climate of race and equality in America. This need to have his voice heard inspired Melo and brought purpose back into his Art. Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠https://seen.art⁠⁠).Join our free newsletter and become an art insider:⁠⁠ https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠⁠ https://www.instagram.com/watchseenart⁠⁠).

In this episode, photographer Maryam Eisler, joins Carrie Scott to discuss the profound connection between beauty, nature, and artistic expression. Maryam shares her philosophical approach to photography, revealing how she elevates both women and nature to pedestals of admiration, creating visual narratives that transcend mere aesthetics.Throughout our conversation, Maryam discusses how specific locations become sacred spaces for creative expression, drawing parallels with artistic legends like Georgia O'Keeffe. She offers intimate insights into her process, describing photography as her form of meditation—her "Xanax"—and explains why beauty serves as both an anchor and inspiration in our rapidly changing world.From her project "West-West" that bridges stunning visuals with explorations of societal division, to her deep connection with Magritte's "Empire of Light," this interview demonstrates why Maryam believes beauty isn't just decoration—it's a gateway to deeper understanding and spiritual connection in uncertain times.Maryam Eisler is an internationally acclaimed photographer, art patron, and author whose work has been exhibited in major galleries and institutions worldwide. Known for her striking images that celebrate the feminine form in harmony with natural landscapes, Eisler's photographic vision blends fine art aesthetics with profound philosophical underpinnings.A passionate advocate for the arts, Eisler has served on the boards of numerous cultural institutions including the Tate Modern and the Whitechapel Gallery. Her published works include books on contemporary art and photography, with collaborations featuring some of the world's most influential artists and creatives.Eisler holds degrees from Wellesley College and Columbia University. Her distinctive artistic approach—photographing both women and nature "from below" with equal reverence—has established her as a unique voice in contemporary photography, one that celebrates beauty as essential rather than superficial in our modern world.From Carrie: Maryam Eisler is a woman who I've known for for ten years and admired and enjoyed her patronage of the arts, her ability to create beautiful photographs, her generosity, everything, right? But I didn't know until this moment that what she's really seeking is to kind of help us all look at beauty and feel awe. And that's it, whether it's in her own work or through her own work, or through looking at and celebrating other artists. And this makes her extraordinary. This makes her just epic and awesome. And hopefully, you'll know exactly what I mean when you watch our conversation, but also when you look at her work.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠https://seen.art⁠).Join our free newsletter and become an art insider:⁠ https://mailchi.mp/seen/waitlistIf you want to connect with us between episodes, follow us on Instagram:⁠ https://www.instagram.com/watchseenart⁠).

In this episode of the Have You Seen? series, Carrie Scott chats with Spring Break Jake (aka Jake Kenobi), a self-taught painter & mixed media artist born & raised in Minneapolis, MN, currently based in Bend, OR. Jake uses the inevitability of death as motivation to explore the inner oceans of mental health. By creating darkly tropical work that focuses on vulnerability, he illuminates the unseen parts of ourselves while encouraging an acceptance of both the good & the bad, the light & the dark.From the adherence of found materials to the sculptural effect of thickened acrylic paint, his painting’s themes are reflected in his unique illustrative technique on top of textured layers of gestural abstraction; a physical representation of our often tumultuous minds.Through the repeated symbolism of death on holiday, Jake’s art ultimately recognizes that while no one gets out of this life alive, we can all find paradise along the way.From Carrie:"Otherwise known as Jake Kenobi, his work is raw, emotional, entirely his own. With a background in graphic design and roots in the snowboard industry, he's carved out a practice that feels different. He's blending branding, chaos, emotion, and big topics like insomnia and mental health all into a kind of palatable aesthetic. I got to meet him because he booked a one-to-one consult with me and I was so interested in his work and his practice and excited by the aesthetic that I asked him to do an interview together because I wanted you all to see his work. He's open and honest and the furthest thing from spring break. Each piece feels like a diary entry, layered, textured, emotional, vulnerable. I loved this conversation with him. I love where he's going with the work. I'm excited to follow this guy's career and see what's next. Jake's work ultimately captures the space, the liminal space between paradise and darkness. And I loved talking to him. And I think that you'll enjoy hearing from him, too.Explore Jake's work: https://springbreakjake.com/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartJoin our free newsletter and become an art insider: https://mailchi.mp/seen/waitlistAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode, Misan Harriman, photographer, social activist and Oscar Nominated filmmaker joins Carrie Scott to reflect upon his extraordinary journey, from picking up a camera just seven years ago to becoming one of the most important visual chroniclers of our time. Misan shares how his work documenting the George Floyd protests and global civil rights movements has evolved into a form of resistance, activism, and art. He speaks candidly about imposter syndrome, grief, hope, and the power of photography to bridge divides, challenge systems, and create lasting change. With