Show Don't Tell: Micro-Budget Filmmaking

In this episode, I'm joined by actor, filmmaker, and musician Nathan Xia to talk about his unconventional path into the industry - from making YouTube sketches with a flip camera to acting in studio projects, getting repped as both an actor and writer-director, and developing his deeply personal feature Adam's Song.Throughout the conversation Nathan shares how he fell into acting out of necessity while co-directing a scrappy COVID road trip feature with his roommates, and how that unexpected pivot eventually led to representation, festival success, and a role in Danny Madden's Downbeat.He also breaks down the relentless hustle behind landing his producer at Vanishing Angle, getting into the Blacklist Project Lab after 14 rejections, and signing with management company M88 - all before turning 26.Topics covered include:How Nathan discovered filmmaking through a flip camera and YouTube sketchesMaking a $2,000 road trip feature across six states during COVIDFalling into acting out of necessity - and finding it on the festival circuitCold-emailing his way to representation at Momentum Talent AgencyHow attending festivals (not just submitting) changed his careerLanding veteran indie producer Benjamin Wiesner through responsiveness and rewritesGoing 0-for-14 on labs and fellowships before getting into the Blacklist Project LabDeveloping the feature version of Adam's Song and scouting in West TexasWhy being a writer-director-actor gives him a unique advantage in attaching talentMuch more!Follow Nathan on InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I’m joined by filmmaker and YouTuber Blake Calhoun to talk about his new feature film Casey Makes A Mixtape, his long-running channel iPhoneographers, and his highly entrepreneurial approach to building a sustainable filmmaking career.Throughout the interview Blake shares how he got his start selling work to Warner Bros. after finding an audience on YouTube, and why he believes every filmmaker should consider having a YouTube channel - even if they don’t want to become a “YouTuber.”We also dig into the making of Casey Makes A Mixtape, a 1981-set coming-of-age feature that Blake made on a micro-budget.He breaks down how he wrote the script around resources he already had access to, directed and DP’d the film himself, used a small crew, incorporated iPhone footage alongside RED Komodo, and even licensed well-known songs on a tight indie budget.Topics covered include:Why indie filmmakers are inherently entrepreneursBlake’s early success in web series and selling a show to Warner Bros.How YouTube has changed since the early days of online videoHow Casey Makes A Mixtape evolved from an iPhone-shot short filmMaking a period piece on a low budgetDirecting and DP’ing your own featureWorking with a small crew of roughly 10 peopleLicensing famous songs for an indie filmMuch More!Links from the show:Casey Makes A Mixtape - FilmCasey Makes A Mixtape - TraileriPhoneographers - YouTubeSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I sit down with filmmaker Wade Patterson to discuss his micro-budget feature Death Cipher - a contained thriller shot in just 12 days for only $4,000.Throughout the interview, Wade shares how multiple failed feature attempts led him to radically simplify his process, why he embraced a single-location concept shot in his own apartment, and how limitations ultimately became the film’s greatest creative advantage.We also dive into the realities of making a feature with almost no money, wearing multiple hats as writer/director/cinematographer/editor, navigating festival rejection, finding distribution through Filmhub and Tubi, and much more:Why several failed feature attempts led to Death Cipher The mindset shift that led Wade to design a film around his resourcesShooting the film over weekends and treating each room like a company moveCreating props, puzzle elements, websites, and pre-shot video materialHow prioritizing actor comfort and a relaxed set environment improved the workWhat changed in post, including reshoots after early test screeningsHow Death Cipher landed on Tubi through FilmhubLinks from the show:Death Cipher - TubiDeath Cipher - InstagramWade Patterson - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode I'm joined by filmmaker and entrepreneur Stefan van de Graaff, whose $75,000 micro-budget feature Simmer landed on HBO after going viral on Facebook. Stefan also co-founded a video agency that grew from a two-person team into a 100-employee business before selling for $17 million, which we discuss at length.Throughout the episode we talk about Stefan’s unconventional path - from Midwest filmmaker to running a digial advertising business. We also cover how his commercial production work became the foundation for financing and producing indie features, and what it took to scale from a scrappy first feature to a $1M international production.Topics covered include:How uploading Simmer to Facebook led to 1M views and sales agent interestHow indie films without stars can land on major platforms like HBOFinancing a micro-budget feature with personal funds, partners, and partial fundraisingThe jump from a $75K film to a $1M feature using tax incentives, grants, and talent dealsWhy having the right producer dramatically increases credibility with agents and financiersLessons from building and selling an ad agency - and why strategy beats fulfillmentHow reducing friction (locations, permits, crew, logistics) makes indie filmmaking possibleWhy building an audience can be a more reliable path than the traditional Hollywood ladderLinks from the show:Stefan - InstagramOne of Us - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I sit down with Academy Award nominee and ASC Award-winner Curren Sheldon to discuss his gritty new narrative feature Beatdown - a boxing drama made for just $60,000.Throughout the interview, Curren shares how