stories spanning from London to Nigeria, from Grenfell to Palestine, Misan prepares for his first major solo show, "The Purpose of Light" at Hope 93 Gallery in London and opens up about the responsibility he feels to his subjects, to art, and to the world his daughters will inherit.Misan is one of the most widely-shared visual storytellers of this age. He is also the first black person in the 104 year history of British Vogue to shoot the cover of its September issue. In July 2021 he commenced his appointment as Chair of the Southbank Centre, London.His strong reportage style and unique eye for narrative has captured the attention of editors and celebrities around the world. From documenting historic moments in history to photographing high profile celebrities, Misan is a photographer of extraordinary range. His striking images have featured in Vanity Fair, Vogue UK, Harpers Bazaar, People Magazine and The Telegraph among others.Nigeria born, Misan was educated in England where he developed a life-long love for the arts. This led him to picking up a camera and honing his craft. He is completely self-taught, his work is inspired by Gordon Parks, Sally Mann, Eve Arnold, Bruce Davidson, Norman Parkinson and Peter Lindbergh.From Carrie: I first met Misan Harriman at a party and he took my picture and I thought it was great. Within a year, he was shooting the most important images that came out of the George Floyd protests and Black Lives Matter protests and has spent the last five years documenting every civil rights movement, every single protest that's happened, not only here in the UK, but abroad. So it should have come as no surprise to me that sitting with him was going to be a thing, and it was. Misan himself has as much presence as his work does. He knows what he's trying to do, he knows the message that he's trying to capture, and he's doing it perfectly. I mean that, and I know it sounds gushy, but he is. And he's about to have a show at Hope 93, where he will show for the very first time the bulk of this work, the last five years. And I think it's going to be epic.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art).Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-SignupIf you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).

In this episode of the Have You Seen? series, Carrie Scott chats with Violeta Sofia, a Violeta Sofia is an award winning artist, photographer and activist. As a fine artist and portrait photographer, Violeta has made significant strides in the art world. Her work has been exhibited at prestigious institutions such as the National Portrait Gallery and Christie's, showcasing her ability to blend creativity with a powerful narrative. Additionally, she has graced the covers of renowned publications like Elle Italia, Deadline Hollywood, and The Telegraph, cementing her status as a prominent figure in the industry.Today, Violeta's work transcends mere portraiture; it serves as a powerful tool for storytelling and self-expression. Through her lens, she seeks to bridge divides and celebrate the beauty of human diversity. Whether she's capturing the vulnerability of a celebrity or the authenticity in her fine art photography, Violeta Sofia continues to inspire and challenge perceptions through her art and activism.From Carrie:"Have you seen Violeta Sofia's work? This is not just your ordinary fashion photographer or portrait photographer or celebrity photographer. Sure, that's something that she does. But her personal work, her fine art, my god, it's amazing. She incorporates natural elements like leaves and flowers into her art and she blends all these with much media, mixed media, and the result is this like rich tactile composition that really celebrates natural beauty, complexity. She is really telling a story about self and wanting to be seen. I think this photographer is so engaging and we're in for something super special."Explore Violeta's work: https://www.violetasofia.com/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartJoin our free newsletter and become an art insider: https://mailchi.mp/seen/waitlistAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode, Mickalene Thomas, Brooklyn-based contemporary African-American visual artist, sits down with Carrie Scott for a conversation recorded live at her retrospective exhibition at the Hayward Gallery in London. Thomas shares her remarkable transformation from aspiring lawyer to groundbreaking artist and reflects on the profound impact art has had on her life's trajectory. With raw honesty, she reveals how Buddhist philosophy and unwavering faith have guided her successful career path outside traditional gallery structures. Thomas offers powerful insights on maintaining creative integrity, finding balance amidst chaos, and the vital importance of kindness in both personal relationships and broader society. Whether you're an artist, collector, or simply curious about the creative process, Thomas's wisdom on keeping an open heart while navigating life's complexities will leave you inspired and contemplative. Don't miss this intimate conversation with one of contemporary art's most influential voices.From Carrie: We're at the Hayward Gallery the day after Mickalene Thomas' retrospective opened. Last night it was like standing room only, wall -to -wall people celebrating thismoment because it's all happening and the show is open now so it's alive. She's had this touring retrospective. It opened at the Broad in LA. It then went to Philly. It's now here in London and it feels like the crescendo of 20 years of work. And I don't know what we're gonna get because we've got like a live audience who weren't invited to this particular conversation, but I'm excited to just take the temperature for her and see where she's at and how she feels about the giant stageshe's finally on.'Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-SignupAbout the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson and Mickalene Thomas to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-SignupIn this episode of the Seeing series, Carrie chats with  award-winning filmmaker and multi-media artist, Charlotte Colbert. Her work has strong philosophical undertones and often questions narrative, time, identity, dreams and the unconscious. The surreal and fantastical become a way to look at our world afresh and find the space to question and reimagine.From Carrie: "Sometimes the hardest interviews to do are with artists who you really respect or whose work really, really resonates and this is the case with Charlotte Colbert. I'm worried that this interview isn't the best one I've ever done and here's why. I have got this major, major respect for this woman and her work breaks me. I have no other words for it. It's emotional, it's emotive. It's all about the feminine sublime. It's all about the feminine and sirens and women and I want it. So sitting with her was hard. Sitting with her was hard. I had to try and play it cool, not very good at that and tried not to completely geek out on all the feminist stuff because I don't want to alienate an audience that should know her work and appreciate it. This woman is light and love with so much urgency and pain and passion. She's just awesome. Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).About the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson and Mickalene Thomas to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

Join our free newsletter and become an art insider: https://mailchi.mp/seen/waitlistIn this episode of the Have You Seen? series, Carrie chats with Susan Chen, a New York based artist exploring community portraiture, autobiographical self-portraits, and conceptual still lifes. She has collaborated with over a hundred different individuals in the studio from diverse backgrounds — many of whom are members of the Asian diaspora and beyond. Her paintings explore themes of race, community, belonging, prejudice, identity, family, longing, love, and loss.  Deeply curious about her sitters’ experiences, she continues to discover painting’s magical ability to survey communities and is driven by the political potential of figurative painting to inspire social change.From Carrie:"Have you seen Susan Chen's work? It's vibrant. And oh,so political. And I was expecting, wrongly so, this like super loud, heavy -hitting personality to be as bold as her work is. And she's just not. This is an artist who leaves every bit of her emotion and every bit of her political hopes and dreams and agendas in her work. And I think that that is extraordinary.Her pieces are like vibrant patchworks of different individuals, different portraits. They are a powerful statement on unity and the importance of every unique story and completely tied up in women's rights. It's remarkable.And our conversation was awesome and is all about not just reading a book by its cover.Explore Susan's work: https://susanmbchen.com/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode, conceptual artist and contempoary art world megastar Ryan Gander chats with Carrie Scott and In this intimate conversation with contemporary art world megastar Ryan Gander, we skip the usual exhibition promotion to explore the deeper "why" behind artistic creation. Gander shares personal insights about making art accessible without being elitist and reflects on how art intersects with our perception of time and memory. Rather than explaining his work, he invites us into a philosophical discussion about attention spans in our distracted world, the value of challenging art versus easy entertainment, and how imagination might help us control our experience of time. This episode offers a rare glimpse into the mind of an artist grappling with existential questions that extend far beyond the gallery walls.From Carrie: "Ryan Gander has a giant opening coming up at the Pola Museum in Japan and so we came to the studio today to talk to him about the show and everything he's got going on and guess what? We didn't talk about it at all and that's totally fine because there are hundreds of great interviews that Ryan has given that explain his practice and talk about his work because this man is a megastar in the contemporary art world. What we did today was kind of talk more personally about the point of art and why he does what he does, but also, like, what we're getting wrong. We got into, like, the deep big stuff that really bends my mind and,like, keeps me up at night and I think keeps him up at night and really got to the heart of why any of us do what we do. It was a great conversation and yet again, this is the third time I've got to interview him. I've walked away beinglike, 'Oh, that's the point. That's the point of all of this.' It's epic."Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).Join our free newsletter and become an art insider: https://mailchi.mp/seen/waitlistAbout the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode, Charlie Hamilton Scott, a world renowned photographer and wildlife filmmaker and BAFTA and Emmy award-winning director chats with Carrie Scott. His three-decade career has evolved from traditional wildlife photography into powerful conceptual work that challenges our detachment from environmental destruction. With refreshing honesty, James confronts the contradictions in his own relationship with his art—creating beautiful images of devastating subjects, questioning the impact of his work while continuing to make it, and balancing sincere conservation messaging with dark humor. This conversation explores not just environmental activism through art, but the very human struggle of trying to make a difference in a world that seems increasingly numb to both beauty and tragedy. James reveals how personal experiences shaped his unique visual language and why, despite his pessimism, he keeps creating work that demands we pay attention to what we're losing.From Carrie: "Let's be honest, the art world can be pretty allergic to sincerity, whether it's animals, activism, actual emotion, it's just not cool to be sincere. Maybe that's a worldwide problem, not just an art world problem, but it is a thing. And yet here I am, talking to Charlie Hamilton James about his project, which is totally sincere and I tried to catch him out about ten times. I tried to like find the fatal flaw in his project and it's just not there. This is a man who truly believes that what he's doing is important, because like it is crucially important. This conversation wasn't easy. It's not easy to engage with his work on the level that it requires, but it was so worth having.Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-SignupAbout the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode of the Have You Seen? series, Carrie chats with Lala Drona, an America artist based in London and Paris whose work works live in the of rupture between what's physical and the virtual, the human and themachine. From Carrie:"Lala Drona's practice is expansive and talking to her made that really clear. Painting is kind of just the entry point. From performance to video to fiction, she constructs a world where mourning and rebirth collide. She's exploring the techno-spiritual bonds between humans and our devices, and these are big questions being kind of writ-bear in paint. And the paint's visceral, it's layered, it's haunting, it's really physical against these questions about what a post -digital world might look like. To say that our conversation was kind of mind -bending says too much, but it did make me think because Drona's work doesn't offer easy answers. It asks, "What are we in the middle of becoming? And what's left behind when we finally get there?"Explore Lala's work: https://www.laladrona.com/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode of the Have You Seen? series, Carrie chats with Annabel Merrett, a British artist who is fascinated by the brain's workings. Annabel explores how our unconscious mind motivates our behaviour, often compelling us to return, repeat, and do the very thing we wish to avoid and fear.From Carrie:"Annabel Merrett has come to art making later in her life and all of the work is centered around health and I'm trying to resist the word to say mental health because while that is central to her practice, it is health that matters here. Annabel has been embraced by the science community because of that core but I think her practice is so important well beyond the confines of mental health and science and the medical world. This is a woman who feels it's urgent that we readdress the way we think and we talk about all sorts of things."Explore Annabel's work: https://www.annabelmerrett.com/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this week's episode, Carrie Scott steps into the tranquil countryside retreat of architectural master John Pawson for an intimate conversation that goes beyond the "minimalist" label. Join us as Pawson reveals his design philosophy centered on light, proportion, and materials, while sharing entertaining stories of collaborations with Karl Lagerfeld and other creative luminaries. From his approach to criticism to his thoughts on creating spaces with meaningful atmosphere, Pawson offers rare insights into his creative mind. Over the course of the interview, we discover a warm, humorous side to the composed designer whose precise vision has shaped some of the world's most elegant spaces. Whether you're a design enthusiast or simply curious about the mind behind these contemplative environments, this episode offers a thoughtful glimpse into architectural thinking at its finest.John Pawson is a British architectural designer renowned for his minimalist aesthetic that emphasizes simplicity, proportion, light, and material. Though not formally qualified as an architect, Pawson has created iconic spaces worldwide, from Calvin Klein's flagship store in New York to monasteries and museums, including London's Design Museum.Beyond architecture, Pawson is an accomplished photographer whose eye for composition and light is showcased in several books, including "Spectrum" and "Minimum," reflecting the same disciplined aesthetic that defines his architectural work. A former textile businessman who briefly attempted monastic life in Japan before finding his calling, Pawson was appointed Commander of the Order of the British Empire (CBE) in 2019 for his contributions to design and architecture.From Carrie: "I know John Pawson. I've interviewed him, launched exhibitions with him. I've even convinced him to let me sell his photography. So sitting down for another interview wasn't all that easy because I wanted to reveal the side of him that I know. His softer, funny side and his love for the creative collaborative process. But John is a pro, always composed and unwavering. He's a giant in the design world and he knows exactly what he's doing. But what struck me during our conversation at his country house with his wonderful wife, Catherine, is that John Possen might not actually be a minimalist. Bear with me. Minimalism as an artistic movement is all about simplicity, stripping away excess and focusing on essential elements. John's work embodies this with the monochrome tones and the absence of art on his walls. Yet in his house, every corner, detail, stone, and thread demands attention. It's a maximalist's dream in terms of engagement, though without the clutter.And maybe I don't fully grasp minimalism, but I left that interview thinking John's work deserves a whole new term. He challenges our relationship with material and material possessions and aesthetic beauty, embodying minimalist goals while creating spaces that captivate and us the mind. John isn't just a minimalist or he shouldn't be put into a box like that. He's something more. He makes us see more by showing less. And maybe that is the whole point of minimalism, but this interview was mind-opening, bending."Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart  ) . Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-SignupAbout the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way.