his background in vérité documentary shaped the film’s style, why he cast real fighters and non-actors, and how they filmed key fight scenes inside a live event with 4,000 spectators.We also dive into the practical realities of transitioning from documentary to narrative, self-financing a feature for under $60K, navigating today’s distribution landscape, and tons more:Why The Wrestler was a key stylistic reference for BeatdownThe doc-to-narrative transition: what gets easier, what gets harderUsing non-actors (real boxing personalities) without losing story controlShooting inside a real “Toughman” event with 4,000 extras and a tiny window to filmHow he sold two prior films to Netflix, and what it took to break throughA practical cinematography mindset shift that instantly elevates visualsLinks from the show:Beatdown - Full Film on YouTubeSign up for my newsletter for exclusive filmmaking insight each Sunday

In this special episode, we celebrate today’s release of our new feature film Teacher’s Pet - Now available where you rent or buy movies!Two days ago, we hosted a special advanced screening for members of my filmmaking community, and they took part in a virtual Q & A afterward. This episode includes the full live session with myself and lead actor / producer Luke Barnett.Topics covered include: Achieving high production value on a budgetLuke’s approach to bringing levity to a dark characterThe casting process & landing great actorsMoving from a $0 production into a larger projectOur hardest days on set and how we problem solvedDirecting & DP’ing the film simultaneously Much moreWatch the film on Apple now: https://itunes.apple.com/us/movie/teachers-pet/id1868537677 Full list of platforms where you can watch: Amazon Prime Video (US, CA)Apple TV (US, CA)Google Play / YouTube (US, CA)Fandango at Home (US)Comcast / Xfinity (US)Cox (US)Spectrum (US)DirecTV (US)Dish (US)Altice (US)Verizon / Fios (US)Telus (CA)Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode filmmaker Alec Goldberg joins the show to break down how his micro-budget comedy pilot Soft Boil went from a bootstrapped production to a blind submission acceptance at the 2026 Sundance Film Festival.We talk about Alec’s path from documentary and commercial work into scripted narrative, how a key creative partnership with lead actor / co-writer Camille Wormser shaped the project, and what it took to pull off a festival-ready pilot on $30,000 across a handful of shoot days.Topics covered include:Why Alec believes casting + voice was the “X factor” (and how to recognize it)The tactical micro-budget choices that mattered most (locations, rehearsals, scheduling)How to direct comedy with improv-friendly actors without losing the spine of the sceneThe producer “role-splitting” approach that let Alec focus on directingHow Alec thinks about finding your “voice” as a filmmaker, and why it's so criticalThe films and filmmakers shaping his taste (Kaufman, PTA, Von Trier, Aronofsky, Kubrick)Links from the show:Alec D. Goldberg - InstagramCamille Wormser - InstagramMadison Shamoun - InstagramVivian Kerr - InstagramPatrick Tabari - InstagramJohn Gemberling - InstagramAlec Goldberg - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I’m joined by filmmaker West Eldredge to break down how he made his debut feature Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms.We talk candidly about what actually moves the needle on an ultra-low budget feature: prioritizing casting, building a crew that can adapt under pressure, using festivals as a testing ground, and leveraging a strong trailer to start distribution conversations early.Topics covered include:Why West chose micro-budget filmmaking as a solution to finally making a featureHow crowdfunding, personal investment, and favors helped build an $80K budgetWhy he prioritized casting above almost everything - and what 4,000+ submissions taught himChemistry reads, ensemble casting, and avoiding the “name actor trap” on low budgetsSkeleton crew realities and what happens when a key crew member is suddenly goneFestival strategy lessons and how audience feedback helped define the film’s genrePitching distributors andwhy a great trailer matters more than you thinkPost-production burnout, bringing in new collaborators, and staying motivatedLinks from the show:West Eldredge - InstagramWest Eldredge - WebsiteTake From Me - Watch on Prime VideoSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. Topics covered include:How Deadly Illusions and Held Hostage in My House reached NetflixLicensing vs selling films, and why IP ownership matters more than everWhat filmmakers should know about distributors, streamers, and rights reversionNavigating the post-streaming-boom slowdown and emerging opportunitiesWhy film festivals aren’t the only viable path anymoreThinking entrepreneurially without sacrificing creative integrityThe future of branded storytelling and creator-led business modelsLinks from the show:Anna Elizabeth James – IMDbSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I’m joined by filmmaker Mark Hensley, whose new feature Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000.Mark shares how he wrote, shot, lit, and edited the film with no crew, no permits, and no safety net, all while working full-time as a re-recording mixer for major network shows.We dive deep into micro-budget filmmaking, practical sound strategies, on-the-fly rewrites, and why taking your time on a no-budget feature can actually elevate the final product far beyond what traditional indie shoots allowTopics covered include:Shooting a feature over a full year with no crewRewriting and reshaping a 200-page script for micro-budget practicalityWhy slow, flexible production schedules often lead to better moviesReshooting scenes strategically - and why even big studio films build this inMaking “bad” production audio usable with smart techniqueHow pros mix dialogue on network shows (and why lavs can beat booms)Picking the right camera for the film - not the “best” cameraSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I’m joined by Steven Bernstein, ASC - the legendary cinematographer behind films like Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful visual storytellers.We discuss Steven’s unconventional path into cinematography, how he developed his philosophy of the “20 languages of cinema,” and why he believes most screenwriting rules hold filmmakers back rather than push them forward.Topics covered include:How Steven transitioned from the BBC to shooting studio featuresThe craft lessons he learned working on Monster and major studio comediesWhy he rejects rigid screenwriting formulas in favor of cinematic “grammar”Understanding the 20 languages of cinema: composition, editing, sound, and moreHow filmmakers can avoid being pigeonholed creatively or professionallyBuilding a sustainable career by mastering both story and imageLinks from the show:Steven Bernstein – InstagramSteven Bernstein – IMDbFilmmaker and Fan’s PodcastSign up for my newsletter for exclusive filmmaking insight each Sunday

On today’s episode, I’m joined by filmmaker Hudson Phillips, who returns to share the incredible story of how his first appearance on the podcast led to getting his feature film financed (via one of our listeners)Throughout the discussion we take a deep dive into the realities of making micro-budget features profitable - Touring films like bands, selling merch, building community city-by-city, and designing a sustainable filmmaking life outside the traditional Hollywood pipeline.Topics covered include:How a single podcast interview led directly to a private film investorTouring your film like a band, and why this model worksHow to screen in multiple cities without losing moneyThe merch items that actually sell at indie screening eventsLessons from distribution hell, and why Hudson went DIYSelf-releasing via FilmHub, Bitmax & digital strategy in 2025+Building a real community vs chasing festivalsWhy creative constraints make films better (even at the studio level)“Higher-concept, lower-budget” filmmaking strategyThe future of micro-budget movies & audience buildingLinks from the show:Mirror Box FilmsHudson Phillips - InstagramMirror Box Films - SubstackSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode I’m thrilled to be joined by Luke Barnett to discuss our viral short film OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in recent years.Within days of completion, the short caught fire online and even landed a feature in Variety - proof that the smallest, most spontaneous projects can yield outsized results. Throughout the discussion we unpack OVATION in detail, along with Luke’s wildly successful short The Crossing Over Express, another viral sensation viewed by millions that was transformative for his career.Topics covered include:The origin of Crossing Over Express and building a deeply personal shortShorts that connect vs. features that stall - and why connection beats runtimeWhat “branding yourself” as an artist really means for your careerCrafting OVATION: single take, no dialogue, real applause, two lights, tiny roomSatire vs. parody: the importance of keeping it grounded and realFestivals or internet? How to decide where your short belongs“Asymmetric bets”: making fast, cheap work with huge upsideHustle, grit, and the necessary (healthy) delusion to survive this industryIf you enjoy OVATION, please leave a comment, thumbs up, or share with a friend!Links from the show:OVATION - Watch On YouTube!The Crossing Over ExpressLuke Barnett - InstagramLuke Barnett - XSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode I’m joined by filmmaker Jon Bregel, who recently DP'd the new Jay Duplass feature film The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films.Throughout the interview we trace Jon's journey from leveraging Vimeo as a tool to launch a successful commercial career in New York, to stepping away and redefining what it means to be a working filmmaker. We dig into creative alignment, sustainable career building, and how a documentary-minded approach has shaped some of his recent work. Topics covered include:From Vimeo Staff Pick to a call from Nike -  early momentum in the Vimeo heydayBurnout, depression, and redefining success beyond money and prestigeHow to work like a professional, build routines, and treat freelancing like a real businessLanding The Baltimorons: and how “manifesting” opportunities really worksLighting quickly with tiny crews, embracing imperfection, and protecting spontaneityWhat Jon learned from Jay Duplass about presence, and generous leadershipPractical longevity: sustaining energy and morale across an indie feature scheduleLinks from the show:The Baltimorons - Movie SiteJon Bregel - Website & CoachingThe Nourish CommunitySign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode I am joined by longtime friend and fellow filmmaker Ryan Oksenberg, here to break down the making of his debut feature FOIBLES - a darkly comic, surreal satire about codependency and addiction.Throughout the episode we take a behind the scenes look at this feature - How Ryan greenlit the project himself, pulling off big set pieces on an indie budget, the 13-month post pipeline, music licensing reality checks, and taking home an award at Kevin Smith’s Smodcastle for best Actor.Topics covered include: Moving from shorts to a debut feature with a SAG Ultra Low Budget agreementBuilding a 40-person crew, and setting up basecamp at homePractical vs. digital: stunt days that don’t go to plan, and why it works in the editShot listing & storyboarding every beat vs. staying nimble on the dayCasting on a budget: personal letters, partnering with casting directorsPost for indies: cutting, feedback screenings, and when to let goMusic supervision 101: masters + publishing, MFN, festival vs. all-media licensesThe Kickstarter × Tubi path: hitting the goal to unlock a grant and AVOD distributionLinks from the show: FOIBLES — Official TrailerSupport FOIBLES on KickstarterSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode filmmaker and novelist Mick Lexington joins me to unpack the development phase for his debut feature Mr. Jack - an existential New York drama adapted from his own novel.Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more.Topics include:Working with a fundraising specialist to raise a target budget of $400K“Agile filmmaking”: building momentum by shooting key exteriors ahead of producitonCasting strategy without star names and avoiding audience-misleading cameosTurning New York City into a story engine: LES & Williamsburg as living backdropWriting cadence & anti-procrastination: consistent daily blocks vs. burstsWhy the final rewrite is the edit - and planning for pickups and pivotsLinks from the show:Mr. Jack - WebsiteMick Lexington - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Matthew Freiheit, whose career has spanned work with major artists like Wu-Tang Clan, Red Hot Chili Peppers, and Nicki Minaj - and who has now broken into feature filmmaking with his debut Iconic.Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution.Throughout our discussion we cover:Transitioning from music and fashion projects to narrative filmmakingHow Matthew maximized limited resources to create a big-scope on a micro-budgetWriting around real locations and existing gear to stretch production valueDirecting while also DP’ing and editing - and how to balance those roles effectivelyTips for pre-lighting and shooting 6–8 pages per day without sacrificing qualityWhat it’s really like taking your debut feature to AFM The evolving role of AI tools in filmmaking and how Matthew is exploring themMuch moreLinks from the show:Matthew Freiheit – InstagramIconic – InstagramIconic – WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

Filmmaker Emily Elizabeth Thomas joins me this week to break down the making of her debut feature film Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation.Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature.We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include:Moving from commercials to narrative filmmaking by way of a vertical seriesWhy embracing nontraditional formats can expand your audience reachPractical strategies for navigating low budgets without sacrificing visionThe role of zoom lenses and lens testing in creating emotional storytellingBuilding authentic performances with young actors through collaborative rehearsalsManaging tone as a director’s primary responsibilityMuch more.Links from the show:Watch Keily: Homecoming Dweeb on Candy JarKeily: Homecoming Dweeb on IMDbEmily Elizabeth Thomas – Official PortfolioSign up for exclusive filmmaking newsletters each Sunday.

In this episode, I’m joined by director and photographer Dave Hill to discuss the making of his second feature film — a visually dynamic, deeply personal story shot with virtually no crew in the Arizona desert. All on the Blackmagic Pocket 4K.Throughout the interview we dive deep into Dave’s tactics and workflow, and explore how they empowered him to fully own the visual language of his film. Topics covered include:Why Dave ditched the traditional crew structure and shot entirely handheldHow the Blackmagic Pocket 4K + Micro Four Thirds sensor unlocked his styleThe pros and cons of running sound without a sound personLeveraging camera choice and post-production to mimic the 16mm film aestheticRecasting day players, last-minute locations, and other stories from setWhy low-budget filmmaking is actually a gift when paired with the right creative visionMuch more!Links from the show:Dave Hill – InstagramDave Hill – WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I’m joined by filmmaker Julian Sol Jordan to talk about his self-made debut feature Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself.The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s.Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. Topics covered include: How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4The value of embracing lo-fi footage and imperfections to elevate emotional truthWhy David Lowery funded the premiere and how their mentorship beganThe unexpected benefit of not writing a script — and when to start one next timeHow old home movies became the emotional anchor of the filmWhy guerrilla filmmaking might be Julian’s path forwardMuch more!Links from the show:Julian Sol Jordan – InstagramJulian Sol Jordan – YouTubeSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by DP Justyn Moro, whose cinematography career has included collaborations with artists like Jared Leto, Tom Delonge and countless others - and most recently has been shooting features and television at Tyler Perry Studios.Justyn shares the full scope of his creative journey—how he got started shooting music videos, learning cinematography on the road with Jared Leto, and making the leap into narrative storytelling on projects like Monsters of California and Beauty in Black. Topics covered include:Breaking into the film industry with zero connectionsShooting documentary and music video content with Jared Leto across the globeLessons from working on Monsters of California with Tom DeLongeTransitioning from music videos to narrative film & televisionJustyn’s approach to prep, lighting, and working fast on setCreative collaboration with directors and building a strong crew dynamicWhy a clear vision and openness to collaboration make the best directorsLinks from the show:Justyn Moro – WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by filmmaker Felipe Vargas - whose viral horror short films helped him land his feature film debut Rosario.Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and lessons learned along the way. Topics covered include: How Felipe's childhood passion for horror and folklore shaped his filmmaking styleThe success of his short films, including Milk Teeth which garnered 15 million views on YouTubeThe realities of getting representation and what comes afterHow his feature film Rosario came together after developing relationships with producersShooting across two countries (New York and Colombia) on a sub-$10 million budgetThe importance of being consistently productive and self-generative as a filmmakerUsing test screenings effectively and the value of planning for pickup shotsThe unique character-first approach Felipe uses to break down scripts and scenesLinks from the show:Felipe Vargas - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Joe Burke to discuss his incredible journey making the feature film Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he has a son.Throughout our conversation, we explore Joe's innovative approach to micro-budget filmmaking, including how he infused real-life relationships into the narrative. Topics covered include: How Joe cast his non-actor subjects in their first ever film rolesShooting an entire feature in 7 days with just a 3-person crewThe strategic use of black & white cinematography to elevate production valueCreating compelling narrative films without traditional scriptsNavigating 28 festival rejections before winning Best Picture awardsSelf-distributing via theatrical screenings while building community partnershipsLinks from the show:Burt The Movie - WebsiteJoe Burke - Instagram (@joeburkfilm)Sign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Christopher Folkens to discuss his debut feature film The Catalyst - a psychological thriller that was produced in just 8 shooting days.Throughout our discussion, we explore the unconventional production methods Christopher employed, including structured improvisation and a non-traditional shooting schedule.Topics covered include:Why Christopher chose to embrace structured improvisation with actorsHow they filmed nearly half the movie in a single nightCompleting a feature film in just 8 total shooting daysThe evolution from a 12-person proof of concept to a 7-person final castUsing obstacles as opportunities in low-budget productionThe benefits of having an editing background as a directorFinding the balance between having a plan and remaining flexible on setLinks from the show:Christopher Folkens - InstagramThe Catalyst Movie - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Clinton Cornwell to discuss his feature film 12 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater's Boyhood.Throughout our conversation, we dive deep into Clinton's unique production approach and creative process. Topics covered include: Creating an improvised relationship drama shot over real timeWorking with a minimal crew (often just 3 people) across 60 shooting daysThe benefits and challenges of spreading production over two yearsFinding actors comfortable with improvisation and maintaining their commitmentBalancing structure and spontaneity in an improvised filmManaging 200+ hours of footage during post-productionThe advantages of being a "jack of all trades" filmmakerLinks from the show: 12 Months FilmClinton Cornwell - InstagramClinton Cornwell - Letterboxd Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by filmmaker Nick Psinakis to discuss his journey creating four feature films with creative partner Kevin Ignatius and how they've developed a sustainable model for indie filmmaking.Throughout our conversation, we explore their evolution from DIY beginnings to community-supported productions, with special emphasis on how they've maintained high production value on micro-budgets. Topics covered include:Their progression from a $65K genre film to their newest feature, "Valley View Motel"Building strong community support in small-town Pennsylvania as a production baseMaximizing efficiency with minimal crew and strategic location planningCreative approaches to chronological shooting and managing weather variablesNavigating the ever-changing sales and distribution landscapeThe delicate balance between artistic integrity and commercial viabilityTheir post-production workflow and co-directing dynamicLinks from the show: 418 Films - Instagram Cheat - Watch on Amazon Prime Sign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Vivian Kerr to discuss her journey from acting to directing and how she successfully brought her first two feature films to life without traditional industry connections. Vivian's debut feature, Scrap - a family dramedy starring herself alongside Anthony Rapp (Rent, Star Trek Discovery) - completed a two-year festival run spanning 43 festivals before its recent VOD release. She followed this quickly with her second feature, Seance, a psychological thriller that recently premiered at the Newport Beach Film Festival. Throughout our conversation, we explored:Vivian's background and transition from theater to filmmakingThe genesis of Scrap and its exploration of hidden homelessnessHow she leveraged a short film version of Scrap to secure feature financingUsing the equity crowdfunding platform WeFunder to raise the bulk of her financingManaging post-production on one film while doing a festival run with anotherThe genesis of Seance and writing a contained feature during the pandemicWhy believable performances are the foundation of good directingLinks from the show:Scrap - MovieSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Ethan Hegel, who recently made his feature directorial debut with Purgatory Station after years of honing his craft behind the camera. Throughout the interview, Ethan shares his unique path to serving as director, DP, editor, and colorist on multiple feature films. Topics covered include:The importance of having a supportive network that encourages creative risk-takingHow color grading expertise deepened Ethan's cinematography knowledge.Adapting and improving someone