In the second episode of Behind the Seen, Carrie chats with Paddy Johnson,  the founder of Netvvrk, a membership that helps artists get the shows, grants, and residencies of their dreams by broadening their professional networks. Over the last two years, members have received over a million dollars in grants. Netvvrk has been featured in The New York Times, Hyperallergic, and Artnet News.From Carrie:"The first time I spoke to Paddy Johnson, she interviewed me for her podcast, Art Problems. And this time, we reversed the rules because I wanted to find out all about Netvvrk, her platform which is a membership-based network, to help artists get ahead. Now, it's part professional development, part mentorship, part Andy Warhol's factory for the digital age. And I mean that seriously, because I think what Paddy has done with Netvvrk is create a space where artists can help support one another, where they can grow, where they can talk about their successes, their failures. And so it literally is what Warhol might have been trying to do with the factory, a place where artists can be vulnerable, can be open, and can support one another. Patty Johnson is doing a great thing. And this interview will make that plain as day."Sign up for Paddy's live Masterclass: https://makeartanyway.netThanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram, @watchseenart.About Behind The SeenTheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

In this episode of the Have You Seen? series, Carrie chats with Nancy Cadogan, a British American artist, celebrated for her figurative paintings with their profound engagement with literature, time, and the still moments of life.Cadogan’s works were described as “heaven on a canvas” by the Evening Standard, and has had solo exhibitions internationally, including at Saatchi Gallery, London in 2019 and Keats-Shelley House, Rome in 2020. In 2022, she was invited as Artist in Residence at the British Ambassador’s Residence in Paris.Her latest project, ‘The Lost Trees’, explores our relationship with trees, time, and the natural world.From Carrie:"Nancy’s paintings are like a peaceful escape. During our chat, she explained how she uses a soft palette and delicate brushwork to create serene scenes. Her piece “Quiet Morning” captures a cozy interior with soft light, filled with books and plants. Her art provides a calming visual retreat, perfect for moments when you need a little peace."Explore Nancy's work: https://nancycadogan.com/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode of the Seeing series, Carrie chats with Casey Moore, a British / NZ photographer based in London and Melbourne. Casey is renowned for his evocative large-scale images that explore the natural world, patterns, and interconnectedness. Moore’s work is characterized by meticulous compositions that capture the sublime beauty of nature, drawing inspiration from diverse landscapes such as New Zealand’s wilderness, the Austrian Alps, and the UK’s rolling hills. His approach echoes the spirit of 19th-century painters and pioneering photographers like Carleton Watkins and Ansel Adams, aiming to evoke a sense of wonder and connection to the natural world.From Carrie: "Casey Moore is a photographer I didn't really want to work with. Terrible, I know, but the truth. And then during lockdown he and I had a conversation on Zoom when I was more open to being able to listen and to look and I saw something extraordinary in this work and it's something that just kept me and sustained me for the last four years because Casey captures beauty in a forensic way. And I mean that literally, he uses these really beautiful techniques to grab nature from the world around him and make as look at it.Now, some people I think like me at the start dismiss this beauty and dismiss his work, but that's a mistake because he is offering us so much depth and his work is singular in that way. It's unparalleled. And yes, it looks beautiful on your walls,but there's a bigger message at play. Take the time to take my horse's mouth as it were. Listen to Casey describe his work and I think you'll see exactly what I'm saying. And then take the time to look closely at his images. There's so much tothem."Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠https://seen.art⁠) . If you want to connect with us between episodes, follow us on Instagram, @watchseenart (⁠  / watchseenart  ⁠) .About the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode of the Have You Seen? series, Carrie chats with Tom Pike, a British Artist working and living in London. Tom creates abstract canvases with a combination of print, collage, graphic, mark making and self branding.His practice explores themes of chance and certainty, chaos and order and creative ownership as he investigate's his own creative identity as both an artist and designer.From Carrie:"Tom's work is really intricate. It's really bold. It's very male at first and yet none of that bravado, none of that kind of hard masculinity is part of his story or part of fundamentally his aesthetic. So I was totally taken aback to learn more about his practice and dig a little deeper into what he's trying to do coming from this very commercial background. And here's the thing, this was a tough one. The tech didn't work, it wasn't on our side from beginning to end, and so the conversation gets cut off halfway through. But we want to play it way because we think Tom's amazing and it's