else's screenplay while maintaining the core storyShooting an ambitious feature in just 7 days with minimal pre-production timePractical techniques for achieving convincing day-for-night and night-for-day lightingEffective methods for directing actors that focus on emotional motivationThe value of balancing self-sufficiency and collaboration in filmmakingLinks from the show: Ethan Hegel - Instagram Moving On - Short Film Purgatory Station - Prime Video Sign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by actor/director Matt Cohen (Supernatural, General Hospital, Entertainment Tonight) and producer Sean Flanagan to discuss their innovative approach to making films in today's changing landscape.Throughout our conversation, we explore their upcoming feature Exes and animated series Public Domain, while unpacking their unique production model built on relationships, creative problem-solving, and maximizing resources.Topics covered include:Juggling 12+ projects in various stages of developmentThe importance of focusing on "evergreen" concepts vs chasing trendsAchieving high production value on ultra low budgets through strategic choicesThe value of maintaining morale and team spirit on low budget productionsFinding creative solutions to budgetary limitations rather than compromising qualityBuilding a sustainable model for independent filmmaking in today's marketMuch more!Links from the show:Matt Cohen - InstagramSean Flanagan - InstagramPublic Domain Series - InstagramPublic Domain Series - IndiegogoSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by filmmaker Ernie Gilbert to discuss his work on A24's upcoming horror-thriller-comedy OPUS, which recently premiered at Sundance. Throughout our discussion, we explore Ernie’s creative process, his work in commercials & music videos, career building, and more. Topics covered include:The benefits of bringing editors on early in pre-productionEditing remotely while production is taking placeHow to maintain fresh eyes on long-form projectsBalancing work across features, commercials, and music videosThe transition from editing to directing and backBuilding relationships and collecting "merit badges" in the industryBest practices for managing conflicting creative notesLinks from the show: Ernie Gilbert - WebsiteErnie Gilbert - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by filmmaker Rob Smat who shares his experience transitioning from the $100,000 feature film The Last Whistle to a $10,000 documentary Walkout, and the valuable lessons learned along the way.Throughout our discussion, we explore the realities of micro-budget filmmaking and distribution through the lens of both projects. Topics covered include:• How scaling down production increases creative control• Working with traditional distributors vs. self-distribution platforms• Marketing & AVOD strategies for micro-budget films• The importance of building a sustainable filmmaking career• The value of making multiple films vs. betting only on one project• Finding success through grassroots marketing and community outreachLinks from the show: Film Collaborative's Distributor Report Card BitMAXWalkout - FilmWalkout - Companion PodcastSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by film editor Stephania Dulowski to discuss her work on the Sundance dramatic competition feature film Bunny Lover. We dive deep into her editorial process and explore the tactics she used to pull off an amazing edit in record time.Topics covered include:Completing a first cut in just one monthNavigating test screenings and filmmaker feedbackThe importance of technical skills and communication in editingEditorial workflow breakdown from dailies review to final cutBalancing creative vision with practical constraintsLinks from the show:Stephania Dulowski's WebsiteStephania Dulowski's InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am thrilled to be joined by actor and filmmaker Samantha Scaffidi, known for her role in the massively successful Terrifier franchise, and her upcoming short film Open Your Eyes.Thought the episode, Samantha offers a unique perspective on independent filmmaking from both sides of the camera. We unpack how the Terrifier films evolved from a $30,000 micro-budget horror film to a $2M theatrical blockbuster, while maintaining its independent spirit - thanks to director Damien Leone's uncompromising vision.We also explore the realities of modern independent filmmaking, the importance of artistic integrity, and why sometimes less resources can lead to more creative freedom. Samantha shares insights from her experience both acting in micro-budget productions and directing high-end commercials, ultimately explaining why she chose to return to her independent filmmaking roots.Topics covered include: How Terrifier evolved from a $30K first film to a $2M third installmentThe crew behind the original Terrifier, and how director Damien Leone handled multiple rolesSamantha’s transition from acting to directing, including doc work and commercial projectsHer upcoming psychological horror short film Open Your EyesThe profound influence of John Cassavetes on Samantha’s artistic philosophyThe realities of film festival programming and industry networkingThe challenges of balancing commercial work with personal creative projectsLinks from the show: Samantha Scaffidi – InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by director Misha Calvert and actor Raye Spielberg to unpack their latest short film PINK FLAGS - a figure skating drama that stars both Raye and her husband Sawyer Spielberg.Throughout our discussion, we dive into the collaborative process at length, with special emphasis on the merits of working with close friends and family. Topics covered include:Misha's journey from directing comedy & TV to making a full scale short filmTurning a $50K budget into $300K of production valueRaye's three months of figure skating training & how