kind of exciting to peek behind the plinth and into the studio."Explore Tom's work: https://pikeprojects.art/Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenartAbout the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In the second episode of Behind the Seen, Carrie chats with Tim Blake,  a bespoke framer with + 25 years of experience offering tailored framing direction, art presentation, and advisory services for art collectors, artists, and galleries worldwide. Specialising in custom framing, Tim works closely with clients to create unique, seamless presentations that enhance the visual impact of each piece while ensuring its protection and longevity.From Carrie:"Tim is actually so much more than just a framer and he's been part of this world for 25 years. first at John Jones, and then at Darbyshire, and now he's going out on his own. So I'm kind of hoping he's going to sit down with us and give us all the tea, all the stuff, because he's not affiliated with thosegiants anymore. But most importantly, I'm kind of interested in talking to him about like what it is to be a framer, because his job is so much bigger than most people can possibly appreciate."Thanks for listening to this episode of the Seen podcast.Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.If you want to connect with us between episodes, follow us on Instagram, @watchseenart.About Behind The SeenTheBehind The SeenSeries brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

In this episode, Turner Prize-winning artist Lubaina Himid chats with Carrie Scott for a conversation that peels back the layers of her remarkable artistic journey. From her innovative representations of women to her thoughtful reflections on cultural identity, Himid offers rare insights into both her creative process and philosophical approach to art-making. She shares her perspective on the often-overlooked role of "aunties" in community structures, reveals why numbers and repetition feature prominently in her work, and explains why she believes art's greatest power lies in showing us that "anything is possible." Listeners will gain a deeper appreciation for how Himid's personal experiences and cultural observations transform into powerful visual statements that continue to challenge and inspire audiences worldwide.Himid's work explores themes of race, identity, colonial history, and the contributions of Black individuals often erased from history. She frequently uses painting, installation, and mixed media to challenge dominant narratives, drawing attention to overlooked stories and figures. Himid won the Turner Prize in 2017, becoming the first Black woman to receive the award. Her art is both politically charged and visually striking, often incorporating vibrant colors and theatrical compositions to engage with historical and contemporary social issues.From Carrie: "It doesn't matter how much you research or think about these conversations, they kind of go wherever they're meant to go. But the thing that is like finally kicking in for me, having now done a few of these, is that I'm in such a ridiculously privileged position to talk to these artists because actually hearing it from the horse's mouth changes the work and my understanding of what she does completely changed over the course of an hour. I went in a fan, I left a bigger fan and I now get why I'm a fan. For me, Lubaina Himid's kind of displaced culture and this sort of in -between space she navigates being a British woman who makes work, but also a Zanzibari woman who makes work, it speaks to me as a person who left the UK as a kid and came back here and hell we all know I can't pick a accent for crying out loud. So I think it's that, right? I think it's that I want you all to listen to these conversations and make up your own mind about the work and the art and what the art does for you. And I gotta say this one was was pretty extraordinary for me personally. I'd kind of like to know if it is for you."Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram, @watchseenart (  / watchseenart  ) .About the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode of the Have You Seen? series, Carrie chats with Bindi Vora, British-Indian interdisciplinary photographic artist and curator who is interested in how ideas of resistance and resilience are influenced by our everyday surroundings. Her practice often combines collage, linguistics, analogue processes, and an archive of found photography procured over the last decade. From Carrie: "Bindi’s photos are like quiet, beautiful poems. In our conversation, she told me how she transforms everyday moments into something extraordinary. Her series “Ephemeral Moments” captures fleeting memories with blurred lines and soft colors. Each photo feels nostalgic and timeless, exploring the delicate balance between what’s temporary and eternal." Explore Bindi's work: https://www.bindivora.co.uk/ Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art. Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart About the Have You Seen? series: The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now. Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode of the Seeing series, Carrie chats with Hank Willis Thomas, Brooklyn, NY based conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture (and that's putting it mildly).  From Carrie: "I tried not to fangirl in our interview with Hank, but not sure I completely succeeded. This is a man who is referencing so much and then laying it bare for us if we're willing to engage with the work, if we're willing to really look. On first view, you can't see everything, but with a light and some time and planting your feet firmly in the ground in front of the work, you can see things that you might not otherwise have seen. And I think that that is the point of his work, right? He's trying to get us to look. And we barely scratched the surface. I have 20 other questions that I could have asked him, but I think we got to the heart of what makes Hank think. It made me realize how avant-garde his work really is, how ahead of the curve he really is. Because this is a conversation that we desperately need to have right now. It's relevant. It's on point. It is so timely. And it really is so now." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art. If you want to connect with us between episodes, follow us on Instagram, @watchseenart. About the Seeing Series The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode of the Have You Seen? series, Carrie chats with Tom de Freston, an Oxford-based artist who's practice is dedicated to the construction of multimedia worlds, combining paintings, film and performance into immersive visceral narratives. From Carrie: "Tom’s art is like stepping into a mythological tale. In our talk, he shared how his paintings explore human struggles through surreal imagery. His piece “Echoes of Icarus” features a figure that reminds you of Icarus, surrounded by fiery clouds. The intense colors and distorted forms make you think about ambition and downfall. His art really makes you confront deep themes and emotions. " Explore Tom's work: https://tomdefreston.co.uk/ Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art. Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart About the Have You Seen? series: The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now. Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode of the Seeing series, Carrie chats with Simonette Quamina, a Brooklyn-based contemporary artist. Simonette Quamina’s works are a love letter written in a Caribbean visual language. Composed of diverse collage and printmaking techniques, the artist's large-scale collage prints speak to her intersectionality and multicultural background.  From Carrie: "What sets Simonette apart is her nomadic upbringing. From Brooklyn's vibrant streets to St. Vincent and Guyana's tranquil landscapes, her journey infuses her work with a rich tapestry of experiences. Growing up across continents with a blurred identity, Simonette's art resonated deeply with me. Her use of color, initially appearing monochromatic, reveals intricate patterns and bold symbolism, drawing viewers into a world of beauty and complexity. Her pieces are about memory and forgetting, telling her story and ours.." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art. If you want to connect with us between episodes, follow us on Instagram, @watchseenart. About the Seeing Series The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode of the Have You Seen? series, Carrie chats with Jade van der Mark, a Paris-based painter and sculptor. Adept at using the Impasto technique, Jade van der Mark, plays with multi layered oil painting to sculpt the pictorial material. With thick brushstrokes and a heritage which navigates between the European influences of Abstract expressionism to the CoBra art movement, she plays with dimensions and breaks the ethos of perspective allowing the eye to wander from detail to detail in a mesmerizing manner. From Carrie: "Chatting with Jade was like diving into a colorful city! Her paintings capture the hustle and bustle of urban life. In “City Rhythms,” she paints vibrant, expressive figures moving through a lively cityscape. The way she uses brushstrokes and detail brings out the motion and diversity of city living. Each piece feels like a story unfolding right before your eyes." Explore Jade's work: https://https://jadevandermark.com/ Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art. Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart About the Have You Seen? series: The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now. Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In the first episode of Behind the Seen, Carrie chats with Chadd Scott, a writer at the intersection of art and travel. He’s interested in the art that happens outside of major cities and making sure that we know as much about what’s happening in say, New Mexico, as we do London’s Bond Street. From Carrie: "Chadd and I both care deeply about making the art world more inclusive and accessible to everyone, from first-time gallery-goers to seasoned collectors. But why does it so often feel like an exclusive club, and what are we doing about that? We’re going to dig into what makes the art world feel alienating, whether it has embraced us, and what we’ve each done to bridge the gap to a wider audience." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art. If you want to connect with us between episodes, follow us on Instagram, @watchseenart. About Behind The Seen The Behind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