it helped set this film apartThe dynamics of actor-director workflows when working with friendsBenefits of short films vs. long form projectsMuch more!Links from them show:Misha Calvert - InstagramMisha Calvert - WebsiteMisha Calvert - ClassesRaye Spielberg - InstagramRaye Spielberg - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Shannon E. Brown, here to discuss her latest short film Overnights - inspired by her real life experience in the veterinary industry, and the burnout that it caused.Shannon combined her background in the veterinary world, improv comedy, and horror sensibilities to create a deeply personal, uniquely stylized short film. Throughout the interview, we discuss:The parallels between comedy and horror genres in filmmakingProducing the film in two days in a borrowed dental officeWorking with Little Shop of Gore for practical effectsWriting from real experiences in the veterinary industryStrategic approaches to film festival submissionsExperiences at notable genre festivals like Panic FestWorking with comedy performers in dramatic rolesMuch more!Links from the show: Overnights - Short FilmShannon E. Brown - InstagramShannon E. Brown - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Kim Noonan, who made his feature directorial debut at age 50 with two horror films - proving you can take your career to the next level at any age.After years of making award-winning short films, Kim transitioned to features with the found-footage horror film Nyctophobia and followed it up with the supernatural thriller Are You There? which secured distribution through Dark Sky Films.Topics covered include:Kim's journey from acting to directingMaking his feature filmmaking debut at age 50How he made a micro-budget found footage film in 10 daysScaling up to a larger production while maintaining creative controlThe importance of casting and giving actors space to find their charactersMaintaining momentum and avoiding creative burnoutThe distinction between festival success and commercial distributionLinks from the show:Kim Noonan – WebsiteKim Noonan – InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Sripal Sama, who turned his engineering background into an advantage when crafting his debut feature How's That for Monday?While holding down his day job as an IT security engineer, Sripal managed to write, direct, and produce a compelling thriller for just $65,000 - and secured theatrical distribution in both the US and India. Our discussion dives deep into his filmmaking approach and distribution journey.Topics covered include:How Sripal benefitted from his background outside the film industryShooting a 68-page script in 16.5 days across 5 key locationsCreative approaches to minimal coverage that still tell a compelling storyNavigating theatrical releases in two countries without a major marketing budgetReaching 50% budget recoupment through strategic platform selectionDrawing inspiration from both American indie cinema and Indian filmmaking techniquesLinks from the show:Sripal Sama - TwitterSripal Sama -  InstagramSripal Sama - EmailSign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am joined by film critic turned filmmaker Jean-Baptiste Herment, here to talk about his DIY feature film Épidermique. Throughout the episode we discuss: How Jean-Baptiste produced the feature film with no crewBenefits of spreading out the production schedule over a yearDrawing inspiration from Italian cinema, Robert Rodriguez and beyondThe benefits of shooting monochrome on a low budgetUsing 4 - 5 different cameras and matching them in postThe merits of film festivals vs. online self-distributionMuch more!Links from the show: Épidermique - Instagram Akaba Media - Vimeo Akaba Media - YouYubeSign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am joined by acclaimed documentary filmmaker Roger Nygard, who you might know from films like Trekkies, Suckers, and The Truth About Marriage. Throughout our discussion, we unpack Roger’s winning formula for making and selling documentary films. Topics covered include: Why $100,000 is the magic number as a starting point for your budgetThe realities of recouping your costs, and what to expect from salesHow to generate interest from multiple buyers to up your minimum guaranteeThe importance of theme from a creative and business perspectiveApplying traditional storytelling principles to challenging topicsBest practices for getting started making your next docLinks from the show:Roger Nygard - Website The Documentarian - BookSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Mark Mc Auley to discuss the creative process behind his feature film aWake, which was shot in a single day!The discussion covers his entire creative workflow, philosophical approach to filmmaking, production tactics, and loads more. Some of the topics covered include: Adapting a short film into to a featureUsing single takes to produce a feature in one dayElevating “stage play” ideas with a cinematic treatmentThe importance of setting rules for your productionHow to build your own filmmaking modelCultivating resilience for long term successCreating buzz and navigating festivalsLinks from the show:Awake - Film WebsiteMark Mc Auley - WebsiteMark Mc Auley - XMark Mc Auley - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

This episode is part 2 in the no-budget cinematography series, where we explore methods and tactics for achieving strong visuals with limited means.Topics covered include: The 33% rule for shooting coverage5 ideal coverage methods for no-budget productionsShooting scenes in a single take (while avoiding common mistakes)Alternate methods to traditional “film school” coverageHow the “scene split” technique can improve quality and save timeMuch more!These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released next week.As a listener, you can save 50% when you pre-order the course now!Simply use code: SDT50 at checkout here.