In this episode of the Seeing series, Carrie chats with Rashid Johnson, a Brooklyn-based contemporary artist. With an innovative blend of multimedia techniques and a profound exploration of identity, history, and cultural memory, Johnson has redefined boundaries, glass ceilings and so much more. From his iconic "Anxious Men" series to his immersive installations exploring themes of race, belonging, and the human condition, Johnson's work challenges viewers to confront uncomfortable truths and engage in critical dialogue. From Carrie: "I've known Rashid Johnson for almost 20 years. We did a show together when we were babies. So sitting down with him after all this time, it's not easy. When you know someone so well, it's hard to do the whole like professional interview thing. But what I so loved about this particular conversation is what dawned on me as I sat with him. And maybe this seems fairly obvious, but it's the evolution in Rashid's work, or project as he calls it, that's mind blowing. He's always centered what he does on his identity as a black man. But the evolution of his work is what makes it noteworthy and deserving of the canon. Rashid has moved from self or direct representation in his photography, which I do still love, to these more abstracted realities and emotions. The work has become so much more universal as a result. But what I really love about it is that the work has grown with him through anxiety and fatherhood and husbanding and even his great success. And as a result, it's always of this moment. It's not nostalgic. It's so very present. And that's likely what's made him so successful. And you see this in his most recent painting. There's an undoing in this latest series. A corporeality. Skeletons exposed. Raw. Open. I feel so of this time and they brought me to my knees." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art. If you want to connect with us between episodes, follow us on Instagram, @watchseenart. About the Seeing Series The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In this episode of the Have You Seen? series, Carrie chats with Storm Tharp, a Portland, Oregon based painter and sculptor. Storm builds his strange and beautiful characters by first drawing contours on the page with water. Inspired by the technique of Japanese calligraphy, the application of ink is a parallel of the mind’s movements, its unexpected focuses and elisions. As with any portrait, his works are signs pointing to a void: the subject itself, physically absent, disappearing before our very eyes. From Carrie: "When I spoke with Storm, he explained how he mixes painting, drawing, and sculpture to create these hauntingly beautiful portraits. For example, “Portrait of Flora” is both delicate and unsettling. The fragmented features and deep eyes tell a story of vulnerability and resilience. His art stays with you, balancing control and chaos in such a memorable way." Explore Storm's work. Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at seen.art. Connect with us between episodes on Instagram, @watchseenart. About the Have You Seen? series: The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now. Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

In this episode of the Seeing series, Carrie chats with Naama Tsabar, a Brooklyn-based installation and performance artist. Naama is a boundary-pushing artist known for challenging conventions and pushing the limits of what art can be. She stands alongside icons of performance art (think Yoko Ono, Carolee Schneemann, and Marina Abramović), bringing a fresh, urgent energy to performance art. Her work is raw, authentic, and totally rock and roll. Forget the somber image of traditional performance art. Naama’s playful, spontaneous approach, especially her signature style of dismantling electric guitars, invites viewers into a visceral, emotional experience. From Carrie: "In our interview, we dove into some of my passions—Luce Irigaray, sound art (I wrote my master’s thesis on it), and by the end, I was absolutely hooked. Get ready to be inspired, challenged, and electrified by Naama Tsabar—a true rock star of the performance art world." Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art. If you want to connect with us between episodes, follow us on Instagram, @watchseenart. About the Seeing Series The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.

In the first episode of the Have You Seen? series, Carrie chats with Alexis Nunnelly, a visual artist and painted based in Queens, NYC.  Inspired by the sensualities and non-linear timelines of nature, Alexis' paintings are bold and powerful color showcases in acrylic and oil images. Each created from collages of lush landscapes and surreal worlds all cradling sensual, femme figures. Nodding to romantic masters by studying their lyrical compositions — she reimagines timeless narratives using the nuances of her personal experiences. From Carrie: "In our chat, Alexis took me into her world where digital and traditional art blend to create these amazing, dreamlike scenes. Take her piece “Cosmic Reverie” – it’s like stepping into a dream. You see a figure floating in a starry sky, surrounded by swirling galaxies. It’s peaceful and full of wonder. Her imagination really knows how to captivate and surprise!" Thanks for listening to this episode of the Seen podcast. Liked what you hear? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at ⁠seen.art⁠. If you want to connect with us between episodes, follow us on Instagram. @⁠watchseenart⁠.  About the Have You Seen? Series: The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now. Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.