Today I am thrilled to be joined by the amazingly talented Jim Cummings, who you know as the Sundance winning writer / director / actor behind films like Thunder Road, The Wolf Of Snow Hollow, and The Beta Test. Jim recently released a brand new short film titled Is Now A Good Time, which we discuss at length throughout the podcast. The conversation spans Jim’s filmmaking journey post-Thunder Road, his creative process for developing ideas, and tactics for filmmakers looking to improve their craft. Jim also shares a sneak peek at his upcoming television series, thoughts on the future of Hollywood, and much more!Links from the show:Is Now A Good Time - Short FilmJim Cummings - InstagramJim Cummings - XSign up for my newsletter for exclusive filmmaking insight each Sunday.

Today we take a deep dive into the world of no-budget cinematography, looking at methods and workflows for achieving better results within limited means. The full episode covers: The 3 “no’s” of no-budget cinematographyWorkflow differences on a no-budget productionAvoiding common pitfalls that can kill production valueLighting setups, blocking, framing, and actor placementUsing day-for-night as a tool for both interiors and exteriorsMuch more!These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released later this month.As a listener, you can save 50% when you pre-order the course now!Simply use code: SDT50 at checkout here.Sign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am joined by returning guest Whitney Ingram to talk all about the world of freelance filmmaking.After a stint working in-house as a content creator, Whitney recently re-entered the freelance world and is already finding success landing projects that align with her creative goals. Throughout the episode we explore the benefits (and challenges) of going freelance full time, and how Whitney strikes a balance between corporate gigs and passion projects.Whitney also shares her recent experience directing and DP'ing a short film, leveraging social media as a career tool, and strategies for landing paid work.Links from the show:Whitney Ingram - InstagramWhitney Ingram - YouTubeSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, we explore the age old issue of imposter syndrome and look at ways to eliminate self-doubt as a filmmaker. From comparing yourself to others to fear of failure - the episode is packed with strategies to combat negativity.Topics covered include:The difference between healthy self-criticism and debilitating doubtWhy you should avoid sharing your film ideas prematurelyThe dangers of setting arbitrary deadlines for "making it" in the industryHow to handle criticism from non-filmmakersWhy making films repeatadly is the best way to overcome self doubtAll of this and much more on today's show.Sign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by writer, producer and actor Jonathon M. Smith - who originally connected with me through my filmmaking community (The Backlot). Not long after joining the community, Jonathon went on to make his debut feature film Broken City, lock in distribution, and launch an impressive film marketing event in his hometown. Throughout the interview, Jonathon sheds light on his philosophy on filmmaking, the challenges of fundraising, and his decision to shoot a low-budget film in a single location.He also speaks to the importance of mental toughness, how his background in sports impacted his disciplined approach to filmmaking, and much more. Links from the show:Jonathon M. Smith - EmailBroken City - AmazonJonathon M. Smith - X Jonathon M. Smith- InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I dive deep into the world of single location filmmaking and share my thoughts making the most of your micro-budget production.Throughout the show I unpack many of the common pitfalls associated with this approach - like keeping your audience engaged and avoiding visual repetition - along with creative solutions at each step. Topics covered include:Writing your script around the location from the beginningSeeking out primal stories with high stakes and character potentialUtilizing every space within the location to add visual varietyVarying the time of day to create diverse lighting setups and moodsCasting dynamic actors with natural chemistry to add intensityAll of this and much more on today's show!Sign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am joined by Ryan McGuire, who heads up the commercial production company Cutter Studios in Tokyo, Japan. Throughout the interview, Ryan and I take a deep dive into the world of commercial filmmaking. Ryan shares his story launching a niche production business in Japan, which has attracted clients like Amazon and Zeiss along the way. We also discuss tips for filmmakers looking to build an impressive body of work, how to best differentiate yourself, the impact of AI on the industry, and much more. Links from the show: Cutter Studios Tokyo Ryan McGuire - LinkedInRyan McGuire - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode I am joined by friend of the show and host of Past Present Feature (@pastpresentfeature), Marcus Mizelle. An Emmy award winning feature filmmaker who has made numerous successful DIY narrative and documentary films.Throughout the interview we talk about Marcus’ leap from scripted micro-budget narratives, to breakthrough feature doc projects. He speaks to the importance of curation in modern day cinema, the state of the theatrical experience, and shares the benefits of podcasting and content creating for filmmakers.This and much more on today's episode!Sign up for my newsletter for exclusive filmmaking insight each Sunday.

Today I am thrilled to have acclaimed DP Oren Soffer on to talk about his recent work on The Creator, and all other things cinematography.Oren is of course known for his brilliant camera work on countless narrative, commercial, and music video projects. He recently co-DP’d The Creator along with Greig Fraser - which drew tons of attention for its stunning visuals and innovative use of the Sony FX3.Throughout the interview, Oren talks about his journey into cinematography, the process of co-DP'ing a project, and tips for budding cinematographers looking to break in. He also shares technical wisdom on green screens vs. gray screens, shooting with the FX3 on a major feature film, and much more! Links from the show:Oren Soffer - Instagram  Oren Soffer - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.